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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDDF2B it is the complementary color #1220D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDDF2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDDF2B shade: #F2DF26, #FFF139, #FFFF4C, #FFFF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDDF2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDDF2B shade: #EDDF2B, #DCCD18, #CBBB05, #BAA900 and #A99700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDDF2B shade: #EDDF2C, #EDAB2C, #ED772C, #ED432C and #ED2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDDF2B shade: #EDDF2C, #C7ED2C, #93ED2C, #5FED2C and #2CED2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDDF2B shade matches the following richer shades: #EDDF2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDDF2B shade: #EDDF2C, #DACF3E, #C8BF51, #B5AF64 and #A29F76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDDF2B shade: #ED762C, #EDA92C, #EDDD2C, #C9ED2C and #96ED2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDDF2B shade: #B6AA10, #DCCE13, #EDDF2C, #F0E552 and #F3EA78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDDF2B shade: #EDDF2B, #2CED42 and #8F2CED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDDF2B shade: #EDDF2B, #2CEDDD and #DD2CED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDDF2B shade: #EDDF2B, #2CED42, #2C3CED and #ED2CD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDDF2B shade: #EDDF2B, #2CED7C, #2C3CED and #ED2C9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 82 / 7

HEX #EDDF2B

RGB 237 223 43

HSL 55.67, 0.84%, 0.55%

LAB 87.46, -12.92, 80.6

 

Complementary color

CMYK 92 / 85 / 0 / 17

HEX #1220D4

RGB 18 32 212

HSL 235.67, 0.84%, 0.45%

LAB 29.2, 60.46, -88.52

 

CMYK 0 / 8 / 84 / 5

HEX #F2DF26

RGB 242 223 38

HSL 54.41, 0.89%, 0.55%

LAB 87.87, -10.94, 82.27

 

CMYK 0 / 5 / 78 / 0

HEX #FFF139

RGB 255 241 57

HSL 55.76, 1%, 0.61%

LAB 93.65, -13.84, 82.85

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 6 / 82 / 7

HEX #EDDF2B

RGB 237 223 43

HSL 55.67, 0.84%, 0.55%

LAB 87.46, -12.92, 80.6

 

CMYK 0 / 7 / 89 / 14

HEX #DCCD18

RGB 220 205 24

HSL 55.41, 0.8%, 0.48%

LAB 81.26, -11.57, 78.9

 

CMYK 0 / 8 / 98 / 20

HEX #CBBB05

RGB 203 187 5

HSL 55.15, 0.95%, 0.41%

LAB 74.98, -10.04, 75.91

 

CMYK 0 / 9 / 100 / 27

HEX #BAA900

RGB 186 169 0

HSL 54.52, 1%, 0.36%

LAB 68.62, -8.28, 71.18

 

CMYK 0 / 11 / 100 / 34

HEX #A99700

RGB 169 151 0

HSL 53.61, 1%, 0.33%

LAB 62.14, -6.4, 65.81

 

CMYK 0 / 6 / 81 / 7

HEX #EDDF2C

RGB 237 223 44

HSL 55.65, 0.84%, 0.55%

LAB 87.47, -12.89, 80.35

 

CMYK 0 / 28 / 81 / 7

HEX #EDAB2C

RGB 237 171 44

HSL 39.48, 0.84%, 0.55%

LAB 74.39, 13.86, 69.1

 

CMYK 0 / 50 / 81 / 7

HEX #ED772C

RGB 237 119 44

HSL 23.32, 0.84%, 0.55%

LAB 62.83, 40.99, 58.85

 

CMYK 0 / 72 / 81 / 7

HEX #ED432C

RGB 237 67 44

HSL 7.15, 0.84%, 0.55%

LAB 54.24, 63.59, 50.96

 

CMYK 0 / 81 / 81 / 7

HEX #ED2C2C

RGB 237 44 44

HSL 0, 0.84%, 0.55%

LAB 51.82, 70.36, 48.68

 

CMYK 0 / 6 / 81 / 7

HEX #EDDF2C

RGB 237 223 44

HSL 55.65, 0.84%, 0.55%

LAB 87.47, -12.89, 80.35

 

CMYK 16 / 0 / 81 / 7

HEX #C7ED2C

RGB 199 237 44

HSL 71.81, 0.84%, 0.55%

LAB 88.4, -35.12, 80.04

 

CMYK 38 / 0 / 81 / 7

HEX #93ED2C

RGB 147 237 44

HSL 87.98, 0.84%, 0.55%

LAB 85.48, -54.26, 76.35

 

CMYK 60 / 0 / 81 / 7

HEX #5FED2C

RGB 95 237 44

HSL 104.15, 0.84%, 0.55%

LAB 83.54, -69.11, 73.87

 

CMYK 81 / 0 / 81 / 7

HEX #2CED2D

RGB 44 237 45

HSL 120.31, 0.84%, 0.55%

LAB 82.54, -77.63, 72.33

 

CMYK 0 / 6 / 81 / 7

HEX #EDDF2C

RGB 237 223 44

HSL 55.65, 0.84%, 0.55%

LAB 87.47, -12.89, 80.35

 

CMYK 0 / 6 / 81 / 7

HEX #EDDF2C

RGB 237 223 44

HSL 55.65, 0.84%, 0.55%

LAB 87.47, -12.89, 80.35

 

CMYK 0 / 5 / 72 / 15

HEX #DACF3E

RGB 218 207 62

HSL 55.77, 0.68%, 0.55%

LAB 81.77, -12.24, 69.17

 

