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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECEBCA it is the complementary color #131435. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECEBCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECEBCA shade: #F1EBC5, #FFFDD8, #FFFFEB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECEBCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECEBCA shade: #ECEBCA, #DBD9B7, #CAC7A4, #B9B591 and #A8A37E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECEBCA shade: #ECEBCA, #ECE2CA, #ECD8CA, #ECCFCA and #ECCACA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECEBCA shade: #ECEBCA, #E4ECCA, #DAECCA, #D1ECCA and #CAECCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECEBCA shade matches the following richer shades: #ECEBCA, #F1F0C4, #F7F5BE and #FDFBB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECEBCA shade: #ECEBCA, #E6E5D0, #E0E0D6, #DADADB and #D4D5E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECEBCA shade: #ECD9CA, #ECE2CA, #ECEACA, #E4ECCA and #DBECCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECEBCA shade: #D6D48D, #E1DFAC, #ECEBCA and #F7F6E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECEBCA shade: #ECEBCA, #CAECD0 and #DDCAEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECEBCA shade: #ECEBCA, #CAECEA and #EACAEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECEBCA shade: #ECEBCA, #CAECD0, #CACBEC and #ECCAE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECEBCA shade: #ECEBCA, #CAECDA, #CACBEC and #ECCADC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 14 / 7

HEX #ECEBCA

RGB 236 235 202

HSL 58.24, 0.47%, 0.86%

LAB 92.36, -5.11, 16.16

 

Complementary color

CMYK 64 / 62 / 0 / 79

HEX #131435

RGB 19 20 53

HSL 238.24, 0.47%, 0.14%

LAB 8.09, 11.32, -21.93

 

CMYK 0 / 2 / 18 / 5

HEX #F1EBC5

RGB 241 235 197

HSL 51.82, 0.61%, 0.86%

LAB 92.64, -4.07, 19.19

 

CMYK 0 / 1 / 15 / 0

HEX #FFFDD8

RGB 255 253 216

HSL 56.92, 1%, 0.92%

LAB 98.62, -5.32, 17.97

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 0 / 0 / 14 / 7

HEX #ECEBCA

RGB 236 235 202

HSL 58.24, 0.47%, 0.86%

LAB 92.36, -5.11, 16.16

 

CMYK 0 / 1 / 16 / 14

HEX #DBD9B7

RGB 219 217 183

HSL 56.67, 0.33%, 0.79%

LAB 86.06, -4.94, 17.02

 

CMYK 0 / 1 / 19 / 21

HEX #CAC7A4

RGB 202 199 164

HSL 55.26, 0.26%, 0.72%

LAB 79.66, -4.76, 17.93

 

CMYK 0 / 2 / 22 / 27

HEX #B9B591

RGB 185 181 145

HSL 54, 0.22%, 0.65%

LAB 73.16, -4.55, 18.9

 

CMYK 0 / 3 / 25 / 34

HEX #A8A37E

RGB 168 163 126

HSL 52.86, 0.19%, 0.58%

LAB 66.54, -4.31, 19.92

 

CMYK 0 / 0 / 14 / 7

HEX #ECEBCA

RGB 236 235 202

HSL 58.24, 0.47%, 0.86%

LAB 92.36, -5.11, 16.16

 

CMYK 0 / 4 / 14 / 7

HEX #ECE2CA

RGB 236 226 202

HSL 42.35, 0.47%, 0.86%

LAB 90.09, -0.53, 12.95

 

CMYK 0 / 8 / 14 / 7

HEX #ECD8CA

RGB 236 216 202

HSL 24.71, 0.47%, 0.86%

LAB 87.59, 4.63, 9.38

 

CMYK 0 / 12 / 14 / 7

HEX #ECCFCA

RGB 236 207 202

HSL 8.82, 0.47%, 0.86%

LAB 85.36, 9.32, 6.19

 

CMYK 0 / 14 / 14 / 7

HEX #ECCACA

RGB 236 202 202

HSL 0, 0.47%, 0.86%

LAB 84.14, 11.95, 4.43

 

CMYK 0 / 0 / 14 / 7

HEX #ECEBCA

RGB 236 235 202

HSL 58.24, 0.47%, 0.86%

LAB 92.36, -5.11, 16.16

 

CMYK 3 / 0 / 14 / 7

HEX #E4ECCA

RGB 228 236 202

HSL 74.12, 0.47%, 0.86%

LAB 92.02, -8.44, 15.59

 

CMYK 8 / 0 / 14 / 7

HEX #DAECCA

RGB 218 236 202

HSL 91.76, 0.47%, 0.86%

LAB 91.31, -11.92, 14.49

 

CMYK 11 / 0 / 14 / 7

HEX #D1ECCA

RGB 209 236 202

HSL 107.65, 0.47%, 0.86%

LAB 90.69, -15.01, 13.53

 

CMYK 14 / 0 / 14 / 7

HEX #CAECCC

RGB 202 236 204

HSL 123.53, 0.47%, 0.86%

LAB 90.28, -17.01, 11.84

 

CMYK 0 / 0 / 14 / 7

HEX #ECEBCA

RGB 236 235 202

HSL 58.24, 0.47%, 0.86%

LAB 92.36, -5.11, 16.16

 

CMYK 0 / 0 / 19 / 5

HEX #F1F0C4

RGB 241 240 196

HSL 58.67, 0.62%, 0.86%

LAB 93.89, -6.73, 21.44

 

CMYK 0 / 1 / 23 / 3

HEX #F7F5BE

RGB 247 245 190

HSL 57.89, 0.78%, 0.86%

LAB 95.5, -7.9, 26.8

 

CMYK 0 / 1 / 27 / 1

HEX #FDFBB9

RGB 253 251 185

HSL 58.24, 0.94%, 0.86%

LAB 97.38, -9.34, 31.97

 

