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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDA8A6 it is the complementary color #125759. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDA8A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDA8A6 shade: #F2A8A1, #FFBAB4, #FFCCC7, #FFDEDA and #FFF0ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDA8A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDA8A6 shade: #EDA8A6, #DC9693, #CB8480, #BA726D and #A9605A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDA8A6 shade: #EDA8A6 and #EDA6A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDA8A6 shade: #EDA8A6, #EDBBA6, #EDCEA6, #EDE1A6 and #E5EDA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDA8A6 shade matches the following richer shades: #EDA8A6, #F5A09D and #FE9895

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDA8A6 shade: #EDA8A6, #E4B0AF, #DBB8B7, #D3C1C0 and #CAC9C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDA8A6 shade: #EDA6CB, #EDA6B8, #EDA7A6, #EDBAA6 and #EDCDA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDA8A6 shade: #DF6562, #E68784, #EDA8A6, #F4CAC8 and #FBEBEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDA8A6 shade: #EDA8A6, #DDEDA6 and #A6C1ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDA8A6 shade: #EDA8A6, #A6EDA7 and #A7A6ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDA8A6 shade: #EDA8A6, #DDEDA6, #A6ECED and #B5A6ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDA8A6 shade: #EDA8A6, #C8EDA6, #A6ECED and #CBA6ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 30 / 7

HEX #EDA8A6

RGB 237 168 166

HSL 1.69, 0.66%, 0.79%

LAB 75.3, 25.14, 11.2

 

Complementary color

CMYK 80 / 2 / 0 / 65

HEX #125759

RGB 18 87 89

HSL 181.69, 0.66%, 0.21%

LAB 33.28, -19.47, -7.17

 

CMYK 0 / 31 / 33 / 5

HEX #F2A8A1

RGB 242 168 161

HSL 5.19, 0.76%, 0.79%

LAB 75.73, 26.37, 14.62

 

CMYK 0 / 27 / 29 / 0

HEX #FFBAB4

RGB 255 186 180

HSL 4.8, 1%, 0.85%

LAB 81.66, 24.12, 12.89

 

CMYK 0 / 20 / 22 / 0

HEX #FFCCC7

RGB 255 204 199

HSL 5.36, 1%, 0.89%

LAB 86.29, 17.28, 9.34

 

CMYK 0 / 13 / 15 / 0

HEX #FFDEDA

RGB 255 222 218

HSL 6.49, 1%, 0.93%

LAB 91.04, 10.75, 6.15

 

CMYK 0 / 6 / 7 / 0

HEX #FFF0ED

RGB 255 240 237

HSL 10, 1%, 0.96%

LAB 95.87, 4.55, 3.25

 

CMYK 0 / 29 / 30 / 7

HEX #EDA8A6

RGB 237 168 166

HSL 1.69, 0.66%, 0.79%

LAB 75.3, 25.14, 11.2

 

CMYK 0 / 32 / 33 / 14

HEX #DC9693

RGB 220 150 147

HSL 2.47, 0.51%, 0.72%

LAB 68.85, 25.95, 12.29

 

CMYK 0 / 35 / 37 / 20

HEX #CB8480

RGB 203 132 128

HSL 3.2, 0.42%, 0.65%

LAB 62.3, 26.83, 13.49

 

CMYK 0 / 39 / 41 / 27

HEX #BA726D

RGB 186 114 109

HSL 3.9, 0.36%, 0.58%

LAB 55.66, 27.82, 14.84

 

CMYK 0 / 43 / 47 / 34

HEX #A9605A

RGB 169 96 90

HSL 4.56, 0.31%, 0.51%

LAB 48.93, 28.92, 16.39

 

CMYK 0 / 29 / 30 / 7

HEX #EDA8A6

RGB 237 168 166

HSL 1.69, 0.66%, 0.79%

LAB 75.3, 25.14, 11.2

 

