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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECE35F it is the complementary color #131CA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECE35F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECE35F shade: #F1E35A, #FFF56D, #FFFF80, #FFFF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECE35F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECE35F shade: #ECE35F, #DBD14C, #CABF39, #B9AD26 and #A89B13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECE35F shade: #ECE35F, #ECBD5F, #EC975F, #EC715F and #EC5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECE35F shade: #ECE35F, #CFEC5F, #A9EC5F, #83EC5F and #5FEC61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECE35F shade matches the following richer shades: #ECE35F and #FAEF50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECE35F shade: #ECE35F, #DDD66D, #CFCA7C, #C0BD8A and #B2B099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECE35F shade: #EC975F, #ECBD5F, #ECE25F, #D0EC5F and #AAEC5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECE35F shade: #DED21A, #E7DC3A, #ECE35F, #F0E984 and #F4F0A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECE35F shade: #ECE35F, #5FEC72 and #AA5FEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECE35F shade: #ECE35F, #5FECE2 and #E25FEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECE35F shade: #ECE35F, #5FEC72, #5F68EC and #EC5FD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECE35F shade: #ECE35F, #5FEC9C, #5F68EC and #EC5FAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 60 / 7

HEX #ECE35F

RGB 236 227 95

HSL 56.17, 0.79%, 0.65%

LAB 88.73, -12.9, 63.83

 

Complementary color

CMYK 88 / 83 / 0 / 37

HEX #131CA0

RGB 19 28 160

HSL 236.17, 0.79%, 0.35%

LAB 21.97, 46.21, -69.64

 

CMYK 0 / 6 / 63 / 5

HEX #F1E35A

RGB 241 227 90

HSL 54.44, 0.84%, 0.65%

LAB 89.1, -11.17, 66.44

 

CMYK 0 / 4 / 57 / 0

HEX #FFF56D

RGB 255 245 109

HSL 55.89, 1%, 0.71%

LAB 95.02, -13.13, 65.23

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 4 / 60 / 7

HEX #ECE35F

RGB 236 227 95

HSL 56.17, 0.79%, 0.65%

LAB 88.73, -12.9, 63.83

 

CMYK 0 / 5 / 65 / 14

HEX #DBD14C

RGB 219 209 76

HSL 55.8, 0.67%, 0.58%

LAB 82.48, -12.1, 64.61

 

CMYK 0 / 5 / 72 / 21

HEX #CABF39

RGB 202 191 57

HSL 55.45, 0.58%, 0.51%

LAB 76.14, -11.16, 65.04

 

CMYK 0 / 6 / 79 / 27

HEX #B9AD26

RGB 185 173 38

HSL 55.1, 0.66%, 0.44%

LAB 69.71, -10.04, 64.86

 

CMYK 0 / 8 / 89 / 34

HEX #A89B13

RGB 168 155 19

HSL 54.77, 0.8%, 0.37%

LAB 63.19, -8.69, 63.59

 

CMYK 0 / 4 / 60 / 7

HEX #ECE35F

RGB 236 227 95

HSL 56.17, 0.79%, 0.65%

LAB 88.73, -12.9, 63.83

 

CMYK 0 / 20 / 60 / 7

HEX #ECBD5F

RGB 236 189 95

HSL 40, 0.79%, 0.65%

LAB 79.07, 6.5, 53.02

 

CMYK 0 / 36 / 60 / 7

HEX #EC975F

RGB 236 151 95

HSL 23.83, 0.79%, 0.65%

LAB 70.03, 26.59, 42.38

 

CMYK 0 / 52 / 60 / 7

HEX #EC715F

RGB 236 113 95

HSL 7.66, 0.79%, 0.65%

LAB 62.06, 46.08, 32.53

 

CMYK 0 / 60 / 60 / 7

HEX #EC5F5F

RGB 236 95 95

HSL 0, 0.79%, 0.65%

LAB 58.83, 54.48, 28.41

 

CMYK 0 / 4 / 60 / 7

HEX #ECE35F

RGB 236 227 95

HSL 56.17, 0.79%, 0.65%

LAB 88.73, -12.9, 63.83

 

CMYK 12 / 0 / 60 / 7

HEX #CFEC5F

RGB 207 236 95

HSL 72.34, 0.79%, 0.65%

LAB 88.96, -28.83, 63.47

 

CMYK 28 / 0 / 60 / 7

HEX #A9EC5F

RGB 169 236 95

HSL 88.51, 0.79%, 0.65%

LAB 86.63, -43.03, 60.23

 

CMYK 44 / 0 / 60 / 7

HEX #83EC5F

RGB 131 236 95

HSL 104.68, 0.79%, 0.65%

LAB 84.81, -55.46, 57.69

 

CMYK 60 / 0 / 59 / 7

HEX #5FEC61

RGB 95 236 97

HSL 120.85, 0.79%, 0.65%

LAB 83.59, -64.62, 55.1

 

CMYK 0 / 4 / 60 / 7

HEX #ECE35F

RGB 236 227 95

HSL 56.17, 0.79%, 0.65%

LAB 88.73, -12.9, 63.83

 

CMYK 0 / 4 / 68 / 2

HEX #FAEF50

RGB 250 239 80

HSL 56.12, 0.94%, 0.65%

LAB 92.85, -13.96, 74.45

 

CMYK 0 / 4 / 60 / 7

HEX #ECE35F

RGB 236 227 95

HSL 56.17, 0.79%, 0.65%

LAB 88.73, -12.9, 63.83

 

