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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED3E9C it is the complementary color #12C163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED3E9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED3E9C shade: #F23E97, #FF50AA, #FF62BD, #FF74D0 and #FF86E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED3E9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED3E9C shade: #ED3E9C, #DC2C89, #CB1A76, #BA0863 and #A90050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED3E9C shade: #ED3F9C, #ED3F6E and #ED3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED3E9C shade: #ED3F9C, #ED3FCB, #DF3FED, #B13FED and #823FED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED3E9C shade matches the following richer shades: #ED3F9C and #FE2E9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED3E9C shade: #ED3F9C, #DC509B, #CB619A, #BA7299 and #A98397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED3E9C shade: #DE3FED, #ED3FCD, #ED3F9F, #ED3F70 and #ED3F42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED3E9C shade: #C71273, #E91989, #ED3F9C, #F065B0 and #F48BC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED3E9C shade: #ED3E9C, #EDB03F and #3FE4ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED3E9C shade: #ED3E9C, #9FED3F and #3F9FED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED3E9C shade: #ED3E9C, #EDB03F, #3FED8D and #3F7CED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED3E9C shade: #ED3E9C, #EDE43F, #3FED8D and #3F48ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 34 / 7

HEX #ED3E9C

RGB 237 62 156

HSL 327.77, 0.83%, 0.59%

LAB 55.94, 72.71, -11.4

 

Complementary color

CMYK 91 / 0 / 49 / 24

HEX #12C163

RGB 18 193 99

HSL 147.77, 0.83%, 0.41%

LAB 68.87, -60.85, 36.11

 

CMYK 0 / 74 / 38 / 5

HEX #F23E97

RGB 242 62 151

HSL 330.33, 0.87%, 0.6%

LAB 56.64, 73.47, -7.32

 

CMYK 0 / 69 / 33 / 0

HEX #FF50AA

RGB 255 80 170

HSL 329.14, 1%, 0.66%

LAB 61.57, 72.92, -10.8

 

CMYK 0 / 62 / 26 / 0

HEX #FF62BD

RGB 255 98 189

HSL 325.22, 1%, 0.69%

LAB 64.7, 68.29, -16.95

 

CMYK 0 / 55 / 18 / 0

HEX #FF74D0

RGB 255 116 208

HSL 320.29, 1%, 0.73%

LAB 68.24, 63.09, -22.25

 

CMYK 0 / 47 / 11 / 0

HEX #FF86E3

RGB 255 134 227

HSL 313.88, 1%, 0.76%

LAB 72.13, 57.52, -26.84

 

CMYK 0 / 74 / 34 / 7

HEX #ED3E9C

RGB 237 62 156

HSL 327.77, 0.83%, 0.59%

LAB 55.94, 72.71, -11.4

 

CMYK 0 / 80 / 38 / 14

HEX #DC2C89

RGB 220 44 137

HSL 328.3, 0.72%, 0.52%

LAB 50.48, 71.6, -8.59

 

CMYK 0 / 87 / 42 / 20

HEX #CB1A76

RGB 203 26 118

HSL 328.81, 0.77%, 0.45%

LAB 45.28, 69.61, -5.11

 

CMYK 0 / 96 / 47 / 27

HEX #BA0863

RGB 186 8 99

HSL 329.33, 0.92%, 0.38%

LAB 40.43, 66.47, -0.77

 

CMYK 0 / 100 / 53 / 34

HEX #A90050

RGB 169 0 80

HSL 331.6, 1%, 0.33%

LAB 36.01, 61.93, 4.57

 

CMYK 0 / 73 / 34 / 7

HEX #ED3F9C

RGB 237 63 156

HSL 327.93, 0.83%, 0.59%

LAB 56.05, 72.4, -11.24

 

CMYK 0 / 73 / 54 / 7

HEX #ED3F6E

RGB 237 63 110

HSL 343.79, 0.83%, 0.59%

LAB 54.75, 68.24, 14.18

 

CMYK 0 / 73 / 73 / 7

HEX #ED3F3F

RGB 237 63 63

HSL 0, 0.83%, 0.59%

LAB 53.94, 65.58, 40.65

 

CMYK 0 / 73 / 34 / 7

HEX #ED3F9C

RGB 237 63 156

HSL 327.93, 0.83%, 0.59%

LAB 56.05, 72.4, -11.24

 

CMYK 0 / 73 / 14 / 7

HEX #ED3FCB

RGB 237 63 203

HSL 311.72, 0.83%, 0.59%

LAB 57.91, 78.14, -35.6

 

CMYK 6 / 73 / 0 / 7

HEX #DF3FED

RGB 223 63 237

HSL 295.17, 0.83%, 0.59%

LAB 57.42, 80.3, -55.75

 

CMYK 25 / 73 / 0 / 7

HEX #B13FED

RGB 177 63 237

HSL 279.31, 0.83%, 0.59%

LAB 50.71, 71.52, -66.9

 

CMYK 45 / 73 / 0 / 7

HEX #823FED

RGB 130 63 237

HSL 263.1, 0.83%, 0.59%

LAB 44.82, 63.53, -76.74

 

CMYK 0 / 73 / 34 / 7

HEX #ED3F9C

RGB 237 63 156

HSL 327.93, 0.83%, 0.59%

LAB 56.05, 72.4, -11.24

 

CMYK 0 / 82 / 38 / 0

HEX #FE2E9E

RGB 254 46 158

HSL 327.69, 0.99%, 0.59%

LAB 57.55, 81.19, -9.84

 

CMYK 0 / 73 / 34 / 7

HEX #ED3F9C

RGB 237 63 156

HSL 327.93, 0.83%, 0.59%

LAB 56.05, 72.4, -11.24

 

