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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECED7E it is the complementary color #131281. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECED7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECED7E shade: #F1ED79, #FFFF8C, #FFFF9F, #FFFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECED7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECED7E shade: #ECED7E, #DBDB6B, #CAC958, #B9B745 and #A8A532

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECED7E shade: #ECED7C, #EDCF7C, #EDB17C, #ED937C and #ED7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECED7E shade: #ECED7C, #CDED7C, #AFED7C, #91ED7C and #7CED86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECED7E shade matches the following richer shades: #ECED7C and #F7F970

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECED7E shade: #ECED7C, #E0E188, #D4D594, #C8C9A0 and #BDBDAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECED7E shade: #EDB17C, #EDCF7C, #EDED7C, #CFED7C and #B1ED7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECED7E shade: #E1E334, #E7E858, #ECED7C, #F1F2A1 and #F6F7C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECED7E shade: #ECED7E, #7CED93 and #C07CED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECED7E shade: #ECED7E, #7CEDED and #ED7CED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECED7E shade: #ECED7E, #7CED93, #7C7CED and #ED7CD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECED7E shade: #ECED7E, #7CEDB5, #7C7CED and #ED7CB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 47 / 7

HEX #ECED7E

RGB 236 237 126

HSL 60.54, 0.76%, 0.71%

LAB 91.64, -15.39, 53.25

 

Complementary color

CMYK 85 / 86 / 0 / 49

HEX #131281

RGB 19 18 129

HSL 240.54, 0.76%, 0.29%

LAB 16.29, 41.01, -59.8

 

CMYK 0 / 2 / 50 / 5

HEX #F1ED79

RGB 241 237 121

HSL 58, 0.81%, 0.71%

LAB 91.98, -13.85, 56.07

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 0 / 47 / 7

HEX #ECED7E

RGB 236 237 126

HSL 60.54, 0.76%, 0.71%

LAB 91.64, -15.39, 53.25

 

CMYK 0 / 0 / 51 / 14

HEX #DBDB6B

RGB 219 219 107

HSL 60, 0.61%, 0.64%

LAB 85.4, -14.91, 54.37

 

CMYK 0 / 0 / 56 / 21

HEX #CAC958

RGB 202 201 88

HSL 59.47, 0.52%, 0.57%

LAB 79.06, -14.34, 55.41

 

CMYK 0 / 1 / 63 / 27

HEX #B9B745

RGB 185 183 69

HSL 58.97, 0.46%, 0.5%

LAB 72.63, -13.66, 56.3

 

CMYK 0 / 2 / 70 / 34

HEX #A8A532

RGB 168 165 50

HSL 58.47, 0.54%, 0.43%

LAB 66.11, -12.81, 56.86

 

CMYK 0 / 0 / 48 / 7

HEX #ECED7C

RGB 236 237 124

HSL 60.53, 0.76%, 0.71%

LAB 91.62, -15.57, 54.16

 

CMYK 0 / 13 / 48 / 7

HEX #EDCF7C

RGB 237 207 124

HSL 44.07, 0.76%, 0.71%

LAB 84.01, -0.08, 44.9

 

CMYK 0 / 25 / 48 / 7

HEX #EDB17C

RGB 237 177 124

HSL 28.14, 0.76%, 0.71%

LAB 76.62, 15.62, 35.56

 

CMYK 0 / 38 / 48 / 7

HEX #ED937C

RGB 237 147 124

HSL 12.21, 0.76%, 0.71%

LAB 69.7, 31.5, 26.5

 

CMYK 0 / 48 / 48 / 7

HEX #ED7C7C

RGB 237 124 124

HSL 0, 0.76%, 0.71%

LAB 64.86, 43.36, 19.97

 

CMYK 0 / 0 / 48 / 7

HEX #ECED7C

RGB 236 237 124

HSL 60.53, 0.76%, 0.71%

LAB 91.62, -15.57, 54.16

 

CMYK 14 / 0 / 48 / 7

HEX #CDED7C

RGB 205 237 124

HSL 76.99, 0.76%, 0.71%

LAB 89.39, -27.53, 50.95

 

CMYK 26 / 0 / 48 / 7

HEX #AFED7C

RGB 175 237 124

HSL 92.92, 0.76%, 0.71%

LAB 87.55, -38.45, 48.28

 

CMYK 39 / 0 / 48 / 7

HEX #91ED7C

RGB 145 237 124

HSL 108.85, 0.76%, 0.71%

LAB 86.03, -48.36, 46.06

 

CMYK 48 / 0 / 43 / 7

HEX #7CED86

RGB 124 237 134

HSL 125.31, 0.76%, 0.71%

LAB 85.29, -53.05, 40.1

 

CMYK 0 / 0 / 48 / 7

HEX #ECED7C

RGB 236 237 124

HSL 60.53, 0.76%, 0.71%

LAB 91.62, -15.57, 54.16

 

CMYK 1 / 0 / 55 / 2

HEX #F7F970

RGB 247 249 112

HSL 60.88, 0.92%, 0.71%

LAB 95.45, -18.04, 64.24

 

CMYK 0 / 0 / 48 / 7

HEX #ECED7C

RGB 236 237 124

HSL 60.53, 0.76%, 0.71%

LAB 91.62, -15.57, 54.16

 

CMYK 0 / 0 / 40 / 12

HEX #E0E188

RGB 224 225 136

HSL 60.67, 0.6%, 0.71%

LAB 87.72, -13.16, 43.38

 

