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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECE1A8 it is the complementary color #131E57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECE1A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECE1A8 shade: #F1E1A3, #FFF3B6, #FFFFC9, #FFFFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECE1A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECE1A8 shade: #ECE1A8, #DBCF95, #CABD82, #B9AB6F and #A8995C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECE1A8 shade: #EBE0A7, #EBCEA7, #EBBBA7, #EBA9A7 and #EBA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECE1A8 shade: #EBE0A7, #E4EBA7, #D1EBA7, #BFEBA7 and #ACEBA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECE1A8 shade matches the following richer shades: #EBE0A7, #F4E69E and #FDEC95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECE1A8 shade: #EBE0A7, #E3DAAF, #DAD4B8, #D1CFC1 and #C9C9C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECE1A8 shade: #EBBBA7, #EBCEA7, #EBE0A7, #E4EBA7 and #D2EBA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECE1A8 shade: #DCC963, #E4D485, #EBE0A7, #F3ECC9 and #FAF8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECE1A8 shade: #ECE1A8, #A7EBA9 and #C4A7EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECE1A8 shade: #ECE1A8, #A7EBE0 and #E0A7EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECE1A8 shade: #ECE1A8, #A7EBA9, #A7B2EB and #EBA7E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECE1A8 shade: #ECE1A8, #A7EBBE, #A7B2EB and #EBA7D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 29 / 7

HEX #ECE1A8

RGB 236 225 168

HSL 50.29, 0.64%, 0.79%

LAB 89.16, -4.82, 29.3

 

Complementary color

CMYK 78 / 66 / 0 / 66

HEX #131E57

RGB 19 30 87

HSL 230.29, 0.64%, 0.21%

LAB 14.15, 17.82, -35.87

 

CMYK 0 / 7 / 32 / 5

HEX #F1E1A3

RGB 241 225 163

HSL 47.69, 0.74%, 0.79%

LAB 89.48, -3.55, 32.36

 

CMYK 0 / 5 / 29 / 0

HEX #FFF3B6

RGB 255 243 182

HSL 50.14, 1%, 0.86%

LAB 95.47, -5.01, 30.93

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 5 / 29 / 7

HEX #ECE1A8

RGB 236 225 168

HSL 50.29, 0.64%, 0.79%

LAB 89.16, -4.82, 29.3

 

CMYK 0 / 5 / 32 / 14

HEX #DBCF95

RGB 219 207 149

HSL 49.71, 0.49%, 0.72%

LAB 82.84, -4.49, 30.38

 

CMYK 0 / 6 / 36 / 21

HEX #CABD82

RGB 202 189 130

HSL 49.17, 0.4%, 0.65%

LAB 76.41, -4.12, 31.51

 

CMYK 0 / 8 / 40 / 27

HEX #B9AB6F

RGB 185 171 111

HSL 48.65, 0.35%, 0.58%

LAB 69.89, -3.68, 32.71

 

CMYK 0 / 9 / 45 / 34

HEX #A8995C

RGB 168 153 92

HSL 48.16, 0.3%, 0.51%

LAB 63.24, -3.15, 33.97

 

CMYK 0 / 5 / 29 / 8

HEX #EBE0A7

RGB 235 224 167

HSL 50.29, 0.63%, 0.79%

LAB 88.81, -4.82, 29.32

 

CMYK 0 / 12 / 29 / 8

HEX #EBCEA7

RGB 235 206 167

HSL 34.41, 0.63%, 0.79%

LAB 84.27, 4.44, 23.15

 

CMYK 0 / 20 / 29 / 8

HEX #EBBBA7

RGB 235 187 167

HSL 17.65, 0.63%, 0.79%

LAB 79.61, 14.43, 16.69

 

CMYK 0 / 28 / 29 / 8

HEX #EBA9A7

RGB 235 169 167

HSL 1.76, 0.63%, 0.79%

LAB 75.34, 24, 10.68

 