CMYK 0 / 30 / 30 / 7

HEX #EDA6A6

RGB 237 166 166

HSL 0, 0.66%, 0.79%

LAB 74.84, 26.21, 10.55

 

CMYK 0 / 29 / 30 / 7

HEX #EDA8A6

RGB 237 168 166

HSL 1.69, 0.66%, 0.79%

LAB 75.3, 25.14, 11.2

 

CMYK 0 / 21 / 30 / 7

HEX #EDBBA6

RGB 237 187 166

HSL 17.75, 0.66%, 0.79%

LAB 79.78, 15.05, 17.5

 

CMYK 0 / 13 / 30 / 7

HEX #EDCEA6

RGB 237 206 166

HSL 33.8, 0.66%, 0.79%

LAB 84.43, 5.07, 23.92

 

CMYK 0 / 5 / 30 / 7

HEX #EDE1A6

RGB 237 225 166

HSL 49.86, 0.66%, 0.79%

LAB 89.21, -4.69, 30.4

 

CMYK 3 / 0 / 30 / 7

HEX #E5EDA6

RGB 229 237 166

HSL 66.76, 0.66%, 0.79%

LAB 91.68, -13.71, 33.59

 

CMYK 0 / 29 / 30 / 7

HEX #EDA8A6

RGB 237 168 166

HSL 1.69, 0.66%, 0.79%

LAB 75.3, 25.14, 11.2

 

CMYK 0 / 35 / 36 / 4

HEX #F5A09D

RGB 245 160 157

HSL 2.05, 0.81%, 0.79%

LAB 74.18, 31.23, 14.68

 

CMYK 0 / 40 / 41 / 0

HEX #FE9895

RGB 254 152 149

HSL 1.71, 0.98%, 0.79%

LAB 73.35, 37.82, 18.07

 

CMYK 0 / 29 / 30 / 7

HEX #EDA8A6

RGB 237 168 166

HSL 1.69, 0.66%, 0.79%

LAB 75.3, 25.14, 11.2

 

CMYK 0 / 23 / 23 / 11

HEX #E4B0AF

RGB 228 176 175

HSL 1.13, 0.5%, 0.79%

LAB 76.46, 18.77, 7.82

 

CMYK 0 / 16 / 16 / 14

HEX #DBB8B7

RGB 219 184 183

HSL 1.67, 0.33%, 0.79%

LAB 77.73, 12.38, 5.19

 

CMYK 0 / 9 / 9 / 17

HEX #D3C1C0

RGB 211 193 192

HSL 3.16, 0.18%, 0.79%

LAB 79.5, 6.16, 2.79

 

CMYK 0 / 0 / 0 / 21

HEX #CAC9C9

RGB 202 201 201

HSL 0, 0.01%, 0.79%

LAB 81.04, 0.35, 0.11

 

CMYK 0 / 30 / 14 / 7

HEX #EDA6CB

RGB 237 166 203

HSL 328.73, 0.66%, 0.79%

LAB 75.82, 31.58, -8.3

 

CMYK 0 / 30 / 22 / 7

HEX #EDA6B8

RGB 237 166 184

HSL 344.79, 0.66%, 0.79%

LAB 75.29, 28.69, 1.32

 

CMYK 0 / 30 / 30 / 7

HEX #EDA7A6

RGB 237 167 166

HSL 0.85, 0.66%, 0.79%

LAB 75.07, 25.67, 10.88

 

CMYK 0 / 22 / 30 / 7

HEX #EDBAA6

RGB 237 186 166

HSL 16.9, 0.66%, 0.79%

LAB 79.54, 15.58, 17.17

 

CMYK 0 / 14 / 30 / 7

HEX #EDCDA6

RGB 237 205 166

HSL 32.96, 0.66%, 0.79%

LAB 84.18, 5.59, 23.58

 

