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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECE2B2 it is the complementary color #131D4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECE2B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECE2B2 shade: #F1E2AD, #FFF4C0, #FFFFD3, #FFFFE6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECE2B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECE2B2 shade: #ECE2B2, #DBD09F, #CABE8C, #B9AC79 and #A89A66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECE2B2 shade: #ECE2B1, #ECD2B1, #ECC2B1, #ECB3B1 and #ECB1B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECE2B2 shade: #ECE2B1, #E6ECB1, #D6ECB1, #C7ECB1 and #B7ECB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECE2B2 shade matches the following richer shades: #ECE2B1, #F3E7AA and #FBECA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECE2B2 shade: #ECE2B1, #E4DCB9, #DCD7C1, #D4D2C9 and #CCCDD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECE2B2 shade: #ECC2B1, #ECD1B1, #ECE1B1, #E7ECB1 and #D7ECB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECE2B2 shade: #DBC96F, #E3D590, #ECE2B1, #F4EED2 and #FCFBF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECE2B2 shade: #ECE2B2, #B1ECB2 and #CAB1EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECE2B2 shade: #ECE2B2, #B1ECE1 and #E1B1EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECE2B2 shade: #ECE2B2, #B1ECB2, #B1BCEC and #ECB1EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECE2B2 shade: #ECE2B2, #B1ECC4, #B1BCEC and #ECB1D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 25 / 7

HEX #ECE2B2

RGB 236 226 178

HSL 49.66, 0.6%, 0.81%

LAB 89.6, -4.01, 24.74

 

Complementary color

CMYK 75 / 62 / 0 / 70

HEX #131D4D

RGB 19 29 77

HSL 229.66, 0.6%, 0.19%

LAB 12.94, 14.38, -31.03

 

CMYK 0 / 6 / 28 / 5

HEX #F1E2AD

RGB 241 226 173

HSL 46.76, 0.71%, 0.81%

LAB 89.91, -2.81, 27.81

 

CMYK 0 / 4 / 25 / 0

HEX #FFF4C0

RGB 255 244 192

HSL 49.52, 1%, 0.88%

LAB 95.9, -4.21, 26.44

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 4 / 25 / 7

HEX #ECE2B2

RGB 236 226 178

HSL 49.66, 0.6%, 0.81%

LAB 89.6, -4.01, 24.74

 

CMYK 0 / 5 / 27 / 14

HEX #DBD09F

RGB 219 208 159

HSL 49, 0.45%, 0.74%

LAB 83.27, -3.73, 25.75

 

CMYK 0 / 6 / 31 / 21

HEX #CABE8C

RGB 202 190 140

HSL 48.39, 0.37%, 0.67%

LAB 76.85, -3.4, 26.83

 

CMYK 0 / 7 / 35 / 27

HEX #B9AC79

RGB 185 172 121

HSL 47.81, 0.31%, 0.6%

LAB 70.32, -3.03, 27.96

 

CMYK 0 / 8 / 39 / 34

HEX #A89A66

RGB 168 154 102

HSL 47.27, 0.28%, 0.53%

LAB 63.67, -2.58, 29.17

 

CMYK 0 / 4 / 25 / 7

HEX #ECE2B1

RGB 236 226 177

HSL 49.83, 0.61%, 0.81%

LAB 89.58, -4.15, 25.23

 

CMYK 0 / 11 / 25 / 7

HEX #ECD2B1

RGB 236 210 177

HSL 33.56, 0.61%, 0.81%

LAB 85.55, 4.07, 19.68

 

CMYK 0 / 18 / 25 / 7

HEX #ECC2B1

RGB 236 194 177

HSL 17.29, 0.61%, 0.81%

LAB 81.62, 12.46, 14.17

 

CMYK 0 / 24 / 25 / 7

HEX #ECB3B1

RGB 236 179 177

HSL 2.03, 0.61%, 0.81%

LAB 78.02, 20.41, 9.07

 

