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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED83DD it is the complementary color #127C22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED83DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED83DD shade: #F283D8, #FF95EB, #FFA7FE, #FFB9FF and #FFCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED83DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED83DD shade: #ED83DD, #DC71CA, #CB5FB7, #BA4DA4 and #A93B91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED83DD shade: #ED82DD, #ED82C0, #ED82A3, #ED8286 and #ED8282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED83DD shade: #ED82DD, #E082ED, #C482ED, #A782ED and #8A82ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED83DD shade matches the following richer shades: #ED82DD and #F976E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED83DD shade: #ED82DD, #E28ED5, #D699CD, #CAA5C5 and #BFB0BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED83DD shade: #C482ED, #E182ED, #ED82DD, #ED82C1 and #ED82A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED83DD shade: #E33AC9, #E85ED3, #ED82DD, #F2A6E7 and #F7CAF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED83DD shade: #ED83DD, #EDA882 and #82EDD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED83DD shade: #ED83DD, #DDED82 and #82DDED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED83DD shade: #ED83DD, #EDA882, #82ED92 and #82C8ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED83DD shade: #ED83DD, #EDC882, #82ED92 and #82A8ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 7 / 7

HEX #ED83DD

RGB 237 131 221

HSL 309.06, 0.75%, 0.72%

LAB 69.08, 52.67, -28.41

 

Complementary color

CMYK 85 / 0 / 73 / 51

HEX #127C22

RGB 18 124 34

HSL 129.06, 0.75%, 0.28%

LAB 45.16, -46.86, 39.33

 

CMYK 0 / 46 / 11 / 5

HEX #F283D8

RGB 242 131 216

HSL 314.05, 0.81%, 0.73%

LAB 69.52, 53.35, -24.91

 

CMYK 0 / 42 / 8 / 0

HEX #FF95EB

RGB 255 149 235

HSL 311.32, 1%, 0.79%

LAB 75.3, 51.43, -26.37

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FE

RGB 255 167 254

HSL 300.68, 1%, 0.83%

LAB 79.64, 45.53, -29.98

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 45 / 7 / 7

HEX #ED83DD

RGB 237 131 221

HSL 309.06, 0.75%, 0.72%

LAB 69.08, 52.67, -28.41

 

CMYK 0 / 49 / 8 / 14

HEX #DC71CA

RGB 220 113 202

HSL 310.09, 0.6%, 0.65%

LAB 62.75, 53.35, -27.72

 

CMYK 0 / 53 / 10 / 20

HEX #CB5FB7

RGB 203 95 183

HSL 311.11, 0.51%, 0.58%

LAB 56.39, 53.95, -26.91

 

CMYK 0 / 59 / 12 / 27

HEX #BA4DA4

RGB 186 77 164

HSL 312.11, 0.44%, 0.52%

LAB 50.01, 54.4, -25.9

 

CMYK 0 / 65 / 14 / 34

HEX #A93B91

RGB 169 59 145

HSL 313.09, 0.48%, 0.45%

LAB 43.66, 54.57, -24.62

 

CMYK 0 / 45 / 7 / 7

HEX #ED82DD

RGB 237 130 221

HSL 308.97, 0.75%, 0.72%

LAB 68.89, 53.16, -28.7

 

CMYK 0 / 45 / 19 / 7

HEX #ED82C0

RGB 237 130 192

HSL 325.23, 0.75%, 0.72%

LAB 67.85, 48.6, -14.12

 

CMYK 0 / 45 / 31 / 7

HEX #ED82A3

RGB 237 130 163

HSL 341.5, 0.75%, 0.72%

LAB 66.99, 44.63, 0.91

 

CMYK 0 / 45 / 43 / 7

HEX #ED8286

RGB 237 130 134

HSL 357.76, 0.75%, 0.72%

LAB 66.28, 41.31, 16.29

 

CMYK 0 / 45 / 45 / 7

HEX #ED8282

RGB 237 130 130

HSL 0, 0.75%, 0.72%

LAB 66.2, 40.91, 18.42

 

CMYK 0 / 45 / 7 / 7

HEX #ED82DD

RGB 237 130 221

HSL 308.97, 0.75%, 0.72%

LAB 68.89, 53.16, -28.7

 

CMYK 5 / 45 / 0 / 7

HEX #E082ED

RGB 224 130 237

HSL 292.71, 0.75%, 0.72%

LAB 67.97, 52.21, -39.09

 

CMYK 17 / 45 / 0 / 7

HEX #C482ED

RGB 196 130 237

HSL 277.01, 0.75%, 0.72%

LAB 64.82, 44.32, -44.25

 

CMYK 30 / 45 / 0 / 7

HEX #A782ED

RGB 167 130 237

HSL 260.75, 0.75%, 0.72%

LAB 61.91, 36.38, -49.03

 

CMYK 42 / 45 / 0 / 7

HEX #8A82ED

RGB 138 130 237

HSL 244.49, 0.75%, 0.72%

LAB 59.42, 28.98, -53.14

 

CMYK 0 / 45 / 7 / 7

HEX #ED82DD

RGB 237 130 221

HSL 308.97, 0.75%, 0.72%

LAB 68.89, 53.16, -28.7

 

CMYK 0 / 53 / 8 / 2

HEX #F976E5

RGB 249 118 229

HSL 309.16, 0.92%, 0.72%

LAB 68.57, 63.64, -33.49

 

CMYK 0 / 45 / 7 / 7

HEX #ED82DD

RGB 237 130 221

HSL 308.97, 0.75%, 0.72%

LAB 68.89, 53.16, -28.7

 

