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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDC6AF00 it is the complementary color #12395000. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDC6AF00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDC6AF00 shade: #F2C6AA00, #FFD8BD00, #FFEAD000, #FFFCE300 and #FFFFF600

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDC6AF00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDC6AF00 shade: #EDC6AF00, #DCB49C00, #CBA28900, #BA907600 and #A97E6300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDC6AF00 shade: #EDC7B0, #EDB6B0 and #EDB0B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDC6AF00 shade: #EDC7B0, #EDD7B0, #EDE8B0, #E2EDB0 and #D2EDB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDC6AF00 shade matches the following richer shades: #EDC7B0, #F5C5A8 and #FDC3A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDC6AF00 shade: #EDC7B0, #E5C9B8, #DDCBC0, #D6CDC8 and #CECFCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDC6AF00 shade: #EDB0BA, #EDB6B0, #EDC6B0, #EDD7B0 and #EDE7B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDC6AF00 shade: #DE976D, #E5AF8E, #EDC7B0, #F5DFD2 and #FCF7F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDC6AF00 shade: #EDC6AF, #CAEDB0 and #B0B2ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDC6AF00 shade: #EDC6AF, #B0EDC6 and #C6B0ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDC6AF00 shade: #EDC6AF, #CAEDB0, #B0D7ED and #D3B0ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDC6AF00 shade: #EDC6AF, #B8EDB0, #B0D7ED and #E5B0ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #EDC6AF00

RGBA 237 198 175 0

HSLA 22.26, 0.63%, 0.81%, 0

LABA 82.64, 10.45, 16.69, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #12395000

RGBA 18 57 80 0

HSLA 202.26, 0.63%, 0.19%, 0

LABA 22.42, -4.83, -17.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F2C6AA00

RGBA 242 198 170 0

HSLA 23.33, 0.73%, 0.81%, 0

LABA 83, 11.66, 19.92, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFD8BD00

RGBA 255 216 189 0

HSLA 24.55, 1%, 0.87%, 0

LABA 88.94, 9.65, 18.36, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFEAD000

RGBA 255 234 208 0

HSLA 33.19, 1%, 0.91%, 0

LABA 93.74, 3.08, 15.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFCE300

RGBA 255 252 227 0

HSLA 53.57, 1%, 0.95%, 0

LABA 98.6, -3.14, 12.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFF600

RGBA 255 255 246 0

HSLA 60, 1%, 0.98%, 0

LABA 99.78, -1.54, 4.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EDC6AF00

RGBA 237 198 175 0

HSLA 22.26, 0.63%, 0.81%, 0

LABA 82.64, 10.45, 16.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DCB49C00

RGBA 220 180 156 0

HSLA 22.5, 0.48%, 0.74%, 0

LABA 76.23, 10.98, 17.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CBA28900

RGBA 203 162 137 0

HSLA 22.73, 0.39%, 0.67%, 0

LABA 69.71, 11.58, 18.75, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BA907600

RGBA 186 144 118 0

HSLA 22.94, 0.33%, 0.6%, 0

LABA 63.09, 12.26, 19.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A97E6300

RGBA 169 126 99 0

HSLA 23.14, 0.29%, 0.53%, 0

LABA 56.34, 13.06, 21.18, 0

 

CMYK 0 / 16 / 26 / 7

HEX #EDC7B0

RGB 237 199 176

HSL 22.62, 0.63%, 0.81%

LAB 82.91, 10.06, 16.53

 

CMYK 0 / 23 / 26 / 7

HEX #EDB6B0

RGB 237 182 176

HSL 5.9, 0.63%, 0.81%

LAB 78.81, 19.05, 10.74

 

CMYK 0 / 26 / 26 / 7

HEX #EDB0B0

RGB 237 176 176

HSL 0, 0.63%, 0.81%

LAB 77.39, 22.24, 8.73

 

CMYK 0 / 16 / 26 / 7

HEX #EDC7B0

RGB 237 199 176

HSL 22.62, 0.63%, 0.81%

LAB 82.91, 10.06, 16.53

 

CMYK 0 / 9 / 26 / 7

HEX #EDD7B0

RGB 237 215 176

HSL 38.36, 0.63%, 0.81%

LAB 86.87, 1.72, 22.04

 

CMYK 0 / 2 / 26 / 7

HEX #EDE8B0

RGB 237 232 176

HSL 55.08, 0.63%, 0.81%

LAB 91.17, -6.94, 27.92

 

CMYK 5 / 0 / 26 / 7

HEX #E2EDB0

RGB 226 237 176

HSL 70.82, 0.63%, 0.81%

LAB 91.63, -13.49, 28.41

 

CMYK 11 / 0 / 26 / 7

HEX #D2EDB0

RGB 210 237 176

HSL 86.56, 0.63%, 0.81%

LAB 90.51, -19.25, 26.7

 

CMYK 0 / 16 / 26 / 7

HEX #EDC7B0

RGB 237 199 176

HSL 22.62, 0.63%, 0.81%

LAB 82.91, 10.06, 16.53

 

CMYK 0 / 20 / 31 / 4

HEX #F5C5A8

RGB 245 197 168

HSL 22.6, 0.79%, 0.81%

LAB 83, 13.07, 21.02

 

CMYK 0 / 23 / 37 / 1

HEX #FDC3A0

RGB 253 195 160

HSL 22.58, 0.96%, 0.81%

LAB 83.15, 16.2, 25.58

 

CMYK 0 / 16 / 26 / 7

HEX #EDC7B0

RGB 237 199 176

HSL 22.62, 0.63%, 0.81%

LAB 82.91, 10.06, 16.53

 

