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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDBCDF it is the complementary color #124320. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDBCDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDBCDF shade: #F2BCDA, #FFCEED, #FFE0FF, #FFF2FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDBCDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDBCDF shade: #EDBCDF, #DCAACC, #CB98B9, #BA86A6 and #A97493

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDBCDF shade: #EDBBDE, #EDBBD1, #EDBBC3 and #EDBBBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDBCDF shade: #EDBBDE, #EDBBEC, #E0BBED, #D2BBED and #C5BBED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDBCDF shade matches the following richer shades: #EDBBDE, #F4B3E1 and #FBACE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDBCDF shade: #EDBBDE, #E6C2DB, #DFC9D8, #D8D0D5 and #D1D7D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDBCDF shade: #E0BBED, #EDBBEC, #EDBBDF, #EDBBD1 and #EDBBC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDBCDF shade: #DB79BF, #E49ACF, #EDBBDE, #F5DBEE and #FEFCFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDBCDF shade: #EDBCDF, #EDD3BB and #BBEDE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDBCDF shade: #EDBCDF, #DFEDBB and #BBDFED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDBCDF shade: #EDBCDF, #EDD3BB, #BBEDC9 and #BBD4ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDBCDF shade: #EDBCDF, #EDE2BB, #BBEDC9 and #BBC5ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 6 / 7

HEX #EDBCDF

RGB 237 188 223

HSL 317.14, 0.58%, 0.83%

LAB 81.46, 23.21, -10.75

 

Complementary color

CMYK 73 / 0 / 52 / 74

HEX #124320

RGB 18 67 32

HSL 137.14, 0.58%, 0.17%

LAB 24.47, -25.41, 16.54

 

CMYK 0 / 22 / 10 / 5

HEX #F2BCDA

RGB 242 188 218

HSL 326.67, 0.68%, 0.84%

LAB 81.79, 24.06, -7.52

 

CMYK 0 / 19 / 7 / 0

HEX #FFCEED

RGB 255 206 237

HSL 322.04, 1%, 0.9%

LAB 87.74, 22.17, -8.69

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 21 / 6 / 7

HEX #EDBCDF

RGB 237 188 223

HSL 317.14, 0.58%, 0.83%

LAB 81.46, 23.21, -10.75

 

CMYK 0 / 23 / 7 / 14

HEX #DCAACC

RGB 220 170 204

HSL 319.2, 0.42%, 0.76%

LAB 75.03, 23.76, -10.21

 

CMYK 0 / 25 / 9 / 20

HEX #CB98B9

RGB 203 152 185

HSL 321.18, 0.33%, 0.7%

LAB 68.5, 24.35, -9.64

 

CMYK 0 / 28 / 11 / 27

HEX #BA86A6

RGB 186 134 166

HSL 323.08, 0.27%, 0.63%

LAB 61.86, 25, -9.03

 

CMYK 0 / 31 / 13 / 34

HEX #A97493

RGB 169 116 147

HSL 324.91, 0.24%, 0.56%

LAB 55.11, 25.7, -8.38

 

CMYK 0 / 21 / 6 / 7

HEX #EDBBDE

RGB 237 187 222

HSL 318, 0.58%, 0.83%

LAB 81.19, 23.56, -10.6

 

CMYK 0 / 21 / 12 / 7

HEX #EDBBD1

RGB 237 187 209

HSL 333.6, 0.58%, 0.83%

LAB 80.82, 21.38, -4.16

 

CMYK 0 / 21 / 18 / 7

HEX #EDBBC3

RGB 237 187 195

HSL 350.4, 0.58%, 0.83%

LAB 80.45, 19.16, 2.85

 

CMYK 0 / 21 / 21 / 7

HEX #EDBBBB

RGB 237 187 187

HSL 0, 0.58%, 0.83%

LAB 80.25, 17.96, 6.88

 

CMYK 0 / 21 / 6 / 7

HEX #EDBBDE

RGB 237 187 222

HSL 318, 0.58%, 0.83%

LAB 81.19, 23.56, -10.6

 

CMYK 0 / 21 / 0 / 7

HEX #EDBBEC

RGB 237 187 236

HSL 301.2, 0.58%, 0.83%

LAB 81.62, 26.05, -17.48

 

CMYK 5 / 21 / 0 / 7

HEX #E0BBED

RGB 224 187 237

HSL 284.4, 0.58%, 0.83%

LAB 80.46, 22, -19.88

 

CMYK 11 / 21 / 0 / 7

HEX #D2BBED

RGB 210 187 237

HSL 267.6, 0.58%, 0.83%

LAB 79.25, 17.5, -21.84

 

CMYK 17 / 21 / 0 / 7

HEX #C5BBED

RGB 197 187 237

HSL 252, 0.58%, 0.83%

LAB 78.18, 13.41, -23.55

 

CMYK 0 / 21 / 6 / 7

HEX #EDBBDE

RGB 237 187 222

HSL 318, 0.58%, 0.83%

LAB 81.19, 23.56, -10.6

 

CMYK 0 / 27 / 8 / 4

HEX #F4B3E1

RGB 244 179 225

HSL 317.54, 0.75%, 0.83%

LAB 80.13, 30.68, -13.74

 

CMYK 0 / 31 / 9 / 2

HEX #FBACE4

RGB 251 172 228

HSL 317.47, 0.91%, 0.83%

LAB 79.39, 37.19, -16.39

 

CMYK 0 / 21 / 6 / 7

HEX #EDBBDE

RGB 237 187 222

HSL 318, 0.58%, 0.83%

LAB 81.19, 23.56, -10.6

 

