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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED9968 it is the complementary color #126697. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED9968. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED9968 shade: #F29963, #FFAB76, #FFBD89, #FFCF9C and #FFE1AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED9968. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED9968 shade: #ED9968, #DC8755, #CB7542, #BA632F and #A9511C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED9968 shade: #ED9968, #ED7668 and #ED6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED9968 shade: #ED9968, #EDBD68, #EDE168, #D6ED68 and #B2ED68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED9968 shade matches the following richer shades: #ED9968 and #FB965B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED9968 shade: #ED9968, #E09D76, #D2A184, #C4A491 and #B7A89F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED9968 shade: #ED687F, #ED7668, #ED9968, #EDBD68 and #EDE068

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED9968 shade: #E5681F, #E98043, #ED9968, #F2B28D and #F6CBB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED9968 shade: #ED9968, #A2ED68 and #686DED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED9968 shade: #ED9968, #68ED99 and #9968ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED9968 shade: #ED9968, #A2ED68, #68BDED and #B468ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED9968 shade: #ED9968, #7AED68, #68BDED and #DC68ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 56 / 7

HEX #ED9968

RGB 237 153 104

HSL 22.11, 0.79%, 0.67%

LAB 70.72, 26.61, 38.57

 

Complementary color

CMYK 88 / 32 / 0 / 41

HEX #126697

RGB 18 102 151

HSL 202.11, 0.79%, 0.33%

LAB 41, -5.13, -33.31

 

CMYK 0 / 37 / 59 / 5

HEX #F29963

RGB 242 153 99

HSL 22.66, 0.85%, 0.67%

LAB 71.26, 28.23, 41.97

 

CMYK 0 / 33 / 54 / 0

HEX #FFAB76

RGB 255 171 118

HSL 23.21, 1%, 0.73%

LAB 77.1, 25.42, 39.69

 

CMYK 0 / 26 / 46 / 0

HEX #FFBD89

RGB 255 189 137

HSL 26.44, 1%, 0.77%

LAB 81.54, 17.69, 35.52

 

CMYK 0 / 19 / 39 / 0

HEX #FFCF9C

RGB 255 207 156

HSL 30.91, 1%, 0.81%

LAB 86.15, 10.27, 31.73

 

CMYK 0 / 12 / 31 / 0

HEX #FFE1AF

RGB 255 225 175

HSL 37.5, 1%, 0.84%

LAB 90.87, 3.22, 28.28

 

CMYK 0 / 35 / 56 / 7

HEX #ED9968

RGB 237 153 104

HSL 22.11, 0.79%, 0.67%

LAB 70.72, 26.61, 38.57

 

CMYK 0 / 39 / 61 / 14

HEX #DC8755

RGB 220 135 85

HSL 22.22, 0.66%, 0.6%

LAB 64.32, 27.91, 40.25

 

CMYK 0 / 42 / 67 / 20

HEX #CB7542

RGB 203 117 66

HSL 22.34, 0.57%, 0.53%

LAB 57.86, 29.38, 42.03

 

CMYK 0 / 47 / 75 / 27

HEX #BA632F

RGB 186 99 47

HSL 22.45, 0.6%, 0.46%

LAB 51.35, 31.03, 43.85

 

CMYK 0 / 52 / 83 / 34

HEX #A9511C

RGB 169 81 28

HSL 22.55, 0.72%, 0.39%

LAB 44.81, 32.87, 45.45

 

CMYK 0 / 35 / 56 / 7

HEX #ED9968

RGB 237 153 104

HSL 22.11, 0.79%, 0.67%

LAB 70.72, 26.61, 38.57

 

CMYK 0 / 50 / 56 / 7

HEX #ED7668

RGB 237 118 104

HSL 6.32, 0.79%, 0.67%

LAB 63.31, 44.65, 29.15

 

CMYK 0 / 56 / 56 / 7

HEX #ED6868

RGB 237 104 104

HSL 0, 0.79%, 0.67%

LAB 60.7, 51.37, 25.73

 

CMYK 0 / 35 / 56 / 7

HEX #ED9968

RGB 237 153 104

HSL 22.11, 0.79%, 0.67%

LAB 70.72, 26.61, 38.57

 

CMYK 0 / 20 / 56 / 7

HEX #EDBD68

RGB 237 189 104

HSL 38.35, 0.79%, 0.67%

LAB 79.27, 7.57, 48.97

 

CMYK 0 / 5 / 56 / 7

HEX #EDE168

RGB 237 225 104

HSL 54.59, 0.79%, 0.67%

LAB 88.38, -10.87, 59.54

 

CMYK 10 / 0 / 56 / 7

HEX #D6ED68

RGB 214 237 104

HSL 70.38, 0.79%, 0.67%

LAB 89.8, -25.88, 60.68

 

CMYK 25 / 0 / 56 / 7

HEX #B2ED68

RGB 178 237 104

HSL 86.62, 0.79%, 0.67%

LAB 87.5, -39.45, 57.45

 

CMYK 0 / 35 / 56 / 7

HEX #ED9968

RGB 237 153 104

HSL 22.11, 0.79%, 0.67%

LAB 70.72, 26.61, 38.57

 

CMYK 0 / 40 / 64 / 2

HEX #FB965B

RGB 251 150 91

HSL 22.13, 0.95%, 0.67%

LAB 71.61, 32.83, 46.75

 

CMYK 0 / 35 / 56 / 7

HEX #ED9968

RGB 237 153 104

HSL 22.11, 0.79%, 0.67%

LAB 70.72, 26.61, 38.57

 

