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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDD4A8 it is the complementary color #122B57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDD4A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDD4A8 shade: #F2D4A3, #FFE6B6, #FFF8C9, #FFFFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDD4A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDD4A8 shade: #EDD4A8, #DCC295, #CBB082, #BA9E6F and #A98C5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDD4A8 shade: #EDD3A6, #EDC0A6, #EDADA6 and #EDA6A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDD4A8 shade: #EDD3A6, #EDE6A6, #E0EDA6, #CDEDA6 and #BAEDA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDD4A8 shade matches the following richer shades: #EDD3A6, #F5D69D and #FED895

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDD4A8 shade: #EDD3A6, #E4D1AF, #DBCEB7, #D3CCC0 and #CACAC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDD4A8 shade: #EDADA6, #EDC0A6, #EDD3A6, #EDE6A6 and #E1EDA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDD4A8 shade: #DFB162, #E6C284, #EDD3A6, #F4E4C8 and #FBF5EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDD4A8 shade: #EDD4A8, #B2EDA6 and #B7A6ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDD4A8 shade: #EDD4A8, #A6EDD3 and #D3A6ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDD4A8 shade: #EDD4A8, #B2EDA6, #A6C0ED and #E1A6ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDD4A8 shade: #EDD4A8, #A6EDB0, #A6C0ED and #EDA6E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 29 / 7

HEX #EDD4A8

RGB 237 212 168

HSL 38.26, 0.66%, 0.79%

LAB 85.97, 2.22, 24.97

 

Complementary color

CMYK 79 / 51 / 0 / 66

HEX #122B57

RGB 18 43 87

HSL 218.26, 0.66%, 0.21%

LAB 18.12, 7.98, -29.44

 

CMYK 0 / 12 / 33 / 5

HEX #F2D4A3

RGB 242 212 163

HSL 37.22, 0.75%, 0.79%

LAB 86.31, 3.49, 28.12

 

CMYK 0 / 10 / 29 / 0

HEX #FFE6B6

RGB 255 230 182

HSL 39.45, 1%, 0.86%

LAB 92.23, 1.55, 26.54

 

CMYK 0 / 3 / 21 / 0

HEX #FFF8C9

RGB 255 248 201

HSL 52.22, 1%, 0.89%

LAB 97.07, -4.99, 23.46

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 11 / 29 / 7

HEX #EDD4A8

RGB 237 212 168

HSL 38.26, 0.66%, 0.79%

LAB 85.97, 2.22, 24.97

 

CMYK 0 / 12 / 32 / 14

HEX #DCC295

RGB 220 194 149

HSL 38.03, 0.5%, 0.72%

LAB 79.6, 2.65, 26.04

 

CMYK 0 / 13 / 36 / 20

HEX #CBB082

RGB 203 176 130

HSL 37.81, 0.41%, 0.65%

LAB 73.13, 3.16, 27.18

 

CMYK 0 / 15 / 40 / 27

HEX #BA9E6F

RGB 186 158 111

HSL 37.6, 0.35%, 0.58%

LAB 66.55, 3.74, 28.39

 

CMYK 0 / 17 / 46 / 34

HEX #A98C5C

RGB 169 140 92

HSL 37.4, 0.31%, 0.51%

LAB 59.86, 4.42, 29.69

 

CMYK 0 / 11 / 30 / 7

HEX #EDD3A6

RGB 237 211 166

HSL 38.03, 0.66%, 0.79%

LAB 85.68, 2.48, 25.62

 

CMYK 0 / 19 / 30 / 7

HEX #EDC0A6

RGB 237 192 166

HSL 21.97, 0.66%, 0.79%

LAB 80.99, 12.41, 19.18

 

CMYK 0 / 27 / 30 / 7

HEX #EDADA6

RGB 237 173 166

HSL 5.92, 0.66%, 0.79%

LAB 76.46, 22.48, 12.84

 

