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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDA8A2 it is the complementary color #12575D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDA8A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDA8A2 shade: #F2A89D, #FFBAB0, #FFCCC3, #FFDED6 and #FFF0E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDA8A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDA8A2 shade: #EDA8A2, #DC968F, #CB847C, #BA7269 and #A96056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDA8A2 shade: #EDA7A1 and #EDA1A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDA8A2 shade: #EDA7A1, #EDBBA1, #EDD0A1, #EDE5A1 and #E1EDA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDA8A2 shade matches the following richer shades: #EDA7A1 and #F69F98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDA8A2 shade: #EDA7A1, #E4AEAA, #DBB6B3, #D2BEBC and #C9C5C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDA8A2 shade: #EDA1C4, #EDA1B0, #EDA6A1, #EDBAA1 and #EDCFA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDA8A2 shade: #E0665B, #E6867E, #EDA7A1, #F4C7C3 and #FAE8E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDA8A2 shade: #EDA8A2, #D9EDA1 and #A1BAED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDA8A2 shade: #EDA8A2, #A1EDA6 and #A6A1ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDA8A2 shade: #EDA8A2, #D9EDA1, #A1E8ED and #B5A1ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDA8A2 shade: #EDA8A2, #C2EDA1, #A1E8ED and #CCA1ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 32 / 7

HEX #EDA8A2

RGB 237 168 162

HSL 4.8, 0.68%, 0.78%

LAB 75.21, 24.63, 13.26

 

Complementary color

CMYK 81 / 6 / 0 / 64

HEX #12575D

RGB 18 87 93

HSL 184.8, 0.68%, 0.22%

LAB 33.43, -18.09, -9.46

 

CMYK 0 / 31 / 35 / 5

HEX #F2A89D

RGB 242 168 157

HSL 7.76, 0.77%, 0.78%

LAB 75.65, 25.89, 16.67

 

CMYK 0 / 27 / 31 / 0

HEX #FFBAB0

RGB 255 186 176

HSL 7.59, 1%, 0.85%

LAB 81.57, 23.61, 14.91

 

CMYK 0 / 20 / 24 / 0

HEX #FFCCC3

RGB 255 204 195

HSL 9, 1%, 0.88%

LAB 86.2, 16.72, 11.33

 

CMYK 0 / 13 / 16 / 0

HEX #FFDED6

RGB 255 222 214

HSL 11.71, 1%, 0.92%

LAB 90.94, 10.14, 8.11

 

CMYK 0 / 6 / 9 / 0

HEX #FFF0E9

RGB 255 240 233

HSL 19.09, 1%, 0.96%

LAB 95.77, 3.89, 5.18

 

CMYK 0 / 29 / 32 / 7

HEX #EDA8A2

RGB 237 168 162

HSL 4.8, 0.68%, 0.78%

LAB 75.21, 24.63, 13.26

 

CMYK 0 / 32 / 35 / 14

HEX #DC968F

RGB 220 150 143

HSL 5.45, 0.52%, 0.71%

LAB 68.76, 25.45, 14.39

 

CMYK 0 / 35 / 39 / 20

HEX #CB847C

RGB 203 132 124

HSL 6.08, 0.43%, 0.64%

LAB 62.21, 26.36, 15.64

 

CMYK 0 / 39 / 44 / 27

HEX #BA7269

RGB 186 114 105

HSL 6.67, 0.37%, 0.57%

LAB 55.58, 27.37, 17.04

 

CMYK 0 / 43 / 49 / 34

HEX #A96056

RGB 169 96 86

HSL 7.23, 0.33%, 0.5%

LAB 48.85, 28.51, 18.65

 

CMYK 0 / 30 / 32 / 7

HEX #EDA7A1

RGB 237 167 161

HSL 4.74, 0.68%, 0.78%

LAB 74.96, 25.03, 13.45

 

CMYK 0 / 32 / 32 / 7

HEX #EDA1A1

RGB 237 161 161

HSL 0, 0.68%, 0.78%

LAB 73.59, 28.22, 11.51

 

CMYK 0 / 30 / 32 / 7

HEX #EDA7A1

RGB 237 167 161

HSL 4.74, 0.68%, 0.78%

LAB 74.96, 25.03, 13.45

 

CMYK 0 / 21 / 32 / 7

HEX #EDBBA1

RGB 237 187 161

HSL 20.53, 0.68%, 0.78%

LAB 79.68, 14.41, 20.04

 

CMYK 0 / 12 / 32 / 7

HEX #EDD0A1

RGB 237 208 161

HSL 37.11, 0.68%, 0.78%

LAB 84.84, 3.4, 27.09

 

CMYK 0 / 3 / 32 / 7

HEX #EDE5A1

RGB 237 229 161

HSL 53.68, 0.68%, 0.78%

LAB 90.14, -7.33, 34.2

 

CMYK 5 / 0 / 32 / 7

HEX #E1EDA1

RGB 225 237 161

HSL 69.47, 0.68%, 0.78%

LAB 91.3, -15.82, 35.56

 

CMYK 0 / 30 / 32 / 7

HEX #EDA7A1

RGB 237 167 161

HSL 4.74, 0.68%, 0.78%

LAB 74.96, 25.03, 13.45

 

CMYK 0 / 35 / 38 / 4

HEX #F69F98

RGB 246 159 152

HSL 4.47, 0.84%, 0.78%

LAB 73.97, 31.55, 17.14

 

CMYK 0 / 30 / 32 / 7

HEX #EDA7A1

RGB 237 167 161

HSL 4.74, 0.68%, 0.78%

LAB 74.96, 25.03, 13.45

 

CMYK 0 / 24 / 25 / 11

HEX #E4AEAA

RGB 228 174 170

HSL 4.14, 0.52%, 0.78%

LAB 75.87, 19.13, 9.69

 

