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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED3AC6 it is the complementary color #12C539. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED3AC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED3AC6 shade: #F23AC1, #FF4CD4, #FF5EE7, #FF70FA and #FF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED3AC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED3AC6 shade: #ED3AC6, #DC28B3, #CB16A0, #BA048D and #A9007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED3AC6 shade: #EC3BC6, #EC3B96, #EC3B66 and #EC3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED3AC6 shade: #EC3BC6, #E33BEC, #B33BEC, #833BEC and #533BEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED3AC6 shade matches the following richer shades: #EC3BC6 and #FE29CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED3AC6 shade: #EC3BC6, #DB4CBC, #CA5DB2, #B86EA8 and #A7809E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED3AC6 shade: #B43BEC, #E33BEC, #EC3BC6, #EC3B96 and #EC3B67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED3AC6 shade: #C3129C, #E815BA, #EC3BC6, #F060D1 and #F386DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED3AC6 shade: #ED3AC6, #EC853B and #3BECCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED3AC6 shade: #ED3AC6, #C6EC3B and #3BC6EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED3AC6 shade: #ED3AC6, #EC853B, #3BEC61 and #3BA2EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED3AC6 shade: #ED3AC6, #ECBA3B, #3BEC61 and #3B6DEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 16 / 7

HEX #ED3AC6

RGB 237 58 198

HSL 313.07, 0.83%, 0.58%

LAB 57.18, 78.92, -33.89

 

Complementary color

CMYK 91 / 0 / 71 / 23

HEX #12C539

RGB 18 197 57

HSL 133.07, 0.83%, 0.42%

LAB 69.72, -67.44, 55.92

 

CMYK 0 / 76 / 20 / 5

HEX #F23AC1

RGB 242 58 193

HSL 315.98, 0.88%, 0.59%

LAB 57.8, 79.38, -29.99

 

CMYK 0 / 70 / 17 / 0

HEX #FF4CD4

RGB 255 76 212

HSL 314.41, 1%, 0.65%

LAB 62.66, 79.38, -33.1

 

CMYK 0 / 63 / 9 / 0

HEX #FF5EE7

RGB 255 94 231

HSL 308.94, 1%, 0.68%

LAB 65.78, 75.64, -38.89

 

CMYK 0 / 56 / 2 / 0

HEX #FF70FA

RGB 255 112 250

HSL 302.1, 1%, 0.72%

LAB 69.29, 71.27, -43.87

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 76 / 16 / 7

HEX #ED3AC6

RGB 237 58 198

HSL 313.07, 0.83%, 0.58%

LAB 57.18, 78.92, -33.89

 

CMYK 0 / 82 / 19 / 14

HEX #DC28B3

RGB 220 40 179

HSL 313.67, 0.72%, 0.51%

LAB 51.82, 77.32, -31.46

 

CMYK 0 / 89 / 21 / 20

HEX #CB16A0

RGB 203 22 160

HSL 314.25, 0.8%, 0.44%

LAB 46.72, 74.78, -28.42

 

CMYK 0 / 98 / 24 / 27

HEX #BA048D

RGB 186 4 141

HSL 314.84, 0.96%, 0.37%

LAB 41.92, 71.13, -24.66

 

CMYK 0 / 100 / 28 / 34

HEX #A9007A

RGB 169 0 122

HSL 316.69, 1%, 0.33%

LAB 37.55, 65.94, -19.94

 

CMYK 0 / 75 / 16 / 7

HEX #EC3BC6

RGB 236 59 198

HSL 312.88, 0.82%, 0.58%

LAB 57.11, 78.41, -34.01

 

CMYK 0 / 75 / 36 / 7

HEX #EC3B96

RGB 236 59 150

HSL 329.15, 0.82%, 0.58%

LAB 55.24, 72.74, -8.93

 

CMYK 0 / 75 / 57 / 7

HEX #EC3B66

RGB 236 59 102

HSL 345.42, 0.82%, 0.58%

LAB 53.94, 68.65, 17.83

 

CMYK 0 / 75 / 75 / 7

HEX #EC3B3B

RGB 236 59 59

HSL 0, 0.82%, 0.58%

LAB 53.25, 66.41, 42.05

 

CMYK 0 / 75 / 16 / 7

HEX #EC3BC6

RGB 236 59 198

HSL 312.88, 0.82%, 0.58%

LAB 57.11, 78.41, -34.01

 

CMYK 4 / 75 / 0 / 7

HEX #E33BEC

RGB 227 59 236

HSL 296.95, 0.82%, 0.58%

LAB 57.57, 82.1, -54.91

 

CMYK 24 / 75 / 0 / 7

HEX #B33BEC

RGB 179 59 236

HSL 280.68, 0.82%, 0.58%

LAB 50.41, 73.12, -66.8

 

CMYK 44 / 75 / 0 / 7

HEX #833BEC

RGB 131 59 236

HSL 264.41, 0.82%, 0.58%

LAB 44.25, 65.16, -77.11

 

CMYK 65 / 75 / 0 / 7

HEX #533BEC

RGB 83 59 236

HSL 248.14, 0.82%, 0.58%

LAB 39.62, 59, -84.89

 

CMYK 0 / 75 / 16 / 7

HEX #EC3BC6

RGB 236 59 198

HSL 312.88, 0.82%, 0.58%

LAB 57.11, 78.41, -34.01

 

CMYK 0 / 84 / 19 / 0

HEX #FE29CF

RGB 254 41 207

HSL 313.24, 0.99%, 0.58%

LAB 59.12, 87.55, -35.79

 

CMYK 0 / 75 / 16 / 7

HEX #EC3BC6

RGB 236 59 198

HSL 312.88, 0.82%, 0.58%

LAB 57.11, 78.41, -34.01

 

