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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED7323 it is the complementary color #128CDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED7323. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ED7323: #F2731E, #FF8531, #FF9744, #FFA957 and #FFBB6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED7323. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ED7323: #ED7323, #DC6110, #CB4F00, #BA3D00 and #A92B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 85 / 7

HEX #ED7323

RGB 237 115 35

HSL 23.76, 0.85%, 0.53%

LAB 61.99, 42.74, 61.55

 

Complementary color

CMYK 92 / 36 / 0 / 14

HEX #128CDC

RGB 18 140 220

HSL 203.76, 0.85%, 0.47%

LAB 56.14, -1.43, -49.19

 

CMYK 0 / 52 / 88 / 5

HEX #F2731E

RGB 242 115 30

HSL 24.06, 0.89%, 0.53%

LAB 62.7, 44.55, 64.12

 

CMYK 0 / 48 / 81 / 0

HEX #FF8531

RGB 255 133 49

HSL 24.47, 1%, 0.6%

LAB 68.21, 41.14, 62.68

 

CMYK 0 / 41 / 73 / 0

HEX #FF9744

RGB 255 151 68

HSL 26.63, 1%, 0.63%

LAB 72.1, 32.7, 58.43

 

CMYK 0 / 34 / 66 / 0

HEX #FFA957

RGB 255 169 87

HSL 29.29, 1%, 0.67%

LAB 76.27, 24.31, 54.17

 

CMYK 0 / 27 / 58 / 0

HEX #FFBB6A

RGB 255 187 106

HSL 32.62, 1%, 0.71%

LAB 80.65, 16.13, 50.08

 

CMYK 0 / 51 / 85 / 7

HEX #ED7323

RGB 237 115 35

HSL 23.76, 0.85%, 0.53%

LAB 61.99, 42.74, 61.55

 

CMYK 0 / 56 / 93 / 14

HEX #DC6110

RGB 220 97 16

HSL 23.82, 0.86%, 0.46%

LAB 55.89, 44.66, 61.6

 

CMYK 0 / 61 / 100 / 20

HEX #CB4F00

RGB 203 79 0

HSL 23.35, 1%, 0.4%

LAB 49.84, 46.59, 60.02

 

CMYK 0 / 67 / 100 / 27

HEX #BA3D00

RGB 186 61 0

HSL 19.68, 1%, 0.36%

LAB 43.91, 48.38, 55.31

 

CMYK 0 / 75 / 100 / 34

HEX #A92B00

RGB 169 43 0

HSL 15.27, 1%, 0.33%

LAB 38.13, 49.62, 50.71

 

CMYK 0 / 51 / 85 / 7

HEX #ED7323

RGB 237 115 35

HSL 23.76, 0.85%, 0.53%

LAB 61.99, 42.74, 61.55

 

CMYK 0 / 39 / 86 / 7

HEX #ED9121

RGB 237 145 33

HSL 32.94, 0.85%, 0.53%

LAB 68.29, 27.32, 67.34

 

CMYK 0 / 24 / 86 / 7

HEX #EDB321

RGB 237 179 33

HSL 42.94, 0.85%, 0.53%

LAB 76.29, 9.36, 73.79

 

CMYK 0 / 10 / 86 / 7

HEX #EDD521

RGB 237 213 33

HSL 52.94, 0.85%, 0.53%

LAB 84.84, -8.17, 80.69

 

CMYK 5 / 0 / 86 / 7

HEX #E2ED21

RGB 226 237 33

HSL 63.24, 0.85%, 0.53%

LAB 90.25, -24.53, 84.69

 

CMYK 0 / 51 / 85 / 7

HEX #ED7323

RGB 237 115 35

HSL 23.76, 0.85%, 0.53%

LAB 61.99, 42.74, 61.55

 

CMYK 0 / 52 / 85 / 87

HEX #211005

RGB 33 16 5

HSL 23.57, 0.74%, 0.07%

LAB 6.37, 6.96, 7.61

 

CMYK 0 / 51 / 86 / 67

HEX #54290C

RGB 84 41 12

HSL 24.17, 0.75%, 0.19%

LAB 21.93, 17.58, 26.59

 

CMYK 0 / 51 / 85 / 47

HEX #874214

RGB 135 66 20

HSL 24, 0.74%, 0.3%

LAB 36.17, 26.41, 39.17

 

CMYK 0 / 52 / 85 / 27

HEX #BA5A1B

RGB 186 90 27

HSL 23.77, 0.75%, 0.42%

LAB 49.29, 35.06, 50.8

 

CMYK 0 / 51 / 85 / 7

HEX #ED7323

RGB 237 115 35

HSL 23.76, 0.85%, 0.53%

LAB 61.99, 42.74, 61.55

 

CMYK 50 / 0 / 86 / 7

HEX #76ED21

RGB 118 237 33

HSL 95, 0.85%, 0.53%

LAB 84.24, -63.63, 77.23

 

CMYK 86 / 85 / 0 / 7

HEX #2124ED

RGB 33 36 237

HSL 239.12, 0.85%, 0.53%

LAB 33.35, 66.46, -95.94

 

CMYK 0 / 51 / 85 / 7

HEX #ED7323

RGB 237 115 35

HSL 23.76, 0.85%, 0.53%

LAB 61.99, 42.74, 61.55

 

CMYK 86 / 0 / 53 / 7

HEX #21ED6F

RGB 33 237 111

HSL 142.94, 0.85%, 0.53%

LAB 82.93, -72.27, 47.73

 

CMYK 53 / 86 / 0 / 7

HEX #6F21ED

RGB 111 33 237

HSL 262.94, 0.85%, 0.53%

LAB 38.87, 72.28, -86.61

 

CMYK 0 / 51 / 85 / 7

HEX #ED7323

RGB 237 115 35

HSL 23.76, 0.85%, 0.53%

LAB 61.99, 42.74, 61.55

 

CMYK 50 / 0 / 86 / 7

HEX #76ED21

RGB 118 237 33

HSL 95, 0.85%, 0.53%

LAB 84.24, -63.63, 77.23

 

CMYK 86 / 33 / 0 / 7

HEX #219EED

RGB 33 158 237

HSL 203.24, 0.85%, 0.53%

LAB 62.42, -4.75, -48.67

 

CMYK 36 / 86 / 0 / 7

HEX #9821ED

RGB 152 33 237

HSL 275, 0.85%, 0.53%

LAB 44.06, 76.88, -77.88

 

CMYK 0 / 51 / 85 / 7

HEX #ED7323

RGB 237 115 35

HSL 23.76, 0.85%, 0.53%

LAB 61.99, 42.74, 61.55

 

CMYK 76 / 0 / 86 / 7

HEX #39ED21

RGB 57 237 33

HSL 112.94, 0.85%, 0.53%

LAB 82.67, -76.59, 75.26

 

CMYK 86 / 33 / 0 / 7

HEX #219EED

RGB 33 158 237

HSL 203.24, 0.85%, 0.53%

LAB 62.42, -4.75, -48.67

 

CMYK 10 / 86 / 0 / 7

HEX #D521ED

RGB 213 33 237

HSL 292.94, 0.85%, 0.53%

LAB 53.33, 85.81, -62.4

 

Description

Color code: HEX #ED7323 | qconv.com Color code: HEX #ED7323 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 115 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 115 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 85 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 85% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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