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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECFD71 it is the complementary color #13028E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECFD71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECFD71 shade: #F1FD6C, #FFFF7F, #FFFF92, #FFFFA5 and #FFFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECFD71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECFD71 shade: #ECFD71, #DBEB5E, #CAD94B, #B9C738 and #A8B525

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECFD71 shade: #ECFD72, #FDE872, #FDC372, #FD9E72 and #FD7872

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECFD71 shade: #ECFD72, #C7FD72, #A1FD72, #7CFD72 and #72FD8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECFD71 shade matches the following richer shades: #ECFD72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECFD71 shade: #ECFD72, #E3F17E, #DBE689, #D2DA95 and #C9CFA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECFD71 shade: #FDC372, #FDE872, #EDFD72, #C8FD72 and #A3FD72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECFD71 shade: #E1FC21, #E7FC4A, #ECFD72, #F2FD9B and #F7FEC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECFD71 shade: #ECFD71, #72FD9E and #D672FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECFD71 shade: #ECFD71, #72EDFD and #FD72ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECFD71 shade: #ECFD71, #72FD9E, #8372FD and #FD72D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECFD71 shade: #ECFD71, #72FDC8, #8372FD and #FD72A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 55 / 1

HEX #ECFD71

RGB 236 253 113

HSL 67.29, 0.97%, 0.72%

LAB 95.7, -24.18, 63.86

 

Complementary color

CMYK 87 / 99 / 0 / 44

HEX #13028E

RGB 19 2 142

HSL 247.29, 0.97%, 0.28%

LAB 16.18, 50.78, -68.17

 

CMYK 5 / 0 / 57 / 1

HEX #F1FD6C

RGB 241 253 108

HSL 64.97, 0.97%, 0.71%

LAB 96.01, -22.61, 66.46

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 7 / 0 / 55 / 1

HEX #ECFD71

RGB 236 253 113

HSL 67.29, 0.97%, 0.72%

LAB 95.7, -24.18, 63.86

 

CMYK 7 / 0 / 60 / 8

HEX #DBEB5E

RGB 219 235 94

HSL 66.81, 0.78%, 0.65%

LAB 89.53, -23.7, 64.74

 

CMYK 7 / 0 / 65 / 15

HEX #CAD94B

RGB 202 217 75

HSL 66.34, 0.65%, 0.57%

LAB 83.28, -23.12, 65.41

 

CMYK 7 / 0 / 72 / 22

HEX #B9C738

RGB 185 199 56

HSL 65.87, 0.56%, 0.5%

LAB 76.95, -22.41, 65.71

 

CMYK 7 / 0 / 80 / 29

HEX #A8B525

RGB 168 181 37

HSL 65.42, 0.66%, 0.43%

LAB 70.53, -21.53, 65.34

 

CMYK 7 / 0 / 55 / 1

HEX #ECFD72

RGB 236 253 114

HSL 67.34, 0.97%, 0.72%

LAB 95.7, -24.11, 63.44

 

CMYK 0 / 8 / 55 / 1

HEX #FDE872

RGB 253 232 114

HSL 50.94, 0.97%, 0.72%

LAB 91.6, -7.15, 59.08

 

CMYK 0 / 23 / 55 / 1

HEX #FDC372

RGB 253 195 114

HSL 34.96, 0.97%, 0.72%

LAB 82.45, 11.75, 48.27

 

CMYK 0 / 38 / 55 / 1

HEX #FD9E72

RGB 253 158 114

HSL 18.99, 0.97%, 0.72%

LAB 73.9, 31.09, 37.71

 

CMYK 0 / 53 / 55 / 1

HEX #FD7872

RGB 253 120 114

HSL 2.59, 0.97%, 0.72%

LAB 66.16, 50.19, 27.72

 

CMYK 7 / 0 / 55 / 1

HEX #ECFD72

RGB 236 253 114

HSL 67.34, 0.97%, 0.72%

LAB 95.7, -24.11, 63.44

 

CMYK 21 / 0 / 55 / 1

HEX #C7FD72

RGB 199 253 114

HSL 83.31, 0.97%, 0.72%

LAB 93.28, -38.07, 60.02

 

CMYK 36 / 0 / 55 / 1

HEX #A1FD72

RGB 161 253 114

HSL 99.71, 0.97%, 0.72%

LAB 91.25, -51.12, 57.15

 

CMYK 51 / 0 / 55 / 1

HEX #7CFD72

RGB 124 253 114

HSL 115.68, 0.97%, 0.72%

LAB 89.74, -61.88, 54.99

 

CMYK 55 / 0 / 44 / 1

HEX #72FD8E

RGB 114 253 142

HSL 132.09, 0.97%, 0.72%

LAB 89.76, -60.61, 41.85

 

CMYK 7 / 0 / 55 / 1

HEX #ECFD72

RGB 236 253 114

HSL 67.34, 0.97%, 0.72%

LAB 95.7, -24.11, 63.44

 

CMYK 7 / 0 / 55 / 1

HEX #ECFD72

RGB 236 253 114

HSL 67.34, 0.97%, 0.72%

LAB 95.7, -24.11, 63.44

 

CMYK 6 / 0 / 48 / 5

HEX #E3F17E

RGB 227 241 126

HSL 67.3, 0.8%, 0.72%

LAB 92.02, -20.83, 53.55

 

