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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDFBAACE it is the complementary color #120455CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDFBAACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDFBAACE shade: #F2FBA5CE, #FFFFB8CE, #FFFFCBCE, #FFFFDECE and #FFFFF1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDFBAACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDFBAACE shade: #EDFBAACE, #DCE997CE, #CBD784CE, #BAC571CE and #A9B35ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDFBAACE shade: #EDFBAC, #FBF3AC, #FBDEAC, #FBC9AC and #FBB4AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDFBAACE shade: #EDFBAC, #D8FBAC, #C3FBAC, #AEFBAC and #ACFBC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDFBAACE shade matches the following richer shades: #EDFBAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDFBAACE shade: #EDFBAC, #E9F4B3, #E4EDBA, #E0E6C1 and #DBDFC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDFBAACE shade: #FBDEAC, #FBF3AC, #EEFBAC, #D9FBAC and #C4FBAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDFBAACE shade: #DDF75D, #E5F985, #EDFBAC, #F6FDD4 and #FEFFFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDFBAACE shade: #EDFBAA, #ACFBC9 and #E9ACFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDFBAACE shade: #EDFBAA, #ACEEFB and #FBACEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDFBAACE shade: #EDFBAA, #ACFBC9, #B9ACFB and #FBACDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDFBAACE shade: #EDFBAA, #ACFBE1, #B9ACFB and #FBACC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 26 / 1

HEX #EDFBAACE

RGBA 237 251 170 0.81

HSLA 70.37, 0.91%, 0.83%, 0.81

LABA 95.96, -17.11, 37.36, 0.81

 

Complementary color

CMYK 64 / 77 / 0 / 54

HEX #120455CE

RGBA 18 4 85 0.81

HSLA 250.37, 0.91%, 0.17%, 0.81

LABA 7.87, 33.58, -44.86, 0.81

 

CMYK 3 / 0 / 28 / 1

HEX #F2FBA5CE

RGBA 242 251 165 0.81

HSLA 66.28, 0.91%, 0.82%, 0.81

LABA 96.24, -15.86, 40.28, 0.81

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFB8CE

RGBA 255 255 184 0.81

HSLA 60, 1%, 0.86%, 0.81

LABA 98.53, -10.7, 34.03, 0.81

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFCBCE

RGBA 255 255 203 0.81

HSLA 60, 1%, 0.9%, 0.81

LABA 98.86, -8.19, 24.92, 0.81

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFDECE

RGBA 255 255 222 0.81

HSLA 60, 1%, 0.94%, 0.81

LABA 99.24, -5.41, 15.79, 0.81

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF1CE

RGBA 255 255 241 0.81

HSLA 60, 1%, 0.97%, 0.81

LABA 99.66, -2.38, 6.67, 0.81

 

CMYK 5 / 0 / 26 / 1

HEX #EDFBAACE

RGBA 237 251 170 0.81

HSLA 70.37, 0.91%, 0.83%, 0.81

LABA 95.96, -17.11, 37.36, 0.81

 

CMYK 5 / 0 / 29 / 7

HEX #DCE997CE

RGBA 220 233 151 0.81

HSLA 69.51, 0.65%, 0.75%, 0.81

LABA 89.73, -16.95, 38.45, 0.81

 

CMYK 5 / 0 / 31 / 13

HEX #CBD784CE

RGBA 203 215 132 0.81

HSLA 68.67, 0.51%, 0.68%, 0.81

LABA 83.42, -16.76, 39.59, 0.81

 

CMYK 5 / 0 / 35 / 18

HEX #BAC571CE

RGBA 186 197 113 0.81

HSLA 67.86, 0.42%, 0.61%, 0.81

LABA 77.02, -16.52, 40.75, 0.81

 

CMYK 5 / 0 / 38 / 24

HEX #A9B35ECE

RGBA 169 179 94 0.81

HSLA 67.06, 0.36%, 0.54%, 0.81

LABA 70.51, -16.23, 41.94, 0.81

 

