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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED3CE4 it is the complementary color #12C31B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED3CE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED3CE4 shade: #F23CDF, #FF4EF2, #FF60FF, #FF72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED3CE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED3CE4 shade: #ED3CE4, #DC2AD1, #CB18BE, #BA06AB and #A90098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED3CE4 shade: #ED3BE4, #ED3BB4, #ED3B84, #ED3B54 and #ED3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED3CE4 shade: #ED3BE4, #C63BED, #963BED, #663BED and #3B3BED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED3CE4 shade matches the following richer shades: #ED3BE4 and #FE2AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED3CE4 shade: #ED3BE4, #DB4CD4, #CA5EC5, #B96FB5 and #A780A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED3CE4 shade: #973BED, #C63BED, #ED3BE4, #ED3BB4 and #ED3B85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED3CE4 shade: #C312BA, #E916DE, #ED3BE4, #F061E9 and #F487EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED3CE4 shade: #ED3CE4, #ED673B and #3BEDAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED3CE4 shade: #ED3CE4, #E4ED3B and #3BE4ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED3CE4 shade: #ED3CE4, #ED673B, #3BED44 and #3BC0ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED3CE4 shade: #ED3CE4, #ED9D3B, #3BED44 and #3B8BED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 4 / 7

HEX #ED3CE4

RGB 237 60 228

HSL 303.05, 0.83%, 0.58%

LAB 58.82, 82.57, -48.34

 

Complementary color

CMYK 91 / 0 / 86 / 24

HEX #12C31B

RGB 18 195 27

HSL 123.05, 0.83%, 0.42%

LAB 68.92, -68.84, 64.22

 

CMYK 0 / 75 / 8 / 5

HEX #F23CDF

RGB 242 60 223

HSL 306.26, 0.88%, 0.59%

LAB 59.38, 82.87, -44.6

 

CMYK 0 / 69 / 5 / 0

HEX #FF4EF2

RGB 255 78 242

HSL 304.41, 1%, 0.65%

LAB 64.26, 82.96, -47.38

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 75 / 4 / 7

HEX #ED3CE4

RGB 237 60 228

HSL 303.05, 0.83%, 0.58%

LAB 58.82, 82.57, -48.34

 

CMYK 0 / 81 / 5 / 14

HEX #DC2AD1

RGB 220 42 209

HSL 303.71, 0.72%, 0.51%

LAB 53.47, 80.97, -46.23

 

CMYK 0 / 88 / 6 / 20

HEX #CB18BE

RGB 203 24 190

HSL 304.36, 0.79%, 0.45%

LAB 48.34, 78.45, -43.57

 

CMYK 0 / 97 / 8 / 27

HEX #BA06AB

RGB 186 6 171

HSL 305, 0.94%, 0.38%

LAB 43.52, 74.81, -40.23

 

CMYK 0 / 100 / 10 / 34

HEX #A90098

RGB 169 0 152

HSL 306.04, 1%, 0.33%

LAB 39.07, 69.75, -36.06

 

CMYK 0 / 75 / 4 / 7

HEX #ED3BE4

RGB 237 59 228

HSL 303.03, 0.83%, 0.58%

LAB 58.73, 82.85, -48.49

 

CMYK 0 / 75 / 24 / 7

HEX #ED3BB4

RGB 237 59 180

HSL 319.21, 0.83%, 0.58%

LAB 56.51, 76.35, -24.54

 

CMYK 0 / 75 / 44 / 7

HEX #ED3B84

RGB 237 59 132

HSL 335.39, 0.83%, 0.58%

LAB 54.86, 71.28, 1.22

 

CMYK 0 / 75 / 65 / 7

HEX #ED3B54

RGB 237 59 84

HSL 351.57, 0.83%, 0.58%

LAB 53.78, 67.83, 28.36

 

CMYK 0 / 75 / 75 / 7

HEX #ED3B3B

RGB 237 59 59

HSL 0, 0.83%, 0.58%

LAB 53.44, 66.7, 42.31

 

CMYK 0 / 75 / 4 / 7

HEX #ED3BE4

RGB 237 59 228

HSL 303.03, 0.83%, 0.58%

LAB 58.73, 82.85, -48.49

 

CMYK 16 / 75 / 0 / 7

HEX #C63BED

RGB 198 59 237

HSL 286.85, 0.83%, 0.58%

LAB 53.22, 76.77, -62.7

 

CMYK 37 / 75 / 0 / 7

HEX #963BED

RGB 150 59 237

HSL 270.67, 0.83%, 0.58%

LAB 46.61, 68.37, -73.72

 

CMYK 57 / 75 / 0 / 7

HEX #663BED

RGB 102 59 237

HSL 254.49, 0.83%, 0.58%

LAB 41.32, 61.44, -82.59

 

CMYK 75 / 75 / 0 / 7

HEX #3B3BED

RGB 59 59 237

HSL 240, 0.83%, 0.58%

LAB 38.15, 57.16, -87.93

 

CMYK 0 / 75 / 4 / 7

HEX #ED3BE4

RGB 237 59 228

HSL 303.03, 0.83%, 0.58%

LAB 58.73, 82.85, -48.49

 

CMYK 0 / 83 / 4 / 0

HEX #FE2AF3

RGB 254 42 243

HSL 303.11, 0.99%, 0.58%

LAB 60.96, 92.1, -53.17

 

CMYK 0 / 75 / 4 / 7

HEX #ED3BE4

RGB 237 59 228

HSL 303.03, 0.83%, 0.58%

LAB 58.73, 82.85, -48.49

 

