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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDC8BA it is the complementary color #123745. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDC8BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDC8BA shade: #F2C8B5, #FFDAC8, #FFECDB, #FFFEEE and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDC8BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDC8BA shade: #EDC8BA, #DCB6A7, #CBA494, #BA9281 and #A9806E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDC8BA shade: #EDC8BA and #EDBABA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDC8BA shade: #EDC8BA, #EDD6BA, #EDE4BA, #E9EDBA and #DBEDBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDC8BA shade matches the following richer shades: #EDC8BA, #F4C5B3 and #FBC2AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDC8BA shade: #EDC8BA, #E6CBC1, #DFCEC8, #D8D2CF and #D1D5D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDC8BA shade: #EDBAC8, #EDBABA, #EDC8BA, #EDD5BA and #EDE3BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDC8BA shade: #DC9478, #E5AE99, #EDC8BA, #F6E2DB and #FEFCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDC8BA shade: #EDC8BA, #D5EDBA and #BAC1ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDC8BA shade: #EDC8BA, #BAEDC8 and #C8BAED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDC8BA shade: #EDC8BA, #D5EDBA, #BAE0ED and #D2BAED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDC8BA shade: #EDC8BA, #C6EDBA, #BAE0ED and #E1BAED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 22 / 7

HEX #EDC8BA

RGB 237 200 186

HSL 16.47, 0.59%, 0.83%

LAB 83.37, 10.94, 11.86

 

Complementary color

CMYK 74 / 20 / 0 / 73

HEX #123745

RGB 18 55 69

HSL 196.47, 0.59%, 0.17%

LAB 21.17, -7.86, -12.54

 

CMYK 0 / 17 / 25 / 5

HEX #F2C8B5

RGB 242 200 181

HSL 18.69, 0.7%, 0.83%

LAB 83.72, 12.08, 15.08

 

CMYK 0 / 15 / 22 / 0

HEX #FFDAC8

RGB 255 218 200

HSL 19.64, 1%, 0.89%

LAB 89.66, 10.14, 13.61

 

CMYK 0 / 7 / 14 / 0

HEX #FFECDB

RGB 255 236 219

HSL 28.33, 1%, 0.93%

LAB 94.47, 3.71, 10.55

 

CMYK 0 / 0 / 7 / 0

HEX #FFFEEE

RGB 255 254 238

HSL 56.47, 1%, 0.97%

LAB 99.35, -2.37, 7.75

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 16 / 22 / 7

HEX #EDC8BA

RGB 237 200 186

HSL 16.47, 0.59%, 0.83%

LAB 83.37, 10.94, 11.86

 

CMYK 0 / 17 / 24 / 14

HEX #DCB6A7

RGB 220 182 167

HSL 16.98, 0.43%, 0.76%

LAB 76.96, 11.43, 12.76

 

CMYK 0 / 19 / 27 / 20

HEX #CBA494

RGB 203 164 148

HSL 17.45, 0.35%, 0.69%

LAB 70.45, 11.97, 13.72

 

CMYK 0 / 22 / 31 / 27

HEX #BA9281

RGB 186 146 129

HSL 17.89, 0.29%, 0.62%

LAB 63.82, 12.58, 14.76

 

CMYK 0 / 24 / 35 / 34

HEX #A9806E

RGB 169 128 110

HSL 18.31, 0.26%, 0.55%

LAB 57.07, 13.28, 15.9

 

CMYK 0 / 16 / 22 / 7

HEX #EDC8BA

RGB 237 200 186

HSL 16.47, 0.59%, 0.83%

LAB 83.37, 10.94, 11.86

 

CMYK 0 / 22 / 22 / 7

HEX #EDBABA

RGB 237 186 186

HSL 0, 0.59%, 0.83%

LAB 79.99, 18.34, 7.04

 

CMYK 0 / 16 / 22 / 7

HEX #EDC8BA

RGB 237 200 186

HSL 16.47, 0.59%, 0.83%

LAB 83.37, 10.94, 11.86

 

CMYK 0 / 10 / 22 / 7

HEX #EDD6BA

RGB 237 214 186

HSL 32.94, 0.59%, 0.83%

LAB 86.82, 3.63, 16.73

 

CMYK 0 / 4 / 22 / 7

HEX #EDE4BA

RGB 237 228 186

HSL 49.41, 0.59%, 0.83%

LAB 90.34, -3.55, 21.63

 

CMYK 2 / 0 / 22 / 7

HEX #E9EDBA

RGB 233 237 186

HSL 64.71, 0.59%, 0.83%

LAB 92.33, -9.55, 24.33

 

CMYK 8 / 0 / 22 / 7

HEX #DBEDBA

RGB 219 237 186

HSL 81.18, 0.59%, 0.83%

LAB 91.31, -14.57, 22.77

 

CMYK 0 / 16 / 22 / 7

HEX #EDC8BA

RGB 237 200 186

HSL 16.47, 0.59%, 0.83%

LAB 83.37, 10.94, 11.86

 

CMYK 0 / 19 / 27 / 4

HEX #F4C5B3

RGB 244 197 179

HSL 16.62, 0.75%, 0.83%

LAB 83.14, 14.13, 15.35

 

CMYK 0 / 23 / 31 / 2

HEX #FBC2AC

RGB 251 194 172

HSL 16.71, 0.91%, 0.83%

LAB 82.95, 17.41, 18.92

 

CMYK 0 / 16 / 22 / 7

HEX #EDC8BA

RGB 237 200 186

HSL 16.47, 0.59%, 0.83%

LAB 83.37, 10.94, 11.86

 

