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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDE4C8 it is the complementary color #121B37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDE4C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDE4C8 shade: #F2E4C3, #FFF6D6, #FFFFE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDE4C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDE4C8 shade: #EDE4C8, #DCD2B5, #CBC0A2, #BAAE8F and #A99C7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDE4C8 shade: #EEE5C9, #EEDBC9, #EED1C9 and #EEC9C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDE4C8 shade: #EEE5C9, #EDEEC9, #E3EEC9, #D9EEC9 and #CFEEC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDE4C8 shade matches the following richer shades: #EEE5C9, #F3E8C3, #F9EBBE and #FFEEB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDE4C8 shade: #EEE5C9, #E8E2CF, #E2DFD5, #DCDCDA and #D6D9E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDE4C8 shade: #EED1C9, #EEDBC9, #EEE4C9, #EDEEC9 and #E3EEC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDE4C8 shade: #D9C68B, #E3D5AA, #EEE5C9, #F8F4E8 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDE4C8 shade: #EDE4C8, #CBEEC9 and #D6C9EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDE4C8 shade: #EDE4C8, #C9EEE4 and #E4C9EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDE4C8 shade: #EDE4C8, #CBEEC9, #C9D2EE and #ECC9EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDE4C8 shade: #EDE4C8, #C9EED2, #C9D2EE and #EEC9E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 16 / 7

HEX #EDE4C8

RGB 237 228 200

HSL 45.41, 0.51%, 0.86%

LAB 90.63, -1.5, 14.76

 

Complementary color

CMYK 67 / 51 / 0 / 78

HEX #121B37

RGB 18 27 55

HSL 225.41, 0.51%, 0.14%

LAB 10.47, 6.42, -19.57

 

CMYK 0 / 6 / 19 / 5

HEX #F2E4C3

RGB 242 228 195

HSL 42.13, 0.64%, 0.86%

LAB 90.92, -0.44, 17.83

 

CMYK 0 / 4 / 16 / 0

HEX #FFF6D6

RGB 255 246 214

HSL 46.83, 1%, 0.92%

LAB 96.83, -2.11, 16.48

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 0 / 4 / 16 / 7

HEX #EDE4C8

RGB 237 228 200

HSL 45.41, 0.51%, 0.86%

LAB 90.63, -1.5, 14.76

 

CMYK 0 / 5 / 18 / 14

HEX #DCD2B5

RGB 220 210 181

HSL 44.62, 0.36%, 0.79%

LAB 84.3, -1.27, 15.62

 

CMYK 0 / 5 / 20 / 20

HEX #CBC0A2

RGB 203 192 162

HSL 43.9, 0.28%, 0.72%

LAB 77.88, -1.02, 16.53

 

CMYK 0 / 6 / 23 / 27

HEX #BAAE8F

RGB 186 174 143

HSL 43.26, 0.24%, 0.65%

LAB 71.35, -0.73, 17.49

 

CMYK 0 / 8 / 27 / 34

HEX #A99C7C

RGB 169 156 124

HSL 42.67, 0.21%, 0.57%

LAB 64.7, -0.4, 18.51

 

CMYK 0 / 4 / 16 / 7

HEX #EEE5C9

RGB 238 229 201

HSL 45.41, 0.52%, 0.86%

LAB 90.98, -1.5, 14.75

 

CMYK 0 / 8 / 16 / 7

HEX #EEDBC9

RGB 238 219 201

HSL 29.19, 0.52%, 0.86%

LAB 88.47, 3.64, 11.2

 

CMYK 0 / 12 / 16 / 7

HEX #EED1C9

RGB 238 209 201

HSL 12.97, 0.52%, 0.86%

LAB 86, 8.84, 7.67

 

CMYK 0 / 16 / 16 / 7

HEX #EEC9C9

RGB 238 201 201

HSL 0, 0.52%, 0.86%

LAB 84.05, 13.04, 4.86

 

CMYK 0 / 4 / 16 / 7

HEX #EEE5C9

RGB 238 229 201

HSL 45.41, 0.52%, 0.86%

LAB 90.98, -1.5, 14.75

 

CMYK 0 / 0 / 16 / 7

HEX #EDEEC9

RGB 237 238 201

HSL 61.62, 0.52%, 0.86%

LAB 93.18, -6.42, 17.83

 

CMYK 5 / 0 / 16 / 7

HEX #E3EEC9

RGB 227 238 201

HSL 77.84, 0.52%, 0.86%

LAB 92.44, -9.95, 16.69

 

CMYK 9 / 0 / 16 / 7

HEX #D9EEC9

RGB 217 238 201

HSL 94.05, 0.52%, 0.86%

LAB 91.74, -13.43, 15.6

 

CMYK 13 / 0 / 16 / 7

HEX #CFEEC9

RGB 207 238 201

HSL 110.27, 0.52%, 0.86%

LAB 91.07, -16.84, 14.56

 

CMYK 0 / 4 / 16 / 7

HEX #EEE5C9

RGB 238 229 201

HSL 45.41, 0.52%, 0.86%

LAB 90.98, -1.5, 14.75

 

CMYK 0 / 5 / 20 / 5

HEX #F3E8C3

RGB 243 232 195

HSL 46.25, 0.67%, 0.86%

LAB 92, -2.12, 19.36

 

CMYK 0 / 6 / 24 / 2

HEX #F9EBBE

RGB 249 235 190

HSL 45.76, 0.83%, 0.86%

LAB 93.13, -2.15, 23.58

 

CMYK 0 / 7 / 28 / 0

HEX #FFEEB8

RGB 255 238 184

HSL 45.63, 1%, 0.86%

LAB 94.26, -2.24, 28.27

 

