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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED8D9C it is the complementary color #127263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED8D9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED8D9C shade: #F28D97, #FF9FAA, #FFB1BD, #FFC3D0 and #FFD5E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED8D9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED8D9C shade: #ED8D9C, #DC7B89, #CB6976, #BA5763 and #A94550

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED8D9C shade: #ED8C9B and #ED8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED8D9C shade: #ED8C9B, #ED8CB6, #ED8CD0, #ED8CEA and #D68CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED8D9C shade matches the following richer shades: #ED8C9B and #F88294

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED8D9C shade: #ED8C9B, #E297A3, #D8A2AA, #CDACB2 and #C2B7B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED8D9C shade: #ED8CD0, #ED8CB6, #ED8C9C, #ED968C and #EDB08C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED8D9C shade: #E2455D, #E8697C, #ED8C9B, #F3B0BA and #F8D4D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED8D9C shade: #ED8D9C, #EAED8C and #8CC3ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED8D9C shade: #ED8D9C, #9CED8C and #8C9CED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED8D9C shade: #ED8D9C, #EAED8C, #8CEDDD and #908CED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED8D9C shade: #ED8D9C, #CDED8C, #8CEDDD and #AD8CED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 34 / 7

HEX #ED8D9C

RGB 237 141 156

HSL 350.63, 0.73%, 0.74%

LAB 69.08, 38.12, 7.87

 

Complementary color

CMYK 84 / 0 / 13 / 55

HEX #127263

RGB 18 114 99

HSL 170.63, 0.73%, 0.26%

LAB 42.86, -29.94, 0.83

 

CMYK 0 / 42 / 38 / 5

HEX #F28D97

RGB 242 141 151

HSL 354.06, 0.8%, 0.75%

LAB 69.58, 39.33, 11.47

 

CMYK 0 / 38 / 33 / 0

HEX #FF9FAA

RGB 255 159 170

HSL 353.13, 1%, 0.81%

LAB 75.43, 36.96, 9.46

 

CMYK 0 / 31 / 26 / 0

HEX #FFB1BD

RGB 255 177 189

HSL 350.77, 1%, 0.85%

LAB 79.83, 30.04, 5.42

 

CMYK 0 / 24 / 18 / 0

HEX #FFC3D0

RGB 255 195 208

HSL 347, 1%, 0.88%

LAB 84.4, 23.32, 1.83

 

CMYK 0 / 16 / 11 / 0

HEX #FFD5E3

RGB 255 213 227

HSL 340, 1%, 0.92%

LAB 89.11, 16.86, -1.38

 

CMYK 0 / 41 / 34 / 7

HEX #ED8D9C

RGB 237 141 156

HSL 350.63, 0.73%, 0.74%

LAB 69.08, 38.12, 7.87

 

CMYK 0 / 44 / 38 / 14

HEX #DC7B89

RGB 220 123 137

HSL 351.34, 0.58%, 0.67%

LAB 62.67, 39.06, 9.18

 

CMYK 0 / 48 / 42 / 20

HEX #CB6976

RGB 203 105 118

HSL 352.04, 0.49%, 0.6%

LAB 56.2, 40.06, 10.68

 

CMYK 0 / 53 / 47 / 27

HEX #BA5763

RGB 186 87 99

HSL 352.73, 0.42%, 0.54%

LAB 49.69, 41.07, 12.44

 

CMYK 0 / 59 / 53 / 34

HEX #A94550

RGB 169 69 80

HSL 353.4, 0.42%, 0.47%

LAB 43.17, 42.05, 14.57

 

CMYK 0 / 41 / 35 / 7

HEX #ED8C9B

RGB 237 140 155

HSL 350.72, 0.73%, 0.74%

LAB 68.84, 38.51, 8.09

 

CMYK 0 / 41 / 41 / 7

HEX #ED8C8C

RGB 237 140 140

HSL 0, 0.73%, 0.74%

LAB 68.5, 36.79, 16

 

CMYK 0 / 41 / 35 / 7

HEX #ED8C9B

RGB 237 140 155

HSL 350.72, 0.73%, 0.74%

LAB 68.84, 38.51, 8.09

 

CMYK 0 / 41 / 23 / 7

HEX #ED8CB6

RGB 237 140 182

HSL 334.02, 0.73%, 0.74%

LAB 69.57, 42.06, -5.97

 

CMYK 0 / 41 / 12 / 7

HEX #ED8CD0

RGB 237 140 208

HSL 317.94, 0.73%, 0.74%

LAB 70.4, 45.99, -19.2

 

CMYK 0 / 41 / 1 / 7

HEX #ED8CEA

RGB 237 140 234

HSL 301.86, 0.73%, 0.74%

LAB 71.35, 50.38, -32.07

 

CMYK 10 / 41 / 0 / 7

HEX #D68CED

RGB 214 140 237

HSL 285.77, 0.73%, 0.74%

LAB 68.87, 44.15, -37.77

 

CMYK 0 / 41 / 35 / 7

HEX #ED8C9B

RGB 237 140 155

HSL 350.72, 0.73%, 0.74%

LAB 68.84, 38.51, 8.09

 

CMYK 0 / 48 / 40 / 3

HEX #F88294

RGB 248 130 148

HSL 350.85, 0.89%, 0.74%

LAB 68.06, 46.69, 11.11

 

CMYK 0 / 41 / 35 / 7

HEX #ED8C9B

RGB 237 140 155

HSL 350.72, 0.73%, 0.74%

LAB 68.84, 38.51, 8.09

 

