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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDDB53 it is the complementary color #1224AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDDB53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDDB53 shade: #F2DB4E, #FFED61, #FFFF74, #FFFF87 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDDB53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDDB53 shade: #EDDB53, #DCC940, #CBB72D, #BAA51A and #A99307

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDDB53 shade: #EDDB54, #EDB154, #ED8854, #ED5F54 and #ED5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDDB53 shade: #EDDB54, #D5ED54, #ACED54, #83ED54 and #5AED54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDDB53 shade matches the following richer shades: #EDDB54 and #FCE644

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDDB53 shade: #EDDB54, #DDCF63, #CEC372, #BFB882 and #B0AC91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDDB53 shade: #ED8754, #EDAF54, #EDD854, #D8ED54 and #AFED54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDDB53 shade: #D8C116, #E9D32E, #EDDB54, #F0E379 and #F4EA9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDDB53 shade: #EDDB53, #54ED5E and #9B54ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDDB53 shade: #EDDB53, #54EDD8 and #D854ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDDB53 shade: #EDDB53, #54ED5E, #5468ED and #ED54E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDDB53 shade: #EDDB53, #54ED8C, #5468ED and #ED54B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 65 / 7

HEX #EDDB53

RGB 237 219 83

HSL 52.99, 0.81%, 0.63%

LAB 86.65, -9.24, 66.61

 

Complementary color

CMYK 90 / 79 / 0 / 33

HEX #1224AC

RGB 18 36 172

HSL 232.99, 0.81%, 0.37%

LAB 24.86, 45.97, -72.12

 

CMYK 0 / 10 / 68 / 5

HEX #F2DB4E

RGB 242 219 78

HSL 51.59, 0.86%, 0.63%

LAB 87.04, -7.44, 69.13

 

CMYK 0 / 7 / 62 / 0

HEX #FFED61

RGB 255 237 97

HSL 53.16, 1%, 0.69%

LAB 92.88, -9.99, 67.95

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 8 / 65 / 7

HEX #EDDB53

RGB 237 219 83

HSL 52.99, 0.81%, 0.63%

LAB 86.65, -9.24, 66.61

 

CMYK 0 / 9 / 71 / 14

HEX #DCC940

RGB 220 201 64

HSL 52.69, 0.69%, 0.56%

LAB 80.38, -8.27, 67.15

 

CMYK 0 / 10 / 78 / 20

HEX #CBB72D

RGB 203 183 45

HSL 52.41, 0.64%, 0.49%

LAB 74.03, -7.12, 67.18

 

CMYK 0 / 11 / 86 / 27

HEX #BAA51A

RGB 186 165 26

HSL 52.13, 0.75%, 0.42%

LAB 67.59, -5.76, 66.31

 

CMYK 0 / 13 / 96 / 34

HEX #A99307

RGB 169 147 7

HSL 51.85, 0.92%, 0.35%

LAB 61.06, -4.15, 64

 

CMYK 0 / 8 / 65 / 7

HEX #EDDB54

RGB 237 219 84

HSL 52.94, 0.81%, 0.63%

LAB 86.66, -9.19, 66.21

 

CMYK 0 / 25 / 65 / 7

HEX #EDB154

RGB 237 177 84

HSL 36.47, 0.81%, 0.63%

LAB 76.12, 12.5, 54.85

 

CMYK 0 / 43 / 65 / 7

HEX #ED8854

RGB 237 136 84

HSL 20.39, 0.81%, 0.63%

LAB 66.71, 34.13, 44.14

 

CMYK 0 / 60 / 65 / 7

HEX #ED5F54

RGB 237 95 84

HSL 4.31, 0.81%, 0.63%

LAB 58.82, 54.13, 34.66

 

CMYK 0 / 65 / 65 / 7

HEX #ED5454

RGB 237 84 84

HSL 0, 0.81%, 0.63%

LAB 57.06, 58.82, 32.49

 

CMYK 0 / 8 / 65 / 7

HEX #EDDB54

RGB 237 219 84

HSL 52.94, 0.81%, 0.63%

LAB 86.66, -9.19, 66.21

 

CMYK 10 / 0 / 65 / 7

HEX #D5ED54

RGB 213 237 84

HSL 69.41, 0.81%, 0.63%

LAB 89.56, -27.69, 68.68

 

CMYK 27 / 0 / 65 / 7

HEX #ACED54

RGB 172 237 84

HSL 85.49, 0.81%, 0.63%

LAB 86.99, -43.27, 65.18

 

CMYK 45 / 0 / 65 / 7

HEX #83ED54

RGB 131 237 84

HSL 101.57, 0.81%, 0.63%

LAB 85.01, -56.86, 62.48

 

CMYK 62 / 0 / 65 / 7

HEX #5AED54

RGB 90 237 84

HSL 117.65, 0.81%, 0.63%

LAB 83.64, -67.39, 60.59

 

CMYK 0 / 8 / 65 / 7

HEX #EDDB54

RGB 237 219 84

HSL 52.94, 0.81%, 0.63%

LAB 86.66, -9.19, 66.21

 

CMYK 0 / 9 / 73 / 1

HEX #FCE644

RGB 252 230 68

HSL 52.83, 0.97%, 0.63%

LAB 90.65, -9.26, 76.59

 

CMYK 0 / 8 / 65 / 7

HEX #EDDB54

RGB 237 219 84

HSL 52.94, 0.81%, 0.63%

LAB 86.66, -9.19, 66.21

 

CMYK 0 / 6 / 55 / 13

HEX #DDCF63

RGB 221 207 99

HSL 53.11, 0.64%, 0.63%

LAB 82.32, -8.72, 54.54

 

