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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECE4D8 it is the complementary color #131B27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECE4D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECE4D8 shade: #F1E4D3, #FFF6E6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECE4D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECE4D8 shade: #ECE4D8, #DBD2C5, #CAC0B2, #B9AE9F and #A89C8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECE4D8 shade: #ECE4D9, #ECDFD9, #ECDAD9 and #ECD9D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECE4D8 shade: #ECE4D9, #ECEAD9, #E9ECD9, #E4ECD9 and #DFECD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECE4D8 shade matches the following richer shades: #ECE4D9, #F1E5D4, #F5E6D0, #FAE7CB and #FEE8C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECE4D8 shade: #ECE4D9, #E7E3DD, #E3E3E2, #DEE2E7 and #DAE1EB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECE4D8 shade: #ECDAD9, #ECDFD9, #ECE4D9, #ECE9D9 and #E9ECD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECE4D8 shade: #D1BEA2, #DED1BD, #ECE4D9 and #FAF8F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECE4D8 shade: #ECE4D8, #DDECD9 and #DDD9EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECE4D8 shade: #ECE4D8, #D9ECE4 and #E4D9EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECE4D8 shade: #ECE4D8, #DDECD9, #D9E1EC and #E8D9EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECE4D8 shade: #ECE4D8, #D9ECDB, #D9E1EC and #ECD9EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 8 / 7

HEX #ECE4D8

RGB 236 228 216

HSL 36, 0.34%, 0.89%

LAB 90.91, 0.68, 6.8

 

Complementary color

CMYK 51 / 31 / 0 / 85

HEX #131B27

RGB 19 27 39

HSL 216, 0.34%, 0.11%

LAB 9.55, 0.39, -9.34

 

CMYK 0 / 5 / 12 / 5

HEX #F1E4D3

RGB 241 228 211

HSL 34, 0.52%, 0.89%

LAB 91.18, 1.62, 9.87

 

CMYK 0 / 4 / 10 / 0

HEX #FFF6E6

RGB 255 246 230

HSL 38.4, 1%, 0.95%

LAB 97.18, 0.36, 8.75

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 3 / 8 / 7

HEX #ECE4D8

RGB 236 228 216

HSL 36, 0.34%, 0.89%

LAB 90.91, 0.68, 6.8

 

CMYK 0 / 4 / 10 / 14

HEX #DBD2C5

RGB 219 210 197

HSL 35.45, 0.23%, 0.82%

LAB 84.58, 0.89, 7.53

 

CMYK 0 / 5 / 12 / 21

HEX #CAC0B2

RGB 202 192 178

HSL 35, 0.18%, 0.75%

LAB 78.15, 1.12, 8.3

 

CMYK 0 / 6 / 14 / 27

HEX #B9AE9F

RGB 185 174 159

HSL 34.62, 0.16%, 0.67%

LAB 71.62, 1.37, 9.1

 

CMYK 0 / 7 / 17 / 34

HEX #A89C8C

RGB 168 156 140

HSL 34.29, 0.14%, 0.6%

LAB 64.96, 1.65, 9.96

 

CMYK 0 / 3 / 8 / 7

HEX #ECE4D9

RGB 236 228 217

HSL 34.74, 0.33%, 0.89%

LAB 90.93, 0.84, 6.32

 

CMYK 0 / 6 / 8 / 7

HEX #ECDFD9

RGB 236 223 217

HSL 18.95, 0.33%, 0.89%

LAB 89.68, 3.42, 4.51

 

CMYK 0 / 8 / 8 / 7

HEX #ECDAD9

RGB 236 218 217

HSL 3.16, 0.33%, 0.89%

LAB 88.44, 6.01, 2.71

 

CMYK 0 / 8 / 8 / 7

HEX #ECD9D9

RGB 236 217 217

HSL 0, 0.33%, 0.89%

LAB 88.19, 6.53, 2.36

 

