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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDFEC8 it is the complementary color #120137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDFEC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDFEC8 shade: #F2FEC3, #FFFFD6, #FFFFE9, #FFFFFC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDFEC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDFEC8 shade: #EDFEC8, #DCECB5, #CBDAA2, #BAC88F and #A9B67C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDFEC8 shade: #EDFEC8, #FBFEC8, #FEF2C8, #FEE3C8 and #FED5C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDFEC8 shade: #EDFEC8, #DEFEC8, #D0FEC8, #C8FECF and #C8FEDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDFEC8 shade matches the following richer shades: #EDFEC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDFEC8 shade: #EDFEC8, #EBF9CD, #EAF5D1, #E8F0D6 and #E6ECDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDFEC8 shade: #FEF1C8, #FCFEC8, #EEFEC8, #DFFEC8 and #D1FEC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDFEC8 shade: #D2FC77, #E0FDA0, #EDFEC8, #FAFFF0 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDFEC8 shade: #EDFEC8, #C8FEE3 and #F8C8FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDFEC8 shade: #EDFEC8, #C8EEFE and #FEC8EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDFEC8 shade: #EDFEC8, #C8FEE3, #D8C8FE and #FEC8E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDFEC8 shade: #EDFEC8, #C8FEF3, #D8C8FE and #FEC8D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 21 / 0

HEX #EDFEC8

RGB 237 254 200

HSL 78.89, 0.96%, 0.89%

LAB 97.25, -14.51, 24.02

 

Complementary color

CMYK 67 / 98 / 0 / 78

HEX #120137

RGB 18 1 55

HSL 258.89, 0.96%, 0.11%

LAB 3.85, 22.14, -30.24

 

CMYK 5 / 0 / 23 / 0

HEX #F2FEC3

RGB 242 254 195

HSL 72.2, 0.97%, 0.88%

LAB 97.51, -13.46, 26.96

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 7 / 0 / 21 / 0

HEX #EDFEC8

RGB 237 254 200

HSL 78.89, 0.96%, 0.89%

LAB 97.25, -14.51, 24.02

 

CMYK 7 / 0 / 23 / 7

HEX #DCECB5

RGB 220 236 181

HSL 77.45, 0.59%, 0.82%

LAB 91.03, -14.46, 24.96

 

CMYK 7 / 0 / 26 / 15

HEX #CBDAA2

RGB 203 218 162

HSL 76.07, 0.43%, 0.75%

LAB 84.71, -14.39, 25.95

 

CMYK 7 / 0 / 29 / 22

HEX #BAC88F

RGB 186 200 143

HSL 74.74, 0.34%, 0.67%

LAB 78.3, -14.31, 26.99

 

CMYK 7 / 0 / 32 / 29

HEX #A9B67C

RGB 169 182 124

HSL 73.45, 0.28%, 0.6%

LAB 71.79, -14.22, 28.08

 

CMYK 7 / 0 / 21 / 0

HEX #EDFEC8

RGB 237 254 200

HSL 78.89, 0.96%, 0.89%

LAB 97.25, -14.51, 24.02

 

CMYK 1 / 0 / 21 / 0

HEX #FBFEC8

RGB 251 254 200

HSL 63.33, 0.96%, 0.89%

LAB 98.26, -9.54, 25.56

 

CMYK 0 / 5 / 21 / 0

HEX #FEF2C8

RGB 254 242 200

HSL 46.67, 0.96%, 0.89%

LAB 95.47, -2.48, 21.75

 

CMYK 0 / 11 / 21 / 0

HEX #FEE3C8

RGB 254 227 200

HSL 30, 0.96%, 0.89%

LAB 91.77, 5.14, 16.57

 

CMYK 0 / 16 / 21 / 0

HEX #FED5C8

RGB 254 213 200

HSL 14.44, 0.96%, 0.89%

LAB 88.37, 12.37, 11.76

 

CMYK 7 / 0 / 21 / 0

HEX #EDFEC8

RGB 237 254 200

HSL 78.89, 0.96%, 0.89%

LAB 97.25, -14.51, 24.02

 

CMYK 13 / 0 / 21 / 0

HEX #DEFEC8

RGB 222 254 200

HSL 95.56, 0.96%, 0.89%

LAB 96.24, -19.72, 22.46

 

CMYK 18 / 0 / 21 / 0

HEX #D0FEC8

RGB 208 254 200

HSL 111.11, 0.96%, 0.89%

LAB 95.36, -24.44, 21.1

 

CMYK 21 / 0 / 19 / 0

HEX #C8FECF

RGB 200 254 207

HSL 127.78, 0.96%, 0.89%

LAB 95.02, -25.88, 16.98

 

CMYK 21 / 0 / 13 / 0

HEX #C8FEDD

RGB 200 254 221

HSL 143.33, 0.96%, 0.89%

LAB 95.32, -23.39, 10.23

 

CMYK 7 / 0 / 21 / 0

HEX #EDFEC8

RGB 237 254 200

HSL 78.89, 0.96%, 0.89%

LAB 97.25, -14.51, 24.02

 

CMYK 7 / 0 / 21 / 0

HEX #EDFEC8

RGB 237 254 200

HSL 78.89, 0.96%, 0.89%

LAB 97.25, -14.51, 24.02

 

CMYK 6 / 0 / 18 / 2

HEX #EBF9CD

RGB 235 249 205

HSL 79.09, 0.79%, 0.89%

LAB 95.92, -12.01, 19.6

 

