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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED38A8 it is the complementary color #12C757. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED38A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED38A8 shade: #F238A3, #FF4AB6, #FF5CC9, #FF6EDC and #FF80EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED38A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED38A8 shade: #ED38A8, #DC2695, #CB1482, #BA026F and #A9005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED38A8 shade: #EC36A6, #EC3675, #EC3644 and #EC3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED38A8 shade: #EC36A6, #EC36D8, #CF36EC, #9E36EC and #6D36EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED38A8 shade matches the following richer shades: #EC36A6 and #FE24AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED38A8 shade: #EC36A6, #DA48A2, #C8599E, #B76B9A and #A57D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED38A8 shade: #CE36EC, #EC36DA, #EC36A9, #EC3679 and #EC3648

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED38A8 shade: #BE117C, #E41595, #EC36A6, #EF5CB7 and #F381C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED38A8 shade: #ED38A8, #EC9D36 and #36ECE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED38A8 shade: #ED38A8, #A9EC36 and #36A9EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED38A8 shade: #ED38A8, #EC9D36, #36EC79 and #3685EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED38A8 shade: #ED38A8, #ECD436, #36EC79 and #364EEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 29 / 7

HEX #ED38A8

RGB 237 56 168

HSL 322.87, 0.83%, 0.57%

LAB 55.75, 75.8, -18.73

 

Complementary color

CMYK 91 / 0 / 56 / 22

HEX #12C757

RGB 18 199 87

HSL 142.87, 0.83%, 0.43%

LAB 70.64, -64.63, 44.1

 

CMYK 0 / 77 / 33 / 5

HEX #F238A3

RGB 242 56 163

HSL 325.48, 0.88%, 0.58%

LAB 56.44, 76.44, -14.67

 

CMYK 0 / 71 / 29 / 0

HEX #FF4AB6

RGB 255 74 182

HSL 324.2, 1%, 0.65%

LAB 61.25, 76.31, -18.18

 

CMYK 0 / 64 / 21 / 0

HEX #FF5CC9

RGB 255 92 201

HSL 319.88, 1%, 0.68%

LAB 64.27, 72.21, -24.4

 

CMYK 0 / 57 / 14 / 0

HEX #FF6EDC

RGB 255 110 220

HSL 314.48, 1%, 0.72%

LAB 67.71, 67.47, -29.77

 

CMYK 0 / 50 / 6 / 0

HEX #FF80EF

RGB 255 128 239

HSL 307.56, 1%, 0.75%

LAB 71.51, 62.28, -34.39

 

CMYK 0 / 76 / 29 / 7

HEX #ED38A8

RGB 237 56 168

HSL 322.87, 0.83%, 0.57%

LAB 55.75, 75.8, -18.73

 

CMYK 0 / 83 / 32 / 14

HEX #DC2695

RGB 220 38 149

HSL 323.41, 0.72%, 0.51%

LAB 50.42, 74.24, -15.88

 

CMYK 0 / 90 / 36 / 20

HEX #CB1482

RGB 203 20 130

HSL 323.93, 0.82%, 0.44%

LAB 45.37, 71.72, -12.35

 

CMYK 0 / 99 / 40 / 27

HEX #BA026F

RGB 186 2 111

HSL 324.46, 0.98%, 0.37%

LAB 40.62, 68.15, -8.06

 

CMYK 0 / 100 / 46 / 34

HEX #A9005C

RGB 169 0 92

HSL 327.34, 1%, 0.33%

LAB 36.38, 62.91, -2.66

 

CMYK 0 / 77 / 30 / 7

HEX #EC36A6

RGB 236 54 166

HSL 323.08, 0.83%, 0.57%

LAB 55.3, 75.88, -18.25

 

CMYK 0 / 77 / 50 / 7

HEX #EC3675

RGB 236 54 117

HSL 339.23, 0.83%, 0.57%

LAB 53.77, 71.21, 8.59

 

CMYK 0 / 77 / 71 / 7

HEX #EC3644

RGB 236 54 68

HSL 355.38, 0.83%, 0.57%

LAB 52.83, 68.26, 36.49

 

CMYK 0 / 77 / 77 / 7

HEX #EC3636

RGB 236 54 54

HSL 0, 0.83%, 0.57%

LAB 52.66, 67.73, 44.16

 

CMYK 0 / 77 / 30 / 7

HEX #EC36A6

RGB 236 54 166

HSL 323.08, 0.83%, 0.57%

LAB 55.3, 75.88, -18.25

 

CMYK 0 / 77 / 8 / 7

HEX #EC36D8

RGB 236 54 216

HSL 306.59, 0.83%, 0.57%

LAB 57.49, 82.24, -43.68

 

CMYK 12 / 77 / 0 / 7

HEX #CF36EC

RGB 207 54 236

HSL 290.44, 0.83%, 0.57%

LAB 53.98, 79.76, -60.83

 

CMYK 33 / 77 / 0 / 7

HEX #9E36EC

RGB 158 54 236

HSL 274.29, 0.83%, 0.57%

LAB 46.93, 71.3, -72.6

 

CMYK 54 / 77 / 0 / 7

HEX #6D36EC

RGB 109 54 236

HSL 258.13, 0.83%, 0.57%

LAB 41.13, 64.27, -82.32

 

CMYK 0 / 77 / 30 / 7

HEX #EC36A6

RGB 236 54 166

HSL 323.08, 0.83%, 0.57%

LAB 55.3, 75.88, -18.25

 

CMYK 0 / 86 / 33 / 0

HEX #FE24AB

RGB 254 36 171

HSL 322.84, 0.99%, 0.57%

LAB 57.34, 84.4, -17.78

 