CMYK 0 / 3 / 8 / 7

HEX #ECE4D9

RGB 236 228 217

HSL 34.74, 0.33%, 0.89%

LAB 90.93, 0.84, 6.32

 

CMYK 0 / 1 / 8 / 7

HEX #ECEAD9

RGB 236 234 217

HSL 53.68, 0.33%, 0.89%

LAB 92.44, -2.22, 8.48

 

CMYK 1 / 0 / 8 / 7

HEX #E9ECD9

RGB 233 236 217

HSL 69.47, 0.33%, 0.89%

LAB 92.72, -4.28, 8.86

 

CMYK 3 / 0 / 8 / 7

HEX #E4ECD9

RGB 228 236 217

HSL 85.26, 0.33%, 0.89%

LAB 92.35, -5.99, 8.28

 

CMYK 6 / 0 / 8 / 7

HEX #DFECD9

RGB 223 236 217

HSL 101.05, 0.33%, 0.89%

LAB 91.99, -7.69, 7.72

 

CMYK 0 / 3 / 8 / 7

HEX #ECE4D9

RGB 236 228 217

HSL 34.74, 0.33%, 0.89%

LAB 90.93, 0.84, 6.32

 

CMYK 0 / 5 / 12 / 5

HEX #F1E5D4

RGB 241 229 212

HSL 35.17, 0.51%, 0.89%

LAB 91.46, 1.27, 9.73

 

CMYK 0 / 6 / 15 / 4

HEX #F5E6D0

RGB 245 230 208

HSL 35.68, 0.65%, 0.89%

LAB 91.94, 1.55, 12.54

 

CMYK 0 / 8 / 19 / 2

HEX #FAE7CB

RGB 250 231 203

HSL 35.74, 0.82%, 0.89%

LAB 92.48, 2.08, 15.97

 

CMYK 0 / 9 / 22 / 0

HEX #FEE8C7

RGB 254 232 199

HSL 36, 0.96%, 0.89%

LAB 92.97, 2.45, 18.78

 

CMYK 0 / 3 / 8 / 7

HEX #ECE4D9

RGB 236 228 217

HSL 34.74, 0.33%, 0.89%

LAB 90.93, 0.84, 6.32

 

CMYK 0 / 2 / 4 / 9

HEX #E7E3DD

RGB 231 227 221

HSL 36, 0.17%, 0.89%

LAB 90.39, 0.31, 3.39

 

CMYK 0 / 0 / 0 / 11

HEX #E3E3E2

RGB 227 227 226

HSL 60, 0.02%, 0.89%

LAB 90.21, -0.17, 0.48

 

CMYK 4 / 2 / 0 / 9

HEX #DEE2E7

RGB 222 226 231

HSL 213.33, 0.16%, 0.89%

LAB 89.72, -0.42, -2.91

 

CMYK 7 / 4 / 0 / 8

HEX #DAE1EB

RGB 218 225 235

HSL 215.29, 0.3%, 0.89%

LAB 89.28, -0.46, -5.69

 

CMYK 0 / 8 / 8 / 7

HEX #ECDAD9

RGB 236 218 217

HSL 3.16, 0.33%, 0.89%

LAB 88.44, 6.01, 2.71

 

CMYK 0 / 6 / 8 / 7

HEX #ECDFD9

RGB 236 223 217

HSL 18.95, 0.33%, 0.89%

LAB 89.68, 3.42, 4.51

 

CMYK 0 / 3 / 8 / 7

HEX #ECE4D9

RGB 236 228 217

HSL 34.74, 0.33%, 0.89%

LAB 90.93, 0.84, 6.32

 

CMYK 0 / 1 / 8 / 7

HEX #ECE9D9

RGB 236 233 217

HSL 50.53, 0.33%, 0.89%

LAB 92.19, -1.71, 8.12

 