CMYK 0 / 12 / 16 / 10

HEX #E6CBC1

RGB 230 203 193

HSL 16.22, 0.43%, 0.83%

LAB 83.64, 7.86, 8.44

 

CMYK 0 / 8 / 10 / 13

HEX #DFCEC8

RGB 223 206 200

HSL 15.65, 0.26%, 0.83%

LAB 83.97, 4.9, 5.1

 

CMYK 0 / 3 / 4 / 15

HEX #D8D2CF

RGB 216 210 207

HSL 20, 0.1%, 0.83%

LAB 84.59, 1.53, 2.21

 

CMYK 2 / 0 / 0 / 16

HEX #D1D5D6

RGB 209 213 214

HSL 192, 0.06%, 0.83%

LAB 85, -1.17, -0.98

 

CMYK 0 / 22 / 16 / 7

HEX #EDBAC8

RGB 237 186 200

HSL 343.53, 0.59%, 0.83%

LAB 80.34, 20.47, -0

 

CMYK 0 / 22 / 22 / 7

HEX #EDBABA

RGB 237 186 186

HSL 0, 0.59%, 0.83%

LAB 79.99, 18.34, 7.04

 

CMYK 0 / 16 / 22 / 7

HEX #EDC8BA

RGB 237 200 186

HSL 16.47, 0.59%, 0.83%

LAB 83.37, 10.94, 11.86

 

CMYK 0 / 10 / 22 / 7

HEX #EDD5BA

RGB 237 213 186

HSL 31.76, 0.59%, 0.83%

LAB 86.57, 4.15, 16.38

 

CMYK 0 / 4 / 22 / 7

HEX #EDE3BA

RGB 237 227 186

HSL 48.24, 0.59%, 0.83%

LAB 90.09, -3.04, 21.28

 

CMYK 0 / 33 / 45 / 14

HEX #DC9478

RGB 220 148 120

HSL 16.8, 0.59%, 0.67%

LAB 67.84, 23.94, 25.84

 

CMYK 0 / 24 / 33 / 10

HEX #E5AE99

RGB 229 174 153

HSL 16.58, 0.59%, 0.75%

LAB 75.59, 17.26, 18.56

 

CMYK 0 / 16 / 22 / 7

HEX #EDC8BA

RGB 237 200 186

HSL 16.47, 0.59%, 0.83%

LAB 83.37, 10.94, 11.86

 

CMYK 0 / 8 / 11 / 4

HEX #F6E2DB

RGB 246 226 219

HSL 15.56, 0.6%, 0.91%

LAB 91.28, 5.68, 5.88

 

CMYK 0 / 1 / 1 / 0

HEX #FEFCFC

RGB 254 252 252

HSL 0, 0.5%, 0.99%

LAB 99.11, 0.67, 0.22

 

CMYK 0 / 16 / 22 / 7

HEX #EDC8BA

RGB 237 200 186

HSL 16.47, 0.59%, 0.83%

LAB 83.37, 10.94, 11.86

 

CMYK 10 / 0 / 22 / 7

HEX #D5EDBA

RGB 213 237 186

HSL 88.24, 0.59%, 0.83%

LAB 90.9, -16.69, 22.13

 

CMYK 22 / 19 / 0 / 7

HEX #BAC1ED

RGB 186 193 237

HSL 231.76, 0.59%, 0.83%

LAB 78.86, 6.76, -22.6

 

CMYK 0 / 16 / 22 / 7

HEX #EDC8BA

RGB 237 200 186

HSL 16.47, 0.59%, 0.83%

LAB 83.37, 10.94, 11.86

 

CMYK 22 / 0 / 16 / 7

HEX #BAEDC8

RGB 186 237 200

HSL 136.47, 0.59%, 0.83%

LAB 89.48, -23.45, 12.64

 

CMYK 16 / 22 / 0 / 7

HEX #C8BAED

RGB 200 186 237

HSL 256.47, 0.59%, 0.83%

LAB 78.18, 14.89, -23.54

 

CMYK 0 / 16 / 22 / 7

HEX #EDC8BA

RGB 237 200 186

HSL 16.47, 0.59%, 0.83%

LAB 83.37, 10.94, 11.86

 

CMYK 10 / 0 / 22 / 7

HEX #D5EDBA

RGB 213 237 186

HSL 88.24, 0.59%, 0.83%

LAB 90.9, -16.69, 22.13

 

CMYK 22 / 5 / 0 / 7

HEX #BAE0ED

RGB 186 224 237

HSL 195.29, 0.59%, 0.83%

LAB 86.93, -9.59, -10.46

 

CMYK 11 / 22 / 0 / 7

HEX #D2BAED

RGB 210 186 237

HSL 268.24, 0.59%, 0.83%

LAB 79, 18.04, -22.21

 

CMYK 0 / 16 / 22 / 7

HEX #EDC8BA

RGB 237 200 186

HSL 16.47, 0.59%, 0.83%

LAB 83.37, 10.94, 11.86

 

CMYK 16 / 0 / 22 / 7

HEX #C6EDBA

RGB 198 237 186

HSL 105.88, 0.59%, 0.83%

LAB 89.91, -21.88, 20.62

 

CMYK 22 / 5 / 0 / 7

HEX #BAE0ED

RGB 186 224 237

HSL 195.29, 0.59%, 0.83%

LAB 86.93, -9.59, -10.46

 

CMYK 5 / 22 / 0 / 7

HEX #E1BAED

RGB 225 186 237

HSL 285.88, 0.59%, 0.83%

LAB 80.31, 22.86, -20.1

 

Description

Color code: HEX #EDC8BA | qconv.com Color code: HEX #EDC8BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 200 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 200 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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