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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECE1B5 it is the complementary color #131E4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECE1B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECE1B5 shade: #F1E1B0, #FFF3C3, #FFFFD6, #FFFFE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECE1B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECE1B5 shade: #ECE1B5, #DBCFA2, #CABD8F, #B9AB7C and #A89969

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECE1B5 shade: #ECE1B6, #ECD2B6, #ECC4B6 and #ECB6B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECE1B5 shade: #ECE1B6, #E8ECB6, #D9ECB6, #CBECB6 and #BCECB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECE1B5 shade matches the following richer shades: #ECE1B6, #F3E5AE and #FBEAA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECE1B5 shade: #ECE1B6, #E4DCBD, #DDD8C4, #D5D3CC and #CECFD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECE1B5 shade: #ECC4B6, #ECD2B6, #ECE1B6, #E8ECB6 and #DAECB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECE1B5 shade: #DBC674, #E3D495, #ECE1B6, #F4EED6 and #FDFCF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECE1B5 shade: #ECE1B5, #B6ECB6 and #CBB6EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECE1B5 shade: #ECE1B5, #B6ECE1 and #E1B6EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECE1B5 shade: #ECE1B5, #B6ECB6, #B6C0EC and #ECB6EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECE1B5 shade: #ECE1B5, #B6ECC6, #B6C0EC and #ECB6DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 23 / 7

HEX #ECE1B5

RGB 236 225 181

HSL 48, 0.59%, 0.82%

LAB 89.4, -3.09, 22.92

 

Complementary color

CMYK 74 / 59 / 0 / 71

HEX #131E4A

RGB 19 30 74

HSL 228, 0.59%, 0.18%

LAB 12.99, 12.35, -28.88

 

CMYK 0 / 7 / 27 / 5

HEX #F1E1B0

RGB 241 225 176

HSL 45.23, 0.7%, 0.82%

LAB 89.71, -1.91, 25.99

 

CMYK 0 / 5 / 24 / 0

HEX #FFF3C3

RGB 255 243 195

HSL 48, 1%, 0.88%

LAB 95.71, -3.31, 24.64

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 0 / 5 / 23 / 7

HEX #ECE1B5

RGB 236 225 181

HSL 48, 0.59%, 0.82%

LAB 89.4, -3.09, 22.92

 

CMYK 0 / 5 / 26 / 14

HEX #DBCFA2

RGB 219 207 162

HSL 47.37, 0.44%, 0.75%

LAB 83.07, -2.81, 23.91

 

CMYK 0 / 6 / 29 / 21

HEX #CABD8F

RGB 202 189 143

HSL 46.78, 0.36%, 0.68%

LAB 76.64, -2.49, 24.96

 

CMYK 0 / 8 / 33 / 27

HEX #B9AB7C

RGB 185 171 124

HSL 46.23, 0.3%, 0.61%

LAB 70.1, -2.12, 26.07

 

CMYK 0 / 9 / 38 / 34

HEX #A89969

RGB 168 153 105

HSL 45.71, 0.27%, 0.54%

LAB 63.45, -1.68, 27.25

 

CMYK 0 / 5 / 23 / 7

HEX #ECE1B6

RGB 236 225 182

HSL 47.78, 0.59%, 0.82%

LAB 89.42, -2.95, 22.43

 

CMYK 0 / 11 / 23 / 7

HEX #ECD2B6

RGB 236 210 182

HSL 31.11, 0.59%, 0.82%

LAB 85.66, 4.77, 17.19

 

CMYK 0 / 17 / 23 / 7

HEX #ECC4B6

RGB 236 196 182

HSL 15.56, 0.59%, 0.82%

LAB 82.21, 12.11, 12.34

 

CMYK 0 / 23 / 23 / 7

HEX #ECB6B6

RGB 236 182 182

HSL 0, 0.59%, 0.82%

LAB 78.85, 19.52, 7.55

 

CMYK 0 / 5 / 23 / 7

HEX #ECE1B6

RGB 236 225 182

HSL 47.78, 0.59%, 0.82%

LAB 89.42, -2.95, 22.43

 

CMYK 2 / 0 / 23 / 7

HEX #E8ECB6

RGB 232 236 182

HSL 64.44, 0.59%, 0.82%

LAB 91.92, -9.97, 25.81

 

CMYK 8 / 0 / 23 / 7

HEX #D9ECB6

RGB 217 236 182

HSL 81.11, 0.59%, 0.82%

LAB 90.83, -15.39, 24.15

 

CMYK 14 / 0 / 23 / 7

HEX #CBECB6

RGB 203 236 182

HSL 96.67, 0.59%, 0.82%

LAB 89.89, -20.31, 22.7

 

CMYK 20 / 0 / 23 / 7

HEX #BCECB6

RGB 188 236 182

HSL 113.33, 0.59%, 0.82%

LAB 88.95, -25.42, 21.25

 

CMYK 0 / 5 / 23 / 7

HEX #ECE1B6

RGB 236 225 182

HSL 47.78, 0.59%, 0.82%

LAB 89.42, -2.95, 22.43

 

CMYK 0 / 6 / 28 / 5

HEX #F3E5AE

RGB 243 229 174

HSL 47.83, 0.74%, 0.82%

LAB 90.85, -3.45, 28.59

 

CMYK 0 / 7 / 33 / 2

HEX #FBEAA7

RGB 251 234 167

HSL 47.86, 0.91%, 0.82%

LAB 92.64, -3.82, 34.67

 

CMYK 0 / 5 / 23 / 7

HEX #ECE1B6

RGB 236 225 182

HSL 47.78, 0.59%, 0.82%

LAB 89.42, -2.95, 22.43

 