CMYK 0 / 0 / 14 / 7

HEX #ECEBCA

RGB 236 235 202

HSL 58.24, 0.47%, 0.86%

LAB 92.36, -5.11, 16.16

 

CMYK 0 / 0 / 10 / 10

HEX #E6E5D0

RGB 230 229 208

HSL 57.27, 0.31%, 0.86%

LAB 90.51, -3.23, 10.36

 

CMYK 0 / 0 / 4 / 12

HEX #E0E0D6

RGB 224 224 214

HSL 60, 0.14%, 0.86%

LAB 88.93, -1.75, 4.88

 

CMYK 0 / 0 / 0 / 14

HEX #DADADB

RGB 218 218 219

HSL 240, 0.01%, 0.86%

LAB 87.08, 0.19, -0.5

 

CMYK 6 / 5 / 0 / 12

HEX #D4D5E1

RGB 212 213 225

HSL 235.38, 0.18%, 0.86%

LAB 85.51, 1.9, -6.02

 

CMYK 0 / 8 / 14 / 7

HEX #ECD9CA

RGB 236 217 202

HSL 26.47, 0.47%, 0.86%

LAB 87.84, 4.11, 9.74

 

CMYK 0 / 4 / 14 / 7

HEX #ECE2CA

RGB 236 226 202

HSL 42.35, 0.47%, 0.86%

LAB 90.09, -0.53, 12.95

 

CMYK 0 / 1 / 14 / 7

HEX #ECEACA

RGB 236 234 202

HSL 56.47, 0.47%, 0.86%

LAB 92.11, -4.6, 15.8

 

CMYK 3 / 0 / 14 / 7

HEX #E4ECCA

RGB 228 236 202

HSL 74.12, 0.47%, 0.86%

LAB 92.02, -8.44, 15.59

 

CMYK 7 / 0 / 14 / 7

HEX #DBECCA

RGB 219 236 202

HSL 90, 0.47%, 0.86%

LAB 91.38, -11.58, 14.59

 

CMYK 0 / 1 / 34 / 16

HEX #D6D48D

RGB 214 212 141

HSL 58.36, 0.47%, 0.7%

LAB 83.6, -9.95, 35.43

 

CMYK 0 / 1 / 24 / 12

HEX #E1DFAC

RGB 225 223 172

HSL 57.74, 0.47%, 0.78%

LAB 87.85, -7.39, 25.31

 

CMYK 0 / 0 / 14 / 7

HEX #ECEBCA

RGB 236 235 202

HSL 58.24, 0.47%, 0.86%

LAB 92.36, -5.11, 16.16

 

CMYK 0 / 0 / 6 / 3

HEX #F7F6E8

RGB 247 246 232

HSL 56, 0.48%, 0.94%

LAB 96.62, -2.06, 6.84

 

CMYK 0 / 0 / 14 / 7

HEX #ECEBCA

RGB 236 235 202

HSL 58.24, 0.47%, 0.86%

LAB 92.36, -5.11, 16.16

 

CMYK 14 / 0 / 12 / 7

HEX #CAECD0

RGB 202 236 208

HSL 130.59, 0.47%, 0.86%

LAB 90.37, -16.31, 9.89

 

CMYK 6 / 14 / 0 / 7

HEX #DDCAEC

RGB 221 202 236

HSL 273.53, 0.47%, 0.86%

LAB 83.79, 12.8, -14.35

 

CMYK 0 / 0 / 14 / 7

HEX #ECEBCA

RGB 236 235 202

HSL 58.24, 0.47%, 0.86%

LAB 92.36, -5.11, 16.16

 

CMYK 14 / 0 / 1 / 7

HEX #CAECEA

RGB 202 236 234

HSL 176.47, 0.47%, 0.86%

LAB 91, -11.4, -2.75

 

CMYK 1 / 14 / 0 / 7

HEX #EACAEC

RGB 234 202 236

HSL 296.47, 0.47%, 0.86%

LAB 84.89, 17.08, -12.6

 

CMYK 0 / 0 / 14 / 7

HEX #ECEBCA

RGB 236 235 202

HSL 58.24, 0.47%, 0.86%

LAB 92.36, -5.11, 16.16

 

CMYK 14 / 0 / 12 / 7

HEX #CAECD0

RGB 202 236 208

HSL 130.59, 0.47%, 0.86%

LAB 90.37, -16.31, 9.89

 

CMYK 14 / 14 / 0 / 7

HEX #CACBEC

RGB 202 203 236

HSL 238.24, 0.47%, 0.86%

LAB 82.55, 6.14, -16.37

 

CMYK 0 / 14 / 3 / 7

HEX #ECCAE6

RGB 236 202 230

HSL 310.59, 0.47%, 0.86%

LAB 84.89, 16.66, -9.39

 

CMYK 0 / 0 / 14 / 7

HEX #ECEBCA

RGB 236 235 202

HSL 58.24, 0.47%, 0.86%

LAB 92.36, -5.11, 16.16

 

CMYK 14 / 0 / 8 / 7

HEX #CAECDA

RGB 202 236 218

HSL 148.24, 0.47%, 0.86%

LAB 90.6, -14.48, 5.01

 

CMYK 14 / 14 / 0 / 7

HEX #CACBEC

RGB 202 203 236

HSL 238.24, 0.47%, 0.86%

LAB 82.55, 6.14, -16.37

 

CMYK 0 / 14 / 7 / 7

HEX #ECCADC

RGB 236 202 220

HSL 328.24, 0.47%, 0.86%

LAB 84.61, 14.92, -4.48

 

Description

Color code: HEX #ECEBCA | qconv.com Color code: HEX #ECEBCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 235 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 235 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 14 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 14% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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