CMYK 0 / 33 / 28 / 11

HEX #E297A3

RGB 226 151 163

HSL 350.4, 0.56%, 0.74%

LAB 70.14, 29.75, 5.31

 

CMYK 0 / 25 / 21 / 15

HEX #D8A2AA

RGB 216 162 170

HSL 351.11, 0.41%, 0.74%

LAB 71.79, 21.15, 3.67

 

CMYK 0 / 16 / 13 / 20

HEX #CDACB2

RGB 205 172 178

HSL 349.09, 0.25%, 0.74%

LAB 73.35, 12.95, 1.4

 

CMYK 0 / 6 / 5 / 24

HEX #C2B7B9

RGB 194 183 185

HSL 349.09, 0.08%, 0.74%

LAB 75.35, 4.25, 0.37

 

CMYK 0 / 41 / 12 / 7

HEX #ED8CD0

RGB 237 140 208

HSL 317.94, 0.73%, 0.74%

LAB 70.4, 45.99, -19.2

 

CMYK 0 / 41 / 23 / 7

HEX #ED8CB6

RGB 237 140 182

HSL 334.02, 0.73%, 0.74%

LAB 69.57, 42.06, -5.97

 

CMYK 0 / 41 / 34 / 7

HEX #ED8C9C

RGB 237 140 156

HSL 350.1, 0.73%, 0.74%

LAB 68.87, 38.63, 7.57

 

CMYK 0 / 37 / 41 / 7

HEX #ED968C

RGB 237 150 140

HSL 6.19, 0.73%, 0.74%

LAB 70.67, 31.56, 19.01

 

CMYK 0 / 26 / 41 / 7

HEX #EDB08C

RGB 237 176 140

HSL 22.27, 0.73%, 0.74%

LAB 76.65, 17.78, 27.13

 

CMYK 0 / 69 / 59 / 11

HEX #E2455D

RGB 226 69 93

HSL 350.83, 0.73%, 0.58%

LAB 53.18, 61.76, 21.87

 

CMYK 0 / 55 / 47 / 9

HEX #E8697C

RGB 232 105 124

HSL 351.02, 0.73%, 0.66%

LAB 60.53, 50.88, 13.88

 

CMYK 0 / 41 / 35 / 7

HEX #ED8C9B

RGB 237 140 155

HSL 350.72, 0.73%, 0.74%

LAB 68.84, 38.51, 8.09

 

CMYK 0 / 28 / 23 / 5

HEX #F3B0BA

RGB 243 176 186

HSL 351.04, 0.74%, 0.82%

LAB 78.26, 25.83, 4.62

 

CMYK 0 / 15 / 13 / 3

HEX #F8D4D9

RGB 248 212 217

HSL 351.67, 0.72%, 0.9%

LAB 87.99, 13.33, 2.19

 

CMYK 0 / 41 / 34 / 7

HEX #ED8D9C

RGB 237 141 156

HSL 350.63, 0.73%, 0.74%

LAB 69.08, 38.12, 7.87

 

CMYK 1 / 0 / 41 / 7

HEX #EAED8C

RGB 234 237 140

HSL 61.86, 0.73%, 0.74%

LAB 91.66, -14.81, 46.56

 

CMYK 41 / 18 / 0 / 7

HEX #8CC3ED

RGB 140 195 237

HSL 205.98, 0.73%, 0.74%

LAB 76.51, -7.28, -26.45

 

CMYK 0 / 41 / 34 / 7

HEX #ED8D9C

RGB 237 141 156

HSL 350.63, 0.73%, 0.74%

LAB 69.08, 38.12, 7.87

 

CMYK 34 / 0 / 41 / 7

HEX #9CED8C

RGB 156 237 140

HSL 110.1, 0.73%, 0.74%

LAB 86.77, -42.78, 39.32

 

CMYK 41 / 34 / 0 / 7

HEX #8C9CED

RGB 140 156 237

HSL 230.1, 0.73%, 0.74%

LAB 66.11, 14.38, -42.56

 

CMYK 0 / 41 / 34 / 7

HEX #ED8D9C

RGB 237 141 156

HSL 350.63, 0.73%, 0.74%

LAB 69.08, 38.12, 7.87

 

CMYK 1 / 0 / 41 / 7

HEX #EAED8C

RGB 234 237 140

HSL 61.86, 0.73%, 0.74%

LAB 91.66, -14.81, 46.56

 

CMYK 41 / 0 / 7 / 7

HEX #8CEDDD

RGB 140 237 221

HSL 170.1, 0.73%, 0.74%

LAB 87.66, -32.32, -1.24

 

CMYK 39 / 41 / 0 / 7

HEX #908CED

RGB 144 140 237

HSL 242.47, 0.73%, 0.74%

LAB 62.34, 24.65, -48.48

 

CMYK 0 / 41 / 34 / 7

HEX #ED8D9C

RGB 237 141 156

HSL 350.63, 0.73%, 0.74%

LAB 69.08, 38.12, 7.87

 

CMYK 14 / 0 / 41 / 7

HEX #CDED8C

RGB 205 237 140

HSL 79.79, 0.73%, 0.74%

LAB 89.6, -25.79, 43.52

 

CMYK 41 / 0 / 7 / 7

HEX #8CEDDD

RGB 140 237 221

HSL 170.1, 0.73%, 0.74%

LAB 87.66, -32.32, -1.24

 

CMYK 27 / 41 / 0 / 7

HEX #AD8CED

RGB 173 140 237

HSL 260.41, 0.73%, 0.74%

LAB 64.77, 32.39, -44.49

 

Description

Color code: HEX #ED8D9C | qconv.com Color code: HEX #ED8D9C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 141 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 141 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 34 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 34% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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