CMYK 6 / 0 / 31 / 2

HEX #EDFBAC

RGB 237 251 172

HSL 70.63, 0.91%, 0.83%

LAB 95.99, -16.86, 36.41

 

CMYK 0 / 3 / 31 / 2

HEX #FBF3AC

RGB 251 243 172

HSL 53.92, 0.91%, 0.83%

LAB 94.99, -7.73, 35.27

 

CMYK 0 / 12 / 31 / 2

HEX #FBDEAC

RGB 251 222 172

HSL 37.97, 0.91%, 0.83%

LAB 89.73, 2.88, 28.23

 

CMYK 0 / 20 / 31 / 2

HEX #FBC9AC

RGB 251 201 172

HSL 22.03, 0.91%, 0.83%

LAB 84.62, 13.75, 21.23

 

CMYK 0 / 28 / 31 / 2

HEX #FBB4AC

RGB 251 180 172

HSL 6.08, 0.91%, 0.83%

LAB 79.69, 24.77, 14.35

 

CMYK 6 / 0 / 31 / 2

HEX #EDFBAC

RGB 237 251 172

HSL 70.63, 0.91%, 0.83%

LAB 95.99, -16.86, 36.41

 

CMYK 14 / 0 / 31 / 2

HEX #D8FBAC

RGB 216 251 172

HSL 86.58, 0.91%, 0.83%

LAB 94.56, -24.44, 34.25

 

CMYK 22 / 0 / 31 / 2

HEX #C3FBAC

RGB 195 251 172

HSL 102.53, 0.91%, 0.83%

LAB 93.27, -31.7, 32.29

 

CMYK 31 / 0 / 31 / 2

HEX #AEFBAC

RGB 174 251 172

HSL 118.48, 0.91%, 0.83%

LAB 92.12, -38.55, 30.56

 

CMYK 31 / 0 / 24 / 2

HEX #ACFBC0

RGB 172 251 192

HSL 135.19, 0.91%, 0.83%

LAB 92.39, -35.83, 20.75

 

CMYK 6 / 0 / 31 / 2

HEX #EDFBAC

RGB 237 251 172

HSL 70.63, 0.91%, 0.83%

LAB 95.99, -16.86, 36.41

 

CMYK 6 / 0 / 31 / 2

HEX #EDFBAC

RGB 237 251 172

HSL 70.63, 0.91%, 0.83%

LAB 95.99, -16.86, 36.41

 

CMYK 5 / 0 / 27 / 4

HEX #E9F4B3

RGB 233 244 179

HSL 70.15, 0.75%, 0.83%

LAB 94, -13.99, 30.18

 

CMYK 4 / 0 / 22 / 7

HEX #E4EDBA

RGB 228 237 186

HSL 70.59, 0.59%, 0.83%

LAB 91.96, -11.36, 23.76

 

CMYK 3 / 0 / 16 / 10

HEX #E0E6C1

RGB 224 230 193

HSL 69.73, 0.43%, 0.83%

LAB 89.99, -8.23, 17.37

 

CMYK 2 / 0 / 10 / 13

HEX #DBDFC8

RGB 219 223 200

HSL 70.43, 0.26%, 0.83%

LAB 87.97, -5.33, 10.81

 

CMYK 0 / 12 / 31 / 2

HEX #FBDEAC

RGB 251 222 172

HSL 37.97, 0.91%, 0.83%

LAB 89.73, 2.88, 28.23

 

CMYK 0 / 3 / 31 / 2

HEX #FBF3AC

RGB 251 243 172

HSL 53.92, 0.91%, 0.83%

LAB 94.99, -7.73, 35.27

 

CMYK 5 / 0 / 31 / 2

HEX #EEFBAC

RGB 238 251 172

HSL 69.87, 0.91%, 0.83%

LAB 96.06, -16.49, 36.51

 

CMYK 14 / 0 / 31 / 2

HEX #D9FBAC

RGB 217 251 172

HSL 85.82, 0.91%, 0.83%

LAB 94.62, -24.08, 34.35

 

CMYK 22 / 0 / 31 / 2

HEX #C4FBAC

RGB 196 251 172

HSL 101.77, 0.91%, 0.83%

LAB 93.32, -31.37, 32.38

 

