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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDBA7A it is the complementary color #124585. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDBA7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDBA7A shade: #F2BA75, #FFCC88, #FFDE9B, #FFF0AE and #FFFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDBA7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDBA7A shade: #EDBA7A, #DCA867, #CB9654, #BA8441 and #A9722E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDBA7A shade: #EDB978, #ED9A78, #ED7A78 and #ED7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDBA7A shade: #EDB978, #EDD878, #E1ED78, #C2ED78 and #A3ED78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDBA7A shade matches the following richer shades: #EDB978 and #F9BA6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDBA7A shade: #EDB978, #E0B885, #D4B691, #C8B59D and #BBB3AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDBA7A shade: #ED7A78, #ED9978, #EDB878, #EDD778 and #E3ED78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDBA7A shade: #E39330, #E8A654, #EDB978, #F2CC9D and #F7DFC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDBA7A shade: #EDBA7A, #95ED78 and #8A78ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDBA7A shade: #EDBA7A, #78EDB8 and #B878ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDBA7A shade: #EDBA7A, #95ED78, #78ADED and #D078ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDBA7A shade: #EDBA7A, #78ED7E, #78ADED and #ED78E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 49 / 7

HEX #EDBA7A

RGB 237 186 122

HSL 33.39, 0.76%, 0.7%

LAB 78.77, 10.67, 39.34

 

Complementary color

CMYK 86 / 48 / 0 / 48

HEX #124585

RGB 18 69 133

HSL 213.39, 0.76%, 0.3%

LAB 29.61, 9.04, -40.5

 

CMYK 0 / 23 / 52 / 5

HEX #F2BA75

RGB 242 186 117

HSL 33.12, 0.83%, 0.7%

LAB 79.2, 12.25, 42.54

 

CMYK 0 / 20 / 47 / 0

HEX #FFCC88

RGB 255 204 136

HSL 34.29, 1%, 0.77%

LAB 85.11, 9.78, 40.63

 

CMYK 0 / 13 / 39 / 0

HEX #FFDE9B

RGB 255 222 155

HSL 40.2, 1%, 0.8%

LAB 89.8, 2.45, 37.06

 

CMYK 0 / 6 / 32 / 0

HEX #FFF0AE

RGB 255 240 174

HSL 48.89, 1%, 0.84%

LAB 94.58, -4.49, 33.78

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 22 / 49 / 7

HEX #EDBA7A

RGB 237 186 122

HSL 33.39, 0.76%, 0.7%

LAB 78.77, 10.67, 39.34

 

CMYK 0 / 24 / 53 / 14

HEX #DCA867

RGB 220 168 103

HSL 33.33, 0.63%, 0.63%

LAB 72.36, 11.6, 40.7

 

CMYK 0 / 26 / 59 / 20

HEX #CB9654

RGB 203 150 84

HSL 33.28, 0.53%, 0.56%

LAB 65.86, 12.66, 42.12

 

CMYK 0 / 29 / 65 / 27

HEX #BA8441

RGB 186 132 65

HSL 33.22, 0.48%, 0.49%

LAB 59.27, 13.91, 43.56

 

CMYK 0 / 33 / 73 / 34

HEX #A9722E

RGB 169 114 46

HSL 33.17, 0.57%, 0.42%

LAB 52.58, 15.39, 44.91

 

CMYK 0 / 22 / 49 / 7

HEX #EDB978

RGB 237 185 120

HSL 33.33, 0.76%, 0.7%

LAB 78.5, 11.02, 40.02

 

CMYK 0 / 35 / 49 / 7

HEX #ED9A78

RGB 237 154 120

HSL 17.44, 0.76%, 0.7%

LAB 71.19, 27.44, 30.64

 

CMYK 0 / 49 / 49 / 7

HEX #ED7A78

RGB 237 122 120

HSL 1.03, 0.76%, 0.7%

LAB 64.39, 43.99, 21.58

 

CMYK 0 / 49 / 49 / 7

HEX #ED7878

RGB 237 120 120

HSL 0, 0.76%, 0.7%

LAB 63.99, 44.99, 21.05

 

CMYK 0 / 22 / 49 / 7

HEX #EDB978

RGB 237 185 120

HSL 33.33, 0.76%, 0.7%

LAB 78.5, 11.02, 40.02

 

CMYK 0 / 9 / 49 / 7

HEX #EDD878

RGB 237 216 120

HSL 49.23, 0.76%, 0.7%

LAB 86.24, -5.05, 49.59

 

CMYK 5 / 0 / 49 / 7

HEX #E1ED78

RGB 225 237 120

HSL 66.15, 0.76%, 0.7%

LAB 90.75, -20.23, 54.78

 

CMYK 18 / 0 / 49 / 7

HEX #C2ED78

RGB 194 237 120

HSL 82.05, 0.76%, 0.7%

LAB 88.64, -32.04, 51.74

 

CMYK 31 / 0 / 49 / 7

HEX #A3ED78

RGB 163 237 120

HSL 97.95, 0.76%, 0.7%

LAB 86.85, -43.03, 49.17

 

CMYK 0 / 22 / 49 / 7

HEX #EDB978

RGB 237 185 120

HSL 33.33, 0.76%, 0.7%

LAB 78.5, 11.02, 40.02

 

CMYK 0 / 25 / 57 / 2

HEX #F9BA6C

RGB 249 186 108

HSL 33.19, 0.92%, 0.7%

LAB 79.81, 14.36, 47.94

 

CMYK 0 / 22 / 49 / 7

HEX #EDB978

RGB 237 185 120

HSL 33.33, 0.76%, 0.7%

LAB 78.5, 11.02, 40.02

 