CMYK 0 / 77 / 30 / 7

HEX #EC36A6

RGB 236 54 166

HSL 323.08, 0.83%, 0.57%

LAB 55.3, 75.88, -18.25

 

CMYK 0 / 67 / 26 / 15

HEX #DA48A2

RGB 218 72 162

HSL 323.01, 0.66%, 0.57%

LAB 54.18, 65.02, -17.89

 

CMYK 0 / 56 / 21 / 22

HEX #C8599E

RGB 200 89 158

HSL 322.7, 0.5%, 0.57%

LAB 53.91, 52.06, -16.21

 

CMYK 0 / 42 / 16 / 28

HEX #B76B9A

RGB 183 107 154

HSL 322.89, 0.35%, 0.57%

LAB 54.99, 36.79, -12.47

 

CMYK 0 / 24 / 9 / 35

HEX #A57D96

RGB 165 125 150

HSL 322.5, 0.18%, 0.57%

LAB 56.95, 19.67, -7.42

 

CMYK 13 / 77 / 0 / 7

HEX #CE36EC

RGB 206 54 236

HSL 290.11, 0.83%, 0.57%

LAB 53.83, 79.58, -61.09

 

CMYK 0 / 77 / 8 / 7

HEX #EC36DA

RGB 236 54 218

HSL 305.93, 0.83%, 0.57%

LAB 57.59, 82.53, -44.66

 

CMYK 0 / 77 / 28 / 7

HEX #EC36A9

RGB 236 54 169

HSL 322.09, 0.83%, 0.57%

LAB 55.42, 76.22, -19.83

 

CMYK 0 / 77 / 49 / 7

HEX #EC3679

RGB 236 54 121

HSL 337.91, 0.83%, 0.57%

LAB 53.87, 71.53, 6.34

 

CMYK 0 / 77 / 69 / 7

HEX #EC3648

RGB 236 54 72

HSL 354.07, 0.83%, 0.57%

LAB 52.88, 68.44, 34.24

 

CMYK 0 / 91 / 35 / 25

HEX #BE117C

RGB 190 17 124

HSL 322.89, 0.84%, 0.41%

LAB 42.47, 68.67, -13.3

 

CMYK 0 / 91 / 35 / 11

HEX #E41595

RGB 228 21 149

HSL 322.9, 0.83%, 0.49%

LAB 50.92, 78.88, -14.98

 

CMYK 0 / 77 / 30 / 7

HEX #EC36A6

RGB 236 54 166

HSL 323.08, 0.83%, 0.57%

LAB 55.3, 75.88, -18.25

 

CMYK 0 / 62 / 23 / 6

HEX #EF5CB7

RGB 239 92 183

HSL 322.86, 0.82%, 0.65%

LAB 61.15, 65.53, -19.14

 

CMYK 0 / 47 / 18 / 5

HEX #F381C8

RGB 243 129 200

HSL 322.63, 0.83%, 0.73%

LAB 68.7, 52.18, -17.25

 

CMYK 0 / 76 / 29 / 7

HEX #ED38A8

RGB 237 56 168

HSL 322.87, 0.83%, 0.57%

LAB 55.75, 75.8, -18.73

 

CMYK 0 / 33 / 77 / 7

HEX #EC9D36

RGB 236 157 54

HSL 33.96, 0.83%, 0.57%

LAB 71.02, 21.19, 62.45

 

CMYK 77 / 0 / 3 / 7

HEX #36ECE6

RGB 54 236 230

HSL 178.02, 0.83%, 0.57%

LAB 85.24, -44.41, -9.8

 

CMYK 0 / 76 / 29 / 7

HEX #ED38A8

RGB 237 56 168

HSL 322.87, 0.83%, 0.57%

LAB 55.75, 75.8, -18.73

 

CMYK 28 / 0 / 77 / 7

HEX #A9EC36

RGB 169 236 54

HSL 82.09, 0.83%, 0.57%

LAB 86.35, -45.72, 74.88

 

CMYK 77 / 28 / 0 / 7

HEX #36A9EC

RGB 54 169 236

HSL 202.09, 0.83%, 0.57%

LAB 65.92, -9.47, -42.58

 

CMYK 0 / 76 / 29 / 7

HEX #ED38A8

RGB 237 56 168

HSL 322.87, 0.83%, 0.57%

LAB 55.75, 75.8, -18.73

 

CMYK 0 / 33 / 77 / 7

HEX #EC9D36

RGB 236 157 54

HSL 33.96, 0.83%, 0.57%

LAB 71.02, 21.19, 62.45

 

CMYK 77 / 0 / 49 / 7

HEX #36EC79

RGB 54 236 121

HSL 142.09, 0.83%, 0.57%

LAB 83, -68.43, 43.13

 

CMYK 77 / 44 / 0 / 7

HEX #3685EC

RGB 54 133 236

HSL 213.96, 0.83%, 0.57%

LAB 55.7, 11.51, -58.78

 

CMYK 0 / 76 / 29 / 7

HEX #ED38A8

RGB 237 56 168

HSL 322.87, 0.83%, 0.57%

LAB 55.75, 75.8, -18.73

 

CMYK 0 / 10 / 77 / 7

HEX #ECD436

RGB 236 212 54

HSL 52.09, 0.83%, 0.57%

LAB 84.58, -7.49, 75

 

CMYK 77 / 0 / 49 / 7

HEX #36EC79

RGB 54 236 121

HSL 142.09, 0.83%, 0.57%

LAB 83, -68.43, 43.13

 

CMYK 77 / 67 / 0 / 7

HEX #364EEC

RGB 54 78 236

HSL 232.09, 0.83%, 0.57%

LAB 41.67, 45.73, -81.57

 

Description

Color code: HEX #ED38A8 | qconv.com Color code: HEX #ED38A8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 56 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 56 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 29 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 29% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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