CMYK 0 / 25 / 25 / 7

HEX #ECB1B1

RGB 236 177 177

HSL 0, 0.61%, 0.81%

LAB 77.55, 21.47, 8.4

 

CMYK 0 / 4 / 25 / 7

HEX #ECE2B1

RGB 236 226 177

HSL 49.83, 0.61%, 0.81%

LAB 89.58, -4.15, 25.23

 

CMYK 3 / 0 / 25 / 7

HEX #E6ECB1

RGB 230 236 177

HSL 66.1, 0.61%, 0.81%

LAB 91.68, -11.39, 28.02

 

CMYK 9 / 0 / 25 / 7

HEX #D6ECB1

RGB 214 236 177

HSL 82.37, 0.61%, 0.81%

LAB 90.53, -17.19, 26.27

 

CMYK 16 / 0 / 25 / 7

HEX #C7ECB1

RGB 199 236 177

HSL 97.63, 0.61%, 0.81%

LAB 89.54, -22.47, 24.74

HEX #C7ECB1

CMYK 22 / 0 / 25 / 7

HEX #B7ECB1

RGB 183 236 177

HSL 113.9, 0.61%, 0.81%

LAB 88.56, -27.91, 23.24

HEX #B7ECB1

CMYK 0 / 4 / 25 / 7

HEX #ECE2B1

RGB 236 226 177

HSL 49.83, 0.61%, 0.81%

LAB 89.58, -4.15, 25.23

 

CMYK 0 / 5 / 30 / 5

HEX #F3E7AA

RGB 243 231 170

HSL 50.14, 0.75%, 0.81%

LAB 91.28, -4.97, 31.23

 

CMYK 0 / 6 / 35 / 2

HEX #FBECA2

RGB 251 236 162

HSL 49.89, 0.92%, 0.81%

LAB 93.06, -5.4, 37.75

 

CMYK 0 / 4 / 25 / 7

HEX #ECE2B1

RGB 236 226 177

HSL 49.83, 0.61%, 0.81%

LAB 89.58, -4.15, 25.23

 

CMYK 0 / 4 / 19 / 11

HEX #E4DCB9

RGB 228 220 185

HSL 48.84, 0.44%, 0.81%

LAB 87.57, -2.91, 18.2

 

CMYK 0 / 2 / 12 / 14

HEX #DCD7C1

RGB 220 215 193

HSL 48.89, 0.28%, 0.81%

LAB 85.84, -2, 11.46

 

CMYK 0 / 1 / 5 / 17

HEX #D4D2C9

RGB 212 210 201

HSL 49.09, 0.11%, 0.81%

LAB 84.13, -0.9, 4.69

 

CMYK 2 / 2 / 0 / 18

HEX #CCCDD1

RGB 204 205 209

HSL 228, 0.05%, 0.81%

LAB 82.43, 0.4, -2.11

 

CMYK 0 / 18 / 25 / 7

HEX #ECC2B1

RGB 236 194 177

HSL 17.29, 0.61%, 0.81%

LAB 81.62, 12.46, 14.17

 

CMYK 0 / 11 / 25 / 7

HEX #ECD1B1

RGB 236 209 177

HSL 32.54, 0.61%, 0.81%

LAB 85.31, 4.59, 19.33

 

CMYK 0 / 5 / 25 / 7

HEX #ECE1B1

RGB 236 225 177

HSL 48.81, 0.61%, 0.81%

LAB 89.33, -3.64, 24.88

 

CMYK 2 / 0 / 25 / 7

HEX #E7ECB1

RGB 231 236 177

HSL 65.08, 0.61%, 0.81%

LAB 91.75, -11.03, 28.13

 

CMYK 9 / 0 / 25 / 7

HEX #D7ECB1

RGB 215 236 177

HSL 81.36, 0.61%, 0.81%

LAB 90.6, -16.83, 26.37

 