CMYK 0 / 5 / 60 / 22

HEX #C8BF51

RGB 200 191 81

HSL 55.46, 0.52%, 0.55%

LAB 76.15, -10.61, 55.26

 

CMYK 0 / 3 / 45 / 29

HEX #B5AF64

RGB 181 175 100

HSL 55.56, 0.35%, 0.55%

LAB 70.46, -8.62, 39.07

 

CMYK 0 / 2 / 27 / 36

HEX #A29F76

RGB 162 159 118

HSL 55.91, 0.19%, 0.55%

LAB 64.79, -5.67, 21.85

 

CMYK 0 / 50 / 81 / 7

HEX #ED762C

RGB 237 118 44

HSL 23.01, 0.84%, 0.55%

LAB 62.63, 41.49, 58.67

 

CMYK 0 / 29 / 81 / 7

HEX #EDA92C

RGB 237 169 44

HSL 38.86, 0.84%, 0.55%

LAB 73.91, 14.92, 68.68

 

CMYK 0 / 7 / 81 / 7

HEX #EDDD2C

RGB 237 221 44

HSL 55.03, 0.84%, 0.55%

LAB 86.95, -11.9, 79.91

 

CMYK 15 / 0 / 81 / 7

HEX #C9ED2C

RGB 201 237 44

HSL 71.19, 0.84%, 0.55%

LAB 88.53, -34.33, 80.21

 

CMYK 37 / 0 / 81 / 7

HEX #96ED2C

RGB 150 237 44

HSL 87.05, 0.84%, 0.55%

LAB 85.62, -53.25, 76.53

 

CMYK 0 / 7 / 91 / 29

HEX #B6AA10

RGB 182 170 16

HSL 55.66, 0.84%, 0.39%

LAB 68.56, -10.37, 68.9

 

CMYK 0 / 6 / 91 / 14

HEX #DCCE13

RGB 220 206 19

HSL 55.82, 0.84%, 0.47%

LAB 81.51, -12.16, 79.87

 

CMYK 0 / 6 / 81 / 7

HEX #EDDF2C

RGB 237 223 44

HSL 55.65, 0.84%, 0.55%

LAB 87.47, -12.89, 80.35

 

CMYK 0 / 5 / 66 / 6

HEX #F0E552

RGB 240 229 82

HSL 55.82, 0.84%, 0.63%

LAB 89.47, -13.04, 70.01

 

CMYK 0 / 4 / 51 / 5

HEX #F3EA78

RGB 243 234 120

HSL 55.61, 0.84%, 0.71%

LAB 91.35, -11.67, 55.83

 

CMYK 0 / 6 / 82 / 7

HEX #EDDF2B

RGB 237 223 43

HSL 55.67, 0.84%, 0.55%

LAB 87.46, -12.92, 80.6

 

CMYK 81 / 0 / 72 / 7

HEX #2CED42

RGB 44 237 66

HSL 126.84, 0.84%, 0.55%

LAB 82.65, -76.25, 66.05

 

CMYK 40 / 81 / 0 / 7

HEX #8F2CED

RGB 143 44 237

HSL 270.78, 0.84%, 0.55%

LAB 43.88, 72.65, -78.22

 

CMYK 0 / 6 / 82 / 7

HEX #EDDF2B

RGB 237 223 43

HSL 55.67, 0.84%, 0.55%

LAB 87.46, -12.92, 80.6

 

CMYK 81 / 0 / 7 / 7

HEX #2CEDDD

RGB 44 237 221

HSL 175.03, 0.84%, 0.55%

LAB 85.16, -48.16, -5.2

 

CMYK 7 / 81 / 0 / 7

HEX #DD2CED

RGB 221 44 237

HSL 295.03, 0.84%, 0.55%

LAB 55.37, 84.96, -59.06

 

CMYK 0 / 6 / 82 / 7

HEX #EDDF2B

RGB 237 223 43

HSL 55.67, 0.84%, 0.55%

LAB 87.46, -12.92, 80.6

 

CMYK 81 / 0 / 72 / 7

HEX #2CED42

RGB 44 237 66

HSL 126.84, 0.84%, 0.55%

LAB 82.65, -76.25, 66.05

 

CMYK 81 / 75 / 0 / 7

HEX #2C3CED

RGB 44 60 237

HSL 235.03, 0.84%, 0.55%

LAB 37.63, 55.66, -88.82

 

CMYK 0 / 81 / 10 / 7

HEX #ED2CD6

RGB 237 44 214

HSL 307.15, 0.84%, 0.55%

LAB 56.74, 84.52, -43.71

 

CMYK 0 / 6 / 82 / 7

HEX #EDDF2B

RGB 237 223 43

HSL 55.67, 0.84%, 0.55%

LAB 87.46, -12.92, 80.6

 

CMYK 81 / 0 / 48 / 7

HEX #2CED7C

RGB 44 237 124

HSL 144.87, 0.84%, 0.55%

LAB 83.21, -69.38, 41.93

 

CMYK 81 / 75 / 0 / 7

HEX #2C3CED

RGB 44 60 237

HSL 235.03, 0.84%, 0.55%

LAB 37.63, 55.66, -88.82

 

CMYK 0 / 81 / 34 / 7

HEX #ED2C9C

RGB 237 44 156

HSL 325.18, 0.84%, 0.55%

LAB 54.25, 77.53, -13.95

 

Description

Color code: HEX #EDDF2B | qconv.com Color code: HEX #EDDF2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 223 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 223 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 82 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 82% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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