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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDF69A it is the complementary color #120965. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDF69A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDF69A shade: #F2F695, #FFFFA8, #FFFFBB, #FFFFCE and #FFFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDF69A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDF69A shade: #EDF69A, #DCE487, #CBD274, #BAC061 and #A9AE4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDF69A shade: #EDF698, #F6E698, #F6CC98, #F6B398 and #F69A98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDF69A shade: #EDF698, #D3F698, #BAF698, #A1F698 and #98F6A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDF69A shade matches the following richer shades: #EDF698

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDF69A shade: #EDF698, #E6EDA1, #DEE4AA, #D7DBB3 and #D0D2BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDF69A shade: #F6CC98, #F6E598, #EEF698, #D5F698 and #BCF698

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDF69A shade: #DFEF4C, #E6F372, #EDF698, #F3F9BE and #FAFDE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDF69A shade: #EDF69A, #98F6B2 and #D898F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDF69A shade: #EDF69A, #98EEF6 and #F698EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDF69A shade: #EDF69A, #98F6B2, #A098F6 and #F698DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDF69A shade: #EDF69A, #98F6CF, #A098F6 and #F698BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 37 / 4

HEX #EDF69A

RGB 237 246 154

HSL 65.87, 0.84%, 0.78%

LAB 94.42, -16.56, 43.26

 

Complementary color

CMYK 82 / 91 / 0 / 60

HEX #120965

RGB 18 9 101

HSL 245.87, 0.84%, 0.22%

LAB 11.02, 36.03, -50.4

 

CMYK 2 / 0 / 39 / 4

HEX #F2F695

RGB 242 246 149

HSL 62.47, 0.84%, 0.77%

LAB 94.72, -15.21, 46.16

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 4 / 0 / 37 / 4

HEX #EDF69A

RGB 237 246 154

HSL 65.87, 0.84%, 0.78%

LAB 94.42, -16.56, 43.26

 

CMYK 4 / 0 / 41 / 11

HEX #DCE487

RGB 220 228 135

HSL 65.16, 0.63%, 0.71%

LAB 88.19, -16.3, 44.4

 

CMYK 3 / 0 / 45 / 18

HEX #CBD274

RGB 203 210 116

HSL 64.47, 0.51%, 0.64%

LAB 81.87, -15.99, 45.56

 

CMYK 3 / 0 / 49 / 25

HEX #BAC061

RGB 186 192 97

HSL 63.79, 0.43%, 0.57%

LAB 75.45, -15.61, 46.72

 

CMYK 3 / 0 / 55 / 32

HEX #A9AE4E

RGB 169 174 78

HSL 63.13, 0.38%, 0.49%

LAB 68.94, -15.14, 47.83

 

CMYK 4 / 0 / 38 / 4

HEX #EDF698

RGB 237 246 152

HSL 65.74, 0.84%, 0.78%

LAB 94.39, -16.78, 44.21

 

CMYK 0 / 7 / 38 / 4

HEX #F6E698

RGB 246 230 152

HSL 49.79, 0.84%, 0.78%

LAB 90.99, -5.42, 39.97

 

CMYK 0 / 17 / 38 / 4

HEX #F6CC98

RGB 246 204 152

HSL 33.19, 0.84%, 0.78%

LAB 84.51, 7.9, 31.47

 

CMYK 0 / 27 / 38 / 4

HEX #F6B398

RGB 246 179 152

HSL 17.23, 0.84%, 0.78%

LAB 78.52, 21.01, 23.4

 

CMYK 0 / 37 / 38 / 4

HEX #F69A98

RGB 246 154 152

HSL 1.28, 0.84%, 0.78%

LAB 72.87, 34.16, 15.61

 

CMYK 4 / 0 / 38 / 4

HEX #EDF698

RGB 237 246 152

HSL 65.74, 0.84%, 0.78%

LAB 94.39, -16.78, 44.21

 

CMYK 14 / 0 / 38 / 4

HEX #D3F698

RGB 211 246 152

HSL 82.34, 0.84%, 0.78%

LAB 92.59, -26.43, 41.53

 

CMYK 24 / 0 / 38 / 4

HEX #BAF698

RGB 186 246 152

HSL 98.3, 0.84%, 0.78%

LAB 91.06, -35.25, 39.26

 

CMYK 35 / 0 / 38 / 4

HEX #A1F698

RGB 161 246 152

HSL 114.26, 0.84%, 0.78%

LAB 89.75, -43.43, 37.29

 

CMYK 38 / 0 / 32 / 4

HEX #98F6A8

RGB 152 246 168

HSL 130.21, 0.84%, 0.78%

LAB 89.59, -43.64, 28.98

 

CMYK 4 / 0 / 38 / 4

HEX #EDF698

RGB 237 246 152

HSL 65.74, 0.84%, 0.78%

LAB 94.39, -16.78, 44.21

 

CMYK 4 / 0 / 38 / 4

HEX #EDF698

RGB 237 246 152

HSL 65.74, 0.84%, 0.78%

LAB 94.39, -16.78, 44.21

 

CMYK 3 / 0 / 32 / 7

HEX #E6EDA1

RGB 230 237 161

HSL 65.53, 0.68%, 0.78%

LAB 91.67, -13.96, 36.11

 

CMYK 3 / 0 / 25 / 11

HEX #DEE4AA

RGB 222 228 170

HSL 66.21, 0.52%, 0.78%

LAB 88.88, -11.29, 27.71

 

