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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDF5EBBF it is the complementary color #120A14BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDF5EBBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDF5EBBF shade: #F2F5E6BF, #FFFFF9BF and #FFFFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDF5EBBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDF5EBBF shade: #EDF5EBBF, #DCE3D8BF, #CBD1C5BF, #BABFB2BF and #A9AD9FBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDF5EBBF shade: #EDF5EB, #EFF5EB, #F2F5EB, #F5F5EB and #F5F2EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDF5EBBF shade: #EDF5EB, #EBF5EB, #EBF5EE, #EBF5F1 and #EBF5F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDF5EBBF shade matches the following richer shades: #EDF5EB, #EBF7E8, #EAFAE6, #E8FCE3 and #E7FFE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDF5EBBF shade: #EDF5EB, #EEF2ED, #F0F0F0, #F1EDF2 and #F3EBF5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDF5EBBF shade: #F2F5EB, #EFF5EB, #EDF5EB, #EBF5EB and #EBF5EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDF5EBBF shade: #BBD9B4, #D4E7CF, #EDF5EB and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDF5EBBF shade: #EDF5EB, #EBF5F5 and #F5EBF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDF5EBBF shade: #EDF5EB, #EBEDF5 and #F5EBED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDF5EBBF shade: #EDF5EB, #EBF5F5, #F3EBF5 and #F5EBEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDF5EBBF shade: #EDF5EB, #EBF2F5, #F3EBF5 and #F5EEEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 3 / 3

HEX #EDF5EBBF

RGBA 237 245 235 0.75

HSLA 108, 0.33%, 0.94%, 0.75

LABA 95.71, -4.41, 3.88, 0.75

 

Complementary color

CMYK 7 / 38 / 0 / 69

HEX #120A14BF

RGBA 18 10 20 0.75

HSLA 288, 0.33%, 0.06%, 0.75

LABA 3.58, 4.41, -4.02, 0.75

 

CMYK 1 / 0 / 5 / 3

HEX #F2F5E6BF

RGBA 242 245 230 0.75

HSLA 72, 0.43%, 0.93%, 0.75

LABA 95.95, -3.58, 6.86, 0.75

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9BF

RGBA 255 255 249 0.75

HSLA 60, 1%, 0.99%, 0.75

LABA 99.85, -1.03, 2.85, 0.75

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFBF

RGBA 255 255 255 0.75

HSLA 0, 0%, 1%, 0.75

LABA 100, 0.01, -0.01, 0.75

 

CMYK 2 / 0 / 3 / 3

HEX #EDF5EBBF

RGBA 237 245 235 0.75

HSLA 108, 0.33%, 0.94%, 0.75

LABA 95.71, -4.41, 3.88, 0.75

 

CMYK 2 / 0 / 4 / 8

HEX #DCE3D8BF

RGBA 220 227 216 0.75

HSLA 98.18, 0.16%, 0.87%, 0.75

LABA 89.45, -4.31, 4.54, 0.75

 

CMYK 2 / 0 / 4 / 14

HEX #CBD1C5BF

RGBA 203 209 197 0.75

HSLA 90, 0.12%, 0.8%, 0.75

LABA 83.09, -4.21, 5.23, 0.75

 

CMYK 2 / 0 / 5 / 19

HEX #BABFB2BF

RGBA 186 191 178 0.75

HSLA 83.08, 0.09%, 0.72%, 0.75

LABA 76.63, -4.1, 5.95, 0.75

 

CMYK 2 / 0 / 6 / 24

HEX #A9AD9FBF

RGBA 169 173 159 0.75

HSLA 77.14, 0.08%, 0.65%, 0.75

LABA 70.05, -3.99, 6.7, 0.75

 

CMYK 3 / 0 / 4 / 4

HEX #EDF5EB

RGB 237 245 235

HSL 108, 0.33%, 0.94%

LAB 95.71, -4.41, 3.88

 

CMYK 2 / 0 / 4 / 4

HEX #EFF5EB

RGB 239 245 235

HSL 96, 0.33%, 0.94%

LAB 95.85, -3.74, 4.11

 

