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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECF27B it is the complementary color #130D84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECF27B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECF27B shade: #F1F276, #FFFF89, #FFFF9C, #FFFFAF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECF27B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECF27B shade: #ECF27B, #DBE068, #CACE55, #B9BC42 and #A8AA2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECF27B shade: #ECF27D, #F2D87D, #F2B97D, #F2997D and #F27D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECF27B shade: #ECF27D, #CDF27D, #ADF27D, #8EF27D and #7DF28C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECF27B shade matches the following richer shades: #ECF27D and #F7FE71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECF27B shade: #ECF27D, #E2E789, #D7DB94, #CDCFA0 and #C3C4AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECF27B shade: #F2BA7D, #F2D97D, #ECF27D, #CDF27D and #AEF27D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECF27B shade: #E1EB32, #E7EE58, #ECF27D, #F2F6A3 and #F7FAC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECF27B shade: #ECF27B, #7DF29A and #C97DF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECF27B shade: #ECF27B, #7DECF2 and #F27DEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECF27B shade: #ECF27B, #7DF29A, #837DF2 and #F27DD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECF27B shade: #ECF27B, #7DF2BD, #837DF2 and #F27DB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 49 / 5

HEX #ECF27B

RGB 236 242 123

HSL 63.03, 0.82%, 0.72%

LAB 92.91, -18.09, 56.17

 

Complementary color

CMYK 86 / 90 / 0 / 48

HEX #130D84

RGB 19 13 132

HSL 243.03, 0.82%, 0.28%

LAB 15.96, 44.14, -62.24

 

CMYK 0 / 0 / 51 / 5

HEX #F1F276

RGB 241 242 118

HSL 60.48, 0.83%, 0.71%

LAB 93.24, -16.55, 58.93

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 2 / 0 / 49 / 5

HEX #ECF27B

RGB 236 242 123

HSL 63.03, 0.82%, 0.72%

LAB 92.91, -18.09, 56.17

 

CMYK 2 / 0 / 54 / 12

HEX #DBE068

RGB 219 224 104

HSL 62.5, 0.66%, 0.64%

LAB 86.69, -17.63, 57.23

 

CMYK 2 / 0 / 59 / 19

HEX #CACE55

RGB 202 206 85

HSL 61.98, 0.55%, 0.57%

LAB 80.38, -17.07, 58.2

 

CMYK 2 / 0 / 65 / 26

HEX #B9BC42

RGB 185 188 66

HSL 61.48, 0.48%, 0.5%

LAB 73.98, -16.38, 58.96

 

CMYK 1 / 0 / 72 / 33

HEX #A8AA2F

RGB 168 170 47

HSL 60.98, 0.57%, 0.43%

LAB 67.49, -15.55, 59.31

 

CMYK 2 / 0 / 48 / 5

HEX #ECF27D

RGB 236 242 125

HSL 63.08, 0.82%, 0.72%

LAB 92.93, -17.91, 55.27

 

CMYK 0 / 11 / 48 / 5

HEX #F2D87D

RGB 242 216 125

HSL 46.67, 0.82%, 0.72%

LAB 86.74, -2.59, 47.87

 

CMYK 0 / 24 / 48 / 5

HEX #F2B97D

RGB 242 185 125

HSL 30.77, 0.82%, 0.72%

LAB 79.07, 13.49, 38.29

 

CMYK 0 / 37 / 48 / 5

HEX #F2997D

RGB 242 153 125

HSL 14.36, 0.82%, 0.72%

LAB 71.65, 30.38, 28.65

 

CMYK 0 / 48 / 48 / 5

HEX #F27D7D

RGB 242 125 125

HSL 0, 0.82%, 0.72%

LAB 65.77, 44.76, 20.76

 

CMYK 2 / 0 / 48 / 5

HEX #ECF27D

RGB 236 242 125

HSL 63.08, 0.82%, 0.72%

LAB 92.93, -17.91, 55.27

 

CMYK 15 / 0 / 48 / 5

HEX #CDF27D

RGB 205 242 125

HSL 78.97, 0.82%, 0.72%

LAB 90.76, -29.77, 52.14

 

CMYK 29 / 0 / 48 / 5

HEX #ADF27D

RGB 173 242 125

HSL 95.38, 0.82%, 0.72%

LAB 88.86, -41.25, 49.39

 

CMYK 41 / 0 / 48 / 5

HEX #8EF27D

RGB 142 242 125

HSL 111.28, 0.82%, 0.72%

LAB 87.36, -51.21, 47.2

 

CMYK 48 / 0 / 42 / 5

HEX #7DF28C

RGB 125 242 140

HSL 127.69, 0.82%, 0.72%

LAB 86.88, -53.91, 39.2

 

CMYK 2 / 0 / 48 / 5

HEX #ECF27D

RGB 236 242 125

HSL 63.08, 0.82%, 0.72%

LAB 92.93, -17.91, 55.27

 

CMYK 3 / 0 / 56 / 0

HEX #F7FE71

RGB 247 254 113

HSL 62.98, 0.99%, 0.72%

LAB 96.76, -20.36, 65.28

 

CMYK 2 / 0 / 48 / 5

HEX #ECF27D

RGB 236 242 125

HSL 63.08, 0.82%, 0.72%

LAB 92.93, -17.91, 55.27

 

CMYK 2 / 0 / 41 / 9

HEX #E2E789

RGB 226 231 137

HSL 63.19, 0.66%, 0.72%

LAB 89.45, -15.25, 45.11

 

