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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED40B5 it is the complementary color #12BF4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED40B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED40B5 shade: #F240B0, #FF52C3, #FF64D6, #FF76E9 and #FF88FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED40B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED40B5 shade: #ED40B5, #DC2EA2, #CB1C8F, #BA0A7C and #A90069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED40B5 shade: #ED40B5, #ED4086, #ED4057 and #ED4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED40B5 shade: #ED40B5, #ED40E4, #C840ED, #9940ED and #6A40ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED40B5 shade matches the following richer shades: #ED40B5 and #FE2FBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED40B5 shade: #ED40B5, #DC51AF, #CB62A9, #BA72A3 and #AA839D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED40B5 shade: #C840ED, #ED40E5, #ED40B6, #ED4088 and #ED405A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED40B5 shade: #C8138D, #EA1AA6, #ED40B5, #F165C4 and #F48BD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED40B5 shade: #ED40B5, #ED9940 and #40EDDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED40B5 shade: #ED40B5, #B6ED40 and #40B6ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED40B5 shade: #ED40B5, #ED9940, #40ED77 and #4094ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED40B5 shade: #ED40B5, #EDCD40, #40ED77 and #405FED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 24 / 7

HEX #ED40B5

RGB 237 64 181

HSL 319.42, 0.83%, 0.59%

LAB 57.08, 74.97, -24.25

 

Complementary color

CMYK 91 / 0 / 61 / 25

HEX #12BF4A

RGB 18 191 74

HSL 139.42, 0.83%, 0.41%

LAB 67.94, -63.82, 46.92

 

CMYK 0 / 74 / 27 / 5

HEX #F240B0

RGB 242 64 176

HSL 322.25, 0.87%, 0.6%

LAB 57.73, 75.58, -20.28

 

CMYK 0 / 68 / 24 / 0

HEX #FF52C3

RGB 255 82 195

HSL 320.81, 1%, 0.66%

LAB 62.71, 75.14, -23.4

 

CMYK 0 / 61 / 16 / 0

HEX #FF64D6

RGB 255 100 214

HSL 315.87, 1%, 0.7%

LAB 65.93, 70.81, -29.17

 

CMYK 0 / 54 / 9 / 0

HEX #FF76E9

RGB 255 118 233

HSL 309.64, 1%, 0.73%

LAB 69.54, 65.91, -34.14

 

CMYK 0 / 47 / 1 / 0

HEX #FF88FC

RGB 255 136 252

HSL 301.51, 1%, 0.77%

LAB 73.48, 60.66, -38.43

 

CMYK 0 / 73 / 24 / 7

HEX #ED40B5

RGB 237 64 181

HSL 319.42, 0.83%, 0.59%

LAB 57.08, 74.97, -24.25

 

CMYK 0 / 79 / 26 / 14

HEX #DC2EA2

RGB 220 46 162

HSL 320, 0.71%, 0.52%

LAB 51.59, 73.81, -21.83

 

CMYK 0 / 86 / 30 / 20

HEX #CB1C8F

RGB 203 28 143

HSL 320.57, 0.76%, 0.45%

LAB 46.33, 71.8, -18.81

 

CMYK 0 / 95 / 33 / 27

HEX #BA0A7C

RGB 186 10 124

HSL 321.14, 0.9%, 0.38%

LAB 41.39, 68.63, -15

 

CMYK 0 / 100 / 38 / 34

HEX #A90069

RGB 169 0 105

HSL 322.72, 1%, 0.33%

LAB 36.85, 64.12, -10.29

 

CMYK 0 / 73 / 24 / 7

HEX #ED40B5

RGB 237 64 181

HSL 319.42, 0.83%, 0.59%

LAB 57.08, 74.97, -24.25

 

CMYK 0 / 73 / 43 / 7

HEX #ED4086

RGB 237 64 134

HSL 335.72, 0.83%, 0.59%

LAB 55.47, 69.9, 0.92

 

CMYK 0 / 73 / 63 / 7

HEX #ED4057

RGB 237 64 87

HSL 352.02, 0.83%, 0.59%

LAB 54.41, 66.41, 27.39

 

CMYK 0 / 73 / 73 / 7

HEX #ED4040

RGB 237 64 64

HSL 0, 0.83%, 0.59%

LAB 54.07, 65.29, 40.24

 

CMYK 0 / 73 / 24 / 7

HEX #ED40B5

RGB 237 64 181

HSL 319.42, 0.83%, 0.59%

LAB 57.08, 74.97, -24.25

 

CMYK 0 / 73 / 4 / 7

HEX #ED40E4

RGB 237 64 228

HSL 303.12, 0.83%, 0.59%

LAB 59.23, 81.42, -47.7

 

CMYK 16 / 73 / 0 / 7

HEX #C840ED

RGB 200 64 237

HSL 287.17, 0.83%, 0.59%

LAB 54.09, 75.49, -61.28

 

CMYK 35 / 73 / 0 / 7

HEX #9940ED

RGB 153 64 237

HSL 270.87, 0.83%, 0.59%

LAB 47.69, 66.86, -71.94

 

CMYK 55 / 73 / 0 / 7

HEX #6A40ED

RGB 106 64 237

HSL 254.57, 0.83%, 0.59%

LAB 42.53, 59.58, -80.59

 

CMYK 0 / 73 / 24 / 7

HEX #ED40B5

RGB 237 64 181

HSL 319.42, 0.83%, 0.59%

LAB 57.08, 74.97, -24.25

 

CMYK 0 / 81 / 26 / 0

HEX #FE2FBB

RGB 254 47 187

HSL 319.42, 0.99%, 0.59%

LAB 58.69, 84, -25

 