CMYK 0 / 65 / 14 / 14

HEX #DB4CBC

RGB 219 76 188

HSL 313.01, 0.67%, 0.58%

LAB 55.95, 67.29, -30.28

 

CMYK 0 / 54 / 12 / 21

HEX #CA5DB2

RGB 202 93 178

HSL 313.21, 0.51%, 0.58%

LAB 55.68, 53.8, -25.12

 

CMYK 0 / 40 / 9 / 28

HEX #B86EA8

RGB 184 110 168

HSL 312.97, 0.34%, 0.58%

LAB 56.26, 37.87, -18.66

 

CMYK 0 / 23 / 5 / 35

HEX #A7809E

RGB 167 128 158

HSL 313.85, 0.18%, 0.58%

LAB 58.15, 20.15, -10.21

 

CMYK 24 / 75 / 0 / 7

HEX #B43BEC

RGB 180 59 236

HSL 281.02, 0.82%, 0.58%

LAB 50.56, 73.3, -66.57

 

CMYK 4 / 75 / 0 / 7

HEX #E33BEC

RGB 227 59 236

HSL 296.95, 0.82%, 0.58%

LAB 57.57, 82.1, -54.91

 

CMYK 0 / 75 / 16 / 7

HEX #EC3BC6

RGB 236 59 198

HSL 312.88, 0.82%, 0.58%

LAB 57.11, 78.41, -34.01

 

CMYK 0 / 75 / 36 / 7

HEX #EC3B96

RGB 236 59 150

HSL 329.15, 0.82%, 0.58%

LAB 55.24, 72.74, -8.93

 

CMYK 0 / 75 / 56 / 7

HEX #EC3B67

RGB 236 59 103

HSL 345.08, 0.82%, 0.58%

LAB 53.96, 68.72, 17.26

 

CMYK 0 / 91 / 20 / 24

HEX #C3129C

RGB 195 18 156

HSL 313.22, 0.83%, 0.42%

LAB 44.85, 73.24, -29.05

 

CMYK 0 / 91 / 20 / 9

HEX #E815BA

RGB 232 21 186

HSL 313.08, 0.83%, 0.5%

LAB 53.21, 83.76, -33.23

 

CMYK 0 / 75 / 16 / 7

HEX #EC3BC6

RGB 236 59 198

HSL 312.88, 0.82%, 0.58%

LAB 57.11, 78.41, -34.01

 

CMYK 0 / 60 / 13 / 6

HEX #F060D1

RGB 240 96 209

HSL 312.92, 0.83%, 0.66%

LAB 62.92, 67.77, -31.18

 

CMYK 0 / 45 / 10 / 5

HEX #F386DB

RGB 243 134 219

HSL 313.21, 0.82%, 0.74%

LAB 70.33, 52.65, -25.32

 

CMYK 0 / 76 / 16 / 7

HEX #ED3AC6

RGB 237 58 198

HSL 313.07, 0.83%, 0.58%

LAB 57.18, 78.92, -33.89

 

CMYK 0 / 44 / 75 / 7

HEX #EC853B

RGB 236 133 59

HSL 25.08, 0.82%, 0.58%

LAB 65.69, 34, 55.13

 

CMYK 75 / 0 / 14 / 7

HEX #3BECCC

RGB 59 236 204

HSL 169.15, 0.82%, 0.58%

LAB 84.63, -50.8, 2.98

 

CMYK 0 / 76 / 16 / 7

HEX #ED3AC6

RGB 237 58 198

HSL 313.07, 0.83%, 0.58%

LAB 57.18, 78.92, -33.89

 

CMYK 16 / 0 / 75 / 7

HEX #C6EC3B

RGB 198 236 59

HSL 72.88, 0.82%, 0.58%

LAB 88.12, -34.48, 75.66

 

CMYK 75 / 16 / 0 / 7

HEX #3BC6EC

RGB 59 198 236

HSL 192.88, 0.82%, 0.58%

LAB 74.43, -24.24, -29.35

 

CMYK 0 / 76 / 16 / 7

HEX #ED3AC6

RGB 237 58 198

HSL 313.07, 0.83%, 0.58%

LAB 57.18, 78.92, -33.89

 

CMYK 0 / 44 / 75 / 7

HEX #EC853B

RGB 236 133 59

HSL 25.08, 0.82%, 0.58%

LAB 65.69, 34, 55.13

 

CMYK 75 / 0 / 59 / 7

HEX #3BEC61

RGB 59 236 97

HSL 132.88, 0.82%, 0.58%

LAB 82.8, -71.07, 53.98

 

CMYK 75 / 31 / 0 / 7

HEX #3BA2EC

RGB 59 162 236

HSL 205.08, 0.82%, 0.58%

LAB 64.02, -5, -45.55

 

CMYK 0 / 76 / 16 / 7

HEX #ED3AC6

RGB 237 58 198

HSL 313.07, 0.83%, 0.58%

LAB 57.18, 78.92, -33.89

 

CMYK 0 / 21 / 75 / 7

HEX #ECBA3B

RGB 236 186 59

HSL 43.05, 0.82%, 0.58%

LAB 78.03, 6.08, 67.23

 

CMYK 75 / 0 / 59 / 7

HEX #3BEC61

RGB 59 236 97

HSL 132.88, 0.82%, 0.58%

LAB 82.8, -71.07, 53.98

 

CMYK 75 / 54 / 0 / 7

HEX #3B6DEC

RGB 59 109 236

HSL 223.05, 0.82%, 0.58%

LAB 49.4, 26.99, -68.93

 

Description

Color code: HEX #ED3AC6 | qconv.com Color code: HEX #ED3AC6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 58 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 58 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 16 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 16% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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