CMYK 0 / 30 / 47 / 12

HEX #E09D76

RGB 224 157 118

HSL 22.08, 0.63%, 0.67%

LAB 70.36, 20.5, 30.35

 

CMYK 0 / 23 / 37 / 18

HEX #D2A184

RGB 210 161 132

HSL 22.31, 0.46%, 0.67%

LAB 70.08, 14.27, 22.1

 

CMYK 0 / 16 / 26 / 23

HEX #C4A491

RGB 196 164 145

HSL 22.35, 0.3%, 0.67%

LAB 69.7, 8.84, 14.24

 

CMYK 0 / 8 / 13 / 28

HEX #B7A89F

RGB 183 168 159

HSL 22.5, 0.14%, 0.67%

LAB 69.88, 3.87, 6.59

 

CMYK 0 / 56 / 46 / 7

HEX #ED687F

RGB 237 104 127

HSL 349.62, 0.79%, 0.67%

LAB 61.17, 53.32, 13.15

 

CMYK 0 / 50 / 56 / 7

HEX #ED7668

RGB 237 118 104

HSL 6.32, 0.79%, 0.67%

LAB 63.31, 44.65, 29.15

 

CMYK 0 / 35 / 56 / 7

HEX #ED9968

RGB 237 153 104

HSL 22.11, 0.79%, 0.67%

LAB 70.72, 26.61, 38.57

 

CMYK 0 / 20 / 56 / 7

HEX #EDBD68

RGB 237 189 104

HSL 38.35, 0.79%, 0.67%

LAB 79.27, 7.57, 48.97

 

CMYK 0 / 5 / 56 / 7

HEX #EDE068

RGB 237 224 104

HSL 54.14, 0.79%, 0.67%

LAB 88.12, -10.37, 59.25

 

CMYK 0 / 55 / 86 / 10

HEX #E5681F

RGB 229 104 31

HSL 22.12, 0.79%, 0.51%

LAB 58.66, 44.96, 59.75

 

CMYK 0 / 45 / 71 / 9

HEX #E98043

RGB 233 128 67

HSL 22.05, 0.79%, 0.59%

LAB 64.3, 35.75, 49.8

 

CMYK 0 / 35 / 56 / 7

HEX #ED9968

RGB 237 153 104

HSL 22.11, 0.79%, 0.67%

LAB 70.72, 26.61, 38.57

 

CMYK 0 / 26 / 42 / 5

HEX #F2B28D

RGB 242 178 141

HSL 21.98, 0.8%, 0.75%

LAB 77.66, 18.78, 28.05

 

CMYK 0 / 17 / 28 / 4

HEX #F6CBB2

RGB 246 203 178

HSL 22.06, 0.79%, 0.83%

LAB 84.75, 11.6, 18.17

 

CMYK 0 / 35 / 56 / 7

HEX #ED9968

RGB 237 153 104

HSL 22.11, 0.79%, 0.67%

LAB 70.72, 26.61, 38.57

 

CMYK 32 / 0 / 56 / 7

HEX #A2ED68

RGB 162 237 104

HSL 93.83, 0.79%, 0.67%

LAB 86.63, -45.06, 56.21

 

CMYK 56 / 54 / 0 / 7

HEX #686DED

RGB 104 109 237

HSL 237.74, 0.79%, 0.67%

LAB 51.83, 34.12, -65.44

 

CMYK 0 / 35 / 56 / 7

HEX #ED9968

RGB 237 153 104

HSL 22.11, 0.79%, 0.67%

LAB 70.72, 26.61, 38.57

 

CMYK 56 / 0 / 35 / 7

HEX #68ED99

RGB 104 237 153

HSL 142.11, 0.79%, 0.67%

LAB 84.9, -54.85, 29.97

 

CMYK 35 / 56 / 0 / 7

HEX #9968ED

RGB 153 104 237

HSL 262.11, 0.79%, 0.67%

LAB 54.85, 47.34, -60.36

 

CMYK 0 / 35 / 56 / 7

HEX #ED9968

RGB 237 153 104

HSL 22.11, 0.79%, 0.67%

LAB 70.72, 26.61, 38.57

 

CMYK 32 / 0 / 56 / 7

HEX #A2ED68

RGB 162 237 104

HSL 93.83, 0.79%, 0.67%

LAB 86.63, -45.06, 56.21

 

CMYK 56 / 20 / 0 / 7

HEX #68BDED

RGB 104 189 237

HSL 201.65, 0.79%, 0.67%

LAB 73.19, -12.28, -31.69

 

CMYK 24 / 56 / 0 / 7

HEX #B468ED

RGB 180 104 237

HSL 274.29, 0.79%, 0.67%

LAB 57.77, 53.76, -55.53

 

CMYK 0 / 35 / 56 / 7

HEX #ED9968

RGB 237 153 104

HSL 22.11, 0.79%, 0.67%

LAB 70.72, 26.61, 38.57

 

CMYK 49 / 0 / 56 / 7

HEX #7AED68

RGB 122 237 104

HSL 111.88, 0.79%, 0.67%

LAB 84.85, -57.48, 53.69

 

CMYK 56 / 20 / 0 / 7

HEX #68BDED

RGB 104 189 237

HSL 201.65, 0.79%, 0.67%

LAB 73.19, -12.28, -31.69

 

CMYK 7 / 56 / 0 / 7

HEX #DC68ED

RGB 220 104 237

HSL 292.33, 0.79%, 0.67%

LAB 62.7, 63.73, -47.39

 

Description

Color code: HEX #ED9968 | qconv.com Color code: HEX #ED9968 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 153 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 153 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 56 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 56% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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