CMYK 1 / 0 / 4 / 4

HEX #F2F5EB

RGB 242 245 235

HSL 78, 0.33%, 0.94%

LAB 96.07, -2.74, 4.45

 

CMYK 0 / 0 / 4 / 4

HEX #F5F5EB

RGB 245 245 235

HSL 60, 0.33%, 0.94%

LAB 96.29, -1.72, 4.8

 

CMYK 0 / 1 / 4 / 4

HEX #F5F2EB

RGB 245 242 235

HSL 42, 0.33%, 0.94%

LAB 95.54, -0.2, 3.71

 

CMYK 3 / 0 / 4 / 4

HEX #EDF5EB

RGB 237 245 235

HSL 108, 0.33%, 0.94%

LAB 95.71, -4.41, 3.88

 

CMYK 4 / 0 / 4 / 4

HEX #EBF5EB

RGB 235 245 235

HSL 120, 0.33%, 0.94%

LAB 95.57, -5.08, 3.65

 

CMYK 4 / 0 / 3 / 4

HEX #EBF5EE

RGB 235 245 238

HSL 138, 0.33%, 0.94%

LAB 95.64, -4.55, 2.21

 

CMYK 4 / 0 / 2 / 4

HEX #EBF5F1

RGB 235 245 241

HSL 156, 0.33%, 0.94%

LAB 95.71, -4.01, 0.77

 

CMYK 4 / 0 / 0 / 4

HEX #EBF5F4

RGB 235 245 244

HSL 174, 0.33%, 0.94%

LAB 95.79, -3.47, -0.67

 

CMYK 3 / 0 / 4 / 4

HEX #EDF5EB

RGB 237 245 235

HSL 108, 0.33%, 0.94%

LAB 95.71, -4.41, 3.88

 

CMYK 5 / 0 / 6 / 3

HEX #EBF7E8

RGB 235 247 232

HSL 108, 0.48%, 0.94%

LAB 96, -6.61, 5.83

 

CMYK 6 / 0 / 8 / 2

HEX #EAFAE6

RGB 234 250 230

HSL 108, 0.67%, 0.94%

LAB 96.65, -8.79, 7.78

 

CMYK 8 / 0 / 10 / 1

HEX #E8FCE3

RGB 232 252 227

HSL 108, 0.81%, 0.94%

LAB 96.95, -10.96, 9.75

 

CMYK 9 / 0 / 12 / 0

HEX #E7FFE1

RGB 231 255 225

HSL 108, 1%, 0.94%

LAB 97.61, -13.12, 11.7

 

CMYK 3 / 0 / 4 / 4

HEX #EDF5EB

RGB 237 245 235

HSL 108, 0.33%, 0.94%

LAB 95.71, -4.41, 3.88

 

CMYK 2 / 0 / 2 / 5

HEX #EEF2ED

RGB 238 242 237

HSL 108, 0.16%, 0.94%

LAB 95.07, -2.21, 1.93

 

CMYK 0 / 0 / 0 / 6

HEX #F0F0F0

RGB 240 240 240

HSL 0, 0%, 0.94%

LAB 94.8, 0.01, -0.01

 

CMYK 0 / 2 / 0 / 5

HEX #F1EDF2

RGB 241 237 242

HSL 288, 0.16%, 0.94%

LAB 94.18, 2.23, -1.95

 

CMYK 1 / 4 / 0 / 4

HEX #F3EBF5

RGB 243 235 245

HSL 288, 0.33%, 0.94%

LAB 93.91, 4.45, -3.88

 

CMYK 1 / 0 / 4 / 4

HEX #F2F5EB

RGB 242 245 235

HSL 78, 0.33%, 0.94%

LAB 96.07, -2.74, 4.45

 

CMYK 2 / 0 / 4 / 4

HEX #EFF5EB

RGB 239 245 235

HSL 96, 0.33%, 0.94%

LAB 95.85, -3.74, 4.11

 