CMYK 0 / 4 / 17 / 11

HEX #E4DCBD

RGB 228 220 189

HSL 47.69, 0.42%, 0.82%

LAB 87.66, -2.31, 16.22

 

CMYK 0 / 2 / 11 / 13

HEX #DDD8C4

RGB 221 216 196

HSL 48, 0.27%, 0.82%

LAB 86.24, -1.68, 10.46

 

CMYK 0 / 1 / 4 / 16

HEX #D5D3CC

RGB 213 211 204

HSL 46.67, 0.1%, 0.82%

LAB 84.53, -0.55, 3.69

 

CMYK 2 / 2 / 0 / 17

HEX #CECFD3

RGB 206 207 211

HSL 228, 0.05%, 0.82%

LAB 83.15, 0.4, -2.11

 

CMYK 0 / 17 / 23 / 7

HEX #ECC4B6

RGB 236 196 182

HSL 15.56, 0.59%, 0.82%

LAB 82.21, 12.11, 12.34

 

CMYK 0 / 11 / 23 / 7

HEX #ECD2B6

RGB 236 210 182

HSL 31.11, 0.59%, 0.82%

LAB 85.66, 4.77, 17.19

 

CMYK 0 / 5 / 23 / 7

HEX #ECE1B6

RGB 236 225 182

HSL 47.78, 0.59%, 0.82%

LAB 89.42, -2.95, 22.43

 

CMYK 2 / 0 / 23 / 7

HEX #E8ECB6

RGB 232 236 182

HSL 64.44, 0.59%, 0.82%

LAB 91.92, -9.97, 25.81

 

CMYK 8 / 0 / 23 / 7

HEX #DAECB6

RGB 218 236 182

HSL 80, 0.59%, 0.82%

LAB 90.9, -15.03, 24.25

 

CMYK 0 / 10 / 47 / 14

HEX #DBC674

RGB 219 198 116

HSL 47.77, 0.59%, 0.66%

LAB 80.02, -3.46, 43.57

 

CMYK 0 / 7 / 34 / 11

HEX #E3D495

RGB 227 212 149

HSL 48.46, 0.58%, 0.74%

LAB 84.79, -3.97, 33.08

 

CMYK 0 / 5 / 23 / 7

HEX #ECE1B6

RGB 236 225 182

HSL 47.78, 0.59%, 0.82%

LAB 89.42, -2.95, 22.43

 

CMYK 0 / 2 / 12 / 4

HEX #F4EED6

RGB 244 238 214

HSL 48, 0.58%, 0.9%

LAB 93.99, -1.95, 12.33

 

CMYK 0 / 0 / 2 / 1

HEX #FDFCF7

RGB 253 252 247

HSL 50, 0.6%, 0.98%

LAB 98.91, -0.53, 2.49

 

CMYK 0 / 5 / 23 / 7

HEX #ECE1B5

RGB 236 225 181

HSL 48, 0.59%, 0.82%

LAB 89.4, -3.09, 22.92

 

CMYK 23 / 0 / 23 / 7

HEX #B6ECB6

RGB 182 236 182

HSL 120, 0.59%, 0.82%

LAB 88.6, -27.41, 20.71

 

CMYK 14 / 23 / 0 / 7

HEX #CBB6EC

RGB 203 182 236

HSL 263.33, 0.59%, 0.82%

LAB 77.41, 17.79, -24.16

 

CMYK 0 / 5 / 23 / 7

HEX #ECE1B5

RGB 236 225 181

HSL 48, 0.59%, 0.82%

LAB 89.4, -3.09, 22.92

 

CMYK 23 / 0 / 5 / 7

HEX #B6ECE1

RGB 182 236 225

HSL 167.78, 0.59%, 0.82%

LAB 89.57, -19.36, -0.3

 

CMYK 5 / 23 / 0 / 7

HEX #E1B6EC

RGB 225 182 236

HSL 287.78, 0.59%, 0.82%

LAB 79.34, 24.82, -21.04

 

CMYK 0 / 5 / 23 / 7

HEX #ECE1B5

RGB 236 225 181

HSL 48, 0.59%, 0.82%

LAB 89.4, -3.09, 22.92

 

CMYK 23 / 0 / 23 / 7

HEX #B6ECB6

RGB 182 236 182

HSL 120, 0.59%, 0.82%

LAB 88.6, -27.41, 20.71

 

CMYK 23 / 19 / 0 / 7

HEX #B6C0EC

RGB 182 192 236

HSL 228.89, 0.59%, 0.82%

LAB 78.29, 5.86, -22.96

 

CMYK 0 / 23 / 0 / 7

HEX #ECB6EC

RGB 236 182 236

HSL 300, 0.59%, 0.82%

LAB 80.37, 28.39, -19.37

 

CMYK 0 / 5 / 23 / 7

HEX #ECE1B5

RGB 236 225 181

HSL 48, 0.59%, 0.82%

LAB 89.4, -3.09, 22.92

 

CMYK 23 / 0 / 16 / 7

HEX #B6ECC6

RGB 182 236 198

HSL 137.78, 0.59%, 0.82%

LAB 88.93, -24.6, 12.88

 

CMYK 23 / 19 / 0 / 7

HEX #B6C0EC

RGB 182 192 236

HSL 228.89, 0.59%, 0.82%

LAB 78.29, 5.86, -22.96

 

CMYK 0 / 23 / 7 / 7

HEX #ECB6DB

RGB 236 182 219

HSL 318.89, 0.59%, 0.82%

LAB 79.84, 25.37, -11.01

 

Description

Color code: HEX #ECE1B5 | qconv.com Color code: HEX #ECE1B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 225 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 225 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 23 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 23% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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