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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECE7A0 it is the complementary color #13185F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECE7A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECE7A0 shade: #F1E79B, #FFF9AE, #FFFFC1, #FFFFD4 and #FFFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECE7A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECE7A0 shade: #ECE7A0, #DBD58D, #CAC37A, #B9B167 and #A89F54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECE7A0 shade: #ECE7A1, #ECD3A1, #ECBEA1, #ECAAA1 and #ECA1A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECE7A0 shade: #ECE7A1, #DDECA1, #C8ECA1, #B4ECA1 and #A1ECA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECE7A0 shade matches the following richer shades: #ECE7A1, #F5EF98 and #FEF78F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECE7A0 shade: #ECE7A1, #E3DFAA, #DAD7B3, #D1CFBC and #C8C8C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECE7A0 shade: #ECBFA1, #ECD3A1, #ECE7A1, #DDECA1 and #C9ECA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECE7A0 shade: #DED65C, #E5DE7E, #ECE7A1, #F3F0C3 and #FAF8E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECE7A0 shade: #ECE7A0, #A1ECAB and #C9A1EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECE7A0 shade: #ECE7A0, #A1ECE7 and #E7A1EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECE7A0 shade: #ECE7A0, #A1ECAB, #A1A6EC and #ECA1E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECE7A0 shade: #ECE7A0, #A1ECC1, #A1A6EC and #ECA1CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 32 / 7

HEX #ECE7A0

RGB 236 231 160

HSL 56.05, 0.67%, 0.78%

LAB 90.56, -8.83, 35.24

 

Complementary color

CMYK 80 / 75 / 0 / 63

HEX #13185F

RGB 19 24 95

HSL 236.05, 0.67%, 0.22%

LAB 13.34, 25.36, -42.56

 

CMYK 0 / 4 / 36 / 5

HEX #F1E79B

RGB 241 231 155

HSL 53.02, 0.75%, 0.78%

LAB 90.88, -7.51, 38.25

 

CMYK 0 / 2 / 32 / 0

HEX #FFF9AE

RGB 255 249 174

HSL 55.56, 1%, 0.84%

LAB 96.85, -8.97, 36.79

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 0 / 2 / 32 / 7

HEX #ECE7A0

RGB 236 231 160

HSL 56.05, 0.67%, 0.78%

LAB 90.56, -8.83, 35.24

 

CMYK 0 / 3 / 36 / 14

HEX #DBD58D

RGB 219 213 141

HSL 55.38, 0.52%, 0.71%

LAB 84.26, -8.52, 36.37

 

CMYK 0 / 3 / 40 / 21

HEX #CAC37A

RGB 202 195 122

HSL 54.75, 0.43%, 0.64%

LAB 77.87, -8.15, 37.54

 

CMYK 0 / 4 / 44 / 27

HEX #B9B167

RGB 185 177 103

HSL 54.15, 0.37%, 0.56%

LAB 71.38, -7.71, 38.75

 

CMYK 0 / 5 / 50 / 34

HEX #A89F54

RGB 168 159 84

HSL 53.57, 0.33%, 0.49%

LAB 64.77, -7.17, 39.99

 

CMYK 0 / 2 / 32 / 7

HEX #ECE7A1

RGB 236 231 161

HSL 56, 0.66%, 0.78%

LAB 90.58, -8.71, 34.76

 

CMYK 0 / 11 / 32 / 7

HEX #ECD3A1

RGB 236 211 161

HSL 40, 0.66%, 0.78%

LAB 85.5, 1.47, 27.97

 

CMYK 0 / 19 / 32 / 7

HEX #ECBEA1

RGB 236 190 161

HSL 23.2, 0.66%, 0.78%

LAB 80.31, 12.44, 20.89

 

CMYK 0 / 28 / 32 / 7

HEX #ECAAA1

RGB 236 170 161

HSL 7.2, 0.66%, 0.78%

LAB 75.55, 23.06, 14.26

 

CMYK 0 / 32 / 32 / 7

HEX #ECA1A1

RGB 236 161 161

HSL 0, 0.66%, 0.78%

LAB 73.48, 27.85, 11.34

 

CMYK 0 / 2 / 32 / 7

HEX #ECE7A1

RGB 236 231 161

HSL 56, 0.66%, 0.78%

LAB 90.58, -8.71, 34.76

 

CMYK 6 / 0 / 32 / 7

HEX #DDECA1

RGB 221 236 161

HSL 72, 0.66%, 0.78%

LAB 90.75, -16.82, 34.78

 

CMYK 15 / 0 / 32 / 7

HEX #C8ECA1

RGB 200 236 161

HSL 88.8, 0.66%, 0.78%

LAB 89.32, -24.46, 32.62

 

CMYK 24 / 0 / 32 / 7

HEX #B4ECA1

RGB 180 236 161

HSL 104.8, 0.66%, 0.78%

LAB 88.1, -31.41, 30.77

 

CMYK 32 / 0 / 31 / 7

HEX #A1ECA2

RGB 161 236 162

HSL 120.8, 0.66%, 0.78%

LAB 87.08, -37.45, 28.72

 

CMYK 0 / 2 / 32 / 7

HEX #ECE7A1

RGB 236 231 161

HSL 56, 0.66%, 0.78%

LAB 90.58, -8.71, 34.76

 

CMYK 0 / 2 / 38 / 4

HEX #F5EF98

RGB 245 239 152

HSL 56.13, 0.82%, 0.78%

LAB 93.19, -10.3, 42.8

 

CMYK 0 / 3 / 44 / 0

HEX #FEF78F

RGB 254 247 143

HSL 56.22, 0.98%, 0.78%

LAB 95.82, -11.69, 50.63

 

