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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDBA2B it is the complementary color #1245D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDBA2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDBA2B shade: #F2BA26, #FFCC39, #FFDE4C, #FFF05F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDBA2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDBA2B shade: #EDBA2B, #DCA818, #CB9605, #BA8400 and #A97200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDBA2B shade: #EDBA2C, #ED862C, #ED522C and #ED2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDBA2B shade: #EDBA2C, #EBED2C, #B7ED2C, #83ED2C and #4FED2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDBA2B shade matches the following richer shades: #EDBA2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDBA2B shade: #EDBA2C, #DAB13E, #C8A851, #B5A064 and #A29776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDBA2B shade: #ED522C, #ED862C, #EDB92C, #EDED2C and #B9ED2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDBA2B shade: #B68A10, #DCA713, #EDBA2C, #F0C652 and #F3D378

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDBA2B shade: #EDBA2B, #39ED2C and #6C2CED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDBA2B shade: #EDBA2B, #2CEDB9 and #B92CED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDBA2B shade: #EDBA2B, #39ED2C, #2C5FED and #E02CED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDBA2B shade: #EDBA2B, #2CED59, #2C5FED and #ED2CC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 82 / 7

HEX #EDBA2B

RGB 237 186 43

HSL 44.23, 0.84%, 0.55%

LAB 78.05, 5.95, 72.58

 

Complementary color

CMYK 92 / 67 / 0 / 17

HEX #1245D4

RGB 18 69 212

HSL 224.23, 0.84%, 0.45%

LAB 36.25, 40.48, -76.84

 

CMYK 0 / 23 / 84 / 5

HEX #F2BA26

RGB 242 186 38

HSL 43.53, 0.89%, 0.55%

LAB 78.54, 7.96, 74.58

 

CMYK 0 / 20 / 78 / 0

HEX #FFCC39

RGB 255 204 57

HSL 44.55, 1%, 0.61%

LAB 84.35, 4.72, 74.49

 

CMYK 0 / 13 / 70 / 0

HEX #FFDE4C

RGB 255 222 76

HSL 48.94, 1%, 0.65%

LAB 88.93, -3.66, 72.17

 

CMYK 0 / 6 / 63 / 0

HEX #FFF05F

RGB 255 240 95

HSL 54.38, 1%, 0.69%

LAB 93.63, -11.59, 69.57

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 22 / 82 / 7

HEX #EDBA2B

RGB 237 186 43

HSL 44.23, 0.84%, 0.55%

LAB 78.05, 5.95, 72.58

 

CMYK 0 / 24 / 89 / 14

HEX #DCA818

RGB 220 168 24

HSL 44.08, 0.8%, 0.48%

LAB 71.75, 7.63, 71.49

 

CMYK 0 / 26 / 98 / 20

HEX #CB9605

RGB 203 150 5

HSL 43.94, 0.95%, 0.41%

LAB 65.37, 9.54, 69

 

CMYK 0 / 29 / 100 / 27

HEX #BA8400

RGB 186 132 0

HSL 42.58, 1%, 0.36%

LAB 58.92, 11.73, 64.4

 

CMYK 0 / 33 / 100 / 34

HEX #A97200

RGB 169 114 0

HSL 40.47, 1%, 0.33%

LAB 52.36, 14.08, 59.04

 

CMYK 0 / 22 / 81 / 7

HEX #EDBA2C

RGB 237 186 44

HSL 44.15, 0.84%, 0.55%

LAB 78.05, 5.98, 72.29

 

CMYK 0 / 43 / 81 / 7

HEX #ED862C

RGB 237 134 44

HSL 27.98, 0.84%, 0.55%

LAB 65.93, 33.35, 61.64

 

CMYK 0 / 65 / 81 / 7

HEX #ED522C

RGB 237 82 44

HSL 11.81, 0.84%, 0.55%

LAB 56.31, 57.95, 52.89

 

CMYK 0 / 81 / 81 / 7

HEX #ED2C2C

RGB 237 44 44

HSL 0, 0.84%, 0.55%

LAB 51.82, 70.36, 48.68

 

CMYK 0 / 22 / 81 / 7

HEX #EDBA2C

RGB 237 186 44

HSL 44.15, 0.84%, 0.55%

LAB 78.05, 5.98, 72.29

 

CMYK 1 / 0 / 81 / 7

HEX #EBED2C

RGB 235 237 44

HSL 60.62, 0.84%, 0.55%

LAB 90.97, -20.55, 83.26

 

CMYK 23 / 0 / 81 / 7

HEX #B7ED2C

RGB 183 237 44

HSL 76.79, 0.84%, 0.55%

LAB 87.4, -41.33, 78.78

 

CMYK 45 / 0 / 81 / 7

HEX #83ED2C

RGB 131 237 44

HSL 92.95, 0.84%, 0.55%

LAB 84.78, -59.39, 75.46

 

CMYK 67 / 0 / 81 / 7

HEX #4FED2C

RGB 79 237 44

HSL 109.12, 0.84%, 0.55%

LAB 83.13, -72.49, 73.35

 

CMYK 0 / 22 / 81 / 7

HEX #EDBA2C

RGB 237 186 44

HSL 44.15, 0.84%, 0.55%

LAB 78.05, 5.98, 72.29

 

CMYK 0 / 22 / 81 / 7

HEX #EDBA2C

RGB 237 186 44

HSL 44.15, 0.84%, 0.55%

LAB 78.05, 5.98, 72.29

 

CMYK 0 / 19 / 72 / 15

HEX #DAB13E

RGB 218 177 62

HSL 44.23, 0.68%, 0.55%

LAB 74, 3.24, 61.53

 

