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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECF44F it is the complementary color #130BB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECF44F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECF44F shade: #F1F44A, #FFFF5D, #FFFF70, #FFFF83 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECF44F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECF44F shade: #ECF44F, #DBE23C, #CAD029, #B9BE16 and #A8AC03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECF44F shade: #ECF44E, #F4CF4E, #F4A24E, #F4754E and #F44E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECF44F shade: #ECF44E, #BFF44E, #92F44E, #65F44E and #4EF463

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECF44F shade matches the following richer shades: #ECF44E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECF44F shade: #ECF44E, #DEE45D, #D0D56C, #C2C67B and #B4B78B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECF44F shade: #F4A14E, #F4CD4E, #EEF44E, #C2F44E and #96F44E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECF44F shade: #D6E00E, #E7F127, #ECF44E, #F0F674 and #F4F99B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECF44F shade: #ECF44F, #4EF474 and #B74EF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECF44F shade: #ECF44F, #4EEEF4 and #F44EEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECF44F shade: #ECF44F, #4EF474, #534EF4 and #F44ECD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECF44F shade: #ECF44F, #4EF4A6, #534EF4 and #F44E9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 68 / 4

HEX #ECF44F

RGB 236 244 79

HSL 62.91, 0.88%, 0.63%

LAB 93.06, -22.11, 74.66

 

Complementary color

CMYK 89 / 94 / 0 / 31

HEX #130BB0

RGB 19 11 176

HSL 242.91, 0.88%, 0.37%

LAB 21.99, 57.41, -79.3

 

CMYK 1 / 0 / 70 / 4

HEX #F1F44A

RGB 241 244 74

HSL 61.06, 0.89%, 0.62%

LAB 93.41, -20.34, 76.89

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5D

RGB 255 255 93

HSL 60, 1%, 0.68%

LAB 97.46, -18.98, 74.38

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 3 / 0 / 68 / 4

HEX #ECF44F

RGB 236 244 79

HSL 62.91, 0.88%, 0.63%

LAB 93.06, -22.11, 74.66

 

CMYK 3 / 0 / 73 / 11

HEX #DBE23C

RGB 219 226 60

HSL 62.53, 0.74%, 0.56%

LAB 86.89, -21.28, 74.73

 

CMYK 3 / 0 / 80 / 18

HEX #CAD029

RGB 202 208 41

HSL 62.16, 0.67%, 0.49%

LAB 80.64, -20.3, 74.14

 

CMYK 3 / 0 / 88 / 25

HEX #B9BE16

RGB 185 190 22

HSL 61.79, 0.79%, 0.42%

LAB 74.32, -19.14, 72.53

 

CMYK 2 / 0 / 98 / 33

HEX #A8AC03

RGB 168 172 3

HSL 61.42, 0.97%, 0.34%

LAB 67.9, -17.77, 69.58

 

CMYK 3 / 0 / 68 / 4

HEX #ECF44E

RGB 236 244 78

HSL 62.89, 0.88%, 0.63%

LAB 93.05, -22.16, 75.01

 

CMYK 0 / 15 / 68 / 4

HEX #F4CF4E

RGB 244 207 78

HSL 46.63, 0.88%, 0.63%

LAB 84.18, -0.52, 66.25

 

CMYK 0 / 34 / 68 / 4

HEX #F4A24E

RGB 244 162 78

HSL 30.36, 0.88%, 0.63%

LAB 73.3, 22.98, 54.75

 

CMYK 0 / 52 / 68 / 4

HEX #F4754E

RGB 244 117 78

HSL 14.1, 0.88%, 0.63%

LAB 63.76, 46.04, 44.06

 

CMYK 0 / 68 / 68 / 4

HEX #F44E4E

RGB 244 78 78

HSL 0, 0.88%, 0.63%

LAB 57.3, 63.09, 36.46

 

CMYK 3 / 0 / 68 / 4

HEX #ECF44E

RGB 236 244 78

HSL 62.89, 0.88%, 0.63%

LAB 93.05, -22.16, 75.01

 

CMYK 22 / 0 / 68 / 4

HEX #BFF44E

RGB 191 244 78

HSL 79.16, 0.88%, 0.63%

LAB 90.01, -39.76, 70.96

 

CMYK 40 / 0 / 68 / 4

HEX #92F44E

RGB 146 244 78

HSL 95.42, 0.88%, 0.63%

LAB 87.66, -55.45, 67.79

 

CMYK 59 / 0 / 68 / 4

HEX #65F44E

RGB 101 244 78

HSL 111.69, 0.88%, 0.63%

LAB 86.02, -67.88, 65.56

 

CMYK 68 / 0 / 59 / 4

HEX #4EF463

RGB 78 244 99

HSL 127.59, 0.88%, 0.63%

LAB 85.62, -70.48, 56.45

 

CMYK 3 / 0 / 68 / 4

HEX #ECF44E

RGB 236 244 78

HSL 62.89, 0.88%, 0.63%

LAB 93.05, -22.16, 75.01

 

CMYK 3 / 0 / 68 / 4

HEX #ECF44E

RGB 236 244 78

HSL 62.89, 0.88%, 0.63%

LAB 93.05, -22.16, 75.01

 

CMYK 3 / 0 / 59 / 11

HEX #DEE45D

RGB 222 228 93

HSL 62.67, 0.71%, 0.63%

LAB 87.88, -19.19, 63.43

 