CMYK 0 / 0 / 31 / 16

HEX #D4D594

RGB 212 213 148

HSL 60.92, 0.44%, 0.71%

LAB 83.82, -10.37, 32.1

 

CMYK 0 / 0 / 20 / 21

HEX #C8C9A0

RGB 200 201 160

HSL 61.46, 0.28%, 0.71%

LAB 79.95, -7.14, 20.43

 

CMYK 0 / 0 / 9 / 26

HEX #BDBDAC

RGB 189 189 172

HSL 60, 0.11%, 0.71%

LAB 76.19, -3.01, 8.59

 

CMYK 0 / 25 / 48 / 7

HEX #EDB17C

RGB 237 177 124

HSL 28.14, 0.76%, 0.71%

LAB 76.62, 15.62, 35.56

 

CMYK 0 / 13 / 48 / 7

HEX #EDCF7C

RGB 237 207 124

HSL 44.07, 0.76%, 0.71%

LAB 84.01, -0.08, 44.9

 

CMYK 0 / 0 / 48 / 7

HEX #EDED7C

RGB 237 237 124

HSL 60, 0.76%, 0.71%

LAB 91.7, -15.17, 54.27

 

CMYK 13 / 0 / 48 / 7

HEX #CFED7C

RGB 207 237 124

HSL 75.93, 0.76%, 0.71%

LAB 89.53, -26.77, 51.15

 

CMYK 25 / 0 / 48 / 7

HEX #B1ED7C

RGB 177 237 124

HSL 91.86, 0.76%, 0.71%

LAB 87.66, -37.75, 48.44

 

CMYK 1 / 0 / 77 / 11

HEX #E1E334

RGB 225 227 52

HSL 60.69, 0.76%, 0.55%

LAB 87.58, -19.6, 77.94

 

CMYK 0 / 0 / 62 / 9

HEX #E7E858

RGB 231 232 88

HSL 60.42, 0.76%, 0.63%

LAB 89.58, -17.83, 67.53

 

CMYK 0 / 0 / 48 / 7

HEX #ECED7C

RGB 236 237 124

HSL 60.53, 0.76%, 0.71%

LAB 91.62, -15.57, 54.16

 

CMYK 0 / 0 / 33 / 5

HEX #F1F2A1

RGB 241 242 161

HSL 60.74, 0.76%, 0.79%

LAB 93.79, -12.29, 39.05

 

CMYK 0 / 0 / 20 / 3

HEX #F6F7C5

RGB 246 247 197

HSL 61.2, 0.76%, 0.87%

LAB 96.06, -8.29, 24

 

CMYK 0 / 0 / 47 / 7

HEX #ECED7E

RGB 236 237 126

HSL 60.54, 0.76%, 0.71%

LAB 91.64, -15.39, 53.25

 

CMYK 48 / 0 / 38 / 7

HEX #7CED93

RGB 124 237 147

HSL 132.21, 0.76%, 0.71%

LAB 85.48, -51.04, 33.89

 

CMYK 19 / 48 / 0 / 7

HEX #C07CED

RGB 192 124 237

HSL 276.11, 0.76%, 0.71%

LAB 63.12, 46.42, -46.95

 

CMYK 0 / 0 / 47 / 7

HEX #ECED7E

RGB 236 237 126

HSL 60.54, 0.76%, 0.71%

LAB 91.64, -15.39, 53.25

 

CMYK 48 / 0 / 0 / 7

HEX #7CEDED

RGB 124 237 237

HSL 180, 0.76%, 0.71%

LAB 87.47, -32.17, -9.98

 

CMYK 0 / 48 / 0 / 7

HEX #ED7CED

RGB 237 124 237

HSL 300, 0.76%, 0.71%

LAB 68.41, 58.83, -38.28

 

CMYK 0 / 0 / 47 / 7

HEX #ECED7E

RGB 236 237 126

HSL 60.54, 0.76%, 0.71%

LAB 91.64, -15.39, 53.25

 

CMYK 48 / 0 / 38 / 7

HEX #7CED93

RGB 124 237 147

HSL 132.21, 0.76%, 0.71%

LAB 85.48, -51.04, 33.89

 

CMYK 48 / 48 / 0 / 7

HEX #7C7CED

RGB 124 124 237

HSL 240, 0.76%, 0.71%

LAB 56.89, 29.25, -57.23

 

CMYK 0 / 48 / 10 / 7

HEX #ED7CD6

RGB 237 124 214

HSL 312.21, 0.76%, 0.71%

LAB 67.48, 54.97, -26.98

 

CMYK 0 / 0 / 47 / 7

HEX #ECED7E

RGB 236 237 126

HSL 60.54, 0.76%, 0.71%

LAB 91.64, -15.39, 53.25

 

CMYK 48 / 0 / 24 / 7

HEX #7CEDB5

RGB 124 237 181

HSL 150.27, 0.76%, 0.71%

LAB 86.1, -44.88, 17.33

 

CMYK 48 / 48 / 0 / 7

HEX #7C7CED

RGB 124 124 237

HSL 240, 0.76%, 0.71%

LAB 56.89, 29.25, -57.23

 

CMYK 0 / 48 / 24 / 7

HEX #ED7CB5

RGB 237 124 181

HSL 329.73, 0.76%, 0.71%

LAB 66.33, 50.01, -10.22

 

Description

Color code: HEX #ECED7E | qconv.com Color code: HEX #ECED7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 237 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 237 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 47 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 47% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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