CMYK 11 / 0 / 62 / 3

HEX #DDF75D

RGB 221 247 93

HSL 70.13, 0.91%, 0.67%

LAB 92.88, -28.65, 68.8

 

CMYK 8 / 0 / 47 / 2

HEX #E5F985

RGB 229 249 133

HSL 70.34, 0.91%, 0.75%

LAB 94.36, -23.23, 53.14

 

CMYK 6 / 0 / 31 / 2

HEX #EDFBAC

RGB 237 251 172

HSL 70.63, 0.91%, 0.83%

LAB 95.99, -16.86, 36.41

 

CMYK 3 / 0 / 16 / 1

HEX #F6FDD4

RGB 246 253 212

HSL 70.24, 0.91%, 0.91%

LAB 97.87, -9.08, 18.87

 

CMYK 0 / 0 / 2 / 0

HEX #FEFFFB

RGB 254 255 251

HSL 75, 1%, 0.99%

LAB 99.83, -1.02, 1.78

 

CMYK 6 / 0 / 32 / 2

HEX #EDFBAA

RGB 237 251 170

HSL 70.37, 0.91%, 0.83%

LAB 95.96, -17.11, 37.36

 

CMYK 31 / 0 / 20 / 2

HEX #ACFBC9

RGB 172 251 201

HSL 142.03, 0.91%, 0.83%

LAB 92.57, -34.21, 16.39

 

CMYK 7 / 31 / 0 / 2

HEX #E9ACFB

RGB 233 172 251

HSL 286.33, 0.91%, 0.83%

LAB 78.34, 35.6, -30.56

 

CMYK 6 / 0 / 32 / 2

HEX #EDFBAA

RGB 237 251 170

HSL 70.37, 0.91%, 0.83%

LAB 95.96, -17.11, 37.36

 

CMYK 31 / 5 / 0 / 2

HEX #ACEEFB

RGB 172 238 251

HSL 189.87, 0.91%, 0.83%

LAB 90.27, -17.54, -12.91

 

CMYK 0 / 31 / 5 / 2

HEX #FBACEE

RGB 251 172 238

HSL 309.87, 0.91%, 0.83%

LAB 79.72, 38.88, -21.29

 

CMYK 6 / 0 / 32 / 2

HEX #EDFBAA

RGB 237 251 170

HSL 70.37, 0.91%, 0.83%

LAB 95.96, -17.11, 37.36

 

CMYK 31 / 0 / 20 / 2

HEX #ACFBC9

RGB 172 251 201

HSL 142.03, 0.91%, 0.83%

LAB 92.57, -34.21, 16.39

 

CMYK 26 / 31 / 0 / 2

HEX #B9ACFB

RGB 185 172 251

HSL 249.87, 0.91%, 0.83%

LAB 74.05, 21.24, -37.54

 

CMYK 0 / 31 / 12 / 2

HEX #FBACDE

RGB 251 172 222

HSL 322.03, 0.91%, 0.83%

LAB 79.21, 36.2, -13.42

 

CMYK 6 / 0 / 32 / 2

HEX #EDFBAA

RGB 237 251 170

HSL 70.37, 0.91%, 0.83%

LAB 95.96, -17.11, 37.36

 

CMYK 31 / 0 / 10 / 2

HEX #ACFBE1

RGB 172 251 225

HSL 160.25, 0.91%, 0.83%

LAB 93.1, -29.53, 4.78

 

CMYK 26 / 31 / 0 / 2

HEX #B9ACFB

RGB 185 172 251

HSL 249.87, 0.91%, 0.83%

LAB 74.05, 21.24, -37.54

 

CMYK 0 / 31 / 21 / 2

HEX #FBACC7

RGB 251 172 199

HSL 339.49, 0.91%, 0.83%

LAB 78.54, 32.66, -1.93

 

Description

Color code: HEX #EDFBAACE | qconv.com Color code: HEX #EDFBAACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 251 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 251 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 26 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 26% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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