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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE01F3 it is the complementary color #11FE0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE01F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE01F3 shade: #F301EE, #FF13FF, #FF25FF, #FF37FF and #FF49FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE01F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE01F3 shade: #EE01F3, #DD00E0, #CC00CD, #BB00BA and #AA00A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE01F3 shade: #EF01F4, #F401B7, #F40176, #F40135 and #F40101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE01F3 shade: #EF01F4, #AD01F4, #6C01F4, #2B01F4 and #0101F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE01F3 shade matches the following richer shades: #EF01F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE01F3 shade: #EF01F4, #DC15E0, #C929CC, #B63DB8 and #A350A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE01F3 shade: #6A01F4, #AB01F4, #EB01F4, #F401BB and #F4017A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE01F3 shade: #9E01A1, #C601CB, #EF01F4, #F920FE and #FA49FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE01F3 shade: #EE01F3, #F42A01 and #01F48B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE01F3 shade: #EE01F3, #F4EB01 and #01F4EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE01F3 shade: #EE01F3, #F42A01, #09F401 and #01CBF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE01F3 shade: #EE01F3, #F47201, #09F401 and #0182F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 100 / 0 / 5

HEX #EE01F3

RGB 238 1 243

HSL 298.76, 0.99%, 0.48%

LAB 56.75, 93.9, -60.04

 

Complementary color

CMYK 93 / 0 / 95 / 0

HEX #11FE0C

RGB 17 254 12

HSL 118.76, 0.99%, 0.52%

LAB 87.5, -85.23, 82.1

 

CMYK 0 / 100 / 2 / 5

HEX #F301EE

RGB 243 1 238

HSL 301.24, 0.99%, 0.48%

LAB 57.32, 93.97, -56.29

 

CMYK 0 / 93 / 0 / 0

HEX #FF13FF

RGB 255 19 255

HSL 300, 1%, 0.54%

LAB 60.73, 97.03, -60.18

 

CMYK 0 / 85 / 0 / 0

HEX #FF25FF

RGB 255 37 255

HSL 300, 1%, 0.57%

LAB 61.48, 94.82, -58.98

 

CMYK 0 / 78 / 0 / 0

HEX #FF37FF

RGB 255 55 255

HSL 300, 1%, 0.61%

LAB 62.69, 91.31, -57.06

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 2 / 100 / 0 / 5

HEX #EE01F3

RGB 238 1 243

HSL 298.76, 0.99%, 0.48%

LAB 56.75, 93.9, -60.04

 

CMYK 1 / 100 / 0 / 12

HEX #DD00E0

RGB 221 0 224

HSL 299.2, 1%, 0.44%

LAB 52.68, 88.62, -56.03

 

CMYK 0 / 100 / 0 / 20

HEX #CC00CD

RGB 204 0 205

HSL 299.71, 1%, 0.4%

LAB 48.57, 83.19, -51.91

 

CMYK 0 / 100 / 1 / 27

HEX #BB00BA

RGB 187 0 186

HSL 300.32, 1%, 0.37%

LAB 44.39, 77.68, -47.7

 

CMYK 0 / 100 / 2 / 33

HEX #AA00A7

RGB 170 0 167

HSL 301.06, 1%, 0.33%

LAB 40.14, 72.07, -43.4

 

CMYK 2 / 100 / 0 / 4

HEX #EF01F4

RGB 239 1 244

HSL 298.77, 0.99%, 0.48%

LAB 56.98, 94.2, -60.22

 

CMYK 0 / 100 / 25 / 4

HEX #F401B7

RGB 244 1 183

HSL 315.06, 0.99%, 0.48%

LAB 54.73, 87.29, -28.94

 

CMYK 0 / 100 / 52 / 4

HEX #F40176

RGB 244 1 118

HSL 331.11, 0.99%, 0.48%

LAB 52.47, 81.41, 6.35

 

CMYK 0 / 100 / 78 / 4

HEX #F40135

RGB 244 1 53

HSL 347.16, 0.99%, 0.48%

LAB 51.28, 78.22, 43.75

 

CMYK 0 / 100 / 100 / 4

HEX #F40101

RGB 244 1 1

HSL 0, 0.99%, 0.48%

LAB 50.99, 77.41, 64.75

 

CMYK 2 / 100 / 0 / 4

HEX #EF01F4

RGB 239 1 244

HSL 298.77, 0.99%, 0.48%

LAB 56.98, 94.2, -60.22

 

CMYK 29 / 100 / 0 / 4

HEX #AD01F4

RGB 173 1 244

HSL 282.47, 0.99%, 0.48%

LAB 46.23, 85.22, -78.15

 

CMYK 56 / 100 / 0 / 4

HEX #6C01F4

RGB 108 1 244

HSL 266.42, 0.99%, 0.48%

LAB 37.37, 79.35, -93.05

 

CMYK 82 / 100 / 0 / 4

HEX #2B01F4

RGB 43 1 244

HSL 250.37, 0.99%, 0.48%

LAB 31.96, 76.84, -102.21

 

CMYK 100 / 100 / 0 / 4

HEX #0101F4

RGB 1 1 244

HSL 240, 0.99%, 0.48%

LAB 30.78, 76.44, -104.21

 

CMYK 2 / 100 / 0 / 4

HEX #EF01F4

RGB 239 1 244

HSL 298.77, 0.99%, 0.48%

LAB 56.98, 94.2, -60.22

 

CMYK 2 / 100 / 0 / 4

HEX #EF01F4

RGB 239 1 244

HSL 298.77, 0.99%, 0.48%

LAB 56.98, 94.2, -60.22

 

