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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDB9FDBF it is the complementary color #124602BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDB9FDBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDB9FDBF shade: #F2B9F8BF, #FFCBFFBF, #FFDDFFBF, #FFEFFFBF and #FFFFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDB9FDBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDB9FDBF shade: #EDB9FDBF, #DCA7EABF, #CB95D7BF, #BA83C4BF and #A971B1BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDB9FDBF shade: #EDBAFD, #FDBAFB, #FDBAE8, #FDBAD6 and #FDBAC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDB9FDBF shade: #EDBAFD, #DBBAFD, #C9BAFD and #BABAFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDB9FDBF shade matches the following richer shades: #EDBAFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDB9FDBF shade: #EDBAFD, #EAC0F7, #E7C5F1, #E4CBEC and #E1D1E6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDB9FDBF shade: #C8BAFD, #DABAFD, #ECBAFD, #FDBAFC and #FDBAEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDB9FDBF shade: #D86AFA, #E392FC, #EDBAFD, #F7E2FE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDB9FDBF shade: #EDB9FD, #FDBABD and #BAFDD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDB9FDBF shade: #EDB9FD, #FDECBA and #BAFDEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDB9FDBF shade: #EDB9FD, #FDBABD, #CBFDBA and #BAFDFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDB9FDBF shade: #EDB9FD, #FDCBBA, #CBFDBA and #BAECFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 20 / 0 / 1

HEX #EDB9FDBF

RGBA 237 185 253 0.75

HSLA 285.88, 0.94%, 0.86%, 0.75

LABA 81.73, 30.31, -26.42, 0.75

 

Complementary color

CMYK 56 / 0 / 73 / 54

HEX #124602BF

RGBA 18 70 2 0.75

HSLA 105.88, 0.94%, 0.14%, 0.75

LABA 25.3, -30.31, 32.19, 0.75

 

CMYK 2 / 19 / 0 / 2

HEX #F2B9F8BF

RGBA 242 185 248 0.75

HSLA 294.29, 0.82%, 0.85%, 0.75

LABA 82.03, 30.94, -23.24, 0.75

 

CMYK 0 / 15 / 0 / 0

HEX #FFCBFFBF

RGBA 255 203 255 0.75

HSLA 300, 1%, 0.9%, 0.75

LABA 87.58, 26.9, -18.44, 0.75

 

CMYK 0 / 10 / 0 / 0

HEX #FFDDFFBF

RGBA 255 221 255 0.75

HSLA 300, 1%, 0.93%, 0.75

LABA 91.77, 17.47, -12.16, 0.75

 

CMYK 0 / 5 / 0 / 0

HEX #FFEFFFBF

RGBA 255 239 255 0.75

HSLA 300, 1%, 0.97%, 0.75

LABA 96.09, 8.15, -5.76, 0.75

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFBF

RGBA 255 255 255 0.75

HSLA 0, 0%, 1%, 0.75

LABA 100, 0.01, -0.01, 0.75

 

CMYK 5 / 20 / 0 / 1

HEX #EDB9FDBF

RGBA 237 185 253 0.75

HSLA 285.88, 0.94%, 0.86%, 0.75

LABA 81.73, 30.31, -26.42, 0.75

 

CMYK 4 / 21 / 0 / 6

HEX #DCA7EABF

RGBA 220 167 234 0.75

HSLA 287.46, 0.61%, 0.79%, 0.75

LABA 75.32, 30.92, -26.12, 0.75

 

CMYK 4 / 23 / 0 / 12

HEX #CB95D7BF

RGBA 203 149 215 0.75

HSLA 289.09, 0.45%, 0.71%, 0.75

LABA 68.82, 31.57, -25.81, 0.75

 

CMYK 4 / 25 / 0 / 17

HEX #BA83C4BF

RGBA 186 131 196 0.75

HSLA 290.77, 0.36%, 0.64%, 0.75

LABA 62.22, 32.26, -25.5, 0.75

 