CMYK 1 / 0 / 8 / 7

HEX #E9ECD9

RGB 233 236 217

HSL 69.47, 0.33%, 0.89%

LAB 92.72, -4.28, 8.86

 

CMYK 0 / 9 / 22 / 18

HEX #D1BEA2

RGB 209 190 162

HSL 35.74, 0.34%, 0.73%

LAB 77.87, 2.3, 16.59

 

CMYK 0 / 6 / 15 / 13

HEX #DED1BD

RGB 222 209 189

HSL 36.36, 0.33%, 0.81%

LAB 84.38, 1.2, 11.53

 

CMYK 0 / 3 / 8 / 7

HEX #ECE4D9

RGB 236 228 217

HSL 34.74, 0.33%, 0.89%

LAB 90.93, 0.84, 6.32

 

CMYK 0 / 1 / 2 / 2

HEX #FAF8F5

RGB 250 248 245

HSL 36, 0.33%, 0.97%

LAB 97.65, 0.15, 1.66

 

CMYK 0 / 3 / 8 / 7

HEX #ECE4D8

RGB 236 228 216

HSL 36, 0.34%, 0.89%

LAB 90.91, 0.68, 6.8

 

CMYK 6 / 0 / 8 / 7

HEX #DDECD9

RGB 221 236 217

HSL 107.37, 0.33%, 0.89%

LAB 91.85, -8.37, 7.5

 

CMYK 6 / 8 / 0 / 7

HEX #DDD9EC

RGB 221 217 236

HSL 252.63, 0.33%, 0.89%

LAB 87.51, 4.87, -8.81

 

CMYK 0 / 3 / 8 / 7

HEX #ECE4D8

RGB 236 228 216

HSL 36, 0.34%, 0.89%

LAB 90.91, 0.68, 6.8

 

CMYK 8 / 0 / 3 / 7

HEX #D9ECE4

RGB 217 236 228

HSL 154.74, 0.33%, 0.89%

LAB 91.84, -7.74, 1.72

 

CMYK 3 / 8 / 0 / 7

HEX #E4D9EC

RGB 228 217 236

HSL 274.74, 0.33%, 0.89%

LAB 88.05, 7.18, -7.94

 

CMYK 0 / 3 / 8 / 7

HEX #ECE4D8

RGB 236 228 216

HSL 36, 0.34%, 0.89%

LAB 90.91, 0.68, 6.8

 

CMYK 6 / 0 / 8 / 7

HEX #DDECD9

RGB 221 236 217

HSL 107.37, 0.33%, 0.89%

LAB 91.85, -8.37, 7.5

 

CMYK 8 / 5 / 0 / 7

HEX #D9E1EC

RGB 217 225 236

HSL 214.74, 0.33%, 0.89%

LAB 89.23, -0.6, -6.29

 

CMYK 2 / 8 / 0 / 7

HEX #E8D9EC

RGB 232 217 236

HSL 287.37, 0.33%, 0.89%

LAB 88.37, 8.51, -7.44

 

CMYK 0 / 3 / 8 / 7

HEX #ECE4D8

RGB 236 228 216

HSL 36, 0.34%, 0.89%

LAB 90.91, 0.68, 6.8

 

CMYK 8 / 0 / 7 / 7

HEX #D9ECDB

RGB 217 236 219

HSL 126.32, 0.33%, 0.89%

LAB 91.62, -9.37, 6.09

 

CMYK 8 / 5 / 0 / 7

HEX #D9E1EC

RGB 217 225 236

HSL 214.74, 0.33%, 0.89%

LAB 89.23, -0.6, -6.29

 

CMYK 0 / 8 / 1 / 7

HEX #ECD9EA

RGB 236 217 234

HSL 306.32, 0.33%, 0.89%

LAB 88.64, 9.48, -5.95

 

Description

Color code: HEX #ECE4D8 | qconv.com Color code: HEX #ECE4D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 228 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 228 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 8 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 8% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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