CMYK 0 / 30 / 30 / 7

HEX #EDA6A6

RGB 237 166 166

HSL 0, 0.66%, 0.79%

LAB 74.84, 26.21, 10.55

 

CMYK 0 / 11 / 30 / 7

HEX #EDD3A6

RGB 237 211 166

HSL 38.03, 0.66%, 0.79%

LAB 85.68, 2.48, 25.62

 

CMYK 0 / 3 / 30 / 7

HEX #EDE6A6

RGB 237 230 166

HSL 54.08, 0.66%, 0.79%

LAB 90.48, -7.22, 32.11

 

CMYK 5 / 0 / 30 / 7

HEX #E0EDA6

RGB 224 237 166

HSL 70.99, 0.66%, 0.79%

LAB 91.31, -15.56, 33.04

 

CMYK 14 / 0 / 30 / 7

HEX #CDEDA6

RGB 205 237 166

HSL 87.04, 0.66%, 0.79%

LAB 90, -22.46, 31.05

 

CMYK 22 / 0 / 30 / 7

HEX #BAEDA6

RGB 186 237 166

HSL 103.1, 0.66%, 0.79%

LAB 88.81, -29.09, 29.25

 

CMYK 0 / 11 / 30 / 7

HEX #EDD3A6

RGB 237 211 166

HSL 38.03, 0.66%, 0.79%

LAB 85.68, 2.48, 25.62

 

CMYK 0 / 13 / 36 / 4

HEX #F5D69D

RGB 245 214 157

HSL 38.86, 0.81%, 0.79%

LAB 86.97, 2.9, 32.14

 

CMYK 0 / 15 / 41 / 0

HEX #FED895

RGB 254 216 149

HSL 38.29, 0.98%, 0.79%

LAB 88.14, 4.49, 37.92

 

CMYK 0 / 11 / 30 / 7

HEX #EDD3A6

RGB 237 211 166

HSL 38.03, 0.66%, 0.79%

LAB 85.68, 2.48, 25.62

 

CMYK 0 / 8 / 23 / 11

HEX #E4D1AF

RGB 228 209 175

HSL 38.49, 0.5%, 0.79%

LAB 84.58, 1.33, 19.28

 

CMYK 0 / 6 / 16 / 14

HEX #DBCEB7

RGB 219 206 183

HSL 38.33, 0.33%, 0.79%

LAB 83.24, 0.75, 13.06

 

CMYK 0 / 3 / 9 / 17

HEX #D3CCC0

RGB 211 204 192

HSL 37.89, 0.18%, 0.79%

LAB 82.29, 0.35, 6.83

 

CMYK 0 / 0 / 0 / 21

HEX #CACAC9

RGB 202 202 201

HSL 60, 0.01%, 0.79%

LAB 81.3, -0.18, 0.49

 

CMYK 0 / 27 / 30 / 7

HEX #EDADA6

RGB 237 173 166

HSL 5.92, 0.66%, 0.79%

LAB 76.46, 22.48, 12.84

 

CMYK 0 / 19 / 30 / 7

HEX #EDC0A6

RGB 237 192 166

HSL 21.97, 0.66%, 0.79%

LAB 80.99, 12.41, 19.18

 

CMYK 0 / 11 / 30 / 7

HEX #EDD3A6

RGB 237 211 166

HSL 38.03, 0.66%, 0.79%

LAB 85.68, 2.48, 25.62

 

CMYK 0 / 3 / 30 / 7

HEX #EDE6A6

RGB 237 230 166

HSL 54.08, 0.66%, 0.79%

LAB 90.48, -7.22, 32.11

 

CMYK 5 / 0 / 30 / 7

HEX #E1EDA6

RGB 225 237 166

HSL 70.14, 0.66%, 0.79%

LAB 91.38, -15.19, 33.15

 