CMYK 3 / 27 / 0 / 23

HEX #A971B1BF

RGBA 169 113 177 0.75

HSLA 292.5, 0.29%, 0.57%, 0.75

LABA 55.5, 33, -25.17, 0.75

 

CMYK 6 / 26 / 0 / 1

HEX #EDBAFD

RGB 237 186 253

HSL 285.67, 0.94%, 0.86%

LAB 81.95, 29.77, -26.07

 

CMYK 0 / 26 / 1 / 1

HEX #FDBAFB

RGB 253 186 251

HSL 301.79, 0.94%, 0.86%

LAB 83.42, 34.47, -22.62

 

CMYK 0 / 26 / 8 / 1

HEX #FDBAE8

RGB 253 186 232

HSL 318.81, 0.94%, 0.86%

LAB 82.82, 31.17, -13.38

 

CMYK 0 / 26 / 15 / 1

HEX #FDBAD6

RGB 253 186 214

HSL 334.93, 0.94%, 0.86%

LAB 82.3, 28.26, -4.49

 

CMYK 0 / 26 / 23 / 1

HEX #FDBAC4

RGB 253 186 196

HSL 351.04, 0.94%, 0.86%

LAB 81.83, 25.58, 4.51

 

CMYK 6 / 26 / 0 / 1

HEX #EDBAFD

RGB 237 186 253

HSL 285.67, 0.94%, 0.86%

LAB 81.95, 29.77, -26.07

 

CMYK 13 / 26 / 0 / 1

HEX #DBBAFD

RGB 219 186 253

HSL 269.55, 0.94%, 0.86%

LAB 80.33, 24.17, -28.7

 

CMYK 21 / 26 / 0 / 1

HEX #C9BAFD

RGB 201 186 253

HSL 253.43, 0.94%, 0.86%

LAB 78.83, 18.69, -31.14

 

CMYK 26 / 26 / 0 / 1

HEX #BABAFD

RGB 186 186 253

HSL 240, 0.94%, 0.86%

LAB 77.67, 14.27, -33.02

 

CMYK 6 / 26 / 0 / 1

HEX #EDBAFD

RGB 237 186 253

HSL 285.67, 0.94%, 0.86%

LAB 81.95, 29.77, -26.07

 

CMYK 6 / 26 / 0 / 1

HEX #EDBAFD

RGB 237 186 253

HSL 285.67, 0.94%, 0.86%

LAB 81.95, 29.77, -26.07

 

CMYK 5 / 22 / 0 / 3

HEX #EAC0F7

RGB 234 192 247

HSL 285.82, 0.77%, 0.86%

LAB 82.86, 24.47, -21.51

 

CMYK 4 / 18 / 0 / 5

HEX #E7C5F1

RGB 231 197 241

HSL 286.36, 0.61%, 0.86%

LAB 83.59, 19.69, -17.25

 

CMYK 3 / 14 / 0 / 7

HEX #E4CBEC

RGB 228 203 236

HSL 285.45, 0.46%, 0.86%

LAB 84.62, 14.56, -13.06

 

CMYK 2 / 9 / 0 / 10

HEX #E1D1E6

RGB 225 209 230

HSL 285.71, 0.3%, 0.86%

LAB 85.67, 9.27, -8.34

 

CMYK 21 / 26 / 0 / 1

HEX #C8BAFD

RGB 200 186 253

HSL 252.54, 0.94%, 0.86%

LAB 78.75, 18.39, -31.26

 

CMYK 14 / 26 / 0 / 1

HEX #DABAFD

RGB 218 186 253

HSL 268.66, 0.94%, 0.86%

LAB 80.24, 23.86, -28.84

 

CMYK 7 / 26 / 0 / 1

HEX #ECBAFD

RGB 236 186 253

HSL 284.78, 0.94%, 0.86%

LAB 81.86, 29.46, -26.22

 

CMYK 0 / 26 / 0 / 1

HEX #FDBAFC

RGB 253 186 252

HSL 300.9, 0.94%, 0.86%

LAB 83.46, 34.65, -23.11

 

