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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED6B5E it is the complementary color #1294A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED6B5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED6B5E shade: #F26B59, #FF7D6C, #FF8F7F, #FFA192 and #FFB3A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED6B5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED6B5E shade: #ED6B5E, #DC594B, #CB4738, #BA3525 and #A92312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED6B5E shade: #ED6B5E and #ED5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED6B5E shade: #ED6B5E, #ED915E, #EDB85E, #EDDE5E and #D4ED5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED6B5E shade matches the following richer shades: #ED6B5E and #FB5F4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED6B5E shade: #ED6B5E, #DE776C, #D0827B, #C18E89 and #B39A98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED6B5E shade: #ED5E9E, #ED5E78, #ED6A5E, #ED905E and #EDB65E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED6B5E shade: #E02A18, #E94939, #ED6B5E, #F18D83 and #F5AFA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED6B5E shade: #ED6B5E, #C4ED5E and #5E8BED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED6B5E shade: #ED6B5E, #5EED6A and #6A5EED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED6B5E shade: #ED6B5E, #C4ED5E, #5EE1ED and #865EED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED6B5E shade: #ED6B5E, #99ED5E, #5EE1ED and #B15EED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 60 / 7

HEX #ED6B5E

RGB 237 107 94

HSL 5.45, 0.8%, 0.65%

LAB 61.07, 49.25, 31.87

 

Complementary color

CMYK 89 / 8 / 0 / 37

HEX #1294A1

RGB 18 148 161

HSL 185.45, 0.8%, 0.35%

LAB 55.97, -27, -16

 

CMYK 0 / 56 / 63 / 5

HEX #F26B59

RGB 242 107 89

HSL 7.06, 0.85%, 0.65%

LAB 61.75, 50.71, 35.67

 

CMYK 0 / 51 / 58 / 0

HEX #FF7D6C

RGB 255 125 108

HSL 6.94, 1%, 0.71%

LAB 67.28, 48.06, 32.57

 

CMYK 0 / 44 / 50 / 0

HEX #FF8F7F

RGB 255 143 127

HSL 7.5, 1%, 0.75%

LAB 71.17, 40.65, 27.22

 

CMYK 0 / 37 / 43 / 0

HEX #FFA192

RGB 255 161 146

HSL 8.26, 1%, 0.79%

LAB 75.34, 33.22, 22.47

 

CMYK 0 / 30 / 35 / 0

HEX #FFB3A5

RGB 255 179 165

HSL 9.33, 1%, 0.82%

LAB 79.74, 25.93, 18.25

 

CMYK 0 / 55 / 60 / 7

HEX #ED6B5E

RGB 237 107 94

HSL 5.45, 0.8%, 0.65%

LAB 61.07, 49.25, 31.87

 

CMYK 0 / 60 / 66 / 14

HEX #DC594B

RGB 220 89 75

HSL 5.79, 0.67%, 0.58%

LAB 54.94, 50.42, 34.35

 

CMYK 0 / 65 / 72 / 20

HEX #CB4738

RGB 203 71 56

HSL 6.12, 0.59%, 0.51%

LAB 48.87, 51.47, 37.19

 

CMYK 0 / 72 / 80 / 27

HEX #BA3525

RGB 186 53 37

HSL 6.44, 0.67%, 0.44%

LAB 42.94, 52.27, 40.35

 

CMYK 0 / 79 / 89 / 34

HEX #A92312

RGB 169 35 18

HSL 6.75, 0.81%, 0.37%

LAB 37.26, 52.53, 43.46

 

CMYK 0 / 55 / 60 / 7

HEX #ED6B5E

RGB 237 107 94

HSL 5.45, 0.8%, 0.65%

LAB 61.07, 49.25, 31.87

 

CMYK 0 / 60 / 60 / 7

HEX #ED5E5E

RGB 237 94 94

HSL 0, 0.8%, 0.65%

LAB 58.81, 55.19, 28.98

 

CMYK 0 / 55 / 60 / 7

HEX #ED6B5E

RGB 237 107 94

HSL 5.45, 0.8%, 0.65%

LAB 61.07, 49.25, 31.87

 

CMYK 0 / 39 / 60 / 7

HEX #ED915E

RGB 237 145 94

HSL 21.4, 0.8%, 0.65%

LAB 68.8, 30.08, 41.44

 

CMYK 0 / 22 / 60 / 7

HEX #EDB85E

RGB 237 184 94

HSL 37.76, 0.8%, 0.65%

LAB 77.93, 9.46, 52.21

 

CMYK 0 / 6 / 60 / 7

HEX #EDDE5E

RGB 237 222 94

HSL 53.71, 0.8%, 0.65%

LAB 87.51, -10.07, 62.95

 

CMYK 11 / 0 / 60 / 7

HEX #D4ED5E

RGB 212 237 94

HSL 70.49, 0.8%, 0.65%

LAB 89.57, -27.42, 64.65

 

CMYK 0 / 55 / 60 / 7

HEX #ED6B5E

RGB 237 107 94

HSL 5.45, 0.8%, 0.65%

LAB 61.07, 49.25, 31.87

 

CMYK 0 / 62 / 69 / 2

HEX #FB5F4F

RGB 251 95 79

HSL 5.58, 0.96%, 0.65%

LAB 61.01, 58.59, 40.6

 

CMYK 0 / 55 / 60 / 7

HEX #ED6B5E

RGB 237 107 94

HSL 5.45, 0.8%, 0.65%

LAB 61.07, 49.25, 31.87

 

