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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDC02D it is the complementary color #123FD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDC02D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDC02D shade: #F2C028, #FFD23B, #FFE44E, #FFF661 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDC02D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDC02D shade: #EDC02D, #DCAE1A, #CB9C07, #BA8A00 and #A97800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDC02D shade: #EDBF2C, #ED8B2C, #ED572C and #ED2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDC02D shade: #EDBF2C, #E6ED2C, #B2ED2C, #7EED2C and #4AED2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDC02D shade matches the following richer shades: #EDBF2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDC02D shade: #EDBF2C, #DAB63E, #C8AC51, #B5A264 and #A29876

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDC02D shade: #ED562C, #ED892C, #EDBC2C, #E9ED2C and #B6ED2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDC02D shade: #B68F10, #DCAD13, #EDBF2C, #F0CB52 and #F3D678

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDC02D shade: #EDC02D, #35ED2C and #6F2CED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDC02D shade: #EDC02D, #2CEDBC and #BC2CED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDC02D shade: #EDC02D, #35ED2C, #2C5CED and #E32CED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDC02D shade: #EDC02D, #2CED5C, #2C5CED and #ED2CBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 81 / 7

HEX #EDC02D

RGB 237 192 45

HSL 45.94, 0.84%, 0.55%

LAB 79.55, 2.88, 73.29

 

Complementary color

CMYK 91 / 70 / 0 / 18

HEX #123FD2

RGB 18 63 210

HSL 225.94, 0.84%, 0.45%

LAB 34.67, 43.48, -78.28

 

CMYK 0 / 21 / 83 / 5

HEX #F2C028

RGB 242 192 40

HSL 45.15, 0.89%, 0.55%

LAB 80.03, 4.88, 75.29

 

CMYK 0 / 18 / 77 / 0

HEX #FFD23B

RGB 255 210 59

HSL 46.22, 1%, 0.62%

LAB 85.84, 1.72, 75.2

 

CMYK 0 / 11 / 69 / 0

HEX #FFE44E

RGB 255 228 78

HSL 50.85, 1%, 0.65%

LAB 90.46, -6.57, 72.94

 

CMYK 0 / 4 / 62 / 0

HEX #FFF661

RGB 255 246 97

HSL 56.58, 1%, 0.69%

LAB 95.18, -14.4, 70.41

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 19 / 81 / 7

HEX #EDC02D

RGB 237 192 45

HSL 45.94, 0.84%, 0.55%

LAB 79.55, 2.88, 73.29

 

CMYK 0 / 21 / 88 / 14

HEX #DCAE1A

RGB 220 174 26

HSL 45.77, 0.79%, 0.48%

LAB 73.26, 4.48, 72.25

 

CMYK 0 / 23 / 97 / 20

HEX #CB9C07

RGB 203 156 7

HSL 45.61, 0.93%, 0.41%

LAB 66.89, 6.32, 69.81

 

CMYK 0 / 26 / 100 / 27

HEX #BA8A00

RGB 186 138 0

HSL 44.52, 1%, 0.36%

LAB 60.44, 8.42, 65.44

 

CMYK 0 / 29 / 100 / 34

HEX #A97800

RGB 169 120 0

HSL 42.6, 1%, 0.33%

LAB 53.89, 10.7, 60.06

 

CMYK 0 / 19 / 81 / 7

HEX #EDBF2C

RGB 237 191 44

HSL 45.7, 0.84%, 0.55%

LAB 79.3, 3.37, 73.36

 

CMYK 0 / 41 / 81 / 7

HEX #ED8B2C

RGB 237 139 44

HSL 29.53, 0.84%, 0.55%

LAB 67.01, 30.75, 62.61

 

CMYK 0 / 63 / 81 / 7

HEX #ED572C

RGB 237 87 44

HSL 13.37, 0.84%, 0.55%

LAB 57.08, 55.88, 53.6

 

CMYK 0 / 81 / 81 / 7

HEX #ED2C2C

RGB 237 44 44

HSL 0, 0.84%, 0.55%

LAB 51.82, 70.36, 48.68

 

CMYK 0 / 19 / 81 / 7

HEX #EDBF2C

RGB 237 191 44

HSL 45.7, 0.84%, 0.55%

LAB 79.3, 3.37, 73.36

 

CMYK 3 / 0 / 81 / 7

HEX #E6ED2C

RGB 230 237 44

HSL 62.18, 0.84%, 0.55%

LAB 90.58, -22.61, 82.78

 

CMYK 25 / 0 / 81 / 7

HEX #B2ED2C

RGB 178 237 44

HSL 78.34, 0.84%, 0.55%

LAB 87.1, -43.22, 78.41

 

CMYK 47 / 0 / 81 / 7

HEX #7EED2C

RGB 126 237 44

HSL 94.51, 0.84%, 0.55%

LAB 84.58, -60.9, 75.21

 

CMYK 69 / 0 / 81 / 7

HEX #4AED2C

RGB 74 237 44

HSL 110.67, 0.84%, 0.55%

LAB 83.02, -73.41, 73.21

 

CMYK 0 / 19 / 81 / 7

HEX #EDBF2C

RGB 237 191 44

HSL 45.7, 0.84%, 0.55%

LAB 79.3, 3.37, 73.36

 

CMYK 0 / 19 / 81 / 7

HEX #EDBF2C

RGB 237 191 44

HSL 45.7, 0.84%, 0.55%

LAB 79.3, 3.37, 73.36

 

CMYK 0 / 17 / 72 / 15

HEX #DAB63E

RGB 218 182 62

HSL 46.15, 0.68%, 0.55%

LAB 75.27, 0.61, 62.8

 