CMYK 0 / 21 / 56 / 13

HEX #DFB162

RGB 223 177 98

HSL 37.92, 0.66%, 0.63%

LAB 74.83, 7.64, 46.29

 

CMYK 0 / 16 / 43 / 10

HEX #E6C284

RGB 230 194 132

HSL 37.96, 0.66%, 0.71%

LAB 80.22, 4.65, 35.92

 

CMYK 0 / 11 / 30 / 7

HEX #EDD3A6

RGB 237 211 166

HSL 38.03, 0.66%, 0.79%

LAB 85.68, 2.48, 25.62

 

CMYK 0 / 7 / 18 / 4

HEX #F4E4C8

RGB 244 228 200

HSL 38.18, 0.67%, 0.87%

LAB 91.18, 1.01, 15.63

 

CMYK 0 / 2 / 6 / 2

HEX #FBF5EB

RGB 251 245 235

HSL 37.5, 0.67%, 0.95%

LAB 96.74, 0.31, 5.51

 

CMYK 0 / 11 / 29 / 7

HEX #EDD4A8

RGB 237 212 168

HSL 38.26, 0.66%, 0.79%

LAB 85.97, 2.22, 24.97

 

CMYK 25 / 0 / 30 / 7

HEX #B2EDA6

RGB 178 237 166

HSL 109.86, 0.66%, 0.79%

LAB 88.35, -31.78, 28.54

 

CMYK 23 / 30 / 0 / 7

HEX #B7A6ED

RGB 183 166 237

HSL 254.37, 0.66%, 0.79%

LAB 71.86, 20.7, -33.36

 

CMYK 0 / 11 / 29 / 7

HEX #EDD4A8

RGB 237 212 168

HSL 38.26, 0.66%, 0.79%

LAB 85.97, 2.22, 24.97

 

CMYK 30 / 0 / 11 / 7

HEX #A6EDD3

RGB 166 237 211

HSL 158.03, 0.66%, 0.79%

LAB 88.63, -27.45, 5.55

 

CMYK 11 / 30 / 0 / 7

HEX #D3A6ED

RGB 211 166 237

HSL 278.03, 0.66%, 0.79%

LAB 74.34, 29.23, -29.33

 

CMYK 0 / 11 / 29 / 7

HEX #EDD4A8

RGB 237 212 168

HSL 38.26, 0.66%, 0.79%

LAB 85.97, 2.22, 24.97

 

CMYK 25 / 0 / 30 / 7

HEX #B2EDA6

RGB 178 237 166

HSL 109.86, 0.66%, 0.79%

LAB 88.35, -31.78, 28.54

 

CMYK 30 / 19 / 0 / 7

HEX #A6C0ED

RGB 166 192 237

HSL 218.03, 0.66%, 0.79%

LAB 77.23, 1.39, -25.21

 

CMYK 5 / 30 / 0 / 7

HEX #E1A6ED

RGB 225 166 237

HSL 289.86, 0.66%, 0.79%

LAB 75.7, 33.61, -27.13

 

CMYK 0 / 11 / 29 / 7

HEX #EDD4A8

RGB 237 212 168

HSL 38.26, 0.66%, 0.79%

LAB 85.97, 2.22, 24.97

 

CMYK 30 / 0 / 26 / 7

HEX #A6EDB0

RGB 166 237 176

HSL 128.45, 0.66%, 0.79%

LAB 87.88, -34.02, 22.67

 

CMYK 30 / 19 / 0 / 7

HEX #A6C0ED

RGB 166 192 237

HSL 218.03, 0.66%, 0.79%

LAB 77.23, 1.39, -25.21

 

CMYK 0 / 30 / 4 / 7

HEX #EDA6E3

RGB 237 166 227

HSL 308.45, 0.66%, 0.79%

LAB 76.57, 35.61, -20.26

 

Description

Color code: HEX #EDD4A8 | qconv.com Color code: HEX #EDD4A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 212 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 212 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 29 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 29% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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