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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDAF7E7F it is the complementary color #1250817F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDAF7E7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDAF7E7F shade: #F2AF797F, #FFC18C7F, #FFD39F7F, #FFE5B27F and #FFF7C57F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDAF7E7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDAF7E7F shade: #EDAF7E7F, #DC9D6B7F, #CB8B587F, #BA79457F and #A967327F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDAF7E7F shade: #EDAE7D, #ED907D and #ED7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDAF7E7F shade: #EDAE7D, #EDCD7D, #EDEB7D, #D1ED7D and #B3ED7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDAF7E7F shade matches the following richer shades: #EDAE7D and #F9AD71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDAF7E7F shade: #EDAE7D, #E1B089, #D5B195, #C9B3A1 and #BDB4AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDAF7E7F shade: #ED7D88, #ED907D, #EDAE7D, #EDCC7D and #EDEA7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDAF7E7F shade: #E38234, #E89859, #EDAE7D, #F2C5A1 and #F7DBC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDAF7E7F shade: #EDAF7E, #A6ED7D and #817DED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDAF7E7F shade: #EDAF7E, #7DEDAE and #AE7DED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDAF7E7F shade: #EDAF7E, #A6ED7D, #7DBDED and #C47DED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDAF7E7F shade: #EDAF7E, #84ED7D, #7DBDED and #E67DED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 23 / 4

HEX #EDAF7E7F

RGBA 237 175 126 0.5

HSLA 26.49, 0.76%, 0.71%, 0.5

LABA 76.17, 16.87, 33.93, 0.5

 

Complementary color

CMYK 43 / 19 / 0 / 25

HEX #1250817F

RGBA 18 80 129 0.5

HSLA 206.49, 0.76%, 0.29%, 0.5

LABA 32.81, -0.01, -32.9, 0.5

 

CMYK 0 / 14 / 25 / 3

HEX #F2AF797F

RGBA 242 175 121 0.5

HSLA 26.78, 0.82%, 0.71%, 0.5

LABA 76.63, 18.4, 37.24, 0.5

 

CMYK 0 / 12 / 23 / 0

HEX #FFC18C7F

RGBA 255 193 140 0.5

HSLA 27.65, 1%, 0.77%, 0.5

LABA 82.54, 15.89, 35.26, 0.5

 

CMYK 0 / 9 / 19 / 0

HEX #FFD39F7F

RGBA 255 211 159 0.5

HSLA 32.5, 1%, 0.81%, 0.5

LABA 87.17, 8.54, 31.54, 0.5

 

CMYK 0 / 5 / 15 / 0

HEX #FFE5B27F

RGBA 255 229 178 0.5

HSLA 39.74, 1%, 0.85%, 0.5

LABA 91.91, 1.55, 28.16, 0.5

 

CMYK 0 / 2 / 11 / 0

HEX #FFF7C57F

RGBA 255 247 197 0.5

HSLA 51.72, 1%, 0.89%, 0.5

LABA 96.74, -5.04, 25.05, 0.5

 

CMYK 0 / 13 / 23 / 4

HEX #EDAF7E7F

RGBA 237 175 126 0.5

HSLA 26.49, 0.76%, 0.71%, 0.5

LABA 76.17, 16.87, 33.93, 0.5

 

CMYK 0 / 14 / 26 / 7

HEX #DC9D6B7F

RGBA 220 157 107 0.5

HSLA 26.55, 0.62%, 0.64%, 0.5

LABA 69.75, 17.85, 35.35, 0.5

 

CMYK 0 / 16 / 28 / 10

HEX #CB8B587F

RGBA 203 139 88 0.5

HSLA 26.61, 0.53%, 0.57%, 0.5

LABA 63.23, 18.98, 36.86, 0.5

 

CMYK 0 / 17 / 31 / 14

HEX #BA79457F

RGBA 186 121 69 0.5

HSLA 26.67, 0.46%, 0.5%, 0.5

LABA 56.63, 20.28, 38.48, 0.5

 