CMYK 0 / 46 / 51 / 13

HEX #DE776C

RGB 222 119 108

HSL 5.79, 0.63%, 0.65%

LAB 61.49, 38.91, 24.11

 

CMYK 0 / 38 / 41 / 18

HEX #D0827B

RGB 208 130 123

HSL 4.94, 0.47%, 0.65%

LAB 62.34, 29.26, 16.47

 

CMYK 0 / 26 / 29 / 24

HEX #C18E89

RGB 193 142 137

HSL 5.36, 0.31%, 0.65%

LAB 63.75, 18.64, 10.26

 

CMYK 0 / 14 / 15 / 30

HEX #B39A98

RGB 179 154 152

HSL 4.44, 0.15%, 0.65%

LAB 65.72, 8.9, 4.46

 

CMYK 0 / 60 / 33 / 7

HEX #ED5E9E

RGB 237 94 158

HSL 333.15, 0.8%, 0.65%

LAB 60.32, 61.02, -6.03

 

CMYK 0 / 60 / 49 / 7

HEX #ED5E78

RGB 237 94 120

HSL 349.09, 0.8%, 0.65%

LAB 59.31, 57.18, 14.62

 

CMYK 0 / 55 / 60 / 7

HEX #ED6A5E

RGB 237 106 94

HSL 5.03, 0.8%, 0.65%

LAB 60.89, 49.72, 31.64

 

CMYK 0 / 39 / 60 / 7

HEX #ED905E

RGB 237 144 94

HSL 20.98, 0.8%, 0.65%

LAB 68.58, 30.61, 41.17

 

CMYK 0 / 23 / 60 / 7

HEX #EDB65E

RGB 237 182 94

HSL 36.92, 0.8%, 0.65%

LAB 77.44, 10.52, 51.65

 

CMYK 0 / 81 / 89 / 12

HEX #E02A18

RGB 224 42 24

HSL 5.4, 0.81%, 0.49%

LAB 48.97, 66.83, 54.55

 

CMYK 0 / 69 / 76 / 9

HEX #E94939

RGB 233 73 57

HSL 5.45, 0.8%, 0.57%

LAB 54.43, 60.59, 44.26

 

CMYK 0 / 55 / 60 / 7

HEX #ED6B5E

RGB 237 107 94

HSL 5.45, 0.8%, 0.65%

LAB 61.07, 49.25, 31.87

 

CMYK 0 / 41 / 46 / 5

HEX #F18D83

RGB 241 141 131

HSL 5.45, 0.8%, 0.73%

LAB 69.03, 36.83, 21.82

 

CMYK 0 / 29 / 31 / 4

HEX #F5AFA8

RGB 245 175 168

HSL 5.45, 0.79%, 0.81%

LAB 77.82, 24.67, 13.79

 

CMYK 0 / 55 / 60 / 7

HEX #ED6B5E

RGB 237 107 94

HSL 5.45, 0.8%, 0.65%

LAB 61.07, 49.25, 31.87

 

CMYK 17 / 0 / 60 / 7

HEX #C4ED5E

RGB 196 237 94

HSL 77.2, 0.8%, 0.65%

LAB 88.5, -33.6, 63.17

 

CMYK 60 / 41 / 0 / 7

HEX #5E8BED

RGB 94 139 237

HSL 221.12, 0.8%, 0.65%

LAB 58.94, 14.12, -54.07

 

CMYK 0 / 55 / 60 / 7

HEX #ED6B5E

RGB 237 107 94

HSL 5.45, 0.8%, 0.65%

LAB 61.07, 49.25, 31.87

 

CMYK 60 / 0 / 55 / 7

HEX #5EED6A

RGB 94 237 106

HSL 125.03, 0.8%, 0.65%

LAB 83.96, -64.14, 51.51

 

CMYK 55 / 60 / 0 / 7

HEX #6A5EED

RGB 106 94 237

HSL 245.03, 0.8%, 0.65%

LAB 48.49, 43.37, -70.85

 

CMYK 0 / 55 / 60 / 7

HEX #ED6B5E

RGB 237 107 94

HSL 5.45, 0.8%, 0.65%

LAB 61.07, 49.25, 31.87

 

CMYK 17 / 0 / 60 / 7

HEX #C4ED5E

RGB 196 237 94

HSL 77.2, 0.8%, 0.65%

LAB 88.5, -33.6, 63.17

 

CMYK 60 / 5 / 0 / 7

HEX #5EE1ED

RGB 94 225 237

HSL 185.03, 0.8%, 0.65%

LAB 83.1, -32.24, -16.62

 

CMYK 43 / 60 / 0 / 7

HEX #865EED

RGB 134 94 237

HSL 256.78, 0.8%, 0.65%

LAB 50.91, 48.68, -66.82

 

CMYK 0 / 55 / 60 / 7

HEX #ED6B5E

RGB 237 107 94

HSL 5.45, 0.8%, 0.65%

LAB 61.07, 49.25, 31.87

 

CMYK 35 / 0 / 60 / 7

HEX #99ED5E

RGB 153 237 94

HSL 95.24, 0.8%, 0.65%

LAB 86.08, -49.04, 59.81

 

CMYK 60 / 5 / 0 / 7

HEX #5EE1ED

RGB 94 225 237

HSL 185.03, 0.8%, 0.65%

LAB 83.1, -32.24, -16.62

 

CMYK 25 / 60 / 0 / 7

HEX #B15EED

RGB 177 94 237

HSL 274.83, 0.8%, 0.65%

LAB 55.55, 58.05, -59.1

 

Description

Color code: HEX #ED6B5E | qconv.com Color code: HEX #ED6B5E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 107 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 107 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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