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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDF3E2 it is the complementary color #120C1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDF3E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDF3E2 shade: #F2F3DD, #FFFFF0 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDF3E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDF3E2 shade: #EDF3E2, #DCE1CF, #CBCFBC, #BABDA9 and #A9AB96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDF3E2 shade: #EDF3E2, #F2F3E2, #F3F0E2, #F3EBE2 and #F3E7E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDF3E2 shade: #EDF3E2, #E9F3E2, #E4F3E2, #E2F3E5 and #E2F3E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDF3E2 shade matches the following richer shades: #EDF3E2, #EEF6DF, #EFFADC and #F0FDD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDF3E2 shade: #EDF3E2, #ECF0E6, #EBECE9, #EAE9EC and #E9E6EF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDF3E2 shade: #F3F0E2, #F2F3E2, #EDF3E2, #E9F3E2 and #E4F3E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDF3E2 shade: #C9DBA8, #DBE7C5, #EDF3E2 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDF3E2 shade: #EDF3E2, #E2F3EB and #F2E2F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDF3E2 shade: #EDF3E2, #E2EDF3 and #F3E2ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDF3E2 shade: #EDF3E2, #E2F3EB, #E8E2F3 and #F3E2EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDF3E2 shade: #EDF3E2, #E2F3F0, #E8E2F3 and #F3E2E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 7 / 5

HEX #EDF3E2

RGB 237 243 226

HSL 81.18, 0.41%, 0.92%

LAB 94.99, -4.94, 7.49

 

Complementary color

CMYK 38 / 59 / 0 / 89

HEX #120C1D

RGB 18 12 29

HSL 261.18, 0.41%, 0.08%

LAB 4.34, 5.99, -9.73

 

CMYK 0 / 0 / 9 / 5

HEX #F2F3DD

RGB 242 243 221

HSL 62.73, 0.48%, 0.91%

LAB 95.24, -4.06, 10.49

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 2 / 0 / 7 / 5

HEX #EDF3E2

RGB 237 243 226

HSL 81.18, 0.41%, 0.92%

LAB 94.99, -4.94, 7.49

 

CMYK 2 / 0 / 8 / 12

HEX #DCE1CF

RGB 220 225 207

HSL 76.67, 0.23%, 0.85%

LAB 88.72, -4.84, 8.21

 

CMYK 2 / 0 / 9 / 19

HEX #CBCFBC

RGB 203 207 188

HSL 72.63, 0.17%, 0.77%

LAB 82.35, -4.72, 8.96

 

CMYK 2 / 0 / 11 / 26

HEX #BABDA9

RGB 186 189 169

HSL 69, 0.13%, 0.7%

LAB 75.88, -4.6, 9.75

 

CMYK 1 / 0 / 12 / 33

HEX #A9AB96

RGB 169 171 150

HSL 65.71, 0.11%, 0.63%

LAB 69.3, -4.48, 10.58

 

CMYK 2 / 0 / 7 / 5

HEX #EDF3E2

RGB 237 243 226

HSL 81.18, 0.41%, 0.92%

LAB 94.99, -4.94, 7.49

 

CMYK 0 / 0 / 7 / 5

HEX #F2F3E2

RGB 242 243 226

HSL 63.53, 0.41%, 0.92%

LAB 95.36, -3.24, 8.07

 

CMYK 0 / 1 / 7 / 5

HEX #F3F0E2

RGB 243 240 226

HSL 49.41, 0.41%, 0.92%

LAB 94.68, -1.38, 7.11

 

CMYK 0 / 3 / 7 / 5

HEX #F3EBE2

RGB 243 235 226

HSL 31.76, 0.41%, 0.92%

LAB 93.43, 1.17, 5.31

 

CMYK 0 / 5 / 7 / 5

HEX #F3E7E2

RGB 243 231 226

HSL 17.65, 0.41%, 0.92%

LAB 92.44, 3.22, 3.87

 

CMYK 2 / 0 / 7 / 5

HEX #EDF3E2

RGB 237 243 226

HSL 81.18, 0.41%, 0.92%

LAB 94.99, -4.94, 7.49

 

CMYK 4 / 0 / 7 / 5

HEX #E9F3E2

RGB 233 243 226

HSL 95.29, 0.41%, 0.92%

LAB 94.7, -6.3, 7.04

 

CMYK 6 / 0 / 7 / 5

HEX #E4F3E2

RGB 228 243 226

HSL 112.94, 0.41%, 0.92%

LAB 94.35, -7.98, 6.49

 

CMYK 7 / 0 / 6 / 5

HEX #E2F3E5

RGB 226 243 229

HSL 130.59, 0.41%, 0.92%

LAB 94.28, -8.12, 4.82

 

CMYK 7 / 0 / 4 / 5

HEX #E2F3E9

RGB 226 243 233

HSL 144.71, 0.41%, 0.92%

LAB 94.38, -7.4, 2.89

 

CMYK 2 / 0 / 7 / 5

HEX #EDF3E2

RGB 237 243 226

HSL 81.18, 0.41%, 0.92%

LAB 94.99, -4.94, 7.49

 

CMYK 3 / 0 / 9 / 4

HEX #EEF6DF

RGB 238 246 223

HSL 80.87, 0.56%, 0.92%

LAB 95.75, -6.61, 10.15

 

CMYK 4 / 0 / 12 / 2

HEX #EFFADC

RGB 239 250 220

HSL 82, 0.75%, 0.92%

LAB 96.78, -8.76, 13.15

 

CMYK 5 / 0 / 15 / 1

HEX #F0FDD8

RGB 240 253 216

HSL 81.08, 0.9%, 0.92%

LAB 97.52, -10.54, 16.27

 

