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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECDF29 it is the complementary color #1320D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECDF29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECDF29 shade: #F1DF24, #FFF137, #FFFF4A, #FFFF5D and #FFFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECDF29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECDF29 shade: #ECDF29, #DBCD16, #CABB03, #B9A900 and #A89700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECDF29 shade: #ECDF27, #ECAA27, #EC7527, #EC4027 and #EC2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECDF29 shade: #ECDF27, #C4EC27, #8FEC27, #5AEC27 and #27EC2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECDF29 shade matches the following richer shades: #ECDF27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECDF29 shade: #ECDF27, #D9CF3A, #C6BE4D, #B3AE60 and #A09D73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECDF29 shade: #EC7627, #ECAB27, #ECDF27, #C5EC27 and #90EC27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECDF29 shade: #B1A70F, #D7CA13, #ECDF27, #F0E54D and #F3EA73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECDF29 shade: #ECDF29, #27EC41 and #9027EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECDF29 shade: #ECDF29, #27ECDF and #DF27EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECDF29 shade: #ECDF29, #27EC41, #2734EC and #EC27D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECDF29 shade: #ECDF29, #27EC7D, #2734EC and #EC2797

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 83 / 7

HEX #ECDF29

RGB 236 223 41

HSL 56, 0.84%, 0.54%

LAB 87.37, -13.39, 80.97

 

Complementary color

CMYK 91 / 85 / 0 / 16

HEX #1320D6

RGB 19 32 214

HSL 236, 0.84%, 0.46%

LAB 29.48, 61.07, -89.21

 

CMYK 0 / 7 / 85 / 5

HEX #F1DF24

RGB 241 223 36

HSL 54.73, 0.88%, 0.54%

LAB 87.78, -11.41, 82.59

 

CMYK 0 / 5 / 78 / 0

HEX #FFF137

RGB 255 241 55

HSL 55.8, 1%, 0.61%

LAB 93.64, -13.91, 83.4

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4A

RGB 255 255 74

HSL 60, 1%, 0.65%

LAB 97.34, -19.94, 81.05

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5D

RGB 255 255 93

HSL 60, 1%, 0.68%

LAB 97.46, -18.98, 74.38

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 6 / 83 / 7

HEX #ECDF29

RGB 236 223 41

HSL 56, 0.84%, 0.54%

LAB 87.37, -13.39, 80.97

 

CMYK 0 / 6 / 90 / 14

HEX #DBCD16

RGB 219 205 22

HSL 55.74, 0.82%, 0.47%

LAB 81.17, -12.04, 79.12

 

CMYK 0 / 7 / 99 / 21

HEX #CABB03

RGB 202 187 3

HSL 55.48, 0.97%, 0.4%

LAB 74.89, -10.5, 76.02

 

CMYK 0 / 9 / 100 / 27

HEX #B9A900

RGB 185 169 0

HSL 54.81, 1%, 0.36%

LAB 68.53, -8.72, 71.07

 

CMYK 0 / 10 / 100 / 34

HEX #A89700

RGB 168 151 0

HSL 53.93, 1%, 0.33%

LAB 62.05, -6.86, 65.7

 

CMYK 0 / 6 / 83 / 7

HEX #ECDF27

RGB 236 223 39

HSL 56.04, 0.84%, 0.54%

LAB 87.37, -13.44, 81.42

 

CMYK 0 / 28 / 83 / 7

HEX #ECAA27

RGB 236 170 39

HSL 39.9, 0.84%, 0.54%

LAB 74.02, 13.82, 70.27

 

CMYK 0 / 50 / 83 / 7

HEX #EC7527

RGB 236 117 39

HSL 23.76, 0.84%, 0.54%

LAB 62.26, 41.46, 60.25

 

CMYK 0 / 73 / 83 / 7

HEX #EC4027

RGB 236 64 39

HSL 7.61, 0.84%, 0.54%

LAB 53.65, 64.18, 52.73

 

CMYK 0 / 83 / 83 / 7

HEX #EC2727

RGB 236 39 39

HSL 0, 0.84%, 0.54%

LAB 51.19, 71.1, 50.54

 

CMYK 0 / 6 / 83 / 7

HEX #ECDF27

RGB 236 223 39

HSL 56.04, 0.84%, 0.54%

LAB 87.37, -13.44, 81.42

 

CMYK 17 / 0 / 83 / 7

HEX #C4EC27

RGB 196 236 39

HSL 72.18, 0.84%, 0.54%

LAB 87.91, -36.01, 80.69

 

CMYK 39 / 0 / 83 / 7

HEX #8FEC27

RGB 143 236 39

HSL 88.32, 0.84%, 0.54%

LAB 84.98, -55.38, 77.02

 

CMYK 62 / 0 / 83 / 7

HEX #5AEC27

RGB 90 236 39

HSL 104.47, 0.84%, 0.54%

LAB 83.08, -70.13, 74.61

 

CMYK 83 / 0 / 82 / 7

HEX #27EC2A

RGB 39 236 42

HSL 120.91, 0.84%, 0.54%

LAB 82.16, -78, 72.72

 

CMYK 0 / 6 / 83 / 7

HEX #ECDF27

RGB 236 223 39

HSL 56.04, 0.84%, 0.54%

LAB 87.37, -13.44, 81.42

 

