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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDD3AC7F it is the complementary color #122C537F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDD3AC7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDD3AC7F shade: #F2D3A77F, #FFE5BA7F, #FFF7CD7F, #FFFFE07F and #FFFFF37F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDD3AC7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDD3AC7F shade: #EDD3AC7F, #DCC1997F, #CBAF867F, #BA9D737F and #A98B607F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDD3AC7F shade: #EDD3AB, #EDC1AB, #EDAFAB and #EDABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDD3AC7F shade: #EDD3AB, #EDE4AB, #E4EDAB, #D2EDAB and #C0EDAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDD3AC7F shade matches the following richer shades: #EDD3AB, #F5D4A3 and #FDD69B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDD3AC7F shade: #EDD3AB, #E4D1B4, #DCCFBC, #D4CEC4 and #CCCCCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDD3AC7F shade: #EDB0AB, #EDC1AB, #EDD3AB, #EDE4AB and #E4EDAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDD3AC7F shade: #DEAF68, #E5C18A, #EDD3AB, #F4E5CD and #FBF7EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDD3AC7F shade: #EDD3AC, #B8EDAB and #B8ABED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDD3AC7F shade: #EDD3AC, #ABEDD3 and #D3ABED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDD3AC7F shade: #EDD3AC, #B8EDAB, #ABC5ED and #E0ABED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDD3AC7F shade: #EDD3AC, #ABEDB2, #ABC5ED and #EDABE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 14 / 4

HEX #EDD3AC7F

RGBA 237 211 172 0.5

HSLA 36, 0.64%, 0.8%, 0.5

LABA 85.79, 3.26, 22.64, 0.5

 

Complementary color

CMYK 39 / 23 / 0 / 34

HEX #122C537F

RGBA 18 44 83 0.5

HSLA 216, 0.64%, 0.2%, 0.5

LABA 18.16, 5.52, -26.69, 0.5

 

CMYK 0 / 6 / 15 / 3

HEX #F2D3A77F

RGBA 242 211 167 0.5

HSLA 35.2, 0.74%, 0.8%, 0.5

LABA 86.13, 4.51, 25.8, 0.5

 

CMYK 0 / 5 / 14 / 0

HEX #FFE5BA7F

RGBA 255 229 186 0.5

HSLA 37.39, 1%, 0.86%, 0.5

LABA 92.06, 2.58, 24.24, 0.5

 

CMYK 0 / 2 / 10 / 0

HEX #FFF7CD7F

RGBA 255 247 205 0.5

HSLA 50.4, 1%, 0.9%, 0.5

LABA 96.9, -3.92, 21.18, 0.5

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFE07F

RGBA 255 255 224 0.5

HSLA 60, 1%, 0.94%, 0.5

LABA 99.28, -5.1, 14.83, 0.5

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF37F

RGBA 255 255 243 0.5

HSLA 60, 1%, 0.98%, 0.5

LABA 99.71, -2.05, 5.72, 0.5

 

CMYK 0 / 5 / 14 / 4

HEX #EDD3AC7F

RGBA 237 211 172 0.5

HSLA 36, 0.64%, 0.8%, 0.5

LABA 85.79, 3.26, 22.64, 0.5

 

CMYK 0 / 6 / 15 / 7

HEX #DCC1997F

RGBA 220 193 153 0.5

HSLA 35.82, 0.49%, 0.73%, 0.5

LABA 79.42, 3.69, 23.68, 0.5

 

CMYK 0 / 7 / 17 / 10

HEX #CBAF867F

RGBA 203 175 134 0.5

HSLA 35.65, 0.4%, 0.66%, 0.5

LABA 72.94, 4.18, 24.79, 0.5

 

CMYK 0 / 8 / 19 / 14

HEX #BA9D737F

RGBA 186 157 115 0.5

HSLA 35.49, 0.34%, 0.59%, 0.5

LABA 66.36, 4.75, 25.97, 0.5

 

CMYK 0 / 9 / 22 / 17

HEX #A98B607F

RGBA 169 139 96 0.5

HSLA 35.34, 0.3%, 0.52%, 0.5

LABA 59.66, 5.41, 27.24, 0.5

 