CMYK 2 / 0 / 49 / 16

HEX #D0D56C

RGB 208 213 108

HSL 62.86, 0.56%, 0.63%

LAB 82.96, -16.26, 50.81

 

CMYK 2 / 0 / 38 / 22

HEX #C2C67B

RGB 194 198 123

HSL 63.2, 0.4%, 0.63%

LAB 78.04, -12.75, 37.12

 

CMYK 2 / 0 / 24 / 28

HEX #B4B78B

RGB 180 183 139

HSL 64.09, 0.23%, 0.63%

LAB 73.18, -8.39, 22.09

 

CMYK 0 / 34 / 68 / 4

HEX #F4A14E

RGB 244 161 78

HSL 30, 0.88%, 0.63%

LAB 73.07, 23.51, 54.5

 

CMYK 0 / 16 / 68 / 4

HEX #F4CD4E

RGB 244 205 78

HSL 45.9, 0.88%, 0.63%

LAB 83.68, 0.5, 65.74

 

CMYK 2 / 0 / 68 / 4

HEX #EEF44E

RGB 238 244 78

HSL 62.17, 0.88%, 0.63%

LAB 93.2, -21.36, 75.21

 

CMYK 20 / 0 / 68 / 4

HEX #C2F44E

RGB 194 244 78

HSL 78.07, 0.88%, 0.63%

LAB 90.19, -38.63, 71.2

 

CMYK 39 / 0 / 68 / 4

HEX #96F44E

RGB 150 244 78

HSL 93.98, 0.88%, 0.63%

LAB 87.84, -54.17, 68.04

 

CMYK 4 / 0 / 94 / 12

HEX #D6E00E

RGB 214 224 14

HSL 62.86, 0.88%, 0.47%

LAB 85.83, -23.6, 83.56

 

CMYK 4 / 0 / 84 / 5

HEX #E7F127

RGB 231 241 39

HSL 62.97, 0.88%, 0.55%

LAB 91.71, -24.24, 84.86

 

CMYK 3 / 0 / 68 / 4

HEX #ECF44E

RGB 236 244 78

HSL 62.89, 0.88%, 0.63%

LAB 93.05, -22.16, 75.01

 

CMYK 2 / 0 / 53 / 4

HEX #F0F674

RGB 240 246 116

HSL 62.77, 0.88%, 0.71%

LAB 94.18, -19.04, 60.9

 

CMYK 2 / 0 / 38 / 2

HEX #F4F99B

RGB 244 249 155

HSL 63.19, 0.89%, 0.79%

LAB 95.73, -15.27, 44.55

 

CMYK 3 / 0 / 68 / 4

HEX #ECF44F

RGB 236 244 79

HSL 62.91, 0.88%, 0.63%

LAB 93.06, -22.11, 74.66

 

CMYK 68 / 0 / 52 / 4

HEX #4EF474

RGB 78 244 116

HSL 133.73, 0.88%, 0.63%

LAB 85.8, -68.37, 49.04

 

CMYK 25 / 68 / 0 / 4

HEX #B74EF4

RGB 183 78 244

HSL 277.95, 0.88%, 0.63%

LAB 54.08, 68.15, -65.34

 

CMYK 3 / 0 / 68 / 4

HEX #ECF44F

RGB 236 244 79

HSL 62.91, 0.88%, 0.63%

LAB 93.06, -22.11, 74.66

 

CMYK 68 / 2 / 0 / 4

HEX #4EEEF4

RGB 78 238 244

HSL 182.17, 0.88%, 0.63%

LAB 86.65, -38.72, -15.01

 

CMYK 0 / 68 / 2 / 4

HEX #F44EEE

RGB 244 78 238

HSL 302.17, 0.88%, 0.63%

LAB 62.38, 79.96, -48.23

 

CMYK 3 / 0 / 68 / 4

HEX #ECF44F

RGB 236 244 79

HSL 62.91, 0.88%, 0.63%

LAB 93.06, -22.11, 74.66

 

CMYK 68 / 0 / 52 / 4

HEX #4EF474

RGB 78 244 116

HSL 133.73, 0.88%, 0.63%

LAB 85.8, -68.37, 49.04

 

CMYK 66 / 68 / 0 / 4

HEX #534EF4

RGB 83 78 244

HSL 241.81, 0.88%, 0.63%

LAB 43.97, 51.35, -82.23

 

CMYK 0 / 68 / 16 / 4

HEX #F44ECD

RGB 244 78 205

HSL 314.1, 0.88%, 0.63%

LAB 60.86, 75.14, -32.07

 

CMYK 3 / 0 / 68 / 4

HEX #ECF44F

RGB 236 244 79

HSL 62.91, 0.88%, 0.63%

LAB 93.06, -22.11, 74.66

 

CMYK 68 / 0 / 32 / 4

HEX #4EF4A6

RGB 78 244 166

HSL 151.81, 0.88%, 0.63%

LAB 86.54, -60.02, 25.46

 

CMYK 66 / 68 / 0 / 4

HEX #534EF4

RGB 83 78 244

HSL 241.81, 0.88%, 0.63%

LAB 43.97, 51.35, -82.23

 

CMYK 0 / 68 / 36 / 4

HEX #F44E9B

RGB 244 78 155

HSL 332.17, 0.88%, 0.63%

LAB 59.02, 69.06, -6.09

 

Description

Color code: HEX #ECF44F | qconv.com Color code: HEX #ECF44F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 244 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 244 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 68 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 68% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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