CMYK 2 / 0 / 18 / 14

HEX #D7DBB3

RGB 215 219 179

HSL 66, 0.36%, 0.78%

LAB 86.19, -8.02, 19.25

 

CMYK 1 / 0 / 10 / 18

HEX #D0D2BC

RGB 208 210 188

HSL 65.45, 0.2%, 0.78%

LAB 83.51, -4.5, 10.67

 

CMYK 0 / 17 / 38 / 4

HEX #F6CC98

RGB 246 204 152

HSL 33.19, 0.84%, 0.78%

LAB 84.51, 7.9, 31.47

 

CMYK 0 / 7 / 38 / 4

HEX #F6E598

RGB 246 229 152

HSL 49.15, 0.84%, 0.78%

LAB 90.73, -4.91, 39.64

 

CMYK 3 / 0 / 38 / 4

HEX #EEF698

RGB 238 246 152

HSL 65.11, 0.84%, 0.78%

LAB 94.46, -16.41, 44.31

 

CMYK 13 / 0 / 38 / 4

HEX #D5F698

RGB 213 246 152

HSL 81.06, 0.84%, 0.78%

LAB 92.72, -25.71, 41.72

 

CMYK 24 / 0 / 38 / 4

HEX #BCF698

RGB 188 246 152

HSL 97.02, 0.84%, 0.78%

LAB 91.18, -34.57, 39.43

 

CMYK 7 / 0 / 68 / 6

HEX #DFEF4C

RGB 223 239 76

HSL 65.89, 0.84%, 0.62%

LAB 90.75, -25.11, 73.12

 

CMYK 5 / 0 / 53 / 5

HEX #E6F372

RGB 230 243 114

HSL 66.05, 0.84%, 0.7%

LAB 92.64, -21.68, 59.81

 

CMYK 4 / 0 / 38 / 4

HEX #EDF698

RGB 237 246 152

HSL 65.74, 0.84%, 0.78%

LAB 94.39, -16.78, 44.21

 

CMYK 2 / 0 / 24 / 2

HEX #F3F9BE

RGB 243 249 190

HSL 66.1, 0.83%, 0.86%

LAB 96.21, -11.33, 27.73

 

CMYK 1 / 0 / 10 / 1

HEX #FAFDE4

RGB 250 253 228

HSL 67.2, 0.86%, 0.94%

LAB 98.5, -5.2, 11.62

 

CMYK 4 / 0 / 37 / 4

HEX #EDF69A

RGB 237 246 154

HSL 65.87, 0.84%, 0.78%

LAB 94.42, -16.56, 43.26

 

CMYK 38 / 0 / 28 / 4

HEX #98F6B2

RGB 152 246 178

HSL 136.6, 0.84%, 0.78%

LAB 89.77, -41.93, 24.14

 

CMYK 12 / 38 / 0 / 4

HEX #D898F6

RGB 216 152 246

HSL 280.85, 0.84%, 0.78%

LAB 72.03, 40.16, -37.75

 

CMYK 4 / 0 / 37 / 4

HEX #EDF69A

RGB 237 246 154

HSL 65.87, 0.84%, 0.78%

LAB 94.42, -16.56, 43.26

 

CMYK 38 / 3 / 0 / 4

HEX #98EEF6

RGB 152 238 246

HSL 185.11, 0.84%, 0.78%

LAB 89.15, -23.93, -12.07

 

CMYK 0 / 38 / 3 / 4

HEX #F698EE

RGB 246 152 238

HSL 305.11, 0.84%, 0.78%

LAB 74.96, 47.67, -28.6

 

CMYK 4 / 0 / 37 / 4

HEX #EDF69A

RGB 237 246 154

HSL 65.87, 0.84%, 0.78%

LAB 94.42, -16.56, 43.26

 

CMYK 38 / 0 / 28 / 4

HEX #98F6B2

RGB 152 246 178

HSL 136.6, 0.84%, 0.78%

LAB 89.77, -41.93, 24.14

 

CMYK 35 / 38 / 0 / 4

HEX #A098F6

RGB 160 152 246

HSL 245.11, 0.84%, 0.78%

LAB 66.96, 24.32, -46.05

 

CMYK 0 / 38 / 11 / 4

HEX #F698DB

RGB 246 152 219

HSL 317.23, 0.84%, 0.78%

LAB 74.29, 44.48, -19.25

 

CMYK 4 / 0 / 37 / 4

HEX #EDF69A

RGB 237 246 154

HSL 65.87, 0.84%, 0.78%

LAB 94.42, -16.56, 43.26

 

CMYK 38 / 0 / 16 / 4

HEX #98F6CF

RGB 152 246 207

HSL 155.11, 0.84%, 0.78%

LAB 90.36, -36.41, 10.04

 

CMYK 35 / 38 / 0 / 4

HEX #A098F6

RGB 160 152 246

HSL 245.11, 0.84%, 0.78%

LAB 66.96, 24.32, -46.05

 

CMYK 0 / 38 / 22 / 4

HEX #F698BF

RGB 246 152 191

HSL 335.11, 0.84%, 0.78%

LAB 73.42, 40.21, -5.14

 

Description

Color code: HEX #EDF69A | qconv.com Color code: HEX #EDF69A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 246 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 246 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 37 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 37% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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