CMYK 0 / 11 / 28 / 7

HEX #EDD3AB

RGB 237 211 171

HSL 36.36, 0.65%, 0.8%

LAB 85.77, 3.13, 23.14

 

CMYK 0 / 19 / 28 / 7

HEX #EDC1AB

RGB 237 193 171

HSL 20, 0.65%, 0.8%

LAB 81.34, 12.54, 17

 

CMYK 0 / 26 / 28 / 7

HEX #EDAFAB

RGB 237 175 171

HSL 3.64, 0.65%, 0.8%

LAB 77.04, 22.08, 10.95

 

CMYK 0 / 28 / 28 / 7

HEX #EDABAB

RGB 237 171 171

HSL 0, 0.65%, 0.8%

LAB 76.11, 24.21, 9.62

 

CMYK 0 / 11 / 28 / 7

HEX #EDD3AB

RGB 237 211 171

HSL 36.36, 0.65%, 0.8%

LAB 85.77, 3.13, 23.14

 

CMYK 0 / 4 / 28 / 7

HEX #EDE4AB

RGB 237 228 171

HSL 51.82, 0.65%, 0.8%

LAB 90.06, -5.58, 28.98

 

CMYK 4 / 0 / 28 / 7

HEX #E4EDAB

RGB 228 237 171

HSL 68.18, 0.65%, 0.8%

LAB 91.69, -13.43, 31.06

 

CMYK 11 / 0 / 28 / 7

HEX #D2EDAB

RGB 210 237 171

HSL 84.55, 0.65%, 0.8%

LAB 90.42, -19.97, 29.13

 

CMYK 19 / 0 / 28 / 7

HEX #C0EDAB

RGB 192 237 171

HSL 100.91, 0.65%, 0.8%

LAB 89.26, -26.29, 27.37

 

CMYK 0 / 11 / 28 / 7

HEX #EDD3AB

RGB 237 211 171

HSL 36.36, 0.65%, 0.8%

LAB 85.77, 3.13, 23.14

 

CMYK 0 / 13 / 33 / 4

HEX #F5D4A3

RGB 245 212 163

HSL 35.85, 0.8%, 0.8%

LAB 86.58, 4.64, 28.52

 

CMYK 0 / 15 / 39 / 1

HEX #FDD69B

RGB 253 214 155

HSL 36.12, 0.96%, 0.8%

LAB 87.65, 5.77, 34.21

 

CMYK 0 / 11 / 28 / 7

HEX #EDD3AB

RGB 237 211 171

HSL 36.36, 0.65%, 0.8%

LAB 85.77, 3.13, 23.14

 

CMYK 0 / 8 / 21 / 11

HEX #E4D1B4

RGB 228 209 180

HSL 36.25, 0.47%, 0.8%

LAB 84.68, 2.04, 16.78

 

CMYK 0 / 6 / 15 / 14

HEX #DCCFBC

RGB 220 207 188

HSL 35.63, 0.31%, 0.8%

LAB 83.69, 1.37, 11.05

 

CMYK 0 / 3 / 8 / 17

HEX #D4CEC4

RGB 212 206 196

HSL 37.5, 0.16%, 0.8%

LAB 82.98, 0.33, 5.69

 

CMYK 0 / 0 / 0 / 20

HEX #CCCCCC

RGB 204 204 204

HSL 0, 0%, 0.8%

LAB 82.05, 0, -0.01

 

CMYK 0 / 26 / 28 / 7

HEX #EDB0AB

RGB 237 176 171

HSL 4.55, 0.65%, 0.8%

LAB 77.28, 21.55, 11.28

 

CMYK 0 / 19 / 28 / 7

HEX #EDC1AB

RGB 237 193 171

HSL 20, 0.65%, 0.8%

LAB 81.34, 12.54, 17

 

CMYK 0 / 11 / 28 / 7

HEX #EDD3AB

RGB 237 211 171

HSL 36.36, 0.65%, 0.8%

LAB 85.77, 3.13, 23.14

 

CMYK 0 / 4 / 28 / 7

HEX #EDE4AB

RGB 237 228 171

HSL 51.82, 0.65%, 0.8%

LAB 90.06, -5.58, 28.98

 