CMYK 2 / 0 / 32 / 14

HEX #D7DB94

RGB 215 219 148

HSL 63.38, 0.5%, 0.72%

LAB 85.63, -12.26, 34.53

 

CMYK 1 / 0 / 23 / 19

HEX #CDCFA0

RGB 205 207 160

HSL 62.55, 0.33%, 0.72%

LAB 81.92, -8.36, 23.2

 

CMYK 1 / 0 / 13 / 23

HEX #C3C4AB

RGB 195 196 171

HSL 62.4, 0.17%, 0.72%

LAB 78.47, -4.68, 12.45

 

CMYK 0 / 23 / 48 / 5

HEX #F2BA7D

RGB 242 186 125

HSL 31.28, 0.82%, 0.72%

LAB 79.31, 12.96, 38.59

 

CMYK 0 / 10 / 48 / 5

HEX #F2D97D

RGB 242 217 125

HSL 47.18, 0.82%, 0.72%

LAB 86.99, -3.1, 48.19

 

CMYK 2 / 0 / 48 / 5

HEX #ECF27D

RGB 236 242 125

HSL 63.08, 0.82%, 0.72%

LAB 92.93, -17.91, 55.27

 

CMYK 15 / 0 / 48 / 5

HEX #CDF27D

RGB 205 242 125

HSL 78.97, 0.82%, 0.72%

LAB 90.76, -29.77, 52.14

 

CMYK 28 / 0 / 48 / 5

HEX #AEF27D

RGB 174 242 125

HSL 94.87, 0.82%, 0.72%

LAB 88.91, -40.91, 49.47

 

CMYK 4 / 0 / 79 / 8

HEX #E1EB32

RGB 225 235 50

HSL 63.24, 0.82%, 0.56%

LAB 89.7, -23.52, 80.37

 

CMYK 3 / 0 / 63 / 7

HEX #E7EE58

RGB 231 238 88

HSL 62.8, 0.82%, 0.64%

LAB 91.16, -20.74, 69.19

 

CMYK 2 / 0 / 48 / 5

HEX #ECF27D

RGB 236 242 125

HSL 63.08, 0.82%, 0.72%

LAB 92.93, -17.91, 55.27

 

CMYK 2 / 0 / 34 / 4

HEX #F2F6A3

RGB 242 246 163

HSL 62.89, 0.82%, 0.8%

LAB 94.92, -13.65, 39.55

 

CMYK 1 / 0 / 20 / 2

HEX #F7FAC8

RGB 247 250 200

HSL 63.6, 0.83%, 0.88%

LAB 96.95, -9, 23.71

 

CMYK 2 / 0 / 49 / 5

HEX #ECF27B

RGB 236 242 123

HSL 63.03, 0.82%, 0.72%

LAB 92.91, -18.09, 56.17

 

CMYK 48 / 0 / 36 / 5

HEX #7DF29A

RGB 125 242 154

HSL 134.87, 0.82%, 0.72%

LAB 87.09, -51.69, 32.51

 

CMYK 17 / 48 / 0 / 5

HEX #C97DF2

RGB 201 125 242

HSL 278.97, 0.82%, 0.72%

LAB 64.56, 49.4, -47.38

 

CMYK 2 / 0 / 49 / 5

HEX #ECF27B

RGB 236 242 123

HSL 63.03, 0.82%, 0.72%

LAB 92.91, -18.09, 56.17

 

CMYK 48 / 2 / 0 / 5

HEX #7DECF2

RGB 125 236 242

HSL 183.08, 0.82%, 0.72%

LAB 87.37, -30.22, -12.75

 

CMYK 0 / 48 / 2 / 5

HEX #F27DEC

RGB 242 125 236

HSL 303.08, 0.82%, 0.72%

LAB 69.18, 59.57, -36.48

 

CMYK 2 / 0 / 49 / 5

HEX #ECF27B

RGB 236 242 123

HSL 63.03, 0.82%, 0.72%

LAB 92.91, -18.09, 56.17

 

CMYK 48 / 0 / 36 / 5

HEX #7DF29A

RGB 125 242 154

HSL 134.87, 0.82%, 0.72%

LAB 87.09, -51.69, 32.51

 

CMYK 46 / 48 / 0 / 5

HEX #837DF2

RGB 131 125 242

HSL 243.08, 0.82%, 0.72%

LAB 57.95, 31.7, -58.29

 

CMYK 0 / 48 / 12 / 5

HEX #F27DD5

RGB 242 125 213

HSL 314.87, 0.82%, 0.72%

LAB 68.28, 55.81, -25.15

 

CMYK 2 / 0 / 49 / 5

HEX #ECF27B

RGB 236 242 123

HSL 63.03, 0.82%, 0.72%

LAB 92.91, -18.09, 56.17

 

CMYK 48 / 0 / 22 / 5

HEX #7DF2BD

RGB 125 242 189

HSL 152.82, 0.82%, 0.72%

LAB 87.75, -45.19, 15.5

 

CMYK 46 / 48 / 0 / 5

HEX #837DF2

RGB 131 125 242

HSL 243.08, 0.82%, 0.72%

LAB 57.95, 31.7, -58.29

 

CMYK 0 / 48 / 26 / 5

HEX #F27DB2

RGB 242 125 178

HSL 332.82, 0.82%, 0.72%

LAB 67.1, 50.73, -7.32

 

Description

Color code: HEX #ECF27B | qconv.com Color code: HEX #ECF27B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 242 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 242 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 49 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 49% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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