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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED19DC it is the complementary color #12E623. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED19DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED19DC shade: #F219D7, #FF2BEA, #FF3DFD, #FF4FFF and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED19DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED19DC shade: #ED19DC, #DC07C9, #CB00B6, #BA00A3 and #A90090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED19DC shade: #EC18DB, #EC18A2, #EC1869, #EC182F and #EC1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED19DC shade: #EC18DB, #C418EC, #8B18EC, #5118EC and #1818EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED19DC shade matches the following richer shades: #EC18DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED19DC shade: #EC18DB, #D82CCA, #C440B9, #B054A8 and #9B6997

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED19DC shade: #8918EC, #C218EC, #EC18DE, #EC18A5 and #EC186D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED19DC shade: #A40D98, #CA10BC, #EC18DB, #EF3EE1 and #F264E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED19DC shade: #ED19DC, #EC5018 and #18ECA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED19DC shade: #ED19DC, #DEEC18 and #18DEEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED19DC shade: #ED19DC, #EC5018, #18EC26 and #18B4EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED19DC shade: #ED19DC, #EC9018, #18EC26 and #1874EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 7 / 7

HEX #ED19DC

RGB 237 25 220

HSL 304.81, 0.85%, 0.51%

LAB 55.95, 88.55, -48.37

 

Complementary color

CMYK 92 / 0 / 85 / 10

HEX #12E623

RGB 18 230 35

HSL 124.81, 0.85%, 0.49%

LAB 80.09, -78.16, 72.41

 

CMYK 0 / 90 / 11 / 5

HEX #F219D7

RGB 242 25 215

HSL 307.47, 0.89%, 0.52%

LAB 56.56, 88.77, -44.51

 

CMYK 0 / 83 / 8 / 0

HEX #FF2BEA

RGB 255 43 234

HSL 305.94, 1%, 0.58%

LAB 60.72, 90.85, -48.52

 

CMYK 0 / 76 / 1 / 0

HEX #FF3DFD

RGB 255 61 253

HSL 300.62, 1%, 0.62%

LAB 63.09, 89.55, -55.32

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 89 / 7 / 7

HEX #ED19DC

RGB 237 25 220

HSL 304.81, 0.85%, 0.51%

LAB 55.95, 88.55, -48.37

 

CMYK 0 / 97 / 9 / 14

HEX #DC07C9

RGB 220 7 201

HSL 305.35, 0.94%, 0.45%

LAB 51.36, 84.75, -44.97

 

CMYK 0 / 100 / 10 / 20

HEX #CB00B6

RGB 203 0 182

HSL 306.21, 1%, 0.4%

LAB 47.07, 79.82, -40.91

 

CMYK 0 / 100 / 12 / 27

HEX #BA00A3

RGB 186 0 163

HSL 307.42, 1%, 0.36%

LAB 42.89, 74.29, -36.46

 

CMYK 0 / 100 / 15 / 34

HEX #A90090

RGB 169 0 144

HSL 308.88, 1%, 0.33%

LAB 38.64, 68.66, -31.88

 

CMYK 0 / 90 / 7 / 7

HEX #EC18DB

RGB 236 24 219

HSL 304.81, 0.85%, 0.51%

LAB 55.69, 88.36, -48.24

 

CMYK 0 / 90 / 31 / 7

HEX #EC18A2

RGB 236 24 162

HSL 320.94, 0.85%, 0.51%

LAB 53.05, 81.5, -19.33

 

CMYK 0 / 90 / 56 / 7

HEX #EC1869

RGB 236 24 105

HSL 337.08, 0.85%, 0.51%

LAB 51.27, 76.64, 12.34

 

CMYK 0 / 90 / 80 / 7

HEX #EC182F

RGB 236 24 47

HSL 353.49, 0.85%, 0.51%

LAB 50.32, 73.97, 45.57

 

CMYK 0 / 90 / 90 / 7

HEX #EC1818

RGB 236 24 24

HSL 0, 0.85%, 0.51%

LAB 50.16, 73.5, 56.5

 

CMYK 0 / 90 / 7 / 7

HEX #EC18DB

RGB 236 24 219

HSL 304.81, 0.85%, 0.51%

LAB 55.69, 88.36, -48.24

 

CMYK 17 / 90 / 0 / 7

HEX #C418EC

RGB 196 24 236

HSL 288.68, 0.85%, 0.51%

LAB 50.03, 84.47, -67.3

 

CMYK 41 / 90 / 0 / 7

HEX #8B18EC

RGB 139 24 236

HSL 272.55, 0.85%, 0.51%

LAB 41.53, 77.08, -81.53

 

CMYK 66 / 90 / 0 / 7

HEX #5118EC

RGB 81 24 236

HSL 256.13, 0.85%, 0.51%

LAB 34.92, 72.15, -92.67

 

CMYK 90 / 90 / 0 / 7

HEX #1818EC

RGB 24 24 236

HSL 240, 0.85%, 0.51%

LAB 31.59, 70.06, -98.32

 

CMYK 0 / 90 / 7 / 7

HEX #EC18DB

RGB 236 24 219

HSL 304.81, 0.85%, 0.51%

LAB 55.69, 88.36, -48.24

 

CMYK 0 / 90 / 7 / 7

HEX #EC18DB

RGB 236 24 219

HSL 304.81, 0.85%, 0.51%

LAB 55.69, 88.36, -48.24

 

CMYK 0 / 80 / 6 / 15

HEX #D82CCA

RGB 216 44 202

HSL 304.88, 0.69%, 0.51%

LAB 52.58, 78.71, -43.66

 