CMYK 0 / 20 / 35 / 17

HEX #A967327F

RGBA 169 103 50 0.5

HSLA 26.72, 0.54%, 0.43%, 0.5

LABA 49.94, 21.8, 40.14, 0.5

 

CMYK 0 / 27 / 47 / 7

HEX #EDAE7D

RGB 237 174 125

HSL 26.25, 0.76%, 0.71%

LAB 75.92, 17.3, 34.13

 

CMYK 0 / 39 / 47 / 7

HEX #ED907D

RGB 237 144 125

HSL 10.18, 0.76%, 0.71%

LAB 69.06, 33.17, 25.09

 

CMYK 0 / 47 / 47 / 7

HEX #ED7D7D

RGB 237 125 125

HSL 0, 0.76%, 0.71%

LAB 65.08, 42.95, 19.71

 

CMYK 0 / 27 / 47 / 7

HEX #EDAE7D

RGB 237 174 125

HSL 26.25, 0.76%, 0.71%

LAB 75.92, 17.3, 34.13

 

CMYK 0 / 14 / 47 / 7

HEX #EDCD7D

RGB 237 205 125

HSL 42.86, 0.76%, 0.71%

LAB 83.52, 1.04, 43.79

 

CMYK 0 / 1 / 47 / 7

HEX #EDEB7D

RGB 237 235 125

HSL 58.93, 0.76%, 0.71%

LAB 91.19, -14.1, 53.2

 

CMYK 12 / 0 / 47 / 7

HEX #D1ED7D

RGB 209 237 125

HSL 75, 0.76%, 0.71%

LAB 89.68, -25.91, 50.88

 

CMYK 24 / 0 / 47 / 7

HEX #B3ED7D

RGB 179 237 125

HSL 91.07, 0.76%, 0.71%

LAB 87.79, -36.93, 48.15

 

CMYK 0 / 27 / 47 / 7

HEX #EDAE7D

RGB 237 174 125

HSL 26.25, 0.76%, 0.71%

LAB 75.92, 17.3, 34.13

 

CMYK 0 / 31 / 55 / 2

HEX #F9AD71

RGB 249 173 113

HSL 26.47, 0.92%, 0.71%

LAB 76.81, 21.58, 41.77

 

CMYK 0 / 27 / 47 / 7

HEX #EDAE7D

RGB 237 174 125

HSL 26.25, 0.76%, 0.71%

LAB 75.92, 17.3, 34.13

 

CMYK 0 / 22 / 39 / 12

HEX #E1B089

RGB 225 176 137

HSL 26.59, 0.59%, 0.71%

LAB 75.37, 12.72, 26.8

 

CMYK 0 / 17 / 30 / 16

HEX #D5B195

RGB 213 177 149

HSL 26.25, 0.43%, 0.71%

LAB 74.67, 8.96, 19.21

 

CMYK 0 / 11 / 20 / 21

HEX #C9B3A1

RGB 201 179 161

HSL 27, 0.27%, 0.71%

LAB 74.34, 4.99, 12.07

 

CMYK 0 / 5 / 8 / 26

HEX #BDB4AD

RGB 189 180 173

HSL 26.25, 0.11%, 0.71%

LAB 73.85, 1.96, 4.7

 

CMYK 0 / 47 / 43 / 7

HEX #ED7D88

RGB 237 125 136

HSL 354.11, 0.76%, 0.71%

LAB 65.32, 44.04, 13.81

 

CMYK 0 / 39 / 47 / 7

HEX #ED907D

RGB 237 144 125

HSL 10.18, 0.76%, 0.71%

LAB 69.06, 33.17, 25.09

 

CMYK 0 / 27 / 47 / 7

HEX #EDAE7D

RGB 237 174 125

HSL 26.25, 0.76%, 0.71%

LAB 75.92, 17.3, 34.13

 

CMYK 0 / 14 / 47 / 7

HEX #EDCC7D

RGB 237 204 125

HSL 42.32, 0.76%, 0.71%

LAB 83.27, 1.56, 43.48

 

