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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED218B it is the complementary color #12DE74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED218B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED218B shade: #F22186, #FF3399, #FF45AC, #FF57BF and #FF69D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED218B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED218B shade: #ED218B, #DC0F78, #CB0065, #BA0052 and #A9003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED218B shade: #ED218B, #ED2154 and #ED2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED218B shade: #ED218B, #ED21C2, #E121ED, #AA21ED and #7321ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED218B shade matches the following richer shades: #ED218B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED218B shade: #ED218B, #D9348A, #C64889, #B25B88 and #9F6E88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED218B shade: #DF21ED, #ED21C4, #ED218D, #ED2157 and #ED2121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED218B shade: #AD0E61, #D31176, #ED218B, #F0479F and #F36DB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED218B shade: #ED218B, #EDA921 and #21DFED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED218B shade: #ED218B, #8DED21 and #218DED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED218B shade: #ED218B, #EDA921, #21ED80 and #2165ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED218B shade: #ED218B, #EDE621, #21ED80 and #2128ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 41 / 7

HEX #ED218B

RGB 237 33 139

HSL 328.82, 0.85%, 0.53%

LAB 52.9, 78.11, -5.85

 

Complementary color

CMYK 92 / 0 / 48 / 13

HEX #12DE74

RGB 18 222 116

HSL 148.82, 0.85%, 0.47%

LAB 78.25, -67.62, 39.51

 

CMYK 0 / 86 / 45 / 5

HEX #F22186

RGB 242 33 134

HSL 331, 0.89%, 0.54%

LAB 53.69, 78.82, -1.58

 

CMYK 0 / 80 / 40 / 0

HEX #FF3399

RGB 255 51 153

HSL 330, 1%, 0.6%

LAB 57.97, 79.82, -6.27

 

CMYK 0 / 73 / 33 / 0

HEX #FF45AC

RGB 255 69 172

HSL 326.77, 1%, 0.64%

LAB 60.33, 76.79, -13.81

 

CMYK 0 / 66 / 25 / 0

HEX #FF57BF

RGB 255 87 191

HSL 322.86, 1%, 0.67%

LAB 63.21, 72.83, -20.35

 

CMYK 0 / 59 / 18 / 0

HEX #FF69D2

RGB 255 105 210

HSL 318, 1%, 0.71%

LAB 66.53, 68.17, -25.99

 

CMYK 0 / 86 / 41 / 7

HEX #ED218B

RGB 237 33 139

HSL 328.82, 0.85%, 0.53%

LAB 52.9, 78.11, -5.85

 

CMYK 0 / 93 / 45 / 14

HEX #DC0F78

RGB 220 15 120

HSL 329.27, 0.87%, 0.46%

LAB 48.15, 75.18, -1.72

 

CMYK 0 / 100 / 50 / 20

HEX #CB0065

RGB 203 0 101

HSL 330.15, 1%, 0.4%

LAB 43.71, 71.24, 3.16

 

CMYK 0 / 100 / 56 / 27

HEX #BA0052

RGB 186 0 82

HSL 333.55, 1%, 0.36%

LAB 39.66, 66.01, 8.95

 

CMYK 0 / 100 / 63 / 34

HEX #A9003F

RGB 169 0 63

HSL 337.63, 1%, 0.33%

LAB 35.58, 60.79, 15.05

 

CMYK 0 / 86 / 41 / 7

HEX #ED218B

RGB 237 33 139

HSL 328.82, 0.85%, 0.53%

LAB 52.9, 78.11, -5.85

 

CMYK 0 / 86 / 65 / 7

HEX #ED2154

RGB 237 33 84

HSL 345, 0.85%, 0.53%

LAB 51.53, 74.22, 25.48

 

CMYK 0 / 86 / 86 / 7

HEX #ED2121

RGB 237 33 33

HSL 0, 0.85%, 0.53%

LAB 50.92, 72.44, 53.27

 

CMYK 0 / 86 / 41 / 7

HEX #ED218B

RGB 237 33 139

HSL 328.82, 0.85%, 0.53%

LAB 52.9, 78.11, -5.85

 

CMYK 0 / 86 / 18 / 7

HEX #ED21C2

RGB 237 33 194

HSL 312.65, 0.85%, 0.53%

LAB 55.06, 84, -34.9

 

CMYK 5 / 86 / 0 / 7

HEX #E121ED

RGB 225 33 237

HSL 296.47, 0.85%, 0.53%

LAB 55.29, 87.78, -59.15

 

CMYK 28 / 86 / 0 / 7

HEX #AA21ED

RGB 170 33 237

HSL 280.29, 0.85%, 0.53%

LAB 46.64, 79.3, -73.55

 

CMYK 51 / 86 / 0 / 7

HEX #7321ED

RGB 115 33 237

HSL 264.12, 0.85%, 0.53%

LAB 39.32, 72.67, -85.84

 

CMYK 0 / 86 / 41 / 7

HEX #ED218B

RGB 237 33 139

HSL 328.82, 0.85%, 0.53%

LAB 52.9, 78.11, -5.85

 

CMYK 0 / 86 / 41 / 7

HEX #ED218B

RGB 237 33 139

HSL 328.82, 0.85%, 0.53%

LAB 52.9, 78.11, -5.85

 

CMYK 0 / 76 / 36 / 15

HEX #D9348A

RGB 217 52 138

HSL 328.73, 0.68%, 0.53%

LAB 50.74, 68.77, -8.87

 