CMYK 4 / 0 / 15 / 4

HEX #EAF5D1

RGB 234 245 209

HSL 78.33, 0.64%, 0.89%

LAB 94.91, -9.75, 16.11

 

CMYK 3 / 0 / 11 / 6

HEX #E8F0D6

RGB 232 240 214

HSL 78.46, 0.46%, 0.89%

LAB 93.59, -7.14, 11.65

 

CMYK 3 / 0 / 8 / 7

HEX #E6ECDA

RGB 230 236 218

HSL 80, 0.32%, 0.89%

LAB 92.52, -5.14, 8.02

 

CMYK 0 / 5 / 21 / 0

HEX #FEF1C8

RGB 254 241 200

HSL 45.56, 0.96%, 0.89%

LAB 95.22, -1.98, 21.4

 

CMYK 1 / 0 / 21 / 0

HEX #FCFEC8

RGB 252 254 200

HSL 62.22, 0.96%, 0.89%

LAB 98.33, -9.19, 25.68

 

CMYK 6 / 0 / 21 / 0

HEX #EEFEC8

RGB 238 254 200

HSL 77.78, 0.96%, 0.89%

LAB 97.32, -14.16, 24.12

 

CMYK 12 / 0 / 21 / 0

HEX #DFFEC8

RGB 223 254 200

HSL 94.44, 0.96%, 0.89%

LAB 96.3, -19.38, 22.56

 

CMYK 18 / 0 / 21 / 0

HEX #D1FEC8

RGB 209 254 200

HSL 110, 0.96%, 0.89%

LAB 95.42, -24.11, 21.19

 

CMYK 17 / 0 / 53 / 1

HEX #D2FC77

RGB 210 252 119

HSL 78.95, 0.96%, 0.73%

LAB 93.73, -33.11, 58.51

 

CMYK 11 / 0 / 37 / 1

HEX #E0FDA0

RGB 224 253 160

HSL 78.71, 0.96%, 0.81%

LAB 95.43, -24.06, 41.44

 

CMYK 7 / 0 / 21 / 0

HEX #EDFEC8

RGB 237 254 200

HSL 78.89, 0.96%, 0.89%

LAB 97.25, -14.51, 24.02

 

CMYK 2 / 0 / 6 / 0

HEX #FAFFF0

RGB 250 255 240

HSL 80, 1%, 0.97%

LAB 99.27, -4.23, 6.58

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 0 / 21 / 0

HEX #EDFEC8

RGB 237 254 200

HSL 78.89, 0.96%, 0.89%

LAB 97.25, -14.51, 24.02

 

CMYK 21 / 0 / 11 / 0

HEX #C8FEE3

RGB 200 254 227

HSL 150, 0.96%, 0.89%

LAB 95.46, -22.27, 7.34

 

CMYK 2 / 21 / 0 / 0

HEX #F8C8FE

RGB 248 200 254

HSL 293.33, 0.96%, 0.89%

LAB 86.22, 26.04, -20.03

 

CMYK 7 / 0 / 21 / 0

HEX #EDFEC8

RGB 237 254 200

HSL 78.89, 0.96%, 0.89%

LAB 97.25, -14.51, 24.02

 

CMYK 21 / 6 / 0 / 0

HEX #C8EEFE

RGB 200 238 254

HSL 197.78, 0.96%, 0.89%

LAB 91.95, -8.9, -11.8

 

CMYK 0 / 21 / 6 / 0

HEX #FEC8EE

RGB 254 200 238

HSL 317.78, 0.96%, 0.89%

LAB 86.28, 25.16, -11.39

 

CMYK 7 / 0 / 21 / 0

HEX #EDFEC8

RGB 237 254 200

HSL 78.89, 0.96%, 0.89%

LAB 97.25, -14.51, 24.02

 

CMYK 21 / 0 / 11 / 0

HEX #C8FEE3

RGB 200 254 227

HSL 150, 0.96%, 0.89%

LAB 95.46, -22.27, 7.34

 

CMYK 15 / 21 / 0 / 0

HEX #D8C8FE

RGB 216 200 254

HSL 257.78, 0.96%, 0.89%

LAB 83.48, 15.91, -24.45

 

CMYK 0 / 21 / 11 / 0

HEX #FEC8E3

RGB 254 200 227

HSL 330, 0.96%, 0.89%

LAB 85.97, 23.32, -6.01

 

CMYK 7 / 0 / 21 / 0

HEX #EDFEC8

RGB 237 254 200

HSL 78.89, 0.96%, 0.89%

LAB 97.25, -14.51, 24.02

 

CMYK 21 / 0 / 4 / 0

HEX #C8FEF3

RGB 200 254 243

HSL 167.78, 0.96%, 0.89%

LAB 95.84, -19.15, -0.34

 

CMYK 15 / 21 / 0 / 0

HEX #D8C8FE

RGB 216 200 254

HSL 257.78, 0.96%, 0.89%

LAB 83.48, 15.91, -24.45

 

CMYK 0 / 21 / 17 / 0

HEX #FEC8D3

RGB 254 200 211

HSL 347.78, 0.96%, 0.89%

LAB 85.55, 20.79, 1.88

 

Description

Color code: HEX #EDFEC8 | qconv.com Color code: HEX #EDFEC8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 254 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 254 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 21 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 21% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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