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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED5AC0 it is the complementary color #12A53F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED5AC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED5AC0 shade: #F25ABB, #FF6CCE, #FF7EE1, #FF90F4 and #FFA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED5AC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED5AC0 shade: #ED5AC0, #DC48AD, #CB369A, #BA2487 and #A91274

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED5AC0 shade: #ED5AC0, #ED5A98, #ED5A70 and #ED5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED5AC0 shade: #ED5AC0, #ED5AE7, #CA5AED, #A35AED and #7B5AED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED5AC0 shade matches the following richer shades: #ED5AC0 and #FB4BC5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED5AC0 shade: #ED5AC0, #DE69BA, #CF77B4, #C086AE and #B195A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED5AC0 shade: #CA5AED, #ED5AE8, #ED5AC1, #ED5A99 and #ED5A72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED5AC0 shade: #DB18A0, #E935B1, #ED5AC0, #F17FCE and #F5A4DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED5AC0 shade: #ED5AC0, #EDA35A and #5AEDDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED5AC0 shade: #ED5AC0, #C1ED5A and #5AC1ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED5AC0 shade: #ED5AC0, #EDA35A, #5AED86 and #5AA3ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED5AC0 shade: #ED5AC0, #EDCF5A, #5AED86 and #5A77ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 19 / 7

HEX #ED5AC0

RGB 237 90 192

HSL 318.37, 0.8%, 0.64%

LAB 60.89, 67.02, -24.71

 

Complementary color

CMYK 89 / 0 / 62 / 35

HEX #12A53F

RGB 18 165 63

HSL 138.37, 0.8%, 0.36%

LAB 59.34, -56.96, 42.07

 

CMYK 0 / 63 / 23 / 5

HEX #F25ABB

RGB 242 90 187

HSL 321.71, 0.85%, 0.65%

LAB 61.46, 67.7, -20.92

 

CMYK 0 / 58 / 19 / 0

HEX #FF6CCE

RGB 255 108 206

HSL 320, 1%, 0.71%

LAB 66.86, 66.33, -23.26

 

CMYK 0 / 51 / 12 / 0

HEX #FF7EE1

RGB 255 126 225

HSL 313.95, 1%, 0.75%

LAB 70.61, 61.01, -28.08

 

CMYK 0 / 44 / 4 / 0

HEX #FF90F4

RGB 255 144 244

HSL 305.95, 1%, 0.78%

LAB 74.66, 55.41, -32.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 62 / 19 / 7

HEX #ED5AC0

RGB 237 90 192

HSL 318.37, 0.8%, 0.64%

LAB 60.89, 67.02, -24.71

 

CMYK 0 / 67 / 21 / 14

HEX #DC48AD

RGB 220 72 173

HSL 319.05, 0.68%, 0.57%

LAB 54.94, 66.98, -23.14

 

CMYK 0 / 73 / 24 / 20

HEX #CB369A

RGB 203 54 154

HSL 319.73, 0.59%, 0.5%

LAB 49.09, 66.47, -21.17

 

CMYK 0 / 81 / 27 / 27

HEX #BA2487

RGB 186 36 135

HSL 320.4, 0.68%, 0.44%

LAB 43.43, 65.26, -18.65

 

CMYK 0 / 89 / 31 / 34

HEX #A91274

RGB 169 18 116

HSL 321.06, 0.81%, 0.37%

LAB 38.07, 62.99, -15.38

 

CMYK 0 / 62 / 19 / 7

HEX #ED5AC0

RGB 237 90 192

HSL 318.37, 0.8%, 0.64%

LAB 60.89, 67.02, -24.71

 

CMYK 0 / 62 / 36 / 7

HEX #ED5A98

RGB 237 90 152

HSL 334.69, 0.8%, 0.64%

LAB 59.51, 62.04, -3.74

 

CMYK 0 / 62 / 53 / 7

HEX #ED5A70

RGB 237 90 112

HSL 351.02, 0.8%, 0.64%

LAB 58.5, 58.23, 18.16

 

CMYK 0 / 62 / 62 / 7

HEX #ED5A5A

RGB 237 90 90

HSL 0, 0.8%, 0.64%

LAB 58.09, 56.67, 30.35

 

CMYK 0 / 62 / 19 / 7

HEX #ED5AC0

RGB 237 90 192

HSL 318.37, 0.8%, 0.64%

LAB 60.89, 67.02, -24.71

 

CMYK 0 / 62 / 3 / 7

HEX #ED5AE7

RGB 237 90 231

HSL 302.45, 0.8%, 0.64%

LAB 62.58, 72.85, -44.09

 

CMYK 15 / 62 / 0 / 7

HEX #CA5AED

RGB 202 90 237

HSL 285.71, 0.8%, 0.64%

LAB 58.02, 65.67, -54.97

 

CMYK 31 / 62 / 0 / 7

HEX #A35AED

RGB 163 90 237

HSL 269.8, 0.8%, 0.64%

LAB 53.18, 56.9, -62.99

 

CMYK 48 / 62 / 0 / 7

HEX #7B5AED

RGB 123 90 237

HSL 253.47, 0.8%, 0.64%

LAB 49.05, 48.73, -69.87

 

CMYK 0 / 62 / 19 / 7

HEX #ED5AC0

RGB 237 90 192

HSL 318.37, 0.8%, 0.64%

LAB 60.89, 67.02, -24.71

 

CMYK 0 / 70 / 22 / 2

HEX #FB4BC5

RGB 251 75 197

HSL 318.41, 0.96%, 0.64%

LAB 61.28, 76.81, -26.77

 

CMYK 0 / 62 / 19 / 7

HEX #ED5AC0

RGB 237 90 192

HSL 318.37, 0.8%, 0.64%

LAB 60.89, 67.02, -24.71

 

