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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED5E4E it is the complementary color #12A1B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED5E4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED5E4E shade: #F25E49, #FF705C, #FF826F, #FF9482 and #FFA695

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED5E4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED5E4E shade: #ED5E4E, #DC4C3B, #CB3A28, #BA2815 and #A91602

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED5E4E shade: #ED5E4E and #ED4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED5E4E shade: #ED5E4E, #ED894E, #EDB44E, #EDDF4E and #D1ED4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED5E4E shade matches the following richer shades: #ED5E4E and #FD523E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED5E4E shade: #ED5E4E, #DD6B5E, #CE776D, #BE847D and #AE908D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED5E4E shade: #ED4E93, #ED4E69, #ED5E4E, #ED884E and #EDB34E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED5E4E shade: #D42815, #E93C29, #ED5E4E, #F18074 and #F4A299

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED5E4E shade: #ED5E4E, #BDED4E and #4E7EED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED5E4E shade: #ED5E4E, #4EED5E and #5E4EED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED5E4E shade: #ED5E4E, #BDED4E, #4EDDED and #7E4EED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED5E4E shade: #ED5E4E, #8EED4E, #4EDDED and #AD4EED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 67 / 7

HEX #ED5E4E

RGB 237 94 78

HSL 6.04, 0.82%, 0.62%

LAB 58.56, 54.24, 37.7

 

Complementary color

CMYK 90 / 9 / 0 / 31

HEX #12A1B1

RGB 18 161 177

HSL 186.04, 0.82%, 0.38%

LAB 60.6, -28.23, -18.06

 

CMYK 0 / 61 / 70 / 5

HEX #F25E49

RGB 242 94 73

HSL 7.46, 0.87%, 0.62%

LAB 59.31, 55.69, 41.51

 

CMYK 0 / 56 / 64 / 0

HEX #FF705C

RGB 255 112 92

HSL 7.36, 1%, 0.68%

LAB 64.66, 53.15, 38.04

 

CMYK 0 / 49 / 56 / 0

HEX #FF826F

RGB 255 130 111

HSL 7.92, 1%, 0.72%

LAB 68.29, 45.84, 32.22

 

CMYK 0 / 42 / 49 / 0

HEX #FF9482

RGB 255 148 130

HSL 8.64, 1%, 0.75%

LAB 72.26, 38.37, 27.03

 

CMYK 0 / 35 / 42 / 0

HEX #FFA695

RGB 255 166 149

HSL 9.62, 1%, 0.79%

LAB 76.5, 30.93, 22.42

 

CMYK 0 / 60 / 67 / 7

HEX #ED5E4E

RGB 237 94 78

HSL 6.04, 0.82%, 0.62%

LAB 58.56, 54.24, 37.7

 

CMYK 0 / 65 / 73 / 14

HEX #DC4C3B

RGB 220 76 59

HSL 6.34, 0.7%, 0.55%

LAB 52.62, 55.25, 40.55

 

CMYK 0 / 71 / 80 / 20

HEX #CB3A28

RGB 203 58 40

HSL 6.63, 0.67%, 0.48%

LAB 46.81, 56.01, 43.67

 

CMYK 0 / 78 / 89 / 27

HEX #BA2815

RGB 186 40 21

HSL 6.91, 0.8%, 0.41%

LAB 41.23, 56.26, 46.68

 

CMYK 0 / 87 / 99 / 34

HEX #A91602

RGB 169 22 2

HSL 7.19, 0.98%, 0.34%

LAB 36.01, 55.64, 48.94

 

CMYK 0 / 60 / 67 / 7

HEX #ED5E4E

RGB 237 94 78

HSL 6.04, 0.82%, 0.62%

LAB 58.56, 54.24, 37.7

 

CMYK 0 / 67 / 67 / 7

HEX #ED4E4E

RGB 237 78 78

HSL 0, 0.82%, 0.62%

LAB 56.09, 60.89, 34.71

 

CMYK 0 / 60 / 67 / 7

HEX #ED5E4E

RGB 237 94 78

HSL 6.04, 0.82%, 0.62%

LAB 58.56, 54.24, 37.7

 

CMYK 0 / 42 / 67 / 7

HEX #ED894E

RGB 237 137 78

HSL 22.26, 0.82%, 0.62%

LAB 66.86, 33.25, 47.35

 

CMYK 0 / 24 / 67 / 7

HEX #EDB44E

RGB 237 180 78

HSL 38.49, 0.82%, 0.62%

LAB 76.8, 10.57, 58.3

 

CMYK 0 / 6 / 67 / 7

HEX #EDDF4E

RGB 237 223 78

HSL 54.72, 0.82%, 0.62%

LAB 87.65, -11.52, 69.6

 

CMYK 12 / 0 / 67 / 7

HEX #D1ED4E

RGB 209 237 78

HSL 70.57, 0.82%, 0.62%

LAB 89.24, -29.63, 70.54

 

CMYK 0 / 60 / 67 / 7

HEX #ED5E4E

RGB 237 94 78

HSL 6.04, 0.82%, 0.62%

LAB 58.56, 54.24, 37.7

 

CMYK 0 / 68 / 75 / 1

HEX #FD523E

RGB 253 82 62

HSL 6.28, 0.98%, 0.62%

LAB 59.22, 63.72, 47.78

 

CMYK 0 / 60 / 67 / 7

HEX #ED5E4E

RGB 237 94 78

HSL 6.04, 0.82%, 0.62%

LAB 58.56, 54.24, 37.7

 

