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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDF7EB7F it is the complementary color #1208147F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDF7EB7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDF7EB7F shade: #F2F7E67F, #FFFFF97F and #FFFFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDF7EB7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDF7EB7F shade: #EDF7EB7F, #DCE5D87F, #CBD3C57F, #BAC1B27F and #A9AF9F7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDF7EB7F shade: #EFF8ED, #F2F8ED, #F5F8ED, #F7F8ED and #F8F5ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDF7EB7F shade: #EFF8ED, #EDF8EE, #EDF8F1, #EDF8F4 and #EDF8F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDF7EB7F shade matches the following richer shades: #EFF8ED, #EDFAEB, #ECFCE9 and #EAFEE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDF7EB7F shade: #EFF8ED, #F0F6EF, #F1F4F1, #F3F2F3 and #F4EFF5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDF7EB7F shade: #F4F8ED, #F2F8ED, #EFF8ED, #EDF8EE and #EDF8F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDF7EB7F shade: #BAE0B2, #D4ECCF, #EFF8ED and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDF7EB7F shade: #EDF7EB, #EDF7F8 and #F8EDF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDF7EB7F shade: #EDF7EB, #EDEFF8 and #F8EDEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDF7EB7F shade: #EDF7EB, #EDF7F8, #F6EDF8 and #F8EDED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDF7EB7F shade: #EDF7EB, #EDF4F8, #F6EDF8 and #F8F0ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 2 / 2

HEX #EDF7EB7F

RGBA 237 247 235 0.5

HSLA 110, 0.43%, 0.95%, 0.5

LABA 96.21, -5.42, 4.61, 0.5

 

Complementary color

CMYK 5 / 30 / 0 / 46

HEX #1208147F

RGBA 18 8 20 0.5

HSLA 290, 0.43%, 0.05%, 0.5

LABA 3.19, 5.21, -4.6, 0.5

 

CMYK 1 / 0 / 3 / 2

HEX #F2F7E67F

RGBA 242 247 230 0.5

HSLA 77.65, 0.52%, 0.94%, 0.5

LABA 96.46, -4.59, 7.58, 0.5

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFF97F

RGBA 255 255 249 0.5

HSLA 60, 1%, 0.99%, 0.5

LABA 99.85, -1.03, 2.85, 0.5

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF7F

RGBA 255 255 255 0.5

HSLA 0, 0%, 1%, 0.5

LABA 100, 0.01, -0.01, 0.5

 

CMYK 2 / 0 / 2 / 2

HEX #EDF7EB7F

RGBA 237 247 235 0.5

HSLA 110, 0.43%, 0.95%, 0.5

LABA 96.21, -5.42, 4.61, 0.5

 

CMYK 2 / 0 / 3 / 5

HEX #DCE5D87F

RGBA 220 229 216 0.5

HSLA 101.54, 0.2%, 0.87%, 0.5

LABA 89.96, -5.33, 5.28, 0.5

 

CMYK 2 / 0 / 3 / 9

HEX #CBD3C57F

RGBA 203 211 197 0.5

HSLA 94.29, 0.14%, 0.8%, 0.5

LABA 83.61, -5.25, 5.98, 0.5

 

CMYK 2 / 0 / 4 / 12

HEX #BAC1B27F

RGBA 186 193 178 0.5

HSLA 88, 0.11%, 0.73%, 0.5

LABA 77.16, -5.16, 6.71, 0.5

 

CMYK 2 / 0 / 5 / 16

HEX #A9AF9F7F

RGBA 169 175 159 0.5

HSLA 82.5, 0.09%, 0.65%, 0.5

LABA 70.59, -5.06, 7.47, 0.5

 

CMYK 4 / 0 / 4 / 3

HEX #EFF8ED

RGB 239 248 237

HSL 109.09, 0.44%, 0.95%

LAB 96.66, -4.91, 4.24

 

CMYK 2 / 0 / 4 / 3

HEX #F2F8ED

RGB 242 248 237

HSL 92.73, 0.44%, 0.95%

LAB 96.87, -3.91, 4.58

 