CMYK 0 / 12 / 20 / 10

HEX #E5C9B8

RGB 229 201 184

HSL 22.67, 0.46%, 0.81%

LAB 82.86, 7.18, 12.1

 

CMYK 0 / 8 / 13 / 13

HEX #DDCBC0

RGB 221 203 192

HSL 22.76, 0.3%, 0.81%

LAB 82.85, 4.46, 7.74

 

CMYK 0 / 4 / 7 / 16

HEX #D6CDC8

RGB 214 205 200

HSL 21.43, 0.15%, 0.81%

LAB 82.98, 2.24, 3.58

 

CMYK 0 / 0 / 0 / 19

HEX #CECFCF

RGB 206 207 207

HSL 180, 0.01%, 0.81%

LAB 83.05, -0.34, -0.13

 

CMYK 0 / 26 / 22 / 7

HEX #EDB0BA

RGB 237 176 186

HSL 350.16, 0.63%, 0.81%

LAB 77.64, 23.66, 3.64

 

CMYK 0 / 23 / 26 / 7

HEX #EDB6B0

RGB 237 182 176

HSL 5.9, 0.63%, 0.81%

LAB 78.81, 19.05, 10.74

 

CMYK 0 / 16 / 26 / 7

HEX #EDC6B0

RGB 237 198 176

HSL 21.64, 0.63%, 0.81%

LAB 82.66, 10.58, 16.18

 

CMYK 0 / 9 / 26 / 7

HEX #EDD7B0

RGB 237 215 176

HSL 38.36, 0.63%, 0.81%

LAB 86.87, 1.72, 22.04

 

CMYK 0 / 3 / 26 / 7

HEX #EDE7B0

RGB 237 231 176

HSL 54.1, 0.63%, 0.81%

LAB 90.91, -6.44, 27.58

 

CMYK 0 / 32 / 51 / 13

HEX #DE976D

RGB 222 151 109

HSL 22.3, 0.63%, 0.65%

LAB 68.58, 22.07, 32.84

 

CMYK 0 / 24 / 38 / 10

HEX #E5AF8E

RGB 229 175 142

HSL 22.76, 0.63%, 0.73%

LAB 75.62, 15.4, 24.53

 

CMYK 0 / 16 / 26 / 7

HEX #EDC7B0

RGB 237 199 176

HSL 22.62, 0.63%, 0.81%

LAB 82.91, 10.06, 16.53

 

CMYK 0 / 9 / 14 / 4

HEX #F5DFD2

RGB 245 223 210

HSL 22.29, 0.64%, 0.89%

LAB 90.25, 5.46, 9.09

 

CMYK 0 / 2 / 4 / 1

HEX #FCF7F3

RGB 252 247 243

HSL 26.67, 0.6%, 0.97%

LAB 97.51, 0.98, 2.5

 

CMYK 0 / 16 / 26 / 7

HEX #EDC6AF

RGB 237 198 175

HSL 22.26, 0.63%, 0.81%

LAB 82.64, 10.45, 16.69

 

CMYK 15 / 0 / 26 / 7

HEX #CAEDB0

RGB 202 237 176

HSL 94.43, 0.63%, 0.81%

LAB 89.98, -22.07, 25.89

 

CMYK 26 / 25 / 0 / 7

HEX #B0B2ED

RGB 176 178 237

HSL 238.03, 0.63%, 0.81%

LAB 74.31, 11.96, -29.63

 

CMYK 0 / 16 / 26 / 7

HEX #EDC6AF

RGB 237 198 175

HSL 22.26, 0.63%, 0.81%

LAB 82.64, 10.45, 16.69

 

CMYK 26 / 0 / 16 / 7

HEX #B0EDC6

RGB 176 237 198

HSL 141.64, 0.63%, 0.81%

LAB 88.86, -26.97, 12.74

 

CMYK 16 / 26 / 0 / 7

HEX #C6B0ED

RGB 198 176 237

HSL 261.64, 0.63%, 0.81%

LAB 75.56, 19.73, -27.56

 

CMYK 0 / 16 / 26 / 7

HEX #EDC6AF

RGB 237 198 175

HSL 22.26, 0.63%, 0.81%

LAB 82.64, 10.45, 16.69

 

CMYK 15 / 0 / 26 / 7

HEX #CAEDB0

RGB 202 237 176

HSL 94.43, 0.63%, 0.81%

LAB 89.98, -22.07, 25.89

 

CMYK 26 / 9 / 0 / 7

HEX #B0D7ED

RGB 176 215 237

HSL 201.64, 0.63%, 0.81%

LAB 83.94, -7.91, -15

 

CMYK 11 / 26 / 0 / 7

HEX #D3B0ED

RGB 211 176 237

HSL 274.43, 0.63%, 0.81%

LAB 76.69, 23.79, -25.73

 

CMYK 0 / 16 / 26 / 7

HEX #EDC6AF

RGB 237 198 175

HSL 22.26, 0.63%, 0.81%

LAB 82.64, 10.45, 16.69

 

CMYK 22 / 0 / 26 / 7

HEX #B8EDB0

RGB 184 237 176

HSL 112.13, 0.63%, 0.81%

LAB 88.87, -28.21, 24.2

 

CMYK 26 / 9 / 0 / 7

HEX #B0D7ED

RGB 176 215 237

HSL 201.64, 0.63%, 0.81%

LAB 83.94, -7.91, -15

 

CMYK 3 / 26 / 0 / 7

HEX #E5B0ED

RGB 229 176 237

HSL 292.13, 0.63%, 0.81%

LAB 78.36, 29.52, -23.03

 

Description

Color code: HEX #EDC6AF00 | qconv.com Color code: HEX #EDC6AF00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 198 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 198 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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