CMYK 0 / 67 / 6 / 23

HEX #C440B9

RGB 196 64 185

HSL 305, 0.53%, 0.51%

LAB 50.58, 65.71, -37.21

 

CMYK 0 / 52 / 5 / 31

HEX #B054A8

RGB 176 84 168

HSL 305.22, 0.37%, 0.51%

LAB 49.98, 48.88, -28.42

 

CMYK 0 / 32 / 3 / 39

HEX #9B6997

RGB 155 105 151

HSL 304.8, 0.2%, 0.51%

LAB 51.04, 27.73, -17.01

 

CMYK 42 / 90 / 0 / 7

HEX #8918EC

RGB 137 24 236

HSL 271.98, 0.85%, 0.51%

LAB 41.26, 76.86, -81.99

 

CMYK 18 / 90 / 0 / 7

HEX #C218EC

RGB 194 24 236

HSL 288.11, 0.85%, 0.51%

LAB 49.71, 84.18, -67.83

 

CMYK 0 / 90 / 6 / 7

HEX #EC18DE

RGB 236 24 222

HSL 303.96, 0.85%, 0.51%

LAB 55.85, 88.77, -49.69

 

CMYK 0 / 90 / 30 / 7

HEX #EC18A5

RGB 236 24 165

HSL 320.09, 0.85%, 0.51%

LAB 53.17, 81.81, -20.92

 

CMYK 0 / 90 / 54 / 7

HEX #EC186D

RGB 236 24 109

HSL 335.94, 0.85%, 0.51%

LAB 51.37, 76.91, 10.04

 

CMYK 0 / 92 / 7 / 36

HEX #A40D98

RGB 164 13 152

HSL 304.77, 0.85%, 0.35%

LAB 38.63, 67.36, -36.82

 

CMYK 0 / 92 / 7 / 21

HEX #CA10BC

RGB 202 16 188

HSL 304.52, 0.85%, 0.43%

LAB 47.7, 79.05, -43.44

 

CMYK 0 / 90 / 7 / 7

HEX #EC18DB

RGB 236 24 219

HSL 304.81, 0.85%, 0.51%

LAB 55.69, 88.36, -48.24

 

CMYK 0 / 74 / 6 / 6

HEX #EF3EE1

RGB 239 62 225

HSL 304.75, 0.85%, 0.59%

LAB 59.19, 81.97, -46.05

 

CMYK 0 / 59 / 5 / 5

HEX #F264E7

RGB 242 100 231

HSL 304.65, 0.85%, 0.67%

LAB 64.77, 70.01, -40.59

 

CMYK 0 / 89 / 7 / 7

HEX #ED19DC

RGB 237 25 220

HSL 304.81, 0.85%, 0.51%

LAB 55.95, 88.55, -48.37

 

CMYK 0 / 66 / 90 / 7

HEX #EC5018

RGB 236 80 24

HSL 15.85, 0.85%, 0.51%

LAB 55.72, 57.98, 60.41

 

CMYK 90 / 0 / 30 / 7

HEX #18ECA5

RGB 24 236 165

HSL 159.91, 0.85%, 0.51%

LAB 83.39, -62.79, 21.53

 

CMYK 0 / 89 / 7 / 7

HEX #ED19DC

RGB 237 25 220

HSL 304.81, 0.85%, 0.51%

LAB 55.95, 88.55, -48.37

 

CMYK 6 / 0 / 90 / 7

HEX #DEEC18

RGB 222 236 24

HSL 63.96, 0.85%, 0.51%

LAB 89.67, -25.87, 85.56

 

CMYK 90 / 6 / 0 / 7

HEX #18DEEC

RGB 24 222 236

HSL 183.96, 0.85%, 0.51%

LAB 81.01, -38.41, -19.35

 

CMYK 0 / 89 / 7 / 7

HEX #ED19DC

RGB 237 25 220

HSL 304.81, 0.85%, 0.51%

LAB 55.95, 88.55, -48.37

 

CMYK 0 / 66 / 90 / 7

HEX #EC5018

RGB 236 80 24

HSL 15.85, 0.85%, 0.51%

LAB 55.72, 57.98, 60.41

 

CMYK 90 / 0 / 84 / 7

HEX #18EC26

RGB 24 236 38

HSL 123.96, 0.85%, 0.51%

LAB 82.01, -79.33, 73.48

 

CMYK 90 / 24 / 0 / 7

HEX #18B4EC

RGB 24 180 236

HSL 195.85, 0.85%, 0.51%

LAB 68.67, -17.72, -38.3

 

CMYK 0 / 89 / 7 / 7

HEX #ED19DC

RGB 237 25 220

HSL 304.81, 0.85%, 0.51%

LAB 55.95, 88.55, -48.37

 

CMYK 0 / 39 / 90 / 7

HEX #EC9018

RGB 236 144 24

HSL 33.96, 0.85%, 0.51%

LAB 67.91, 27.25, 69.36

 

CMYK 90 / 0 / 84 / 7

HEX #18EC26

RGB 24 236 38

HSL 123.96, 0.85%, 0.51%

LAB 82.01, -79.33, 73.48

 

CMYK 90 / 51 / 0 / 7

HEX #1874EC

RGB 24 116 236

HSL 213.96, 0.85%, 0.51%

LAB 50.38, 19.75, -67.38

 

Description

Color code: HEX #ED19DC | qconv.com Color code: HEX #ED19DC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 25 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 25 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 7 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 7% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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