CMYK 0 / 53 / 16 / 13

HEX #DE69BA

RGB 222 105 186

HSL 318.46, 0.64%, 0.64%

LAB 60.94, 55.27, -21.41

 

CMYK 0 / 43 / 13 / 19

HEX #CF77B4

RGB 207 119 180

HSL 318.41, 0.48%, 0.64%

LAB 61.44, 42.66, -17.4

 

CMYK 0 / 30 / 9 / 25

HEX #C086AE

RGB 192 134 174

HSL 318.62, 0.32%, 0.64%

LAB 62.77, 28.5, -12.15

 

CMYK 0 / 16 / 5 / 31

HEX #B195A9

RGB 177 149 169

HSL 317.14, 0.15%, 0.64%

LAB 64.73, 13.93, -6.56

 

CMYK 15 / 62 / 0 / 7

HEX #CA5AED

RGB 202 90 237

HSL 285.71, 0.8%, 0.64%

LAB 58.02, 65.67, -54.97

 

CMYK 0 / 62 / 2 / 7

HEX #ED5AE8

RGB 237 90 232

HSL 302.04, 0.8%, 0.64%

LAB 62.63, 73.01, -44.57

 

CMYK 0 / 62 / 19 / 7

HEX #ED5AC1

RGB 237 90 193

HSL 317.96, 0.8%, 0.64%

LAB 60.93, 67.15, -25.22

 

CMYK 0 / 62 / 35 / 7

HEX #ED5A99

RGB 237 90 153

HSL 334.29, 0.8%, 0.64%

LAB 59.54, 62.15, -4.28

 

CMYK 0 / 62 / 52 / 7

HEX #ED5A72

RGB 237 90 114

HSL 350.2, 0.8%, 0.64%

LAB 58.54, 58.4, 17.05

 

CMYK 0 / 89 / 27 / 14

HEX #DB18A0

RGB 219 24 160

HSL 318.15, 0.8%, 0.48%

LAB 49.8, 77.76, -23.41

 

CMYK 0 / 77 / 24 / 9

HEX #E935B1

RGB 233 53 177

HSL 318.67, 0.8%, 0.56%

LAB 55.12, 76.74, -25.01

 

CMYK 0 / 62 / 19 / 7

HEX #ED5AC0

RGB 237 90 192

HSL 318.37, 0.8%, 0.64%

LAB 60.89, 67.02, -24.71

 

CMYK 0 / 47 / 15 / 5

HEX #F17FCE

RGB 241 127 206

HSL 318.42, 0.8%, 0.72%

LAB 68.27, 53.45, -21.27

 

CMYK 0 / 33 / 10 / 4

HEX #F5A4DC

RGB 245 164 220

HSL 318.52, 0.8%, 0.8%

LAB 76.76, 38.08, -16.08

 

CMYK 0 / 62 / 19 / 7

HEX #ED5AC0

RGB 237 90 192

HSL 318.37, 0.8%, 0.64%

LAB 60.89, 67.02, -24.71

 

CMYK 0 / 31 / 62 / 7

HEX #EDA35A

RGB 237 163 90

HSL 29.8, 0.8%, 0.64%

LAB 72.85, 20.29, 48.27

 

CMYK 62 / 0 / 6 / 7

HEX #5AEDDE

RGB 90 237 222

HSL 173.88, 0.8%, 0.64%

LAB 86.01, -42.42, -4.37

 

CMYK 0 / 62 / 19 / 7

HEX #ED5AC0

RGB 237 90 192

HSL 318.37, 0.8%, 0.64%

LAB 60.89, 67.02, -24.71

 

CMYK 19 / 0 / 62 / 7

HEX #C1ED5A

RGB 193 237 90

HSL 77.96, 0.8%, 0.64%

LAB 88.28, -35.05, 64.53

 

CMYK 62 / 19 / 0 / 7

HEX #5AC1ED

RGB 90 193 237

HSL 197.96, 0.8%, 0.64%

LAB 73.82, -16.98, -30.76

 

CMYK 0 / 62 / 19 / 7

HEX #ED5AC0

RGB 237 90 192

HSL 318.37, 0.8%, 0.64%

LAB 60.89, 67.02, -24.71

 

CMYK 0 / 31 / 62 / 7

HEX #EDA35A

RGB 237 163 90

HSL 29.8, 0.8%, 0.64%

LAB 72.85, 20.29, 48.27

 

CMYK 62 / 0 / 43 / 7

HEX #5AED86

RGB 90 237 134

HSL 137.96, 0.8%, 0.64%

LAB 84.21, -61, 38.49

 

CMYK 62 / 31 / 0 / 7

HEX #5AA3ED

RGB 90 163 237

HSL 210.2, 0.8%, 0.64%

LAB 65.34, -0.62, -43.95

 

CMYK 0 / 62 / 19 / 7

HEX #ED5AC0

RGB 237 90 192

HSL 318.37, 0.8%, 0.64%

LAB 60.89, 67.02, -24.71

 

CMYK 0 / 13 / 62 / 7

HEX #EDCF5A

RGB 237 207 90

HSL 47.76, 0.8%, 0.64%

LAB 83.64, -2.74, 60.44

 

CMYK 62 / 0 / 43 / 7

HEX #5AED86

RGB 90 237 134

HSL 137.96, 0.8%, 0.64%

LAB 84.21, -61, 38.49

 

CMYK 62 / 50 / 0 / 7

HEX #5A77ED

RGB 90 119 237

HSL 228.16, 0.8%, 0.64%

LAB 53.47, 25.54, -62.84

 

Description

Color code: HEX #ED5AC0 | qconv.com Color code: HEX #ED5AC0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 90 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 90 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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