CMYK 1 / 0 / 4 / 3

HEX #F5F8ED

RGB 245 248 237

HSL 76.36, 0.44%, 0.95%

LAB 97.09, -2.9, 4.92

 

CMYK 0 / 0 / 4 / 3

HEX #F7F8ED

RGB 247 248 237

HSL 65.45, 0.44%, 0.95%

LAB 97.24, -2.23, 5.15

 

CMYK 0 / 1 / 4 / 3

HEX #F8F5ED

RGB 248 245 237

HSL 43.64, 0.44%, 0.95%

LAB 96.56, -0.37, 4.19

 

CMYK 4 / 0 / 4 / 3

HEX #EFF8ED

RGB 239 248 237

HSL 109.09, 0.44%, 0.95%

LAB 96.66, -4.91, 4.24

 

CMYK 4 / 0 / 4 / 3

HEX #EDF8EE

RGB 237 248 238

HSL 125.45, 0.44%, 0.95%

LAB 96.54, -5.4, 3.53

 

CMYK 4 / 0 / 3 / 3

HEX #EDF8F1

RGB 237 248 241

HSL 141.82, 0.44%, 0.95%

LAB 96.61, -4.87, 2.09

 

CMYK 4 / 0 / 2 / 3

HEX #EDF8F4

RGB 237 248 244

HSL 158.18, 0.44%, 0.95%

LAB 96.69, -4.33, 0.65

 

CMYK 4 / 0 / 0 / 3

HEX #EDF8F7

RGB 237 248 247

HSL 174.55, 0.44%, 0.95%

LAB 96.76, -3.79, -0.79

 

CMYK 4 / 0 / 4 / 3

HEX #EFF8ED

RGB 239 248 237

HSL 109.09, 0.44%, 0.95%

LAB 96.66, -4.91, 4.24

 

CMYK 5 / 0 / 6 / 2

HEX #EDFAEB

RGB 237 250 235

HSL 112, 0.6%, 0.95%

LAB 96.97, -6.92, 5.71

 

CMYK 6 / 0 / 8 / 1

HEX #ECFCE9

RGB 236 252 233

HSL 110.53, 0.76%, 0.95%

LAB 97.36, -8.6, 7.29

 

CMYK 8 / 0 / 9 / 0

HEX #EAFEE7

RGB 234 254 231

HSL 112.17, 0.92%, 0.95%

LAB 97.69, -10.61, 8.77

 

CMYK 4 / 0 / 4 / 3

HEX #EFF8ED

RGB 239 248 237

HSL 109.09, 0.44%, 0.95%

LAB 96.66, -4.91, 4.24

 

CMYK 2 / 0 / 3 / 4

HEX #F0F6EF

RGB 240 246 239

HSL 111.43, 0.28%, 0.95%

LAB 96.27, -3.22, 2.66

 

CMYK 1 / 0 / 1 / 4

HEX #F1F4F1

RGB 241 244 241

HSL 120, 0.12%, 0.95%

LAB 95.89, -1.52, 1.08

 

CMYK 0 / 0 / 0 / 5

HEX #F3F2F3

RGB 243 242 243

HSL 300, 0.04%, 0.95%

LAB 95.59, 0.51, -0.37

 

CMYK 0 / 2 / 0 / 4

HEX #F4EFF5

RGB 244 239 245

HSL 290, 0.23%, 0.95%

LAB 94.97, 2.73, -2.31

 

CMYK 2 / 0 / 4 / 3

HEX #F4F8ED

RGB 244 248 237

HSL 81.82, 0.44%, 0.95%

LAB 97.02, -3.24, 4.8

 

CMYK 2 / 0 / 4 / 3

HEX #F2F8ED

RGB 242 248 237

HSL 92.73, 0.44%, 0.95%

LAB 96.87, -3.91, 4.58

 

CMYK 4 / 0 / 4 / 3

HEX #EFF8ED

RGB 239 248 237

HSL 109.09, 0.44%, 0.95%

LAB 96.66, -4.91, 4.24

 