CMYK 0 / 29 / 29 / 8

HEX #EBA7A7

RGB 235 167 167

HSL 0, 0.63%, 0.79%

LAB 74.88, 25.06, 10.03

 

CMYK 0 / 5 / 29 / 8

HEX #EBE0A7

RGB 235 224 167

HSL 50.29, 0.63%, 0.79%

LAB 88.81, -4.82, 29.32

 

CMYK 3 / 0 / 29 / 8

HEX #E4EBA7

RGB 228 235 167

HSL 66.18, 0.63%, 0.79%

LAB 91.1, -12.96, 32.3

 

CMYK 11 / 0 / 29 / 8

HEX #D1EBA7

RGB 209 235 167

HSL 82.94, 0.63%, 0.79%

LAB 89.75, -19.91, 30.25

 

CMYK 19 / 0 / 29 / 8

HEX #BFEBA7

RGB 191 235 167

HSL 98.82, 0.63%, 0.79%

LAB 88.58, -26.28, 28.48

 

CMYK 27 / 0 / 29 / 8

HEX #ACEBA7

RGB 172 235 167

HSL 115.59, 0.63%, 0.79%

LAB 87.47, -32.67, 26.79

 

CMYK 0 / 5 / 29 / 8

HEX #EBE0A7

RGB 235 224 167

HSL 50.29, 0.63%, 0.79%

LAB 88.81, -4.82, 29.32

 

CMYK 0 / 6 / 35 / 4

HEX #F4E69E

RGB 244 230 158

HSL 50.23, 0.8%, 0.79%

LAB 90.91, -5.52, 36.83

 

CMYK 0 / 7 / 41 / 1

HEX #FDEC95

RGB 253 236 149

HSL 50.19, 0.96%, 0.79%

LAB 93.03, -6.04, 44.2

 

CMYK 0 / 5 / 29 / 8

HEX #EBE0A7

RGB 235 224 167

HSL 50.29, 0.63%, 0.79%

LAB 88.81, -4.82, 29.32

 

CMYK 0 / 4 / 23 / 11

HEX #E3DAAF

RGB 227 218 175

HSL 49.62, 0.48%, 0.79%

LAB 86.78, -3.68, 22.31

 

CMYK 0 / 3 / 16 / 15

HEX #DAD4B8

RGB 218 212 184

HSL 49.41, 0.31%, 0.79%

LAB 84.72, -2.58, 14.6

 

CMYK 0 / 1 / 8 / 18

HEX #D1CFC1

RGB 209 207 193

HSL 52.5, 0.15%, 0.79%

LAB 82.93, -1.76, 7.19

 

CMYK 0 / 0 / 0 / 21

HEX #C9C9C9

RGB 201 201 201

HSL 0, 0%, 0.79%

LAB 80.97, 0, -0.01

 

CMYK 0 / 20 / 29 / 8

HEX #EBBBA7

RGB 235 187 167

HSL 17.65, 0.63%, 0.79%

LAB 79.61, 14.43, 16.69

 

CMYK 0 / 12 / 29 / 8

HEX #EBCEA7

RGB 235 206 167

HSL 34.41, 0.63%, 0.79%

LAB 84.27, 4.44, 23.15

 

CMYK 0 / 5 / 29 / 8

HEX #EBE0A7

RGB 235 224 167

HSL 50.29, 0.63%, 0.79%

LAB 88.81, -4.82, 29.32

 

CMYK 3 / 0 / 29 / 8

HEX #E4EBA7

RGB 228 235 167

HSL 66.18, 0.63%, 0.79%

LAB 91.1, -12.96, 32.3

 

CMYK 11 / 0 / 29 / 8

HEX #D2EBA7

RGB 210 235 167

HSL 82.06, 0.63%, 0.79%

LAB 89.82, -19.55, 30.36

 