CMYK 2 / 0 / 7 / 5

HEX #EDF3E2

RGB 237 243 226

HSL 81.18, 0.41%, 0.92%

LAB 94.99, -4.94, 7.49

 

CMYK 2 / 0 / 4 / 6

HEX #ECF0E6

RGB 236 240 230

HSL 84, 0.25%, 0.92%

LAB 94.26, -3.08, 4.35

 

CMYK 0 / 0 / 1 / 7

HEX #EBECE9

RGB 235 236 233

HSL 80, 0.07%, 0.92%

LAB 93.25, -0.86, 1.32

 

CMYK 1 / 1 / 0 / 7

HEX #EAE9EC

RGB 234 233 236

HSL 260, 0.07%, 0.92%

LAB 92.5, 0.88, -1.34

 

CMYK 3 / 4 / 0 / 6

HEX #E9E6EF

RGB 233 230 239

HSL 260, 0.22%, 0.92%

LAB 91.75, 2.63, -4.01

 

CMYK 0 / 1 / 7 / 5

HEX #F3F0E2

RGB 243 240 226

HSL 49.41, 0.41%, 0.92%

LAB 94.68, -1.38, 7.11

 

CMYK 0 / 0 / 7 / 5

HEX #F2F3E2

RGB 242 243 226

HSL 63.53, 0.41%, 0.92%

LAB 95.36, -3.24, 8.07

 

CMYK 2 / 0 / 7 / 5

HEX #EDF3E2

RGB 237 243 226

HSL 81.18, 0.41%, 0.92%

LAB 94.99, -4.94, 7.49

 

CMYK 4 / 0 / 7 / 5

HEX #E9F3E2

RGB 233 243 226

HSL 95.29, 0.41%, 0.92%

LAB 94.7, -6.3, 7.04

 

CMYK 6 / 0 / 7 / 5

HEX #E4F3E2

RGB 228 243 226

HSL 112.94, 0.41%, 0.92%

LAB 94.35, -7.98, 6.49

 

CMYK 8 / 0 / 23 / 14

HEX #C9DBA8

RGB 201 219 168

HSL 81.18, 0.41%, 0.76%

LAB 84.95, -14.75, 23.13

 

CMYK 5 / 0 / 15 / 9

HEX #DBE7C5

RGB 219 231 197

HSL 81.18, 0.41%, 0.84%

LAB 89.97, -9.88, 15.21

 

CMYK 2 / 0 / 7 / 5

HEX #EDF3E2

RGB 237 243 226

HSL 81.18, 0.41%, 0.92%

LAB 94.99, -4.94, 7.49

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 2 / 0 / 7 / 5

HEX #EDF3E2

RGB 237 243 226

HSL 81.18, 0.41%, 0.92%

LAB 94.99, -4.94, 7.49

 

CMYK 7 / 0 / 3 / 5

HEX #E2F3EB

RGB 226 243 235

HSL 151.76, 0.41%, 0.92%

LAB 94.43, -7.04, 1.92

 

CMYK 0 / 7 / 0 / 5

HEX #F2E2F3

RGB 242 226 243

HSL 296.47, 0.41%, 0.92%

LAB 91.57, 8.41, -6.3

 

CMYK 2 / 0 / 7 / 5

HEX #EDF3E2

RGB 237 243 226

HSL 81.18, 0.41%, 0.92%

LAB 94.99, -4.94, 7.49

 

CMYK 7 / 2 / 0 / 5

HEX #E2EDF3

RGB 226 237 243

HSL 201.18, 0.41%, 0.92%

LAB 93.11, -2.51, -4.17

 

CMYK 0 / 7 / 2 / 5

HEX #F3E2ED

RGB 243 226 237

HSL 321.18, 0.41%, 0.92%

LAB 91.49, 7.68, -3.27

 

CMYK 2 / 0 / 7 / 5

HEX #EDF3E2

RGB 237 243 226

HSL 81.18, 0.41%, 0.92%

LAB 94.99, -4.94, 7.49

 

CMYK 7 / 0 / 3 / 5

HEX #E2F3EB

RGB 226 243 235

HSL 151.76, 0.41%, 0.92%

LAB 94.43, -7.04, 1.92

 

CMYK 5 / 7 / 0 / 5

HEX #E8E2F3

RGB 232 226 243

HSL 261.18, 0.41%, 0.92%

LAB 90.79, 5.11, -7.54

 

CMYK 0 / 7 / 4 / 5

HEX #F3E2EA

RGB 243 226 234

HSL 331.76, 0.41%, 0.92%

LAB 91.41, 7.16, -1.81

 

CMYK 2 / 0 / 7 / 5

HEX #EDF3E2

RGB 237 243 226

HSL 81.18, 0.41%, 0.92%

LAB 94.99, -4.94, 7.49

 

CMYK 7 / 0 / 1 / 5

HEX #E2F3F0

RGB 226 243 240

HSL 169.41, 0.41%, 0.92%

LAB 94.55, -6.12, -0.49

 

CMYK 5 / 7 / 0 / 5

HEX #E8E2F3

RGB 232 226 243

HSL 261.18, 0.41%, 0.92%

LAB 90.79, 5.11, -7.54

 

CMYK 0 / 7 / 6 / 5

HEX #F3E2E5

RGB 243 226 229

HSL 349.41, 0.41%, 0.92%

LAB 91.28, 6.3, 0.62

 

Description

Color code: HEX #EDF3E2 | qconv.com Color code: HEX #EDF3E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 243 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 243 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 7 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 7% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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