CMYK 0 / 16 / 5 / 10

HEX #E6C2DB

RGB 230 194 219

HSL 318.33, 0.42%, 0.83%

LAB 82.12, 16.93, -7.68

 

CMYK 0 / 10 / 3 / 13

HEX #DFC9D8

RGB 223 201 216

HSL 319.09, 0.26%, 0.83%

LAB 83.14, 10.28, -4.64

 

CMYK 0 / 4 / 1 / 15

HEX #D8D0D5

RGB 216 208 213

HSL 322.5, 0.09%, 0.83%

LAB 84.23, 3.65, -1.5

 

CMYK 3 / 0 / 2 / 16

HEX #D1D7D2

RGB 209 215 210

HSL 130, 0.07%, 0.83%

LAB 85.41, -2.94, 1.74

 

CMYK 5 / 21 / 0 / 7

HEX #E0BBED

RGB 224 187 237

HSL 284.4, 0.58%, 0.83%

LAB 80.46, 22, -19.88

 

CMYK 0 / 21 / 0 / 7

HEX #EDBBEC

RGB 237 187 236

HSL 301.2, 0.58%, 0.83%

LAB 81.62, 26.05, -17.48

 

CMYK 0 / 21 / 6 / 7

HEX #EDBBDF

RGB 237 187 223

HSL 316.8, 0.58%, 0.83%

LAB 81.22, 23.74, -11.1

 

CMYK 0 / 21 / 12 / 7

HEX #EDBBD1

RGB 237 187 209

HSL 333.6, 0.58%, 0.83%

LAB 80.82, 21.38, -4.16

 

CMYK 0 / 21 / 17 / 7

HEX #EDBBC4

RGB 237 187 196

HSL 349.2, 0.58%, 0.83%

LAB 80.48, 19.31, 2.35

 

CMYK 0 / 45 / 13 / 14

HEX #DB79BF

RGB 219 121 191

HSL 317.14, 0.58%, 0.67%

LAB 63.75, 47.25, -19.99

 

CMYK 0 / 32 / 9 / 11

HEX #E49ACF

RGB 228 154 207

HSL 317.03, 0.58%, 0.75%

LAB 72.3, 35.57, -15.86

 

CMYK 0 / 21 / 6 / 7

HEX #EDBBDE

RGB 237 187 222

HSL 318, 0.58%, 0.83%

LAB 81.19, 23.56, -10.6

 

CMYK 0 / 11 / 3 / 4

HEX #F5DBEE

RGB 245 219 238

HSL 316.15, 0.57%, 0.91%

LAB 89.97, 12.17, -6

 

CMYK 0 / 1 / 0 / 0

HEX #FEFCFD

RGB 254 252 253

HSL 330, 0.5%, 0.99%

LAB 99.14, 0.84, -0.25

 

CMYK 0 / 21 / 6 / 7

HEX #EDBCDF

RGB 237 188 223

HSL 317.14, 0.58%, 0.83%

LAB 81.46, 23.21, -10.75

 

CMYK 0 / 11 / 21 / 7

HEX #EDD3BB

RGB 237 211 187

HSL 28.8, 0.58%, 0.83%

LAB 86.1, 5.33, 15.19

 

CMYK 21 / 0 / 3 / 7

HEX #BBEDE7

RGB 187 237 231

HSL 172.8, 0.58%, 0.83%

LAB 90.28, -17.12, -2.36

 

CMYK 0 / 21 / 6 / 7

HEX #EDBCDF

RGB 237 188 223

HSL 317.14, 0.58%, 0.83%

LAB 81.46, 23.21, -10.75

 

CMYK 6 / 0 / 21 / 7

HEX #DFEDBB

RGB 223 237 187

HSL 76.8, 0.58%, 0.83%

LAB 91.61, -13, 22.72

 

CMYK 21 / 6 / 0 / 7

HEX #BBDFED

RGB 187 223 237

HSL 196.8, 0.58%, 0.83%

LAB 86.73, -8.77, -10.75

 

CMYK 0 / 21 / 6 / 7

HEX #EDBCDF

RGB 237 188 223

HSL 317.14, 0.58%, 0.83%

LAB 81.46, 23.21, -10.75

 

CMYK 0 / 11 / 21 / 7

HEX #EDD3BB

RGB 237 211 187

HSL 28.8, 0.58%, 0.83%

LAB 86.1, 5.33, 15.19

 

CMYK 21 / 0 / 15 / 7

HEX #BBEDC9

RGB 187 237 201

HSL 136.8, 0.58%, 0.83%

LAB 89.56, -22.94, 12.25

 

CMYK 21 / 11 / 0 / 7

HEX #BBD4ED

RGB 187 212 237

HSL 210, 0.58%, 0.83%

LAB 83.84, -3.06, -15.07

 

CMYK 0 / 21 / 6 / 7

HEX #EDBCDF

RGB 237 188 223

HSL 317.14, 0.58%, 0.83%

LAB 81.46, 23.21, -10.75

 

CMYK 0 / 5 / 21 / 7

HEX #EDE2BB

RGB 237 226 187

HSL 46.8, 0.58%, 0.83%

LAB 89.85, -2.39, 20.44

 

CMYK 21 / 0 / 15 / 7

HEX #BBEDC9

RGB 187 237 201

HSL 136.8, 0.58%, 0.83%

LAB 89.56, -22.94, 12.25

 

CMYK 21 / 17 / 0 / 7

HEX #BBC5ED

RGB 187 197 237

HSL 228, 0.58%, 0.83%

LAB 79.96, 4.91, -20.92

 

Description

Color code: HEX #EDBCDF | qconv.com Color code: HEX #EDBCDF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 188 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 188 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 6 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 6% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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