CMYK 5 / 0 / 40 / 10

HEX #DBE689

RGB 219 230 137

HSL 67.1, 0.65%, 0.72%

LAB 88.67, -17.46, 44.01

 

CMYK 4 / 0 / 32 / 15

HEX #D2DA95

RGB 210 218 149

HSL 66.96, 0.48%, 0.72%

LAB 85, -13.53, 33.13

 

CMYK 3 / 0 / 22 / 19

HEX #C9CFA1

RGB 201 207 161

HSL 67.83, 0.32%, 0.72%

LAB 81.63, -9.7, 22.23

 

CMYK 0 / 23 / 55 / 1

HEX #FDC372

RGB 253 195 114

HSL 34.96, 0.97%, 0.72%

LAB 82.45, 11.75, 48.27

 

CMYK 0 / 8 / 55 / 1

HEX #FDE872

RGB 253 232 114

HSL 50.94, 0.97%, 0.72%

LAB 91.6, -7.15, 59.08

 

CMYK 6 / 0 / 55 / 1

HEX #EDFD72

RGB 237 253 114

HSL 66.91, 0.97%, 0.72%

LAB 95.78, -23.72, 63.54

 

CMYK 21 / 0 / 55 / 1

HEX #C8FD72

RGB 200 253 114

HSL 82.88, 0.97%, 0.72%

LAB 93.34, -37.7, 60.11

 

CMYK 36 / 0 / 55 / 1

HEX #A3FD72

RGB 163 253 114

HSL 98.85, 0.97%, 0.72%

LAB 91.35, -50.47, 57.28

 

CMYK 11 / 0 / 87 / 1

HEX #E1FC21

RGB 225 252 33

HSL 67.4, 0.97%, 0.56%

LAB 94.2, -31.93, 87.86

 

CMYK 8 / 0 / 71 / 1

HEX #E7FC4A

RGB 231 252 74

HSL 67.08, 0.97%, 0.64%

LAB 94.78, -28.13, 77.97

 

CMYK 7 / 0 / 55 / 1

HEX #ECFD72

RGB 236 253 114

HSL 67.34, 0.97%, 0.72%

LAB 95.7, -24.11, 63.44

 

CMYK 4 / 0 / 39 / 1

HEX #F2FD9B

RGB 242 253 155

HSL 66.73, 0.96%, 0.8%

LAB 96.61, -17.97, 45.65

 

CMYK 3 / 0 / 23 / 0

HEX #F7FEC4

RGB 247 254 196

HSL 67.24, 0.97%, 0.88%

LAB 97.89, -11.53, 27.04

 

CMYK 7 / 0 / 55 / 1

HEX #ECFD71

RGB 236 253 113

HSL 67.29, 0.97%, 0.72%

LAB 95.7, -24.18, 63.86

 

CMYK 55 / 0 / 38 / 1

HEX #72FD9E

RGB 114 253 158

HSL 138.99, 0.97%, 0.72%

LAB 90, -58.06, 34.3

 

CMYK 15 / 55 / 0 / 1

HEX #D672FD

RGB 214 114 253

HSL 283.17, 0.97%, 0.72%

LAB 64.5, 60.58, -53.43

 

CMYK 7 / 0 / 55 / 1

HEX #ECFD71

RGB 236 253 113

HSL 67.29, 0.97%, 0.72%

LAB 95.7, -24.18, 63.86

 

CMYK 55 / 6 / 0 / 1

HEX #72EDFD

RGB 114 237 253

HSL 186.91, 0.97%, 0.72%

LAB 87.6, -30.01, -18.21

 

CMYK 0 / 55 / 6 / 1

HEX #FD72ED

RGB 253 114 237

HSL 306.91, 0.97%, 0.72%

LAB 68.77, 67.79, -37.56

 

CMYK 7 / 0 / 55 / 1

HEX #ECFD71

RGB 236 253 113

HSL 67.29, 0.97%, 0.72%

LAB 95.7, -24.18, 63.86

 

CMYK 55 / 0 / 38 / 1

HEX #72FD9E

RGB 114 253 158

HSL 138.99, 0.97%, 0.72%

LAB 90, -58.06, 34.3

 

CMYK 48 / 55 / 0 / 1

HEX #8372FD

RGB 131 114 253

HSL 247.34, 0.97%, 0.72%

LAB 56.04, 41.29, -67.44

 

CMYK 0 / 55 / 17 / 1

HEX #FD72D1

RGB 253 114 209

HSL 318.99, 0.97%, 0.72%

LAB 67.67, 63.55, -23.72

 

CMYK 7 / 0 / 55 / 1

HEX #ECFD71

RGB 236 253 113

HSL 67.29, 0.97%, 0.72%

LAB 95.7, -24.18, 63.86

 

CMYK 55 / 0 / 21 / 1

HEX #72FDC8

RGB 114 253 200

HSL 157.12, 0.97%, 0.72%

LAB 90.78, -50.04, 14.05

 

CMYK 48 / 55 / 0 / 1

HEX #8372FD

RGB 131 114 253

HSL 247.34, 0.97%, 0.72%

LAB 56.04, 41.29, -67.44

 

CMYK 0 / 55 / 34 / 1

HEX #FD72A7

RGB 253 114 167

HSL 337.12, 0.97%, 0.72%

LAB 66.3, 58.11, -2.1

 

Description

Color code: HEX #ECFD71 | qconv.com Color code: HEX #ECFD71 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 253 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 253 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 55 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 55% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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