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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDC7A400 it is the complementary color #12385B00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDC7A400. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDC7A400 shade: #F2C79F00, #FFD9B200, #FFEBC500, #FFFDD800 and #FFFFEB00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDC7A400. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDC7A400 shade: #EDC7A400, #DCB59100, #CBA37E00, #BA916B00 and #A97F5800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDC7A400 shade: #EDC8A6, #EDB5A6 and #EDA6A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDC7A400 shade: #EDC8A6, #EDDBA6, #ECEDA6, #D9EDA6 and #C5EDA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDC7A400 shade matches the following richer shades: #EDC8A6, #F6C89D and #FFC794

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDC7A400 shade: #EDC8A6, #E5C8AE, #DCC9B7, #D3C9C0 and #CBC9C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDC7A400 shade: #EDA6AA, #EDB4A6, #EDC7A6, #EDDAA6 and #EDEDA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDC7A400 shade: #E09E61, #E7B383, #EDC8A6, #F4DDC8 and #FBF2EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDC7A400 shade: #EDC7A4, #BDEDA6 and #AAA6ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDC7A400 shade: #EDC7A4, #A6EDC7 and #C7A6ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDC7A400 shade: #EDC7A4, #BDEDA6, #A6CCED and #D5A6ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDC7A400 shade: #EDC7A4, #A8EDA6, #A6CCED and #EBA6ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #EDC7A400

RGBA 237 199 164 0

HSLA 28.77, 0.67%, 0.79%, 0

LABA 82.66, 8.47, 22.55, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #12385B00

RGBA 18 56 91 0

HSLA 208.77, 0.67%, 0.21%, 0

LABA 22.7, 0.37, -24.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F2C79F00

RGBA 242 199 159 0

HSLA 28.92, 0.76%, 0.79%, 0

LABA 83.03, 9.77, 25.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFD9B200

RGBA 255 217 178 0

HSLA 30.39, 1%, 0.85%, 0

LABA 88.97, 7.7, 24.13, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFEBC500

RGBA 255 235 197 0

HSLA 39.31, 1%, 0.89%, 0

LABA 93.76, 1, 20.92, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFDD800

RGBA 255 253 216 0

HSLA 56.92, 1%, 0.92%, 0

LABA 98.62, -5.32, 17.97, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFEB00

RGBA 255 255 235 0

HSLA 60, 1%, 0.96%, 0

LABA 99.53, -3.36, 9.55, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EDC7A400

RGBA 237 199 164 0

HSLA 28.77, 0.67%, 0.79%, 0

LABA 82.66, 8.47, 22.55, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DCB59100

RGBA 220 181 145 0

HSLA 28.8, 0.52%, 0.72%, 0

LABA 76.26, 9.04, 23.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CBA37E00

RGBA 203 163 126 0

HSLA 28.83, 0.43%, 0.65%, 0

LABA 69.75, 9.68, 24.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BA916B00

RGBA 186 145 107 0

HSLA 28.86, 0.36%, 0.57%, 0

LABA 63.14, 10.42, 26.08, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A97F5800

RGBA 169 127 88 0

HSLA 28.89, 0.32%, 0.5%, 0

LABA 56.41, 11.29, 27.45, 0

 

CMYK 0 / 16 / 30 / 7

HEX #EDC8A6

RGB 237 200 166

HSL 28.73, 0.66%, 0.79%

LAB 82.95, 8.2, 21.89

 

CMYK 0 / 24 / 30 / 7

HEX #EDB5A6

RGB 237 181 166

HSL 12.68, 0.66%, 0.79%

LAB 78.35, 18.23, 15.5

 

CMYK 0 / 30 / 30 / 7

HEX #EDA6A6

RGB 237 166 166

HSL 0, 0.66%, 0.79%

LAB 74.84, 26.21, 10.55

 

CMYK 0 / 16 / 30 / 7

HEX #EDC8A6

RGB 237 200 166

HSL 28.73, 0.66%, 0.79%

LAB 82.95, 8.2, 21.89

 

CMYK 0 / 8 / 30 / 7

HEX #EDDBA6

RGB 237 219 166

HSL 44.79, 0.66%, 0.79%

LAB 87.69, -1.64, 28.35

 

CMYK 0 / 0 / 30 / 7

HEX #ECEDA6

RGB 236 237 166

HSL 60.85, 0.66%, 0.79%

LAB 92.2, -11.1, 34.38

 

CMYK 8 / 0 / 30 / 7

HEX #D9EDA6

RGB 217 237 166

HSL 76.9, 0.66%, 0.79%

LAB 90.81, -18.13, 32.29

 

CMYK 17 / 0 / 30 / 7

HEX #C5EDA6

RGB 197 237 166

HSL 93.8, 0.66%, 0.79%

LAB 89.48, -25.29, 30.27

 

CMYK 0 / 16 / 30 / 7

HEX #EDC8A6

RGB 237 200 166

HSL 28.73, 0.66%, 0.79%

LAB 82.95, 8.2, 21.89

 

CMYK 0 / 19 / 36 / 4

HEX #F6C89D

RGB 246 200 157

HSL 28.99, 0.83%, 0.79%

LAB 83.62, 10.55, 27.67

 

CMYK 0 / 22 / 42 / 0

HEX #FFC794

RGB 255 199 148

HSL 28.6, 1%, 0.79%

LAB 84.09, 13.57, 33.15

 

CMYK 0 / 16 / 30 / 7

HEX #EDC8A6

RGB 237 200 166

HSL 28.73, 0.66%, 0.79%

LAB 82.95, 8.2, 21.89

 