CMYK 0 / 73 / 24 / 7

HEX #ED40B5

RGB 237 64 181

HSL 319.42, 0.83%, 0.59%

LAB 57.08, 74.97, -24.25

 

CMYK 0 / 63 / 20 / 14

HEX #DC51AF

RGB 220 81 175

HSL 319.42, 0.67%, 0.59%

LAB 56.28, 63.74, -22.23

 

CMYK 0 / 52 / 17 / 20

HEX #CB62A9

RGB 203 98 169

HSL 319.43, 0.5%, 0.59%

LAB 56.38, 50.29, -18.82

 

CMYK 0 / 39 / 12 / 27

HEX #BA72A3

RGB 186 114 163

HSL 319.17, 0.34%, 0.59%

LAB 57.19, 35.51, -14.33

 

CMYK 0 / 23 / 8 / 33

HEX #AA839D

RGB 170 131 157

HSL 320, 0.19%, 0.59%

LAB 59.17, 19.34, -8.09

 

CMYK 16 / 73 / 0 / 7

HEX #C840ED

RGB 200 64 237

HSL 287.17, 0.83%, 0.59%

LAB 54.09, 75.49, -61.28

 

CMYK 0 / 73 / 3 / 7

HEX #ED40E5

RGB 237 64 229

HSL 302.77, 0.83%, 0.59%

LAB 59.28, 81.57, -48.18

 

CMYK 0 / 73 / 23 / 7

HEX #ED40B6

RGB 237 64 182

HSL 319.08, 0.83%, 0.59%

LAB 57.12, 75.1, -24.76

 

CMYK 0 / 73 / 43 / 7

HEX #ED4088

RGB 237 64 136

HSL 335.03, 0.83%, 0.59%

LAB 55.53, 70.09, -0.19

 

CMYK 0 / 73 / 62 / 7

HEX #ED405A

RGB 237 64 90

HSL 350.98, 0.83%, 0.59%

LAB 54.46, 66.58, 25.69

 

CMYK 0 / 91 / 30 / 22

HEX #C8138D

RGB 200 19 141

HSL 319.56, 0.83%, 0.43%

LAB 45.18, 72.37, -19.41

 

CMYK 0 / 89 / 29 / 8

HEX #EA1AA6

RGB 234 26 166

HSL 319.62, 0.83%, 0.51%

LAB 52.93, 81.23, -21.91

 

CMYK 0 / 73 / 24 / 7

HEX #ED40B5

RGB 237 64 181

HSL 319.42, 0.83%, 0.59%

LAB 57.08, 74.97, -24.25

 

CMYK 0 / 58 / 19 / 5

HEX #F165C4

RGB 241 101 196

HSL 319.29, 0.83%, 0.67%

LAB 63.34, 64.04, -23.18

 

CMYK 0 / 43 / 14 / 4

HEX #F48BD2

RGB 244 139 210

HSL 319.43, 0.83%, 0.75%

LAB 71.11, 49.04, -19.14

 

CMYK 0 / 73 / 24 / 7

HEX #ED40B5

RGB 237 64 181

HSL 319.42, 0.83%, 0.59%

LAB 57.08, 74.97, -24.25

 

CMYK 0 / 35 / 73 / 7

HEX #ED9940

RGB 237 153 64

HSL 30.87, 0.83%, 0.59%

LAB 70.29, 24.14, 57.63

 

CMYK 73 / 0 / 6 / 7

HEX #40EDDF

RGB 64 237 223

HSL 175.14, 0.83%, 0.59%

LAB 85.5, -45.73, -5.73

 

CMYK 0 / 73 / 24 / 7

HEX #ED40B5

RGB 237 64 181

HSL 319.42, 0.83%, 0.59%

LAB 57.08, 74.97, -24.25

 

CMYK 23 / 0 / 73 / 7

HEX #B6ED40

RGB 182 237 64

HSL 79.08, 0.83%, 0.59%

LAB 87.43, -40.84, 73.07

 

CMYK 73 / 23 / 0 / 7

HEX #40B6ED

RGB 64 182 237

HSL 199.08, 0.83%, 0.59%

LAB 69.94, -15.04, -36.83

 

CMYK 0 / 73 / 24 / 7

HEX #ED40B5

RGB 237 64 181

HSL 319.42, 0.83%, 0.59%

LAB 57.08, 74.97, -24.25

 

CMYK 0 / 35 / 73 / 7

HEX #ED9940

RGB 237 153 64

HSL 30.87, 0.83%, 0.59%

LAB 70.29, 24.14, 57.63

 

CMYK 73 / 0 / 50 / 7

HEX #40ED77

RGB 64 237 119

HSL 139.08, 0.83%, 0.59%

LAB 83.44, -67.76, 44.67

 

CMYK 73 / 38 / 0 / 7

HEX #4094ED

RGB 64 148 237

HSL 210.87, 0.83%, 0.59%

LAB 60.23, 4.06, -52.08

 

CMYK 0 / 73 / 24 / 7

HEX #ED40B5

RGB 237 64 181

HSL 319.42, 0.83%, 0.59%

LAB 57.08, 74.97, -24.25

 

CMYK 0 / 14 / 73 / 7

HEX #EDCD40

RGB 237 205 64

HSL 48.9, 0.83%, 0.59%

LAB 82.93, -3.12, 70.15

 

CMYK 73 / 0 / 50 / 7

HEX #40ED77

RGB 64 237 119

HSL 139.08, 0.83%, 0.59%

LAB 83.44, -67.76, 44.67

 

CMYK 73 / 60 / 0 / 7

HEX #405FED

RGB 64 95 237

HSL 229.25, 0.83%, 0.59%

LAB 46.16, 36.68, -74.76

 

Description

Color code: HEX #ED40B5 | qconv.com Color code: HEX #ED40B5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 64 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 64 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 24 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 24% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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