CMYK 0 / 64 / 30 / 14

HEX #DC509B

RGB 220 80 155

HSL 327.86, 0.67%, 0.59%

LAB 55.4, 61.55, -11.9

 

CMYK 0 / 52 / 24 / 20

HEX #CB619A

RGB 203 97 154

HSL 327.74, 0.5%, 0.59%

LAB 55.66, 48.58, -11.18

 

CMYK 0 / 39 / 18 / 27

HEX #BA7299

RGB 186 114 153

HSL 327.5, 0.34%, 0.59%

LAB 56.85, 33.87, -9.05

 

CMYK 0 / 22 / 11 / 34

HEX #A98397

RGB 169 131 151

HSL 328.42, 0.18%, 0.59%

LAB 58.88, 17.9, -5.08

 

CMYK 6 / 73 / 0 / 7

HEX #DE3FED

RGB 222 63 237

HSL 294.83, 0.83%, 0.59%

LAB 57.27, 80.1, -56

 

CMYK 0 / 73 / 14 / 7

HEX #ED3FCD

RGB 237 63 205

HSL 311.03, 0.83%, 0.59%

LAB 58.01, 78.41, -36.6

 

CMYK 0 / 73 / 33 / 7

HEX #ED3F9F

RGB 237 63 159

HSL 326.9, 0.83%, 0.59%

LAB 56.15, 72.73, -12.84

 

CMYK 0 / 73 / 53 / 7

HEX #ED3F70

RGB 237 63 112

HSL 343.1, 0.83%, 0.59%

LAB 54.79, 68.39, 13.05

 

CMYK 0 / 73 / 72 / 7

HEX #ED3F42

RGB 237 63 66

HSL 358.97, 0.83%, 0.59%

LAB 53.98, 65.7, 39.01

 

CMYK 0 / 91 / 42 / 22

HEX #C71273

RGB 199 18 115

HSL 327.85, 0.83%, 0.43%

LAB 43.96, 69.67, -5.29

 

CMYK 0 / 89 / 41 / 9

HEX #E91989

RGB 233 25 137

HSL 327.69, 0.83%, 0.51%

LAB 51.64, 78.3, -6.61

 

CMYK 0 / 73 / 34 / 7

HEX #ED3F9C

RGB 237 63 156

HSL 327.93, 0.83%, 0.59%

LAB 56.05, 72.4, -11.24

 

CMYK 0 / 58 / 27 / 6

HEX #F065B0

RGB 240 101 176

HSL 327.63, 0.82%, 0.67%

LAB 62.48, 61.07, -13.11

 

CMYK 0 / 43 / 20 / 4

HEX #F48BC3

RGB 244 139 195

HSL 328, 0.83%, 0.75%

LAB 70.62, 46.77, -11.55

 

CMYK 0 / 74 / 34 / 7

HEX #ED3E9C

RGB 237 62 156

HSL 327.77, 0.83%, 0.59%

LAB 55.94, 72.71, -11.4

 

CMYK 0 / 26 / 73 / 7

HEX #EDB03F

RGB 237 176 63

HSL 38.97, 0.83%, 0.59%

LAB 75.71, 11.93, 63.49

 

CMYK 73 / 4 / 0 / 7

HEX #3FE4ED

RGB 63 228 237

HSL 183.1, 0.83%, 0.59%

LAB 83.26, -37.93, -16.44

 

CMYK 0 / 74 / 34 / 7

HEX #ED3E9C

RGB 237 62 156

HSL 327.77, 0.83%, 0.59%

LAB 55.94, 72.71, -11.4

 

CMYK 33 / 0 / 73 / 7

HEX #9FED3F

RGB 159 237 63

HSL 86.9, 0.83%, 0.59%

LAB 86.16, -49.25, 71.73

 

CMYK 73 / 33 / 0 / 7

HEX #3F9FED

RGB 63 159 237

HSL 206.9, 0.83%, 0.59%

LAB 63.32, -2.46, -47.2

 

CMYK 0 / 74 / 34 / 7

HEX #ED3E9C

RGB 237 62 156

HSL 327.77, 0.83%, 0.59%

LAB 55.94, 72.71, -11.4

 

CMYK 0 / 26 / 73 / 7

HEX #EDB03F

RGB 237 176 63

HSL 38.97, 0.83%, 0.59%

LAB 75.71, 11.93, 63.49

 

CMYK 73 / 0 / 41 / 7

HEX #3FED8D

RGB 63 237 141

HSL 146.9, 0.83%, 0.59%

LAB 83.73, -64.32, 34.29

 

CMYK 73 / 48 / 0 / 7

HEX #3F7CED

RGB 63 124 237

HSL 218.97, 0.83%, 0.59%

LAB 53.59, 18.46, -62.72

 

CMYK 0 / 74 / 34 / 7

HEX #ED3E9C

RGB 237 62 156

HSL 327.77, 0.83%, 0.59%

LAB 55.94, 72.71, -11.4

 

CMYK 0 / 4 / 73 / 7

HEX #EDE43F

RGB 237 228 63

HSL 56.9, 0.83%, 0.59%

LAB 88.85, -14.7, 76.11

 

CMYK 73 / 0 / 41 / 7

HEX #3FED8D

RGB 63 237 141

HSL 146.9, 0.83%, 0.59%

LAB 83.73, -64.32, 34.29

 

CMYK 73 / 70 / 0 / 7

HEX #3F48ED

RGB 63 72 237

HSL 236.9, 0.83%, 0.59%

LAB 40.91, 50.38, -83.38

 

Description

Color code: HEX #ED3E9C | qconv.com Color code: HEX #ED3E9C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 62 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 62 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 34 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 34% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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