CMYK 0 / 18 / 41 / 12

HEX #E0B885

RGB 224 184 133

HSL 33.63, 0.59%, 0.7%

LAB 77.17, 7.63, 31.31

 

CMYK 0 / 14 / 32 / 17

HEX #D4B691

RGB 212 182 145

HSL 33.13, 0.44%, 0.7%

LAB 75.76, 5.38, 22.84

 

CMYK 0 / 10 / 22 / 22

HEX #C8B59D

RGB 200 181 157

HSL 33.49, 0.28%, 0.7%

LAB 74.67, 2.94, 14.7

 

CMYK 0 / 4 / 9 / 27

HEX #BBB3AA

RGB 187 179 170

HSL 31.76, 0.11%, 0.7%

LAB 73.36, 1.25, 5.59

 

CMYK 0 / 49 / 49 / 7

HEX #ED7A78

RGB 237 122 120

HSL 1.03, 0.76%, 0.7%

LAB 64.39, 43.99, 21.58

 

CMYK 0 / 35 / 49 / 7

HEX #ED9978

RGB 237 153 120

HSL 16.92, 0.76%, 0.7%

LAB 70.97, 27.97, 30.35

 

CMYK 0 / 22 / 49 / 7

HEX #EDB878

RGB 237 184 120

HSL 32.82, 0.76%, 0.7%

LAB 78.25, 11.54, 39.71

 

CMYK 0 / 9 / 49 / 7

HEX #EDD778

RGB 237 215 120

HSL 48.72, 0.76%, 0.7%

LAB 85.99, -4.54, 49.29

 

CMYK 4 / 0 / 49 / 7

HEX #E3ED78

RGB 227 237 120

HSL 65.13, 0.76%, 0.7%

LAB 90.9, -19.45, 54.99

 

CMYK 0 / 35 / 79 / 11

HEX #E39330

RGB 227 147 48

HSL 33.18, 0.76%, 0.54%

LAB 67.58, 22.5, 61.16

 

CMYK 0 / 28 / 64 / 9

HEX #E8A654

RGB 232 166 84

HSL 33.24, 0.76%, 0.62%

LAB 72.94, 16.24, 51.14

 

CMYK 0 / 22 / 49 / 7

HEX #EDB978

RGB 237 185 120

HSL 33.33, 0.76%, 0.7%

LAB 78.5, 11.02, 40.02

 

CMYK 0 / 16 / 35 / 5

HEX #F2CC9D

RGB 242 204 157

HSL 33.18, 0.77%, 0.78%

LAB 84.22, 6.92, 28.43

 

CMYK 0 / 10 / 22 / 3

HEX #F7DFC1

RGB 247 223 193

HSL 33.33, 0.77%, 0.86%

LAB 90.04, 3.65, 17.71

 

CMYK 0 / 22 / 49 / 7

HEX #EDBA7A

RGB 237 186 122

HSL 33.39, 0.76%, 0.7%

LAB 78.77, 10.67, 39.34

 

CMYK 37 / 0 / 49 / 7

HEX #95ED78

RGB 149 237 120

HSL 105.13, 0.76%, 0.7%

LAB 86.16, -47.6, 48.17

 

CMYK 42 / 49 / 0 / 7

HEX #8A78ED

RGB 138 120 237

HSL 249.23, 0.76%, 0.7%

LAB 57.03, 34.81, -56.95

 

CMYK 0 / 22 / 49 / 7

HEX #EDBA7A

RGB 237 186 122

HSL 33.39, 0.76%, 0.7%

LAB 78.77, 10.67, 39.34

 

CMYK 49 / 0 / 22 / 7

HEX #78EDB8

RGB 120 237 184

HSL 152.82, 0.76%, 0.7%

LAB 86.02, -45.24, 15.64

 

CMYK 22 / 49 / 0 / 7

HEX #B878ED

RGB 184 120 237

HSL 272.82, 0.76%, 0.7%

LAB 61.43, 46.4, -49.69

 

CMYK 0 / 22 / 49 / 7

HEX #EDBA7A

RGB 237 186 122

HSL 33.39, 0.76%, 0.7%

LAB 78.77, 10.67, 39.34

 

CMYK 37 / 0 / 49 / 7

HEX #95ED78

RGB 149 237 120

HSL 105.13, 0.76%, 0.7%

LAB 86.16, -47.6, 48.17

 

CMYK 49 / 27 / 0 / 7

HEX #78ADED

RGB 120 173 237

HSL 212.82, 0.76%, 0.7%

LAB 69.47, -0.12, -37.4

 

CMYK 12 / 49 / 0 / 7

HEX #D078ED

RGB 208 120 237

HSL 285.13, 0.76%, 0.7%

LAB 64.13, 52.84, -45.25

 

CMYK 0 / 22 / 49 / 7

HEX #EDBA7A

RGB 237 186 122

HSL 33.39, 0.76%, 0.7%

LAB 78.77, 10.67, 39.34

 

CMYK 49 / 0 / 47 / 7

HEX #78ED7E

RGB 120 237 126

HSL 123.08, 0.76%, 0.7%

LAB 85.03, -55.26, 43.63

 

CMYK 49 / 27 / 0 / 7

HEX #78ADED

RGB 120 173 237

HSL 212.82, 0.76%, 0.7%

LAB 69.47, -0.12, -37.4

 

CMYK 0 / 49 / 3 / 7

HEX #ED78E7

RGB 237 120 231

HSL 303.08, 0.76%, 0.7%

LAB 67.43, 59.71, -36.49

 

Description

Color code: HEX #EDBA7A | qconv.com Color code: HEX #EDBA7A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 186 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 186 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 49 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 49% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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