CMYK 0 / 13 / 24 / 10

HEX #E5C8AE

RGB 229 200 174

HSL 28.36, 0.51%, 0.79%

LAB 82.39, 6.26, 16.76

 

CMYK 0 / 9 / 17 / 14

HEX #DCC9B7

RGB 220 201 183

HSL 29.19, 0.35%, 0.79%

LAB 82.06, 3.73, 11.39

 

CMYK 0 / 5 / 9 / 17

HEX #D3C9C0

RGB 211 201 192

HSL 28.42, 0.18%, 0.79%

LAB 81.53, 1.93, 5.72

 

CMYK 0 / 1 / 1 / 20

HEX #CBC9C8

RGB 203 201 200

HSL 20, 0.03%, 0.79%

LAB 81.09, 0.51, 0.73

 

CMYK 0 / 30 / 28 / 7

HEX #EDA6AA

RGB 237 166 170

HSL 356.62, 0.66%, 0.79%

LAB 74.94, 26.74, 8.49

 

CMYK 0 / 24 / 30 / 7

HEX #EDB4A6

RGB 237 180 166

HSL 11.83, 0.66%, 0.79%

LAB 78.11, 18.76, 15.16

 

CMYK 0 / 16 / 30 / 7

HEX #EDC7A6

RGB 237 199 166

HSL 27.89, 0.66%, 0.79%

LAB 82.7, 8.73, 21.55

 

CMYK 0 / 8 / 30 / 7

HEX #EDDAA6

RGB 237 218 166

HSL 43.94, 0.66%, 0.79%

LAB 87.44, -1.13, 28.01

 

CMYK 0 / 0 / 30 / 7

HEX #EDEDA6

RGB 237 237 166

HSL 60, 0.66%, 0.79%

LAB 92.28, -10.72, 34.5

 

CMYK 0 / 29 / 57 / 12

HEX #E09E61

RGB 224 158 97

HSL 28.82, 0.67%, 0.63%

LAB 70.29, 18.12, 41.34

 

CMYK 0 / 23 / 43 / 9

HEX #E7B383

RGB 231 179 131

HSL 28.8, 0.68%, 0.71%

LAB 76.6, 12.85, 31.73

 

CMYK 0 / 16 / 30 / 7

HEX #EDC8A6

RGB 237 200 166

HSL 28.73, 0.66%, 0.79%

LAB 82.95, 8.2, 21.89

 

CMYK 0 / 9 / 18 / 4

HEX #F4DDC8

RGB 244 221 200

HSL 28.64, 0.67%, 0.87%

LAB 89.45, 4.61, 13.18

 

CMYK 0 / 4 / 7 / 2

HEX #FBF2EA

RGB 251 242 234

HSL 28.24, 0.68%, 0.95%

LAB 95.98, 1.67, 4.92

 

CMYK 0 / 16 / 31 / 7

HEX #EDC7A4

RGB 237 199 164

HSL 28.77, 0.67%, 0.79%

LAB 82.66, 8.47, 22.55

 

CMYK 20 / 0 / 30 / 7

HEX #BDEDA6

RGB 189 237 166

HSL 100.56, 0.66%, 0.79%

LAB 88.99, -28.07, 29.52

 

CMYK 28 / 30 / 0 / 7

HEX #AAA6ED

RGB 170 166 237

HSL 243.38, 0.66%, 0.79%

LAB 70.82, 16.89, -35.04

 

CMYK 0 / 16 / 31 / 7

HEX #EDC7A4

RGB 237 199 164

HSL 28.77, 0.67%, 0.79%

LAB 82.66, 8.47, 22.55

 

CMYK 30 / 0 / 16 / 7

HEX #A6EDC7

RGB 166 237 199

HSL 147.89, 0.66%, 0.79%

LAB 88.35, -29.83, 11.41

 

CMYK 16 / 30 / 0 / 7

HEX #C7A6ED

RGB 199 166 237

HSL 267.89, 0.66%, 0.79%

LAB 73.24, 25.53, -31.12

 

CMYK 0 / 16 / 31 / 7

HEX #EDC7A4

RGB 237 199 164

HSL 28.77, 0.67%, 0.79%

LAB 82.66, 8.47, 22.55

 

CMYK 20 / 0 / 30 / 7

HEX #BDEDA6

RGB 189 237 166

HSL 100.56, 0.66%, 0.79%

LAB 88.99, -28.07, 29.52

 

CMYK 30 / 14 / 0 / 7

HEX #A6CCED

RGB 166 204 237

HSL 207.89, 0.66%, 0.79%

LAB 80.41, -5.03, -20.38

 

CMYK 10 / 30 / 0 / 7

HEX #D5A6ED

RGB 213 166 237

HSL 279.72, 0.66%, 0.79%

LAB 74.53, 29.86, -29.02

 

CMYK 0 / 16 / 31 / 7

HEX #EDC7A4

RGB 237 199 164

HSL 28.77, 0.67%, 0.79%

LAB 82.66, 8.47, 22.55

 

CMYK 29 / 0 / 30 / 7

HEX #A8EDA6

RGB 168 237 166

HSL 118.31, 0.66%, 0.79%

LAB 87.8, -35.05, 27.71

 

CMYK 30 / 14 / 0 / 7

HEX #A6CCED

RGB 166 204 237

HSL 207.89, 0.66%, 0.79%

LAB 80.41, -5.03, -20.38

 

CMYK 1 / 30 / 0 / 7

HEX #EBA6ED

RGB 235 166 237

HSL 298.31, 0.66%, 0.79%

LAB 76.71, 36.77, -25.49

 

Description

Color code: HEX #EDC7A400 | qconv.com Color code: HEX #EDC7A400 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 199 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 199 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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