CMYK 0 / 1 / 47 / 7

HEX #EDEA7D

RGB 237 234 125

HSL 58.39, 0.76%, 0.71%

LAB 90.93, -13.61, 52.88

 

CMYK 0 / 43 / 77 / 11

HEX #E38234

RGB 227 130 52

HSL 26.74, 0.76%, 0.55%

LAB 63.79, 31.65, 55.92

 

CMYK 0 / 34 / 62 / 9

HEX #E89859

RGB 232 152 89

HSL 26.43, 0.76%, 0.63%

LAB 69.71, 24.02, 44.95

 

CMYK 0 / 27 / 47 / 7

HEX #EDAE7D

RGB 237 174 125

HSL 26.25, 0.76%, 0.71%

LAB 75.92, 17.3, 34.13

 

CMYK 0 / 19 / 33 / 5

HEX #F2C5A1

RGB 242 197 161

HSL 26.67, 0.76%, 0.79%

LAB 82.58, 11.06, 24.1

 

CMYK 0 / 11 / 20 / 3

HEX #F7DBC5

RGB 247 219 197

HSL 26.4, 0.76%, 0.87%

LAB 89.14, 6.29, 14.35

 

CMYK 0 / 26 / 47 / 7

HEX #EDAF7E

RGB 237 175 126

HSL 26.49, 0.76%, 0.71%

LAB 76.17, 16.87, 33.93

 

CMYK 30 / 0 / 47 / 7

HEX #A6ED7D

RGB 166 237 125

HSL 98.04, 0.76%, 0.71%

LAB 87.07, -41.43, 47.1

 

CMYK 46 / 47 / 0 / 7

HEX #817DED

RGB 129 125 237

HSL 242.14, 0.76%, 0.71%

LAB 57.51, 29.79, -56.22

 

CMYK 0 / 26 / 47 / 7

HEX #EDAF7E

RGB 237 175 126

HSL 26.49, 0.76%, 0.71%

LAB 76.17, 16.87, 33.93

 

CMYK 47 / 0 / 27 / 7

HEX #7DEDAE

RGB 125 237 174

HSL 146.25, 0.76%, 0.71%

LAB 86, -46, 20.82

 

CMYK 27 / 47 / 0 / 7

HEX #AE7DED

RGB 174 125 237

HSL 266.25, 0.76%, 0.71%

LAB 61.46, 41.03, -49.69

 

CMYK 0 / 26 / 47 / 7

HEX #EDAF7E

RGB 237 175 126

HSL 26.49, 0.76%, 0.71%

LAB 76.17, 16.87, 33.93

 

CMYK 30 / 0 / 47 / 7

HEX #A6ED7D

RGB 166 237 125

HSL 98.04, 0.76%, 0.71%

LAB 87.07, -41.43, 47.1

 

CMYK 47 / 20 / 0 / 7

HEX #7DBDED

RGB 125 189 237

HSL 205.71, 0.76%, 0.71%

LAB 74.11, -7.73, -30.2

 

CMYK 17 / 47 / 0 / 7

HEX #C47DED

RGB 196 125 237

HSL 278.04, 0.76%, 0.71%

LAB 63.77, 46.98, -45.9

 

CMYK 0 / 26 / 47 / 7

HEX #EDAF7E

RGB 237 175 126

HSL 26.49, 0.76%, 0.71%

LAB 76.17, 16.87, 33.93

 

CMYK 44 / 0 / 47 / 7

HEX #84ED7D

RGB 132 237 125

HSL 116.25, 0.76%, 0.71%

LAB 85.48, -52.09, 44.78

 

CMYK 47 / 20 / 0 / 7

HEX #7DBDED

RGB 125 189 237

HSL 205.71, 0.76%, 0.71%

LAB 74.11, -7.73, -30.2

 

CMYK 3 / 47 / 0 / 7

HEX #E67DED

RGB 230 125 237

HSL 296.25, 0.76%, 0.71%

LAB 67.73, 56.4, -39.41

 

Description

Color code: HEX #EDAF7E7F | qconv.com Color code: HEX #EDAF7E7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 175 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 175 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 23 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 23% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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