CMYK 0 / 5 / 45 / 19

HEX #CEC372

RGB 206 195 114

HSL 52.83, 0.48%, 0.63%

LAB 78.09, -7.38, 41.94

 

CMYK 0 / 4 / 32 / 25

HEX #BFB882

RGB 191 184 130

HSL 53.11, 0.32%, 0.63%

LAB 74.17, -5.85, 28.38

 

CMYK 0 / 2 / 18 / 31

HEX #B0AC91

RGB 176 172 145

HSL 52.26, 0.16%, 0.63%

LAB 70.02, -3.19, 14.42

 

CMYK 0 / 43 / 65 / 7

HEX #ED8754

RGB 237 135 84

HSL 20, 0.81%, 0.63%

LAB 66.5, 34.64, 43.89

 

CMYK 0 / 26 / 65 / 7

HEX #EDAF54

RGB 237 175 84

HSL 35.69, 0.81%, 0.63%

LAB 75.64, 13.56, 54.32

 

CMYK 0 / 9 / 65 / 7

HEX #EDD854

RGB 237 216 84

HSL 51.76, 0.81%, 0.63%

LAB 85.88, -7.68, 65.4

 

CMYK 9 / 0 / 65 / 7

HEX #D8ED54

RGB 216 237 84

HSL 68.24, 0.81%, 0.63%

LAB 89.77, -26.5, 68.96

 

CMYK 26 / 0 / 65 / 7

HEX #AFED54

RGB 175 237 84

HSL 84.31, 0.81%, 0.63%

LAB 87.15, -42.18, 65.41

 

CMYK 0 / 11 / 90 / 15

HEX #D8C116

RGB 216 193 22

HSL 52.89, 0.82%, 0.47%

LAB 77.75, -7.24, 76.36

 

CMYK 0 / 9 / 80 / 9

HEX #E9D32E

RGB 233 211 46

HSL 52.94, 0.81%, 0.55%

LAB 84.02, -8.52, 76.74

 

CMYK 0 / 8 / 65 / 7

HEX #EDDB54

RGB 237 219 84

HSL 52.94, 0.81%, 0.63%

LAB 86.66, -9.19, 66.21

 

CMYK 0 / 5 / 50 / 6

HEX #F0E379

RGB 240 227 121

HSL 53.45, 0.8%, 0.71%

LAB 89.32, -9.3, 52.89

 

CMYK 0 / 4 / 35 / 4

HEX #F4EA9E

RGB 244 234 158

HSL 53.02, 0.8%, 0.79%

LAB 91.93, -7.52, 38.16

 

CMYK 0 / 8 / 65 / 7

HEX #EDDB53

RGB 237 219 83

HSL 52.99, 0.81%, 0.63%

LAB 86.65, -9.24, 66.61

 

CMYK 65 / 0 / 60 / 7

HEX #54ED5E

RGB 84 237 94

HSL 123.92, 0.81%, 0.63%

LAB 83.58, -67.59, 56.31

 

CMYK 35 / 65 / 0 / 7

HEX #9B54ED

RGB 155 84 237

HSL 267.84, 0.81%, 0.63%

LAB 51.18, 58.18, -66.27

 

CMYK 0 / 8 / 65 / 7

HEX #EDDB53

RGB 237 219 83

HSL 52.99, 0.81%, 0.63%

LAB 86.65, -9.24, 66.61

 

CMYK 65 / 0 / 9 / 7

HEX #54EDD8

RGB 84 237 216

HSL 171.76, 0.81%, 0.63%

LAB 85.71, -44.9, -1.68

 

CMYK 9 / 65 / 0 / 7

HEX #D854ED

RGB 216 84 237

HSL 291.76, 0.81%, 0.63%

LAB 59.02, 71.38, -53.26

 

CMYK 0 / 8 / 65 / 7

HEX #EDDB53

RGB 237 219 83

HSL 52.99, 0.81%, 0.63%

LAB 86.65, -9.24, 66.61

 

CMYK 65 / 0 / 60 / 7

HEX #54ED5E

RGB 84 237 94

HSL 123.92, 0.81%, 0.63%

LAB 83.58, -67.59, 56.31

 

CMYK 65 / 56 / 0 / 7

HEX #5468ED

RGB 84 104 237

HSL 232.16, 0.81%, 0.63%

LAB 49.37, 33.77, -69.48

 

CMYK 0 / 65 / 5 / 7

HEX #ED54E2

RGB 237 84 226

HSL 304.31, 0.81%, 0.63%

LAB 61.51, 74.37, -42.97

 

CMYK 0 / 8 / 65 / 7

HEX #EDDB53

RGB 237 219 83

HSL 52.99, 0.81%, 0.63%

LAB 86.65, -9.24, 66.61

 

CMYK 65 / 0 / 41 / 7

HEX #54ED8C

RGB 84 237 140

HSL 141.96, 0.81%, 0.63%

LAB 84.15, -61.16, 35.41

 

CMYK 65 / 56 / 0 / 7

HEX #5468ED

RGB 84 104 237

HSL 232.16, 0.81%, 0.63%

LAB 49.37, 33.77, -69.48

 

CMYK 0 / 65 / 24 / 7

HEX #ED54B5

RGB 237 84 181

HSL 321.96, 0.81%, 0.63%

LAB 59.6, 67.94, -20.39

 

Description

Color code: HEX #EDDB53 | qconv.com Color code: HEX #EDDB53 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 219 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 219 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 65 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 65% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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