CMYK 0 / 4 / 16 / 7

HEX #EEE5C9

RGB 238 229 201

HSL 45.41, 0.52%, 0.86%

LAB 90.98, -1.5, 14.75

 

CMYK 0 / 3 / 11 / 9

HEX #E8E2CF

RGB 232 226 207

HSL 45.6, 0.35%, 0.86%

LAB 89.88, -1.16, 10

 

CMYK 0 / 1 / 6 / 11

HEX #E2DFD5

RGB 226 223 213

HSL 46.15, 0.18%, 0.86%

LAB 88.8, -0.72, 5.24

 

CMYK 0 / 0 / 1 / 14

HEX #DCDCDA

RGB 220 220 218

HSL 60, 0.03%, 0.86%

LAB 87.71, -0.35, 0.97

 

CMYK 4 / 3 / 0 / 12

HEX #D6D9E0

RGB 214 217 224

HSL 222, 0.14%, 0.86%

LAB 86.65, 0.29, -3.8

 

CMYK 0 / 12 / 16 / 7

HEX #EED1C9

RGB 238 209 201

HSL 12.97, 0.52%, 0.86%

LAB 86, 8.84, 7.67

 

CMYK 0 / 8 / 16 / 7

HEX #EEDBC9

RGB 238 219 201

HSL 29.19, 0.52%, 0.86%

LAB 88.47, 3.64, 11.2

 

CMYK 0 / 4 / 16 / 7

HEX #EEE4C9

RGB 238 228 201

HSL 43.78, 0.52%, 0.86%

LAB 90.73, -0.99, 14.39

 

CMYK 0 / 0 / 16 / 7

HEX #EDEEC9

RGB 237 238 201

HSL 61.62, 0.52%, 0.86%

LAB 93.18, -6.42, 17.83

 

CMYK 5 / 0 / 16 / 7

HEX #E3EEC9

RGB 227 238 201

HSL 77.84, 0.52%, 0.86%

LAB 92.44, -9.95, 16.69

 

CMYK 0 / 9 / 36 / 15

HEX #D9C68B

RGB 217 198 139

HSL 45.38, 0.51%, 0.7%

LAB 80.18, -1.82, 32.02

 

CMYK 0 / 6 / 25 / 11

HEX #E3D5AA

RGB 227 213 170

HSL 45.26, 0.5%, 0.78%

LAB 85.41, -1.8, 23.04

 

CMYK 0 / 4 / 16 / 7

HEX #EEE5C9

RGB 238 229 201

HSL 45.41, 0.52%, 0.86%

LAB 90.98, -1.5, 14.75

 

CMYK 0 / 2 / 6 / 3

HEX #F8F4E8

RGB 248 244 232

HSL 45, 0.53%, 0.94%

LAB 96.2, -0.7, 6.24

 

CMYK 0 / 4 / 16 / 7

HEX #EDE4C8

RGB 237 228 200

HSL 45.41, 0.51%, 0.86%

LAB 90.63, -1.5, 14.76

 

CMYK 15 / 0 / 16 / 7

HEX #CBEEC9

RGB 203 238 201

HSL 116.76, 0.52%, 0.86%

LAB 90.81, -18.19, 14.16

 

CMYK 10 / 16 / 0 / 7

HEX #D6C9EE

RGB 214 201 238

HSL 261.08, 0.52%, 0.86%

LAB 83.04, 11.46, -16.61

 

CMYK 0 / 4 / 16 / 7

HEX #EDE4C8

RGB 237 228 200

HSL 45.41, 0.51%, 0.86%

LAB 90.63, -1.5, 14.76

 

CMYK 16 / 0 / 4 / 7

HEX #C9EEE4

RGB 201 238 228

HSL 163.78, 0.52%, 0.86%

LAB 91.31, -13.9, 0.82

 

CMYK 4 / 16 / 0 / 7

HEX #E4C9EE

RGB 228 201 238

HSL 283.78, 0.52%, 0.86%

LAB 84.19, 16.01, -14.76

 

CMYK 0 / 4 / 16 / 7

HEX #EDE4C8

RGB 237 228 200

HSL 45.41, 0.51%, 0.86%

LAB 90.63, -1.5, 14.76

 

CMYK 15 / 0 / 16 / 7

HEX #CBEEC9

RGB 203 238 201

HSL 116.76, 0.52%, 0.86%

LAB 90.81, -18.19, 14.16

 

CMYK 16 / 12 / 0 / 7

HEX #C9D2EE

RGB 201 210 238

HSL 225.41, 0.52%, 0.86%

LAB 84.32, 2.53, -14.78

 

CMYK 1 / 16 / 0 / 7

HEX #ECC9EE

RGB 236 201 238

HSL 296.76, 0.52%, 0.86%

LAB 84.88, 18.64, -13.65

 

CMYK 0 / 4 / 16 / 7

HEX #EDE4C8

RGB 237 228 200

HSL 45.41, 0.51%, 0.86%

LAB 90.63, -1.5, 14.76

 

CMYK 16 / 0 / 12 / 7

HEX #C9EED2

RGB 201 238 210

HSL 134.59, 0.52%, 0.86%

LAB 90.88, -17.27, 9.57

 

CMYK 16 / 12 / 0 / 7

HEX #C9D2EE

RGB 201 210 238

HSL 225.41, 0.52%, 0.86%

LAB 84.32, 2.53, -14.78

 

CMYK 0 / 16 / 4 / 7

HEX #EEC9E4

RGB 238 201 228

HSL 316.22, 0.52%, 0.86%

LAB 84.77, 17.51, -8.49

 

Description

Color code: HEX #EDE4C8 | qconv.com Color code: HEX #EDE4C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 228 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 228 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 16 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 16% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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