CMYK 0 / 64 / 31 / 22

HEX #C64889

RGB 198 72 137

HSL 329.05, 0.53%, 0.53%

LAB 50.03, 56.26, -9.65

 

CMYK 0 / 49 / 24 / 30

HEX #B25B88

RGB 178 91 136

HSL 328.97, 0.36%, 0.53%

LAB 50.36, 40.78, -8.87

 

CMYK 0 / 31 / 14 / 38

HEX #9F6E88

RGB 159 110 136

HSL 328.16, 0.2%, 0.53%

LAB 52.18, 23.56, -6.42

 

CMYK 6 / 86 / 0 / 7

HEX #DF21ED

RGB 223 33 237

HSL 295.88, 0.85%, 0.53%

LAB 54.96, 87.45, -59.69

 

CMYK 0 / 86 / 17 / 7

HEX #ED21C4

RGB 237 33 196

HSL 312.06, 0.85%, 0.53%

LAB 55.15, 84.25, -35.91

 

CMYK 0 / 86 / 41 / 7

HEX #ED218D

RGB 237 33 141

HSL 328.24, 0.85%, 0.53%

LAB 52.97, 78.29, -6.95

 

CMYK 0 / 86 / 63 / 7

HEX #ED2157

RGB 237 33 87

HSL 344.12, 0.85%, 0.53%

LAB 51.59, 74.38, 23.74

 

CMYK 0 / 86 / 86 / 7

HEX #ED2121

RGB 237 33 33

HSL 0, 0.85%, 0.53%

LAB 50.92, 72.44, 53.27

 

CMYK 0 / 92 / 44 / 32

HEX #AD0E61

RGB 173 14 97

HSL 328.68, 0.85%, 0.37%

LAB 37.95, 62.59, -3.45

 

CMYK 0 / 92 / 44 / 17

HEX #D31176

RGB 211 17 118

HSL 328.76, 0.85%, 0.45%

LAB 46.39, 72.78, -3.29

 

CMYK 0 / 86 / 41 / 7

HEX #ED218B

RGB 237 33 139

HSL 328.82, 0.85%, 0.53%

LAB 52.9, 78.11, -5.85

 

CMYK 0 / 70 / 34 / 6

HEX #F0479F

RGB 240 71 159

HSL 328.76, 0.85%, 0.61%

LAB 57.59, 70.88, -10.62

 

CMYK 0 / 55 / 26 / 5

HEX #F36DB3

RGB 243 109 179

HSL 328.66, 0.85%, 0.69%

LAB 64.36, 58.77, -11.95

 

CMYK 0 / 86 / 41 / 7

HEX #ED218B

RGB 237 33 139

HSL 328.82, 0.85%, 0.53%

LAB 52.9, 78.11, -5.85

 

CMYK 0 / 29 / 86 / 7

HEX #EDA921

RGB 237 169 33

HSL 40, 0.85%, 0.53%

LAB 73.86, 14.63, 71.84

 

CMYK 86 / 6 / 0 / 7

HEX #21DFED

RGB 33 223 237

HSL 184.12, 0.85%, 0.53%

LAB 81.41, -38.12, -19.28

 

CMYK 0 / 86 / 41 / 7

HEX #ED218B

RGB 237 33 139

HSL 328.82, 0.85%, 0.53%

LAB 52.9, 78.11, -5.85

 

CMYK 41 / 0 / 86 / 7

HEX #8DED21

RGB 141 237 33

HSL 88.24, 0.85%, 0.53%

LAB 85.17, -56.63, 78.4

 

CMYK 86 / 41 / 0 / 7

HEX #218DED

RGB 33 141 237

HSL 208.24, 0.85%, 0.53%

LAB 57.55, 5.21, -56.41

 

CMYK 0 / 86 / 41 / 7

HEX #ED218B

RGB 237 33 139

HSL 328.82, 0.85%, 0.53%

LAB 52.9, 78.11, -5.85

 

CMYK 0 / 29 / 86 / 7

HEX #EDA921

RGB 237 169 33

HSL 40, 0.85%, 0.53%

LAB 73.86, 14.63, 71.84

 

CMYK 86 / 0 / 46 / 7

HEX #21ED80

RGB 33 237 128

HSL 147.94, 0.85%, 0.53%

LAB 83.15, -69.66, 39.89

 

CMYK 86 / 57 / 0 / 7

HEX #2165ED

RGB 33 101 237

HSL 220, 0.85%, 0.53%

LAB 46.64, 30.19, -74.02

 

CMYK 0 / 86 / 41 / 7

HEX #ED218B

RGB 237 33 139

HSL 328.82, 0.85%, 0.53%

LAB 52.9, 78.11, -5.85

 

CMYK 0 / 3 / 86 / 7

HEX #EDE621

RGB 237 230 33

HSL 57.94, 0.85%, 0.53%

LAB 89.26, -16.6, 84.24

 

CMYK 86 / 0 / 46 / 7

HEX #21ED80

RGB 33 237 128

HSL 147.94, 0.85%, 0.53%

LAB 83.15, -69.66, 39.89

 

CMYK 86 / 83 / 0 / 7

HEX #2128ED

RGB 33 40 237

HSL 237.94, 0.85%, 0.53%

LAB 33.89, 64.85, -95.04

 

Description

Color code: HEX #ED218B | qconv.com Color code: HEX #ED218B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 33 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 33 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 41 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 41% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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