CMYK 4 / 0 / 4 / 3

HEX #EDF8EE

RGB 237 248 238

HSL 125.45, 0.44%, 0.95%

LAB 96.54, -5.4, 3.53

 

CMYK 4 / 0 / 3 / 3

HEX #EDF8F1

RGB 237 248 241

HSL 141.82, 0.44%, 0.95%

LAB 96.61, -4.87, 2.09

 

CMYK 17 / 0 / 21 / 12

HEX #BAE0B2

RGB 186 224 178

HSL 109.57, 0.43%, 0.79%

LAB 85.49, -20.93, 18.5

 

CMYK 10 / 0 / 12 / 7

HEX #D4ECCF

RGB 212 236 207

HSL 109.66, 0.43%, 0.87%

LAB 91, -13.14, 11.4

 

CMYK 4 / 0 / 4 / 3

HEX #EFF8ED

RGB 239 248 237

HSL 109.09, 0.44%, 0.95%

LAB 96.66, -4.91, 4.24

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 4 / 0 / 5 / 3

HEX #EDF7EB

RGB 237 247 235

HSL 110, 0.43%, 0.95%

LAB 96.21, -5.42, 4.61

 

CMYK 4 / 0 / 0 / 3

HEX #EDF7F8

RGB 237 247 248

HSL 185.45, 0.44%, 0.95%

LAB 96.53, -3.1, -1.63

 

CMYK 0 / 4 / 2 / 3

HEX #F8EDF3

RGB 248 237 243

HSL 327.27, 0.44%, 0.95%

LAB 94.74, 4.74, -1.58

 

CMYK 4 / 0 / 5 / 3

HEX #EDF7EB

RGB 237 247 235

HSL 110, 0.43%, 0.95%

LAB 96.21, -5.42, 4.61

 

CMYK 4 / 4 / 0 / 3

HEX #EDEFF8

RGB 237 239 248

HSL 229.09, 0.44%, 0.95%

LAB 94.53, 0.97, -4.57

 

CMYK 0 / 4 / 4 / 3

HEX #F8EDEF

RGB 248 237 239

HSL 349.09, 0.44%, 0.95%

LAB 94.64, 4.04, 0.35

 

CMYK 4 / 0 / 5 / 3

HEX #EDF7EB

RGB 237 247 235

HSL 110, 0.43%, 0.95%

LAB 96.21, -5.42, 4.61

 

CMYK 4 / 0 / 0 / 3

HEX #EDF7F8

RGB 237 247 248

HSL 185.45, 0.44%, 0.95%

LAB 96.53, -3.1, -1.63

 

CMYK 1 / 4 / 0 / 3

HEX #F6EDF8

RGB 246 237 248

HSL 289.09, 0.44%, 0.95%

LAB 94.71, 4.96, -4.23

 

CMYK 0 / 4 / 4 / 3

HEX #F8EDED

RGB 248 237 237

HSL 0, 0.44%, 0.95%

LAB 94.59, 3.7, 1.31

 

CMYK 4 / 0 / 5 / 3

HEX #EDF7EB

RGB 237 247 235

HSL 110, 0.43%, 0.95%

LAB 96.21, -5.42, 4.61

 

CMYK 4 / 2 / 0 / 3

HEX #EDF4F8

RGB 237 244 248

HSL 201.82, 0.44%, 0.95%

LAB 95.78, -1.58, -2.74

 

CMYK 1 / 4 / 0 / 3

HEX #F6EDF8

RGB 246 237 248

HSL 289.09, 0.44%, 0.95%

LAB 94.71, 4.96, -4.23

 

CMYK 0 / 3 / 4 / 3

HEX #F8F0ED

RGB 248 240 237

HSL 16.36, 0.44%, 0.95%

LAB 95.33, 2.17, 2.39

 

Description

Color code: HEX #EDF7EB7F | qconv.com Color code: HEX #EDF7EB7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 247 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 247 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 2 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 2% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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