CMYK 0 / 2 / 32 / 7

HEX #ECE7A1

RGB 236 231 161

HSL 56, 0.66%, 0.78%

LAB 90.58, -8.71, 34.76

 

CMYK 0 / 2 / 25 / 11

HEX #E3DFAA

RGB 227 223 170

HSL 55.79, 0.5%, 0.78%

LAB 87.97, -6.92, 26.54

 

CMYK 0 / 1 / 18 / 15

HEX #DAD7B3

RGB 218 215 179

HSL 55.38, 0.35%, 0.78%

LAB 85.38, -4.88, 18.17

 

CMYK 0 / 1 / 10 / 18

HEX #D1CFBC

RGB 209 207 188

HSL 54.29, 0.19%, 0.78%

LAB 82.81, -2.59, 9.68

 

CMYK 0 / 0 / 1 / 22

HEX #C8C8C5

RGB 200 200 197

HSL 60, 0.03%, 0.78%

LAB 80.53, -0.54, 1.49

 

CMYK 0 / 19 / 32 / 7

HEX #ECBFA1

RGB 236 191 161

HSL 24, 0.66%, 0.78%

LAB 80.55, 11.92, 21.23

 

CMYK 0 / 11 / 32 / 7

HEX #ECD3A1

RGB 236 211 161

HSL 40, 0.66%, 0.78%

LAB 85.5, 1.47, 27.97

 

CMYK 0 / 2 / 32 / 7

HEX #ECE7A1

RGB 236 231 161

HSL 56, 0.66%, 0.78%

LAB 90.58, -8.71, 34.76

 

CMYK 6 / 0 / 32 / 7

HEX #DDECA1

RGB 221 236 161

HSL 72, 0.66%, 0.78%

LAB 90.75, -16.82, 34.78

 

CMYK 15 / 0 / 32 / 7

HEX #C9ECA1

RGB 201 236 161

HSL 88, 0.66%, 0.78%

LAB 89.38, -24.1, 32.72

 

CMYK 0 / 4 / 59 / 13

HEX #DED65C

RGB 222 214 92

HSL 56.31, 0.66%, 0.62%

LAB 84.17, -12.35, 59.79

 

CMYK 0 / 3 / 45 / 10

HEX #E5DE7E

RGB 229 222 126

HSL 55.92, 0.66%, 0.7%

LAB 87.2, -10.71, 47.71

 

CMYK 0 / 2 / 32 / 7

HEX #ECE7A1

RGB 236 231 161

HSL 56, 0.66%, 0.78%

LAB 90.58, -8.71, 34.76

 

CMYK 0 / 1 / 20 / 5

HEX #F3F0C3

RGB 243 240 195

HSL 56.25, 0.67%, 0.86%

LAB 94.02, -6.16, 22.16

 

CMYK 0 / 1 / 8 / 2

HEX #FAF8E6

RGB 250 248 230

HSL 54, 0.67%, 0.94%

LAB 97.3, -2.37, 8.87

 

CMYK 0 / 2 / 32 / 7

HEX #ECE7A0

RGB 236 231 160

HSL 56.05, 0.67%, 0.78%

LAB 90.56, -8.83, 35.24

 

CMYK 32 / 0 / 28 / 7

HEX #A1ECAB

RGB 161 236 171

HSL 128, 0.66%, 0.78%

LAB 87.25, -35.97, 24.33

 

CMYK 15 / 32 / 0 / 7

HEX #C9A1EC

RGB 201 161 236

HSL 272, 0.66%, 0.78%

LAB 72.2, 28.68, -32.15

 

CMYK 0 / 2 / 32 / 7

HEX #ECE7A0

RGB 236 231 160

HSL 56.05, 0.67%, 0.78%

LAB 90.56, -8.83, 35.24

 

CMYK 32 / 0 / 2 / 7

HEX #A1ECE7

RGB 161 236 231

HSL 176, 0.66%, 0.78%

LAB 88.61, -24.09, -4.97

 

CMYK 2 / 32 / 0 / 7

HEX #E7A1EC

RGB 231 161 236

HSL 296, 0.66%, 0.78%

LAB 75.16, 37.98, -27.35

 

CMYK 0 / 2 / 32 / 7

HEX #ECE7A0

RGB 236 231 160

HSL 56.05, 0.67%, 0.78%

LAB 90.56, -8.83, 35.24

 

CMYK 32 / 0 / 28 / 7

HEX #A1ECAB

RGB 161 236 171

HSL 128, 0.66%, 0.78%

LAB 87.25, -35.97, 24.33

 

CMYK 32 / 30 / 0 / 7

HEX #A1A6EC

RGB 161 166 236

HSL 236, 0.66%, 0.78%

LAB 70.11, 14.08, -35.66

 

CMYK 0 / 32 / 4 / 7

HEX #ECA1E2

RGB 236 161 226

HSL 308, 0.66%, 0.78%

LAB 75.34, 37.75, -21.6

 

CMYK 0 / 2 / 32 / 7

HEX #ECE7A0

RGB 236 231 160

HSL 56.05, 0.67%, 0.78%

LAB 90.56, -8.83, 35.24

 

CMYK 32 / 0 / 18 / 7

HEX #A1ECC1

RGB 161 236 193

HSL 145.6, 0.66%, 0.78%

LAB 87.69, -32, 13.56

 

CMYK 32 / 30 / 0 / 7

HEX #A1A6EC

RGB 161 166 236

HSL 236, 0.66%, 0.78%

LAB 70.11, 14.08, -35.66

 

CMYK 0 / 32 / 14 / 7

HEX #ECA1CB

RGB 236 161 203

HSL 326.4, 0.66%, 0.78%

LAB 74.59, 33.89, -10.14

 

Description

Color code: HEX #ECE7A0 | qconv.com Color code: HEX #ECE7A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 231 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 231 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 32 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 32% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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