CMYK 2 / 91 / 0 / 12

HEX #DC15E0

RGB 220 21 224

HSL 298.82, 0.83%, 0.48%

LAB 53.1, 86.72, -55.37

 

CMYK 1 / 80 / 0 / 20

HEX #C929CC

RGB 201 41 204

HSL 298.9, 0.67%, 0.48%

LAB 49.93, 76.83, -49.18

 

CMYK 1 / 67 / 0 / 28

HEX #B63DB8

RGB 182 61 184

HSL 299.02, 0.5%, 0.48%

LAB 47.93, 63.38, -40.94

 

CMYK 1 / 51 / 0 / 36

HEX #A350A4

RGB 163 80 164

HSL 299.29, 0.34%, 0.48%

LAB 47.24, 46.37, -30.46

 

CMYK 57 / 100 / 0 / 4

HEX #6A01F4

RGB 106 1 244

HSL 265.93, 0.99%, 0.48%

LAB 37.15, 79.23, -93.43

 

CMYK 30 / 100 / 0 / 4

HEX #AB01F4

RGB 171 1 244

HSL 281.98, 0.99%, 0.48%

LAB 45.92, 84.99, -78.67

 

CMYK 4 / 100 / 0 / 4

HEX #EB01F4

RGB 235 1 244

HSL 297.78, 0.99%, 0.48%

LAB 56.3, 93.59, -61.35

 

CMYK 0 / 100 / 23 / 4

HEX #F401BB

RGB 244 1 187

HSL 314.07, 0.99%, 0.48%

LAB 54.91, 87.74, -30.99

 

CMYK 0 / 100 / 50 / 4

HEX #F4017A

RGB 244 1 122

HSL 330.12, 0.99%, 0.48%

LAB 52.58, 81.69, 4.08

 

CMYK 2 / 99 / 0 / 37

HEX #9E01A1

RGB 158 1 161

HSL 298.88, 0.99%, 0.32%

LAB 37.6, 69.05, -43.99

 

CMYK 2 / 100 / 0 / 20

HEX #C601CB

RGB 198 1 203

HSL 298.51, 0.99%, 0.4%

LAB 47.42, 81.86, -52.65

 

CMYK 2 / 100 / 0 / 4

HEX #EF01F4

RGB 239 1 244

HSL 298.77, 0.99%, 0.48%

LAB 56.98, 94.2, -60.22

 

CMYK 2 / 87 / 0 / 0

HEX #F920FE

RGB 249 32 254

HSL 298.65, 0.99%, 0.56%

LAB 60.18, 94.43, -60.56

 

CMYK 2 / 71 / 0 / 0

HEX #FA49FE

RGB 250 73 254

HSL 298.67, 0.99%, 0.64%

LAB 63.54, 85.33, -55.19

 

CMYK 2 / 100 / 0 / 5

HEX #EE01F3

RGB 238 1 243

HSL 298.76, 0.99%, 0.48%

LAB 56.75, 93.9, -60.04

 

CMYK 0 / 83 / 100 / 4

HEX #F42A01

RGB 244 42 1

HSL 10.12, 0.99%, 0.48%

LAB 52.83, 72.12, 65.46

 

CMYK 100 / 0 / 43 / 4

HEX #01F48B

RGB 1 244 139

HSL 154.07, 0.99%, 0.48%

LAB 85.29, -71.42, 37.21

 

CMYK 2 / 100 / 0 / 5

HEX #EE01F3

RGB 238 1 243

HSL 298.76, 0.99%, 0.48%

LAB 56.75, 93.9, -60.04

 

CMYK 0 / 4 / 100 / 4

HEX #F4EB01

RGB 244 235 1

HSL 57.78, 0.99%, 0.48%

LAB 91.08, -16.5, 89.59

 

CMYK 100 / 0 / 4 / 4

HEX #01F4EB

RGB 1 244 235

HSL 177.78, 0.99%, 0.48%

LAB 87.34, -49.05, -9.35

 

CMYK 2 / 100 / 0 / 5

HEX #EE01F3

RGB 238 1 243

HSL 298.76, 0.99%, 0.48%

LAB 56.75, 93.9, -60.04

 

CMYK 0 / 83 / 100 / 4

HEX #F42A01

RGB 244 42 1

HSL 10.12, 0.99%, 0.48%

LAB 52.83, 72.12, 65.46

 

CMYK 96 / 0 / 100 / 4

HEX #09F401

RGB 9 244 1

HSL 118.02, 0.99%, 0.48%

LAB 84.36, -83.06, 80.41

 

CMYK 100 / 17 / 0 / 4

HEX #01CBF4

RGB 1 203 244

HSL 190.12, 0.99%, 0.48%

LAB 75.61, -27.49, -31.89

 

CMYK 2 / 100 / 0 / 5

HEX #EE01F3

RGB 238 1 243

HSL 298.76, 0.99%, 0.48%

LAB 56.75, 93.9, -60.04

 

CMYK 0 / 53 / 100 / 4

HEX #F47201

RGB 244 114 1

HSL 27.9, 0.99%, 0.48%

LAB 62.73, 45.45, 70.5

 

CMYK 96 / 0 / 100 / 4

HEX #09F401

RGB 9 244 1

HSL 118.02, 0.99%, 0.48%

LAB 84.36, -83.06, 80.41

 

CMYK 100 / 47 / 0 / 4

HEX #0182F4

RGB 1 130 244

HSL 208.15, 0.99%, 0.48%

LAB 54.56, 13.32, -65.1

 

Description

Color code: HEX #EE01F3 | qconv.com Color code: HEX #EE01F3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 1 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 1 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 100 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 100% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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