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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED2DF0 it is the complementary color #12D20F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED2DF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED2DF0 shade: #F22DEB, #FF3FFE, #FF51FF, #FF63FF and #FF75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED2DF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED2DF0 shade: #ED2DF0, #DC1BDD, #CB09CA, #BA00B7 and #A900A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED2DF0 shade: #ED2DF0, #F02DBE, #F02D8A, #F02D55 and #F02D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED2DF0 shade: #ED2DF0, #B82DF0, #842DF0, #4F2DF0 and #2D2DF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED2DF0 shade matches the following richer shades: #ED2DF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED2DF0 shade: #ED2DF0, #DB3FDE, #CA51CC, #B863B9 and #A775A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED2DF0 shade: #852DF0, #B92DF0, #ED2DF0, #F02DBF and #F02D8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED2DF0 shade: #BB0DBD, #E10FE4, #ED2DF0, #F053F3 and #F37AF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED2DF0 shade: #ED2DF0, #F0502D and #2DF09F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED2DF0 shade: #ED2DF0, #F0ED2D and #2DF0ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED2DF0 shade: #ED2DF0, #F0502D, #30F02D and #2DCCF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED2DF0 shade: #ED2DF0, #F08B2D, #30F02D and #2D92F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 81 / 0 / 6

HEX #ED2DF0

RGB 237 45 240

HSL 299.08, 0.87%, 0.56%

LAB 58.2, 88.04, -56.06

 

Complementary color

CMYK 91 / 0 / 93 / 18

HEX #12D20F

RGB 18 210 15

HSL 119.08, 0.87%, 0.44%

LAB 73.71, -73.39, 70.39

 

CMYK 0 / 81 / 3 / 5

HEX #F22DEB

RGB 242 45 235

HSL 302.13, 0.88%, 0.56%

LAB 58.74, 88.21, -52.34

 

CMYK 0 / 75 / 0 / 0

HEX #FF3FFE

RGB 255 63 254

HSL 300.31, 1%, 0.62%

LAB 63.32, 89.18, -55.51

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 1 / 81 / 0 / 6

HEX #ED2DF0

RGB 237 45 240

HSL 299.08, 0.87%, 0.56%

LAB 58.2, 88.04, -56.06

 

CMYK 0 / 88 / 0 / 13

HEX #DC1BDD

RGB 220 27 221

HSL 299.69, 0.78%, 0.49%

LAB 53.19, 85.48, -53.52

 

CMYK 0 / 96 / 0 / 20

HEX #CB09CA

RGB 203 9 202

HSL 300.31, 0.92%, 0.42%

LAB 48.46, 81.87, -50.36

 

CMYK 0 / 100 / 2 / 27

HEX #BA00B7

RGB 186 0 183

HSL 300.97, 1%, 0.36%

LAB 44.03, 77.08, -46.53

 

CMYK 0 / 100 / 3 / 34

HEX #A900A4

RGB 169 0 164

HSL 301.78, 1%, 0.33%

LAB 39.77, 71.46, -42.2

 

CMYK 1 / 81 / 0 / 6

HEX #ED2DF0

RGB 237 45 240

HSL 299.08, 0.87%, 0.56%

LAB 58.2, 88.04, -56.06

 

CMYK 0 / 81 / 21 / 6

HEX #F02DBE

RGB 240 45 190

HSL 315.38, 0.87%, 0.56%

LAB 56.21, 81.8, -30.76

 

CMYK 0 / 81 / 43 / 6

HEX #F02D8A

RGB 240 45 138

HSL 331.38, 0.87%, 0.56%

LAB 54.28, 76.28, -3.15

 

CMYK 0 / 81 / 65 / 6

HEX #F02D55

RGB 240 45 85

HSL 347.69, 0.87%, 0.56%

LAB 53.01, 72.52, 26.9

 

CMYK 0 / 81 / 81 / 6

HEX #F02D2D

RGB 240 45 45

HSL 0, 0.87%, 0.56%

LAB 52.5, 70.96, 49.01

 

CMYK 1 / 81 / 0 / 6

HEX #ED2DF0

RGB 237 45 240

HSL 299.08, 0.87%, 0.56%

LAB 58.2, 88.04, -56.06

 

CMYK 23 / 81 / 0 / 6

HEX #B82DF0

RGB 184 45 240

HSL 282.77, 0.87%, 0.56%

LAB 49.93, 79.04, -69.81

 

CMYK 45 / 81 / 0 / 6

HEX #842DF0

RGB 132 45 240

HSL 266.77, 0.87%, 0.56%

LAB 42.87, 71.56, -81.62

 

CMYK 67 / 81 / 0 / 6

HEX #4F2DF0

RGB 79 45 240

HSL 250.46, 0.87%, 0.56%

LAB 37.54, 66.09, -90.61

 

CMYK 81 / 81 / 0 / 6

HEX #2D2DF0

RGB 45 45 240

HSL 240, 0.87%, 0.56%

LAB 35.45, 64.02, -94.13

 

CMYK 1 / 81 / 0 / 6

HEX #ED2DF0

RGB 237 45 240

HSL 299.08, 0.87%, 0.56%

LAB 58.2, 88.04, -56.06

 

CMYK 1 / 81 / 0 / 6

HEX #ED2DF0

RGB 237 45 240

HSL 299.08, 0.87%, 0.56%

LAB 58.2, 88.04, -56.06

 

CMYK 1 / 72 / 0 / 13

HEX #DB3FDE

RGB 219 63 222

HSL 298.87, 0.71%, 0.56%

LAB 55.98, 77.06, -49.65

 