CMYK 0 / 14 / 60 / 22

HEX #C8AC51

RGB 200 172 81

HSL 45.88, 0.52%, 0.55%

LAB 71.13, -0.69, 49.63

 

CMYK 0 / 10 / 45 / 29

HEX #B5A264

RGB 181 162 100

HSL 45.93, 0.35%, 0.55%

LAB 66.96, -1.71, 34.69

 

CMYK 0 / 6 / 27 / 36

HEX #A29876

RGB 162 152 118

HSL 46.36, 0.19%, 0.55%

LAB 62.88, -1.87, 19.25

 

CMYK 0 / 64 / 81 / 7

HEX #ED562C

RGB 237 86 44

HSL 13.06, 0.84%, 0.55%

LAB 56.92, 56.3, 53.45

 

CMYK 0 / 42 / 81 / 7

HEX #ED892C

RGB 237 137 44

HSL 28.91, 0.84%, 0.55%

LAB 66.58, 31.8, 62.22

 

CMYK 0 / 21 / 81 / 7

HEX #EDBC2C

RGB 237 188 44

HSL 44.77, 0.84%, 0.55%

LAB 78.55, 4.93, 72.71

 

CMYK 2 / 0 / 81 / 7

HEX #E9ED2C

RGB 233 237 44

HSL 61.24, 0.84%, 0.55%

LAB 90.81, -21.38, 83.07

 

CMYK 23 / 0 / 81 / 7

HEX #B6ED2C

RGB 182 237 44

HSL 77.1, 0.84%, 0.55%

LAB 87.34, -41.71, 78.71

 

CMYK 0 / 21 / 91 / 29

HEX #B68F10

RGB 182 143 16

HSL 45.9, 0.84%, 0.39%

LAB 61.33, 4.08, 63.32

 

CMYK 0 / 21 / 91 / 14

HEX #DCAD13

RGB 220 173 19

HSL 45.97, 0.84%, 0.47%

LAB 72.99, 4.89, 73.38

 

CMYK 0 / 19 / 81 / 7

HEX #EDBF2C

RGB 237 191 44

HSL 45.7, 0.84%, 0.55%

LAB 79.3, 3.37, 73.36

 

CMYK 0 / 15 / 66 / 6

HEX #F0CB52

RGB 240 203 82

HSL 45.95, 0.84%, 0.63%

LAB 82.83, 0.07, 63.09

 

CMYK 0 / 12 / 51 / 5

HEX #F3D678

RGB 243 214 120

HSL 45.85, 0.84%, 0.71%

LAB 86.26, -1.61, 49.74

 

CMYK 0 / 19 / 81 / 7

HEX #EDC02D

RGB 237 192 45

HSL 45.94, 0.84%, 0.55%

LAB 79.55, 2.88, 73.29

 

CMYK 78 / 0 / 81 / 7

HEX #35ED2C

RGB 53 237 44

HSL 117.2, 0.84%, 0.55%

LAB 82.65, -76.63, 72.74

 

CMYK 53 / 81 / 0 / 7

HEX #6F2CED

RGB 111 44 237

HSL 260.83, 0.84%, 0.55%

LAB 40.07, 68.71, -84.62

 

CMYK 0 / 19 / 81 / 7

HEX #EDC02D

RGB 237 192 45

HSL 45.94, 0.84%, 0.55%

LAB 79.55, 2.88, 73.29

 

CMYK 81 / 0 / 21 / 7

HEX #2CEDBC

RGB 44 237 188

HSL 164.77, 0.84%, 0.55%

LAB 84.35, -56.59, 10.94

 

CMYK 21 / 81 / 0 / 7

HEX #BC2CED

RGB 188 44 237

HSL 284.77, 0.84%, 0.55%

LAB 50.22, 79.39, -67.61

 

CMYK 0 / 19 / 81 / 7

HEX #EDC02D

RGB 237 192 45

HSL 45.94, 0.84%, 0.55%

LAB 79.55, 2.88, 73.29

 

CMYK 78 / 0 / 81 / 7

HEX #35ED2C

RGB 53 237 44

HSL 117.2, 0.84%, 0.55%

LAB 82.65, -76.63, 72.74

 

CMYK 81 / 61 / 0 / 7

HEX #2C5CED

RGB 44 92 237

HSL 225.08, 0.84%, 0.55%

LAB 44.67, 36.65, -77.23

 

CMYK 4 / 81 / 0 / 7

HEX #E32CED

RGB 227 44 237

HSL 296.89, 0.84%, 0.55%

LAB 56.33, 86.02, -57.45

 

CMYK 0 / 19 / 81 / 7

HEX #EDC02D

RGB 237 192 45

HSL 45.94, 0.84%, 0.55%

LAB 79.55, 2.88, 73.29

 

CMYK 81 / 0 / 61 / 7

HEX #2CED5C

RGB 44 237 92

HSL 134.92, 0.84%, 0.55%

LAB 82.85, -73.74, 56.14

 

CMYK 81 / 61 / 0 / 7

HEX #2C5CED

RGB 44 92 237

HSL 225.08, 0.84%, 0.55%

LAB 44.67, 36.65, -77.23

 

CMYK 0 / 81 / 21 / 7

HEX #ED2CBC

RGB 237 44 188

HSL 315.23, 0.84%, 0.55%

LAB 55.52, 81.14, -30.72

 

Description

Color code: HEX #EDC02D | qconv.com Color code: HEX #EDC02D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 192 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 192 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 81 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 81% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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