CMYK 0 / 8 / 49 / 14

HEX #DBC96F

RGB 219 201 111

HSL 50, 0.6%, 0.65%

LAB 80.73, -5.47, 46.91

 

CMYK 0 / 6 / 37 / 11

HEX #E3D590

RGB 227 213 144

HSL 49.88, 0.6%, 0.73%

LAB 84.96, -5.06, 35.88

 

CMYK 0 / 4 / 25 / 7

HEX #ECE2B1

RGB 236 226 177

HSL 49.83, 0.61%, 0.81%

LAB 89.58, -4.15, 25.23

 

CMYK 0 / 2 / 14 / 4

HEX #F4EED2

RGB 244 238 210

HSL 49.41, 0.61%, 0.89%

LAB 93.9, -2.57, 14.28

 

CMYK 0 / 0 / 4 / 1

HEX #FCFBF3

RGB 252 251 243

HSL 53.33, 0.6%, 0.97%

LAB 98.5, -1.04, 3.93

 

CMYK 0 / 4 / 25 / 7

HEX #ECE2B2

RGB 236 226 178

HSL 49.66, 0.6%, 0.81%

LAB 89.6, -4.01, 24.74

 

CMYK 25 / 0 / 25 / 7

HEX #B1ECB2

RGB 177 236 178

HSL 121.02, 0.61%, 0.81%

LAB 88.23, -29.71, 22.23

 

CMYK 14 / 25 / 0 / 7

HEX #CAB1EC

RGB 202 177 236

HSL 265.42, 0.61%, 0.81%

LAB 76.1, 20.21, -26.15

 

CMYK 0 / 4 / 25 / 7

HEX #ECE2B2

RGB 236 226 178

HSL 49.66, 0.6%, 0.81%

LAB 89.6, -4.01, 24.74

 

CMYK 25 / 0 / 5 / 7

HEX #B1ECE1

RGB 177 236 225

HSL 168.81, 0.61%, 0.81%

LAB 89.29, -20.85, -0.74

 

CMYK 5 / 25 / 0 / 7

HEX #E1B1EC

RGB 225 177 236

HSL 288.81, 0.61%, 0.81%

LAB 78.17, 27.51, -22.81

 

CMYK 0 / 4 / 25 / 7

HEX #ECE2B2

RGB 236 226 178

HSL 49.66, 0.6%, 0.81%

LAB 89.6, -4.01, 24.74

 

CMYK 25 / 0 / 25 / 7

HEX #B1ECB2

RGB 177 236 178

HSL 121.02, 0.61%, 0.81%

LAB 88.23, -29.71, 22.23

 

CMYK 25 / 20 / 0 / 7

HEX #B1BCEC

RGB 177 188 236

HSL 228.81, 0.61%, 0.81%

LAB 76.9, 6.54, -25.11

 

CMYK 0 / 25 / 0 / 7

HEX #ECB1EB

RGB 236 177 235

HSL 301.02, 0.61%, 0.81%

LAB 79.2, 30.87, -20.61

 

CMYK 0 / 4 / 25 / 7

HEX #ECE2B2

RGB 236 226 178

HSL 49.66, 0.6%, 0.81%

LAB 89.6, -4.01, 24.74

 

CMYK 25 / 0 / 17 / 7

HEX #B1ECC4

RGB 177 236 196

HSL 139.32, 0.61%, 0.81%

LAB 88.6, -26.55, 13.41

 

CMYK 25 / 20 / 0 / 7

HEX #B1BCEC

RGB 177 188 236

HSL 228.81, 0.61%, 0.81%

LAB 76.9, 6.54, -25.11

 

CMYK 0 / 25 / 8 / 7

HEX #ECB1D9

RGB 236 177 217

HSL 319.32, 0.61%, 0.81%

LAB 78.63, 27.7, -11.74

 

Description

Color code: HEX #ECE2B2 | qconv.com Color code: HEX #ECE2B2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 226 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 226 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 25 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 25% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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