CMYK 0 / 55 / 56 / 13

HEX #DF6562

RGB 223 101 98

HSL 1.44, 0.66%, 0.63%

LAB 57.92, 47.41, 25.12

 

CMYK 0 / 41 / 43 / 10

HEX #E68784

RGB 230 135 132

HSL 1.84, 0.66%, 0.71%

LAB 66.38, 35.94, 17.4

 

CMYK 0 / 29 / 30 / 7

HEX #EDA8A6

RGB 237 168 166

HSL 1.69, 0.66%, 0.79%

LAB 75.3, 25.14, 11.2

 

CMYK 0 / 17 / 18 / 4

HEX #F4CAC8

RGB 244 202 200

HSL 2.73, 0.67%, 0.87%

LAB 84.81, 14.51, 6.56

 

CMYK 0 / 6 / 6 / 2

HEX #FBEBEB

RGB 251 235 235

HSL 0, 0.67%, 0.95%

LAB 94.28, 5.41, 1.94

 

CMYK 0 / 29 / 30 / 7

HEX #EDA8A6

RGB 237 168 166

HSL 1.69, 0.66%, 0.79%

LAB 75.3, 25.14, 11.2

 

CMYK 7 / 0 / 30 / 7

HEX #DDEDA6

RGB 221 237 166

HSL 73.52, 0.66%, 0.79%

LAB 91.1, -16.66, 32.71

 

CMYK 30 / 19 / 0 / 7

HEX #A6C1ED

RGB 166 193 237

HSL 217.18, 0.66%, 0.79%

LAB 77.5, 0.85, -24.8

 

CMYK 0 / 29 / 30 / 7

HEX #EDA8A6

RGB 237 168 166

HSL 1.69, 0.66%, 0.79%

LAB 75.3, 25.14, 11.2

 

CMYK 30 / 0 / 30 / 7

HEX #A6EDA7

RGB 166 237 167

HSL 120.85, 0.66%, 0.79%

LAB 87.71, -35.52, 27.06

 

CMYK 30 / 30 / 0 / 7

HEX #A7A6ED

RGB 167 166 237

HSL 240.85, 0.66%, 0.79%

LAB 70.6, 16.03, -35.42

 

CMYK 0 / 29 / 30 / 7

HEX #EDA8A6

RGB 237 168 166

HSL 1.69, 0.66%, 0.79%

LAB 75.3, 25.14, 11.2

 

CMYK 7 / 0 / 30 / 7

HEX #DDEDA6

RGB 221 237 166

HSL 73.52, 0.66%, 0.79%

LAB 91.1, -16.66, 32.71

 

CMYK 30 / 0 / 0 / 7

HEX #A6ECED

RGB 166 236 237

HSL 180.85, 0.66%, 0.79%

LAB 89.02, -21.38, -7.47

 

CMYK 24 / 30 / 0 / 7

HEX #B5A6ED

RGB 181 166 237

HSL 252.68, 0.66%, 0.79%

LAB 71.7, 20.11, -33.62

 

CMYK 0 / 29 / 30 / 7

HEX #EDA8A6

RGB 237 168 166

HSL 1.69, 0.66%, 0.79%

LAB 75.3, 25.14, 11.2

 

CMYK 16 / 0 / 30 / 7

HEX #C8EDA6

RGB 200 237 166

HSL 91.27, 0.66%, 0.79%

LAB 89.67, -24.23, 30.56

 

CMYK 30 / 0 / 0 / 7

HEX #A6ECED

RGB 166 236 237

HSL 180.85, 0.66%, 0.79%

LAB 89.02, -21.38, -7.47

 

CMYK 14 / 30 / 0 / 7

HEX #CBA6ED

RGB 203 166 237

HSL 271.27, 0.66%, 0.79%

LAB 73.6, 26.76, -30.53

 

Description

Color code: HEX #EDA8A6 | qconv.com Color code: HEX #EDA8A6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 168 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 168 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 30 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 30% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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