CMYK 0 / 9 / 55 / 14

HEX #DCC963

RGB 220 201 99

HSL 50.58, 0.63%, 0.63%

LAB 80.68, -6.07, 52.61

 

CMYK 0 / 7 / 42 / 11

HEX #E4D485

RGB 228 212 133

HSL 49.89, 0.64%, 0.71%

LAB 84.62, -5.35, 41.02

 

CMYK 0 / 5 / 29 / 8

HEX #EBE0A7

RGB 235 224 167

HSL 50.29, 0.63%, 0.79%

LAB 88.81, -4.82, 29.32

 

CMYK 0 / 3 / 17 / 5

HEX #F3ECC9

RGB 243 236 201

HSL 50, 0.64%, 0.87%

LAB 93.13, -3.27, 17.83

 

CMYK 0 / 1 / 6 / 2

HEX #FAF8EA

RGB 250 248 234

HSL 52.5, 0.62%, 0.95%

LAB 97.39, -1.71, 6.94

 

CMYK 0 / 5 / 29 / 7

HEX #ECE1A8

RGB 236 225 168

HSL 50.29, 0.64%, 0.79%

LAB 89.16, -4.82, 29.3

 

CMYK 29 / 0 / 28 / 8

HEX #A7EBA9

RGB 167 235 169

HSL 121.76, 0.63%, 0.79%

LAB 87.24, -33.96, 25.41

 

CMYK 17 / 29 / 0 / 8

HEX #C4A7EB

RGB 196 167 235

HSL 265.59, 0.63%, 0.79%

LAB 73.14, 23.63, -30.21

 

CMYK 0 / 5 / 29 / 7

HEX #ECE1A8

RGB 236 225 168

HSL 50.29, 0.64%, 0.79%

LAB 89.16, -4.82, 29.3

 

CMYK 29 / 0 / 5 / 8

HEX #A7EBE0

RGB 167 235 224

HSL 170.29, 0.63%, 0.79%

LAB 88.45, -23.47, -1.5

 

CMYK 5 / 29 / 0 / 8

HEX #E0A7EB

RGB 224 167 235

HSL 290.29, 0.63%, 0.79%

LAB 75.75, 32.38, -25.97

 

CMYK 0 / 5 / 29 / 7

HEX #ECE1A8

RGB 236 225 168

HSL 50.29, 0.64%, 0.79%

LAB 89.16, -4.82, 29.3

 

CMYK 29 / 0 / 28 / 8

HEX #A7EBA9

RGB 167 235 169

HSL 121.76, 0.63%, 0.79%

LAB 87.24, -33.96, 25.41

 

CMYK 29 / 24 / 0 / 8

HEX #A7B2EB

RGB 167 178 235

HSL 230.29, 0.63%, 0.79%

LAB 73.58, 8.85, -29.72

 

CMYK 0 / 29 / 1 / 8

HEX #EBA7E9

RGB 235 167 233

HSL 301.76, 0.63%, 0.79%

LAB 76.79, 35.51, -23.2

 

CMYK 0 / 5 / 29 / 7

HEX #ECE1A8

RGB 236 225 168

HSL 50.29, 0.64%, 0.79%

LAB 89.16, -4.82, 29.3

 

CMYK 29 / 0 / 19 / 8

HEX #A7EBBE

RGB 167 235 190

HSL 140.29, 0.63%, 0.79%

LAB 87.65, -30.29, 15.12

 

CMYK 29 / 24 / 0 / 8

HEX #A7B2EB

RGB 167 178 235

HSL 230.29, 0.63%, 0.79%

LAB 73.58, 8.85, -29.72

 

CMYK 0 / 29 / 10 / 8

HEX #EBA7D4

RGB 235 167 212

HSL 320.29, 0.63%, 0.79%

LAB 76.1, 31.84, -12.82

 

Description

Color code: HEX #ECE1A8 | qconv.com Color code: HEX #ECE1A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 225 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 225 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 29 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 29% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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