CMYK 0 / 26 / 8 / 1

HEX #FDBAEA

RGB 253 186 234

HSL 317.01, 0.94%, 0.86%

LAB 82.88, 31.51, -14.36

 

CMYK 14 / 58 / 0 / 2

HEX #D86AFA

RGB 216 106 250

HSL 285.83, 0.94%, 0.7%

LAB 63.18, 64.26, -53.85

 

CMYK 10 / 42 / 0 / 1

HEX #E392FC

RGB 227 146 252

HSL 285.85, 0.95%, 0.78%

LAB 72.17, 47.73, -40.71

 

CMYK 6 / 26 / 0 / 1

HEX #EDBAFD

RGB 237 186 253

HSL 285.67, 0.94%, 0.86%

LAB 81.95, 29.77, -26.07

 

CMYK 3 / 11 / 0 / 0

HEX #F7E2FE

RGB 247 226 254

HSL 285, 0.93%, 0.94%

LAB 92.28, 12.06, -10.95

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 6 / 27 / 0 / 1

HEX #EDB9FD

RGB 237 185 253

HSL 285.88, 0.94%, 0.86%

LAB 81.73, 30.31, -26.42

 

CMYK 0 / 26 / 25 / 1

HEX #FDBABD

RGB 253 186 189

HSL 357.31, 0.94%, 0.86%

LAB 81.66, 24.59, 8.03

 

CMYK 26 / 0 / 17 / 1

HEX #BAFDD1

RGB 186 253 209

HSL 140.6, 0.94%, 0.86%

LAB 94.01, -29.45, 14.42

 

CMYK 6 / 27 / 0 / 1

HEX #EDB9FD

RGB 237 185 253

HSL 285.88, 0.94%, 0.86%

LAB 81.73, 30.31, -26.42

 

CMYK 0 / 7 / 26 / 1

HEX #FDECBA

RGB 253 236 186

HSL 44.78, 0.94%, 0.86%

LAB 93.63, -1.72, 26.37

 

CMYK 26 / 0 / 7 / 1

HEX #BAFDEC

RGB 186 253 236

HSL 164.78, 0.94%, 0.86%

LAB 94.63, -24.22, 1.4

 

CMYK 6 / 27 / 0 / 1

HEX #EDB9FD

RGB 237 185 253

HSL 285.88, 0.94%, 0.86%

LAB 81.73, 30.31, -26.42

 

CMYK 0 / 26 / 25 / 1

HEX #FDBABD

RGB 253 186 189

HSL 357.31, 0.94%, 0.86%

LAB 81.66, 24.59, 8.03

 

CMYK 20 / 0 / 26 / 1

HEX #CBFDBA

RGB 203 253 186

HSL 104.78, 0.94%, 0.86%

LAB 94.52, -27.85, 27.01

 

CMYK 26 / 0 / 1 / 1

HEX #BAFDFA

RGB 186 253 250

HSL 177.31, 0.94%, 0.86%

LAB 94.99, -21.28, -5.3

 

CMYK 6 / 27 / 0 / 1

HEX #EDB9FD

RGB 237 185 253

HSL 285.88, 0.94%, 0.86%

LAB 81.73, 30.31, -26.42

 

CMYK 0 / 20 / 26 / 1

HEX #FDCBBA

RGB 253 203 186

HSL 15.22, 0.94%, 0.86%

LAB 85.57, 15.27, 15.19

 

CMYK 20 / 0 / 26 / 1

HEX #CBFDBA

RGB 203 253 186

HSL 104.78, 0.94%, 0.86%

LAB 94.52, -27.85, 27.01

 

CMYK 26 / 7 / 0 / 1

HEX #BAECFD

RGB 186 236 253

HSL 195.22, 0.94%, 0.86%

LAB 90.56, -12.18, -13.43

 

Description

Color code: HEX #EDB9FDBF | qconv.com Color code: HEX #EDB9FDBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 185 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 185 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 20 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 20% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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