CMYK 3 / 0 / 4 / 4

HEX #EDF5EB

RGB 237 245 235

HSL 108, 0.33%, 0.94%

LAB 95.71, -4.41, 3.88

 

CMYK 4 / 0 / 4 / 4

HEX #EBF5EB

RGB 235 245 235

HSL 120, 0.33%, 0.94%

LAB 95.57, -5.08, 3.65

 

CMYK 4 / 0 / 3 / 4

HEX #EBF5EE

RGB 235 245 238

HSL 138, 0.33%, 0.94%

LAB 95.64, -4.55, 2.21

 

CMYK 14 / 0 / 17 / 15

HEX #BBD9B4

RGB 187 217 180

HSL 108.65, 0.33%, 0.78%

LAB 83.7, -16.78, 14.95

 

CMYK 8 / 0 / 10 / 9

HEX #D4E7CF

RGB 212 231 207

HSL 107.5, 0.33%, 0.86%

LAB 89.7, -10.63, 9.54

 

CMYK 3 / 0 / 4 / 4

HEX #EDF5EB

RGB 237 245 235

HSL 108, 0.33%, 0.94%

LAB 95.71, -4.41, 3.88

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 3 / 0 / 4 / 4

HEX #EDF5EB

RGB 237 245 235

HSL 108, 0.33%, 0.94%

LAB 95.71, -4.41, 3.88

 

CMYK 4 / 0 / 0 / 4

HEX #EBF5F5

RGB 235 245 245

HSL 180, 0.33%, 0.94%

LAB 95.81, -3.29, -1.15

 

CMYK 0 / 4 / 2 / 4

HEX #F5EBF1

RGB 245 235 241

HSL 324, 0.33%, 0.94%

LAB 93.96, 4.41, -1.71

 

CMYK 3 / 0 / 4 / 4

HEX #EDF5EB

RGB 237 245 235

HSL 108, 0.33%, 0.94%

LAB 95.71, -4.41, 3.88

 

CMYK 4 / 3 / 0 / 4

HEX #EBEDF5

RGB 235 237 245

HSL 228, 0.33%, 0.94%

LAB 93.81, 0.79, -4.1

 

CMYK 0 / 4 / 3 / 4

HEX #F5EBED

RGB 245 235 237

HSL 348, 0.33%, 0.94%

LAB 93.86, 3.71, 0.22

 

CMYK 3 / 0 / 4 / 4

HEX #EDF5EB

RGB 237 245 235

HSL 108, 0.33%, 0.94%

LAB 95.71, -4.41, 3.88

 

CMYK 4 / 0 / 0 / 4

HEX #EBF5F5

RGB 235 245 245

HSL 180, 0.33%, 0.94%

LAB 95.81, -3.29, -1.15

 

CMYK 1 / 4 / 0 / 4

HEX #F3EBF5

RGB 243 235 245

HSL 288, 0.33%, 0.94%

LAB 93.91, 4.45, -3.88

 

CMYK 0 / 4 / 4 / 4

HEX #F5EBEB

RGB 245 235 235

HSL 0, 0.33%, 0.94%

LAB 93.81, 3.37, 1.19

 

CMYK 3 / 0 / 4 / 4

HEX #EDF5EB

RGB 237 245 235

HSL 108, 0.33%, 0.94%

LAB 95.71, -4.41, 3.88

 

CMYK 4 / 1 / 0 / 4

HEX #EBF2F5

RGB 235 242 245

HSL 198, 0.33%, 0.94%

LAB 95.06, -1.76, -2.26

 

CMYK 1 / 4 / 0 / 4

HEX #F3EBF5

RGB 243 235 245

HSL 288, 0.33%, 0.94%

LAB 93.91, 4.45, -3.88

 

CMYK 0 / 3 / 4 / 4

HEX #F5EEEB

RGB 245 238 235

HSL 18, 0.33%, 0.94%

LAB 94.55, 1.83, 2.27

 

Description

Color code: HEX #EDF5EBBF | qconv.com Color code: HEX #EDF5EBBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 245 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 245 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 3 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 3% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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