CMYK 1 / 60 / 0 / 20

HEX #CA51CC

RGB 202 81 204

HSL 299.02, 0.55%, 0.56%

LAB 54.87, 63.52, -41.34

 

CMYK 1 / 46 / 0 / 27

HEX #B863B9

RGB 184 99 185

HSL 299.3, 0.38%, 0.56%

LAB 54.68, 46.74, -30.91

 

CMYK 0 / 30 / 0 / 35

HEX #A775A7

RGB 167 117 167

HSL 300, 0.22%, 0.56%

LAB 55.81, 28.11, -18.94

 

CMYK 45 / 81 / 0 / 6

HEX #852DF0

RGB 133 45 240

HSL 267.08, 0.87%, 0.56%

LAB 43, 71.69, -81.41

 

CMYK 23 / 81 / 0 / 6

HEX #B92DF0

RGB 185 45 240

HSL 283.08, 0.87%, 0.56%

LAB 50.08, 79.2, -69.56

 

CMYK 1 / 81 / 0 / 6

HEX #ED2DF0

RGB 237 45 240

HSL 299.08, 0.87%, 0.56%

LAB 58.2, 88.04, -56.06

 

CMYK 0 / 81 / 20 / 6

HEX #F02DBF

RGB 240 45 191

HSL 315.08, 0.87%, 0.56%

LAB 56.25, 81.92, -31.27

 

CMYK 0 / 81 / 42 / 6

HEX #F02D8B

RGB 240 45 139

HSL 331.08, 0.87%, 0.56%

LAB 54.31, 76.37, -3.7

 

CMYK 1 / 93 / 0 / 26

HEX #BB0DBD

RGB 187 13 189

HSL 299.32, 0.87%, 0.4%

LAB 44.98, 76.92, -48.52

 

CMYK 1 / 93 / 0 / 11

HEX #E10FE4

RGB 225 15 228

HSL 299.15, 0.88%, 0.48%

LAB 53.97, 88.73, -56.18

 

CMYK 1 / 81 / 0 / 6

HEX #ED2DF0

RGB 237 45 240

HSL 299.08, 0.87%, 0.56%

LAB 58.2, 88.04, -56.06

 

CMYK 1 / 66 / 0 / 5

HEX #F053F3

RGB 240 83 243

HSL 298.88, 0.87%, 0.64%

LAB 62.66, 78.12, -50.6

 

CMYK 1 / 50 / 0 / 4

HEX #F37AF5

RGB 243 122 245

HSL 299.02, 0.86%, 0.72%

LAB 69.16, 62.81, -41.45

 

CMYK 1 / 81 / 0 / 6

HEX #ED2DF0

RGB 237 45 240

HSL 299.08, 0.87%, 0.56%

LAB 58.2, 88.04, -56.06

 

CMYK 0 / 67 / 81 / 6

HEX #F0502D

RGB 240 80 45

HSL 10.77, 0.87%, 0.56%

LAB 56.54, 59.76, 52.82

 

CMYK 81 / 0 / 34 / 6

HEX #2DF09F

RGB 45 240 159

HSL 155.08, 0.87%, 0.56%

LAB 84.68, -64.01, 26.41

 

CMYK 1 / 81 / 0 / 6

HEX #ED2DF0

RGB 237 45 240

HSL 299.08, 0.87%, 0.56%

LAB 58.2, 88.04, -56.06

 

CMYK 0 / 1 / 81 / 6

HEX #F0ED2D

RGB 240 237 45

HSL 59.08, 0.87%, 0.56%

LAB 91.36, -18.46, 83.52

 

CMYK 81 / 0 / 1 / 6

HEX #2DF0ED

RGB 45 240 237

HSL 179.08, 0.87%, 0.56%

LAB 86.5, -44.95, -11.62

 

CMYK 1 / 81 / 0 / 6

HEX #ED2DF0

RGB 237 45 240

HSL 299.08, 0.87%, 0.56%

LAB 58.2, 88.04, -56.06

 

CMYK 0 / 67 / 81 / 6

HEX #F0502D

RGB 240 80 45

HSL 10.77, 0.87%, 0.56%

LAB 56.54, 59.76, 52.82

 

CMYK 80 / 0 / 81 / 6

HEX #30F02D

RGB 48 240 45

HSL 119.08, 0.87%, 0.56%

LAB 83.51, -78.05, 73.25

 

CMYK 81 / 15 / 0 / 6

HEX #2DCCF0

RGB 45 204 240

HSL 191.08, 0.87%, 0.56%

LAB 76.09, -27.3, -28.97

 

CMYK 1 / 81 / 0 / 6

HEX #ED2DF0

RGB 237 45 240

HSL 299.08, 0.87%, 0.56%

LAB 58.2, 88.04, -56.06

 

CMYK 0 / 42 / 81 / 6

HEX #F08B2D

RGB 240 139 45

HSL 28.92, 0.87%, 0.56%

LAB 67.41, 32.01, 62.74

 

CMYK 80 / 0 / 81 / 6

HEX #30F02D

RGB 48 240 45

HSL 119.08, 0.87%, 0.56%

LAB 83.51, -78.05, 73.25

 

CMYK 81 / 39 / 0 / 6

HEX #2D92F0

RGB 45 146 240

HSL 208.92, 0.87%, 0.56%

LAB 59.35, 4.27, -55.18

 

Description

Color code: HEX #ED2DF0 | qconv.com Color code: HEX #ED2DF0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 45 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 45 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 81 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 81% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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