CMYK 0 / 52 / 57 / 13

HEX #DD6B5E

RGB 221 107 94

HSL 6.14, 0.65%, 0.62%

LAB 58.69, 43.45, 28.35

 

CMYK 0 / 42 / 47 / 19

HEX #CE776D

RGB 206 119 109

HSL 6.19, 0.5%, 0.62%

LAB 59.36, 32.9, 20.32

 

CMYK 0 / 31 / 34 / 25

HEX #BE847D

RGB 190 132 125

HSL 6.46, 0.33%, 0.62%

LAB 60.72, 21.4, 12.76

 

CMYK 0 / 17 / 19 / 32

HEX #AE908D

RGB 174 144 141

HSL 5.45, 0.17%, 0.62%

LAB 62.4, 10.78, 5.81

 

CMYK 0 / 67 / 38 / 7

HEX #ED4E93

RGB 237 78 147

HSL 333.96, 0.82%, 0.62%

LAB 57.62, 66.27, -3.61

 

CMYK 0 / 67 / 56 / 7

HEX #ED4E69

RGB 237 78 105

HSL 349.81, 0.82%, 0.62%

LAB 56.56, 62.56, 19.63

 

CMYK 0 / 60 / 67 / 7

HEX #ED5E4E

RGB 237 94 78

HSL 6.04, 0.82%, 0.62%

LAB 58.56, 54.24, 37.7

 

CMYK 0 / 43 / 67 / 7

HEX #ED884E

RGB 237 136 78

HSL 21.89, 0.82%, 0.62%

LAB 66.64, 33.77, 47.11

 

CMYK 0 / 24 / 67 / 7

HEX #EDB34E

RGB 237 179 78

HSL 38.11, 0.82%, 0.62%

LAB 76.55, 11.1, 58.04

 

CMYK 0 / 81 / 90 / 17

HEX #D42815

RGB 212 40 21

HSL 5.97, 0.82%, 0.46%

LAB 46.4, 63.89, 52.82

 

CMYK 0 / 74 / 82 / 9

HEX #E93C29

RGB 233 60 41

HSL 5.94, 0.81%, 0.54%

LAB 52.64, 64.64, 50.66

 

CMYK 0 / 60 / 67 / 7

HEX #ED5E4E

RGB 237 94 78

HSL 6.04, 0.82%, 0.62%

LAB 58.56, 54.24, 37.7

 

CMYK 0 / 47 / 52 / 5

HEX #F18074

RGB 241 128 116

HSL 5.76, 0.82%, 0.7%

LAB 66.06, 42.1, 26.16

 

CMYK 0 / 34 / 37 / 4

HEX #F4A299

RGB 244 162 153

HSL 5.93, 0.81%, 0.78%

LAB 74.43, 29.34, 17.19

 

CMYK 0 / 60 / 67 / 7

HEX #ED5E4E

RGB 237 94 78

HSL 6.04, 0.82%, 0.62%

LAB 58.56, 54.24, 37.7

 

CMYK 20 / 0 / 67 / 7

HEX #BDED4E

RGB 189 237 78

HSL 78.11, 0.82%, 0.62%

LAB 87.94, -37.39, 68.79

 

CMYK 67 / 47 / 0 / 7

HEX #4E7EED

RGB 78 126 237

HSL 221.89, 0.82%, 0.62%

LAB 54.72, 19.3, -60.87

 

CMYK 0 / 60 / 67 / 7

HEX #ED5E4E

RGB 237 94 78

HSL 6.04, 0.82%, 0.62%

LAB 58.56, 54.24, 37.7

 

CMYK 67 / 0 / 60 / 7

HEX #4EED5E

RGB 78 237 94

HSL 126.04, 0.82%, 0.62%

LAB 83.44, -68.72, 56.11

 

CMYK 60 / 67 / 0 / 7

HEX #5E4EED

RGB 94 78 237

HSL 246.04, 0.82%, 0.62%

LAB 44.15, 50.61, -77.97

 

CMYK 0 / 60 / 67 / 7

HEX #ED5E4E

RGB 237 94 78

HSL 6.04, 0.82%, 0.62%

LAB 58.56, 54.24, 37.7

 

CMYK 20 / 0 / 67 / 7

HEX #BDED4E

RGB 189 237 78

HSL 78.11, 0.82%, 0.62%

LAB 87.94, -37.39, 68.79

 

CMYK 67 / 7 / 0 / 7

HEX #4EDDED

RGB 78 221 237

HSL 186.04, 0.82%, 0.62%

LAB 81.54, -32.8, -19.02

 

CMYK 47 / 67 / 0 / 7

HEX #7E4EED

RGB 126 78 237

HSL 258.11, 0.82%, 0.62%

LAB 46.97, 55.68, -73.24

 

CMYK 0 / 60 / 67 / 7

HEX #ED5E4E

RGB 237 94 78

HSL 6.04, 0.82%, 0.62%

LAB 58.56, 54.24, 37.7

 

CMYK 40 / 0 / 67 / 7

HEX #8EED4E

RGB 142 237 78

HSL 95.85, 0.82%, 0.62%

LAB 85.44, -53.95, 65.42

 

CMYK 67 / 7 / 0 / 7

HEX #4EDDED

RGB 78 221 237

HSL 186.04, 0.82%, 0.62%

LAB 81.54, -32.8, -19.02

 

CMYK 27 / 67 / 0 / 7

HEX #AD4EED

RGB 173 78 237

HSL 275.85, 0.82%, 0.62%

LAB 52.34, 64.65, -64.29

 

Description

Color code: HEX #ED5E4E | qconv.com Color code: HEX #ED5E4E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 94 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 94 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 67 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 67% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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