CMYK 0 / 16 / 60 / 22

HEX #C8A851

RGB 200 168 81

HSL 43.87, 0.52%, 0.55%

LAB 70.09, 1.44, 48.45

 

CMYK 0 / 12 / 45 / 29

HEX #B5A064

RGB 181 160 100

HSL 44.44, 0.35%, 0.55%

LAB 66.43, -0.63, 34.02

 

CMYK 0 / 7 / 27 / 36

HEX #A29776

RGB 162 151 118

HSL 45, 0.19%, 0.55%

LAB 62.61, -1.32, 18.88

 

CMYK 0 / 65 / 81 / 7

HEX #ED522C

RGB 237 82 44

HSL 11.81, 0.84%, 0.55%

LAB 56.31, 57.95, 52.89

 

CMYK 0 / 43 / 81 / 7

HEX #ED862C

RGB 237 134 44

HSL 27.98, 0.84%, 0.55%

LAB 65.93, 33.35, 61.64

 

CMYK 0 / 22 / 81 / 7

HEX #EDB92C

RGB 237 185 44

HSL 43.83, 0.84%, 0.55%

LAB 77.81, 6.5, 72.07

 

CMYK 0 / 0 / 81 / 7

HEX #EDED2C

RGB 237 237 44

HSL 60, 0.84%, 0.55%

LAB 91.12, -19.73, 83.45

 

CMYK 22 / 0 / 81 / 7

HEX #B9ED2C

RGB 185 237 44

HSL 76.17, 0.84%, 0.55%

LAB 87.52, -40.57, 78.93

 

CMYK 0 / 24 / 91 / 29

HEX #B68A10

RGB 182 138 16

HSL 44.1, 0.84%, 0.39%

LAB 60.03, 6.83, 62.33

 

CMYK 0 / 24 / 91 / 14

HEX #DCA713

RGB 220 167 19

HSL 44.18, 0.84%, 0.47%

LAB 71.49, 8.08, 72.25

 

CMYK 0 / 22 / 81 / 7

HEX #EDBA2C

RGB 237 186 44

HSL 44.15, 0.84%, 0.55%

LAB 78.05, 5.98, 72.29

 

CMYK 0 / 18 / 66 / 6

HEX #F0C652

RGB 240 198 82

HSL 44.05, 0.84%, 0.63%

LAB 81.58, 2.65, 61.75

 

CMYK 0 / 13 / 51 / 5

HEX #F3D378

RGB 243 211 120

HSL 44.39, 0.84%, 0.71%

LAB 85.5, -0.08, 48.82

 

CMYK 0 / 22 / 82 / 7

HEX #EDBA2B

RGB 237 186 43

HSL 44.23, 0.84%, 0.55%

LAB 78.05, 5.95, 72.58

 

CMYK 76 / 0 / 81 / 7

HEX #39ED2C

RGB 57 237 44

HSL 115.96, 0.84%, 0.55%

LAB 82.71, -76.11, 72.81

 

CMYK 54 / 81 / 0 / 7

HEX #6C2CED

RGB 108 44 237

HSL 259.9, 0.84%, 0.55%

LAB 39.75, 68.39, -85.15

 

CMYK 0 / 22 / 82 / 7

HEX #EDBA2B

RGB 237 186 43

HSL 44.23, 0.84%, 0.55%

LAB 78.05, 5.95, 72.58

 

CMYK 81 / 0 / 22 / 7

HEX #2CEDB9

RGB 44 237 185

HSL 163.83, 0.84%, 0.55%

LAB 84.28, -57.3, 12.41

 

CMYK 22 / 81 / 0 / 7

HEX #B92CED

RGB 185 44 237

HSL 283.83, 0.84%, 0.55%

LAB 49.77, 78.9, -68.36

 

CMYK 0 / 22 / 82 / 7

HEX #EDBA2B

RGB 237 186 43

HSL 44.23, 0.84%, 0.55%

LAB 78.05, 5.95, 72.58

 

CMYK 76 / 0 / 81 / 7

HEX #39ED2C

RGB 57 237 44

HSL 115.96, 0.84%, 0.55%

LAB 82.71, -76.11, 72.81

 

CMYK 81 / 60 / 0 / 7

HEX #2C5FED

RGB 44 95 237

HSL 224.15, 0.84%, 0.55%

LAB 45.41, 34.76, -76.02

 

CMYK 5 / 81 / 0 / 7

HEX #E02CED

RGB 224 44 237

HSL 295.96, 0.84%, 0.55%

LAB 55.85, 85.49, -58.26

 

CMYK 0 / 22 / 82 / 7

HEX #EDBA2B

RGB 237 186 43

HSL 44.23, 0.84%, 0.55%

LAB 78.05, 5.95, 72.58

 

CMYK 81 / 0 / 62 / 7

HEX #2CED59

RGB 44 237 89

HSL 133.99, 0.84%, 0.55%

LAB 82.82, -74.08, 57.38

 

CMYK 81 / 60 / 0 / 7

HEX #2C5FED

RGB 44 95 237

HSL 224.15, 0.84%, 0.55%

LAB 45.41, 34.76, -76.02

 

CMYK 0 / 81 / 19 / 7

HEX #ED2CC0

RGB 237 44 192

HSL 313.99, 0.84%, 0.55%

LAB 55.7, 81.64, -32.75

 

Description

Color code: HEX #EDBA2B | qconv.com Color code: HEX #EDBA2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 186 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 186 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 82 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 82% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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