CMYK 0 / 37 / 6 / 11

HEX #E28ED5

RGB 226 142 213

HSL 309.29, 0.59%, 0.72%

LAB 69.7, 42.29, -23.15

 

CMYK 0 / 29 / 4 / 16

HEX #D699CD

RGB 214 153 205

HSL 308.85, 0.43%, 0.72%

LAB 70.52, 31.1, -17.6

 

CMYK 0 / 18 / 2 / 21

HEX #CAA5C5

RGB 202 165 197

HSL 308.11, 0.26%, 0.72%

LAB 71.89, 19.03, -11.23

 

CMYK 0 / 8 / 1 / 25

HEX #BFB0BD

RGB 191 176 189

HSL 308, 0.1%, 0.72%

LAB 73.42, 7.71, -4.68

 

CMYK 17 / 45 / 0 / 7

HEX #C482ED

RGB 196 130 237

HSL 277.01, 0.75%, 0.72%

LAB 64.82, 44.32, -44.25

 

CMYK 5 / 45 / 0 / 7

HEX #E182ED

RGB 225 130 237

HSL 293.27, 0.75%, 0.72%

LAB 68.08, 52.5, -38.9

 

CMYK 0 / 45 / 7 / 7

HEX #ED82DD

RGB 237 130 221

HSL 308.97, 0.75%, 0.72%

LAB 68.89, 53.16, -28.7

 

CMYK 0 / 45 / 19 / 7

HEX #ED82C1

RGB 237 130 193

HSL 324.67, 0.75%, 0.72%

LAB 67.89, 48.75, -14.63

 

CMYK 0 / 45 / 31 / 7

HEX #ED82A4

RGB 237 130 164

HSL 340.93, 0.75%, 0.72%

LAB 67.01, 44.75, 0.39

 

CMYK 0 / 74 / 11 / 11

HEX #E33AC9

RGB 227 58 201

HSL 309.23, 0.75%, 0.56%

LAB 55.66, 77.14, -38.11

 

CMYK 0 / 59 / 9 / 9

HEX #E85ED3

RGB 232 94 211

HSL 309.13, 0.75%, 0.64%

LAB 61.54, 66.81, -34.55

 

CMYK 0 / 45 / 7 / 7

HEX #ED82DD

RGB 237 130 221

HSL 308.97, 0.75%, 0.72%

LAB 68.89, 53.16, -28.7

 

CMYK 0 / 31 / 5 / 5

HEX #F2A6E7

RGB 242 166 231

HSL 308.68, 0.75%, 0.8%

LAB 77.23, 37.92, -21.37

 

CMYK 0 / 18 / 2 / 3

HEX #F7CAF1

RGB 247 202 241

HSL 308, 0.74%, 0.88%

LAB 86.19, 22.3, -13.19

 

CMYK 0 / 45 / 7 / 7

HEX #ED83DD

RGB 237 131 221

HSL 309.06, 0.75%, 0.72%

LAB 69.08, 52.67, -28.41

 

CMYK 0 / 29 / 45 / 7

HEX #EDA882

RGB 237 168 130

HSL 21.31, 0.75%, 0.72%

LAB 74.59, 20.98, 29.73

 

CMYK 45 / 0 / 11 / 7

HEX #82EDD2

RGB 130 237 210

HSL 164.86, 0.75%, 0.72%

LAB 86.98, -37.26, 3.49

 

CMYK 0 / 45 / 7 / 7

HEX #ED83DD

RGB 237 131 221

HSL 309.06, 0.75%, 0.72%

LAB 69.08, 52.67, -28.41

 

CMYK 7 / 0 / 45 / 7

HEX #DDED82

RGB 221 237 130

HSL 68.97, 0.75%, 0.72%

LAB 90.58, -20.83, 49.8

 

CMYK 45 / 7 / 0 / 7

HEX #82DDED

RGB 130 221 237

HSL 188.97, 0.75%, 0.72%

LAB 83.22, -23.1, -16.32

 

CMYK 0 / 45 / 7 / 7

HEX #ED83DD

RGB 237 131 221

HSL 309.06, 0.75%, 0.72%

LAB 69.08, 52.67, -28.41

 

CMYK 0 / 29 / 45 / 7

HEX #EDA882

RGB 237 168 130

HSL 21.31, 0.75%, 0.72%

LAB 74.59, 20.98, 29.73

 

CMYK 45 / 0 / 38 / 7

HEX #82ED92

RGB 130 237 146

HSL 128.97, 0.75%, 0.72%

LAB 85.7, -49.6, 34.72

 

CMYK 45 / 16 / 0 / 7

HEX #82C8ED

RGB 130 200 237

HSL 200.75, 0.75%, 0.72%

LAB 77.38, -12.39, -25.16

 

CMYK 0 / 45 / 7 / 7

HEX #ED83DD

RGB 237 131 221

HSL 309.06, 0.75%, 0.72%

LAB 69.08, 52.67, -28.41

 

CMYK 0 / 16 / 45 / 7

HEX #EDC882

RGB 237 200 130

HSL 39.25, 0.75%, 0.72%

LAB 82.34, 4.11, 39.79

 

CMYK 45 / 0 / 38 / 7

HEX #82ED92

RGB 130 237 146

HSL 128.97, 0.75%, 0.72%

LAB 85.7, -49.6, 34.72

 

CMYK 45 / 29 / 0 / 7

HEX #82A8ED

RGB 130 168 237

HSL 218.69, 0.75%, 0.72%

LAB 68.65, 5.05, -38.63

 

Description

Color code: HEX #ED83DD | qconv.com Color code: HEX #ED83DD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 131 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 131 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 7 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 7% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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