CMYK 4 / 0 / 28 / 7

HEX #E4EDAB

RGB 228 237 171

HSL 68.18, 0.65%, 0.8%

LAB 91.69, -13.43, 31.06

 

CMYK 0 / 21 / 53 / 13

HEX #DEAF68

RGB 222 175 104

HSL 36.1, 0.64%, 0.64%

LAB 74.31, 8.77, 42.63

 

CMYK 0 / 16 / 40 / 10

HEX #E5C18A

RGB 229 193 138

HSL 36.26, 0.64%, 0.72%

LAB 79.97, 5.42, 32.46

 

CMYK 0 / 11 / 28 / 7

HEX #EDD3AB

RGB 237 211 171

HSL 36.36, 0.65%, 0.8%

LAB 85.77, 3.13, 23.14

 

CMYK 0 / 6 / 16 / 4

HEX #F4E5CD

RGB 244 229 205

HSL 36.92, 0.64%, 0.88%

LAB 91.54, 1.25, 13.53

 

CMYK 0 / 2 / 5 / 2

HEX #FBF7EF

RGB 251 247 239

HSL 40, 0.6%, 0.96%

LAB 97.33, -0.03, 4.3

 

CMYK 0 / 11 / 27 / 7

HEX #EDD3AC

RGB 237 211 172

HSL 36, 0.64%, 0.8%

LAB 85.79, 3.26, 22.64

 

CMYK 22 / 0 / 28 / 7

HEX #B8EDAB

RGB 184 237 171

HSL 108.18, 0.65%, 0.8%

LAB 88.78, -29, 26.64

 

CMYK 22 / 28 / 0 / 7

HEX #B8ABED

RGB 184 171 237

HSL 251.82, 0.65%, 0.8%

LAB 73.17, 18.22, -31.32

 

CMYK 0 / 11 / 27 / 7

HEX #EDD3AC

RGB 237 211 172

HSL 36, 0.64%, 0.8%

LAB 85.79, 3.26, 22.64

 

CMYK 28 / 0 / 11 / 7

HEX #ABEDD3

RGB 171 237 211

HSL 156.36, 0.65%, 0.8%

LAB 88.89, -25.98, 5.96

 

CMYK 11 / 28 / 0 / 7

HEX #D3ABED

RGB 211 171 237

HSL 276.36, 0.65%, 0.8%

LAB 75.51, 26.51, -27.54

 

CMYK 0 / 11 / 27 / 7

HEX #EDD3AC

RGB 237 211 172

HSL 36, 0.64%, 0.8%

LAB 85.79, 3.26, 22.64

 

CMYK 22 / 0 / 28 / 7

HEX #B8EDAB

RGB 184 237 171

HSL 108.18, 0.65%, 0.8%

LAB 88.78, -29, 26.64

 

CMYK 28 / 17 / 0 / 7

HEX #ABC5ED

RGB 171 197 237

HSL 216.36, 0.65%, 0.8%

LAB 78.87, 0.14, -22.68

 

CMYK 5 / 28 / 0 / 7

HEX #E0ABED

RGB 224 171 237

HSL 288.18, 0.65%, 0.8%

LAB 76.73, 30.61, -25.55

 

CMYK 0 / 11 / 27 / 7

HEX #EDD3AC

RGB 237 211 172

HSL 36, 0.64%, 0.8%

LAB 85.79, 3.26, 22.64

 

CMYK 28 / 0 / 25 / 7

HEX #ABEDB2

RGB 171 237 178

HSL 126.36, 0.65%, 0.8%

LAB 88.18, -32.11, 22.1

 

CMYK 28 / 17 / 0 / 7

HEX #ABC5ED

RGB 171 197 237

HSL 216.36, 0.65%, 0.8%

LAB 78.87, 0.14, -22.68

 

CMYK 0 / 28 / 3 / 7

HEX #EDABE6

RGB 237 171 230

HSL 306.36, 0.65%, 0.8%

LAB 77.78, 33.49, -20.05

 

Description

Color code: HEX #EDD3AC7F | qconv.com Color code: HEX #EDD3AC7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 211 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 211 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 14 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 14% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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