CMYK 0 / 17 / 18 / 14

HEX #DBB6B3

RGB 219 182 179

HSL 4.5, 0.36%, 0.78%

LAB 77.14, 12.83, 6.51

 

CMYK 0 / 10 / 10 / 18

HEX #D2BEBC

RGB 210 190 188

HSL 5.45, 0.2%, 0.78%

LAB 78.55, 6.73, 3.57

 

CMYK 0 / 2 / 2 / 21

HEX #C9C5C5

RGB 201 197 197

HSL 0, 0.04%, 0.78%

LAB 79.83, 1.39, 0.48

 

CMYK 0 / 32 / 17 / 7

HEX #EDA1C4

RGB 237 161 196

HSL 332.37, 0.68%, 0.78%

LAB 74.5, 33.14, -6.43

 

CMYK 0 / 32 / 26 / 7

HEX #EDA1B0

RGB 237 161 176

HSL 348.16, 0.68%, 0.78%

LAB 73.95, 30.21, 3.78

 

CMYK 0 / 30 / 32 / 7

HEX #EDA6A1

RGB 237 166 161

HSL 3.95, 0.68%, 0.78%

LAB 74.73, 25.56, 13.13

 

CMYK 0 / 22 / 32 / 7

HEX #EDBAA1

RGB 237 186 161

HSL 19.74, 0.68%, 0.78%

LAB 79.44, 14.94, 19.7

 

CMYK 0 / 13 / 32 / 7

HEX #EDCFA1

RGB 237 207 161

HSL 36.32, 0.68%, 0.78%

LAB 84.59, 3.92, 26.75

 

CMYK 0 / 54 / 59 / 12

HEX #E0665B

RGB 224 102 91

HSL 4.96, 0.68%, 0.62%

LAB 58.14, 46.77, 29.43

 

CMYK 0 / 42 / 45 / 10

HEX #E6867E

RGB 230 134 126

HSL 4.62, 0.68%, 0.7%

LAB 66.04, 35.84, 20.31

 

CMYK 0 / 30 / 32 / 7

HEX #EDA7A1

RGB 237 167 161

HSL 4.74, 0.68%, 0.78%

LAB 74.96, 25.03, 13.45

 

CMYK 0 / 18 / 20 / 4

HEX #F4C7C3

RGB 244 199 195

HSL 4.9, 0.69%, 0.86%

LAB 83.98, 15.34, 8.02

 

CMYK 0 / 7 / 8 / 2

HEX #FAE8E6

RGB 250 232 230

HSL 6, 0.67%, 0.94%

LAB 93.34, 5.77, 3.16

 

CMYK 0 / 29 / 32 / 7

HEX #EDA8A2

RGB 237 168 162

HSL 4.8, 0.68%, 0.78%

LAB 75.21, 24.63, 13.26

 

CMYK 8 / 0 / 32 / 7

HEX #D9EDA1

RGB 217 237 161

HSL 75.79, 0.68%, 0.78%

LAB 90.73, -18.78, 34.7

 

CMYK 32 / 22 / 0 / 7

HEX #A1BAED

RGB 161 186 237

HSL 220.26, 0.68%, 0.78%

LAB 75.33, 3.23, -28.14

 

CMYK 0 / 29 / 32 / 7

HEX #EDA8A2

RGB 237 168 162

HSL 4.8, 0.68%, 0.78%

LAB 75.21, 24.63, 13.26

 

CMYK 32 / 0 / 30 / 7

HEX #A1EDA6

RGB 161 237 166

HSL 123.95, 0.68%, 0.78%

LAB 87.44, -37.26, 27.16

 

CMYK 30 / 32 / 0 / 7

HEX #A6A1ED

RGB 166 161 237

HSL 243.95, 0.68%, 0.78%

LAB 69.26, 18.56, -37.49

 

CMYK 0 / 29 / 32 / 7

HEX #EDA8A2

RGB 237 168 162

HSL 4.8, 0.68%, 0.78%

LAB 75.21, 24.63, 13.26

 

CMYK 8 / 0 / 32 / 7

HEX #D9EDA1

RGB 217 237 161

HSL 75.79, 0.68%, 0.78%

LAB 90.73, -18.78, 34.7

 

CMYK 32 / 2 / 0 / 7

HEX #A1E8ED

RGB 161 232 237

HSL 183.95, 0.68%, 0.78%

LAB 87.68, -20.76, -9.49

 

CMYK 24 / 32 / 0 / 7

HEX #B5A1ED

RGB 181 161 237

HSL 255.79, 0.68%, 0.78%

LAB 70.47, 22.9, -35.52

 

CMYK 0 / 29 / 32 / 7

HEX #EDA8A2

RGB 237 168 162

HSL 4.8, 0.68%, 0.78%

LAB 75.21, 24.63, 13.26

 

CMYK 18 / 0 / 32 / 7

HEX #C2EDA1

RGB 194 237 161

HSL 93.95, 0.68%, 0.78%

LAB 89.21, -27.05, 32.41

 

CMYK 32 / 2 / 0 / 7

HEX #A1E8ED

RGB 161 232 237

HSL 183.95, 0.68%, 0.78%

LAB 87.68, -20.76, -9.49

 

CMYK 14 / 32 / 0 / 7

HEX #CCA1ED

RGB 204 161 237

HSL 273.95, 0.68%, 0.78%

LAB 72.52, 29.81, -32.18

 

Description

Color code: HEX #EDA8A2 | qconv.com Color code: HEX #EDA8A2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 168 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 168 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 32 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 32% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - コフレドール | カネボウ化粧品
Link: http://www.kanebo-cosmetics.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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