CMYK 0 / 3 / 51 / 13

HEX #DDD66D

RGB 221 214 109

HSL 56.25, 0.62%, 0.65%

LAB 84.26, -11.44, 52.14

 

CMYK 0 / 2 / 40 / 19

HEX #CFCA7C

RGB 207 202 124

HSL 56.39, 0.46%, 0.65%

LAB 80.16, -9.53, 39.52

 

CMYK 0 / 2 / 28 / 25

HEX #C0BD8A

RGB 192 189 138

HSL 56.67, 0.3%, 0.65%

LAB 75.72, -7.04, 26.23

 

CMYK 0 / 1 / 14 / 30

HEX #B2B099

RGB 178 176 153

HSL 55.2, 0.14%, 0.65%

LAB 71.43, -3.3, 12.05

 

CMYK 0 / 36 / 60 / 7

HEX #EC975F

RGB 236 151 95

HSL 23.83, 0.79%, 0.65%

LAB 70.03, 26.59, 42.38

 

CMYK 0 / 20 / 60 / 7

HEX #ECBD5F

RGB 236 189 95

HSL 40, 0.79%, 0.65%

LAB 79.07, 6.5, 53.02

 

CMYK 0 / 4 / 60 / 7

HEX #ECE25F

RGB 236 226 95

HSL 55.74, 0.79%, 0.65%

LAB 88.47, -12.4, 63.55

 

CMYK 12 / 0 / 60 / 7

HEX #D0EC5F

RGB 208 236 95

HSL 71.91, 0.79%, 0.65%

LAB 89.03, -28.44, 63.56

 

CMYK 28 / 0 / 60 / 7

HEX #AAEC5F

RGB 170 236 95

HSL 88.09, 0.79%, 0.65%

LAB 86.68, -42.67, 60.3

 

CMYK 0 / 5 / 88 / 13

HEX #DED21A

RGB 222 210 26

HSL 56.33, 0.79%, 0.49%

LAB 82.75, -13.19, 79.81

 

CMYK 0 / 5 / 75 / 9

HEX #E7DC3A

RGB 231 220 58

HSL 56.18, 0.78%, 0.57%

LAB 86.25, -13.44, 75.11

 

CMYK 0 / 4 / 60 / 7

HEX #ECE35F

RGB 236 227 95

HSL 56.17, 0.79%, 0.65%

LAB 88.73, -12.9, 63.83

 

CMYK 0 / 3 / 45 / 6

HEX #F0E984

RGB 240 233 132

HSL 56.11, 0.78%, 0.73%

LAB 90.99, -11.29, 49.69

 

CMYK 0 / 2 / 31 / 4

HEX #F4F0A9

RGB 244 240 169

HSL 56.8, 0.77%, 0.81%

LAB 93.63, -9.22, 34.88

 

CMYK 0 / 4 / 60 / 7

HEX #ECE35F

RGB 236 227 95

HSL 56.17, 0.79%, 0.65%

LAB 88.73, -12.9, 63.83

 

CMYK 60 / 0 / 52 / 7

HEX #5FEC72

RGB 95 236 114

HSL 128.09, 0.79%, 0.65%

LAB 83.78, -62.54, 47.61

 

CMYK 28 / 60 / 0 / 7

HEX #AA5FEC

RGB 170 95 236

HSL 271.91, 0.79%, 0.65%

LAB 54.85, 55.73, -59.71

 

CMYK 0 / 4 / 60 / 7

HEX #ECE35F

RGB 236 227 95

HSL 56.17, 0.79%, 0.65%

LAB 88.73, -12.9, 63.83

 

CMYK 60 / 0 / 4 / 7

HEX #5FECE2

RGB 95 236 226

HSL 175.74, 0.79%, 0.65%

LAB 85.96, -40.11, -6.54

 

CMYK 4 / 60 / 0 / 7

HEX #E25FEC

RGB 226 95 236

HSL 295.74, 0.79%, 0.65%

LAB 62.01, 68.99, -47.88

 

CMYK 0 / 4 / 60 / 7

HEX #ECE35F

RGB 236 227 95

HSL 56.17, 0.79%, 0.65%

LAB 88.73, -12.9, 63.83

 

CMYK 60 / 0 / 52 / 7

HEX #5FEC72

RGB 95 236 114

HSL 128.09, 0.79%, 0.65%

LAB 83.78, -62.54, 47.61

 

CMYK 60 / 56 / 0 / 7

HEX #5F68EC

RGB 95 104 236

HSL 236.17, 0.79%, 0.65%

LAB 49.97, 35.21, -67.93

 

CMYK 0 / 60 / 8 / 7

HEX #EC5FD9

RGB 236 95 217

HSL 308.09, 0.79%, 0.65%

LAB 62.53, 68.36, -36.34

 

CMYK 0 / 4 / 60 / 7

HEX #ECE35F

RGB 236 227 95

HSL 56.17, 0.79%, 0.65%

LAB 88.73, -12.9, 63.83

 

CMYK 60 / 0 / 34 / 7

HEX #5FEC9C

RGB 95 236 156

HSL 145.96, 0.79%, 0.65%

LAB 84.39, -55.81, 27.71

 

CMYK 60 / 56 / 0 / 7

HEX #5F68EC

RGB 95 104 236

HSL 236.17, 0.79%, 0.65%

LAB 49.97, 35.21, -67.93

 

CMYK 0 / 60 / 26 / 7

HEX #EC5FAF

RGB 236 95 175

HSL 325.96, 0.79%, 0.65%

LAB 60.88, 62.38, -15.01

 

Description

Color code: HEX #ECE35F | qconv.com Color code: HEX #ECE35F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 227 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 227 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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