CMYK 0 / 65 / 3 / 14

HEX #DB4CD4

RGB 219 76 212

HSL 302.94, 0.67%, 0.58%

LAB 57.06, 70.95, -42.27

 

CMYK 0 / 53 / 2 / 21

HEX #CA5EC5

RGB 202 94 197

HSL 302.78, 0.5%, 0.58%

LAB 56.68, 56.49, -34.5

 

CMYK 0 / 40 / 2 / 27

HEX #B96FB5

RGB 185 111 181

HSL 303.24, 0.35%, 0.58%

LAB 57.09, 39.99, -24.86

 

CMYK 0 / 23 / 1 / 35

HEX #A780A5

RGB 167 128 165

HSL 303.08, 0.18%, 0.58%

LAB 58.39, 21.48, -13.88

 

CMYK 36 / 75 / 0 / 7

HEX #973BED

RGB 151 59 237

HSL 271.01, 0.83%, 0.58%

LAB 46.74, 68.53, -73.5

 

CMYK 16 / 75 / 0 / 7

HEX #C63BED

RGB 198 59 237

HSL 286.85, 0.83%, 0.58%

LAB 53.22, 76.77, -62.7

 

CMYK 0 / 75 / 4 / 7

HEX #ED3BE4

RGB 237 59 228

HSL 303.03, 0.83%, 0.58%

LAB 58.73, 82.85, -48.49

 

CMYK 0 / 75 / 24 / 7

HEX #ED3BB4

RGB 237 59 180

HSL 319.21, 0.83%, 0.58%

LAB 56.51, 76.35, -24.54

 

CMYK 0 / 75 / 44 / 7

HEX #ED3B85

RGB 237 59 133

HSL 335.06, 0.83%, 0.58%

LAB 54.89, 71.37, 0.67

 

CMYK 0 / 91 / 5 / 24

HEX #C312BA

RGB 195 18 186

HSL 303.05, 0.83%, 0.42%

LAB 46.42, 77.28, -44.38

 

CMYK 0 / 91 / 5 / 9

HEX #E916DE

RGB 233 22 222

HSL 303.13, 0.83%, 0.5%

LAB 55.25, 88.5, -50.67

 

CMYK 0 / 75 / 4 / 7

HEX #ED3BE4

RGB 237 59 228

HSL 303.03, 0.83%, 0.58%

LAB 58.73, 82.85, -48.49

 

CMYK 0 / 60 / 3 / 6

HEX #F061E9

RGB 240 97 233

HSL 302.94, 0.83%, 0.66%

LAB 64.13, 71.07, -42.74

 

CMYK 0 / 45 / 2 / 4

HEX #F487EE

RGB 244 135 238

HSL 303.3, 0.83%, 0.74%

LAB 71.37, 55.63, -34.16

 

CMYK 0 / 75 / 4 / 7

HEX #ED3CE4

RGB 237 60 228

HSL 303.05, 0.83%, 0.58%

LAB 58.82, 82.57, -48.34

 

CMYK 0 / 57 / 75 / 7

HEX #ED673B

RGB 237 103 59

HSL 14.83, 0.83%, 0.58%

LAB 59.91, 49.26, 49.23

 

CMYK 75 / 0 / 26 / 7

HEX #3BEDAF

RGB 59 237 175

HSL 159.1, 0.83%, 0.58%

LAB 84.27, -58.07, 17.64

 

CMYK 0 / 75 / 4 / 7

HEX #ED3CE4

RGB 237 60 228

HSL 303.05, 0.83%, 0.58%

LAB 58.82, 82.57, -48.34

 

CMYK 4 / 0 / 75 / 7

HEX #E4ED3B

RGB 228 237 59

HSL 63.03, 0.83%, 0.58%

LAB 90.5, -22.92, 78.63

 

CMYK 75 / 4 / 0 / 7

HEX #3BE4ED

RGB 59 228 237

HSL 183.03, 0.83%, 0.58%

LAB 83.2, -38.35, -16.55

 

CMYK 0 / 75 / 4 / 7

HEX #ED3CE4

RGB 237 60 228

HSL 303.05, 0.83%, 0.58%

LAB 58.82, 82.57, -48.34

 

CMYK 0 / 57 / 75 / 7

HEX #ED673B

RGB 237 103 59

HSL 14.83, 0.83%, 0.58%

LAB 59.91, 49.26, 49.23

 

CMYK 75 / 0 / 71 / 7

HEX #3BED44

RGB 59 237 68

HSL 123.03, 0.83%, 0.58%

LAB 82.87, -74.27, 65.65

 

CMYK 75 / 19 / 0 / 7

HEX #3BC0ED

RGB 59 192 237

HSL 195.17, 0.83%, 0.58%

LAB 72.72, -20.87, -32.52

 

CMYK 0 / 75 / 4 / 7

HEX #ED3CE4

RGB 237 60 228

HSL 303.05, 0.83%, 0.58%

LAB 58.82, 82.57, -48.34

 

CMYK 0 / 34 / 75 / 7

HEX #ED9D3B

RGB 237 157 59

HSL 33.03, 0.83%, 0.58%

LAB 71.17, 21.81, 60.63

 

CMYK 75 / 0 / 71 / 7

HEX #3BED44

RGB 59 237 68

HSL 123.03, 0.83%, 0.58%

LAB 82.87, -74.27, 65.65

 

CMYK 75 / 41 / 0 / 7

HEX #3B8BED

RGB 59 139 237

HSL 213.03, 0.83%, 0.58%

LAB 57.57, 8.81, -56.34

 

Description

Color code: HEX #ED3CE4 | qconv.com Color code: HEX #ED3CE4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 60 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 60 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 4 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 4% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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