CMYK 0 / 6 / 83 / 7

HEX #ECDF27

RGB 236 223 39

HSL 56.04, 0.84%, 0.54%

LAB 87.37, -13.44, 81.42

 

CMYK 0 / 5 / 73 / 15

HEX #D9CF3A

RGB 217 207 58

HSL 56.23, 0.68%, 0.54%

LAB 81.67, -12.84, 70.42

 

CMYK 0 / 4 / 61 / 22

HEX #C6BE4D

RGB 198 190 77

HSL 56.03, 0.51%, 0.54%

LAB 75.68, -11.21, 56.45

 

CMYK 0 / 3 / 46 / 30

HEX #B3AE60

RGB 179 174 96

HSL 56.39, 0.35%, 0.54%

LAB 69.97, -9.32, 40.45

 

CMYK 0 / 2 / 28 / 37

HEX #A09D73

RGB 160 157 115

HSL 56, 0.19%, 0.54%

LAB 64.02, -5.81, 22.42

 

CMYK 0 / 50 / 83 / 7

HEX #EC7627

RGB 236 118 39

HSL 24.06, 0.84%, 0.54%

LAB 62.45, 40.97, 60.42

 

CMYK 0 / 28 / 83 / 7

HEX #ECAB27

RGB 236 171 39

HSL 40.2, 0.84%, 0.54%

LAB 74.26, 13.3, 70.47

 

CMYK 0 / 6 / 83 / 7

HEX #ECDF27

RGB 236 223 39

HSL 56.04, 0.84%, 0.54%

LAB 87.37, -13.44, 81.42

 

CMYK 17 / 0 / 83 / 7

HEX #C5EC27

RGB 197 236 39

HSL 71.88, 0.84%, 0.54%

LAB 87.97, -35.61, 80.77

 

CMYK 39 / 0 / 83 / 7

HEX #90EC27

RGB 144 236 39

HSL 88.02, 0.84%, 0.54%

LAB 85.03, -55.05, 77.08

 

CMYK 0 / 6 / 92 / 31

HEX #B1A70F

RGB 177 167 15

HSL 56.3, 0.84%, 0.38%

LAB 67.29, -11.05, 67.89

 

CMYK 0 / 6 / 91 / 16

HEX #D7CA13

RGB 215 202 19

HSL 56.02, 0.84%, 0.46%

LAB 80.03, -12.29, 78.54

 

CMYK 0 / 6 / 83 / 7

HEX #ECDF27

RGB 236 223 39

HSL 56.04, 0.84%, 0.54%

LAB 87.37, -13.44, 81.42

 

CMYK 0 / 5 / 68 / 6

HEX #F0E54D

RGB 240 229 77

HSL 55.95, 0.84%, 0.62%

LAB 89.44, -13.3, 71.87

 

CMYK 0 / 4 / 53 / 5

HEX #F3EA73

RGB 243 234 115

HSL 55.78, 0.84%, 0.7%

LAB 91.3, -12.07, 58.06

 

CMYK 0 / 6 / 83 / 7

HEX #ECDF29

RGB 236 223 41

HSL 56, 0.84%, 0.54%

LAB 87.37, -13.39, 80.97

 

CMYK 83 / 0 / 72 / 7

HEX #27EC41

RGB 39 236 65

HSL 127.92, 0.84%, 0.54%

LAB 82.27, -76.53, 66

 

CMYK 39 / 83 / 0 / 7

HEX #9027EC

RGB 144 39 236

HSL 271.98, 0.84%, 0.54%

LAB 43.41, 74.07, -78.41

 

CMYK 0 / 6 / 83 / 7

HEX #ECDF29

RGB 236 223 41

HSL 56, 0.84%, 0.54%

LAB 87.37, -13.39, 80.97

 

CMYK 83 / 0 / 6 / 7

HEX #27ECDF

RGB 39 236 223

HSL 176.04, 0.84%, 0.54%

LAB 84.87, -47.55, -6.69

 

CMYK 6 / 83 / 0 / 7

HEX #DF27EC

RGB 223 39 236

HSL 296.04, 0.84%, 0.54%

LAB 55.27, 86.2, -58.63

 

CMYK 0 / 6 / 83 / 7

HEX #ECDF29

RGB 236 223 41

HSL 56, 0.84%, 0.54%

LAB 87.37, -13.39, 80.97

 

CMYK 83 / 0 / 72 / 7

HEX #27EC41

RGB 39 236 65

HSL 127.92, 0.84%, 0.54%

LAB 82.27, -76.53, 66

 

CMYK 83 / 78 / 0 / 7

HEX #2734EC

RGB 39 52 236

HSL 236.04, 0.84%, 0.54%

LAB 35.88, 59.24, -91.16

 

CMYK 0 / 83 / 11 / 7

HEX #EC27D2

RGB 236 39 210

HSL 307.92, 0.84%, 0.54%

LAB 56.02, 84.8, -42.58

 

CMYK 0 / 6 / 83 / 7

HEX #ECDF29

RGB 236 223 41

HSL 56, 0.84%, 0.54%

LAB 87.37, -13.39, 80.97

 

CMYK 83 / 0 / 47 / 7

HEX #27EC7D

RGB 39 236 125

HSL 146.19, 0.84%, 0.54%

LAB 82.86, -69.34, 40.99

 

CMYK 83 / 78 / 0 / 7

HEX #2734EC

RGB 39 52 236

HSL 236.04, 0.84%, 0.54%

LAB 35.88, 59.24, -91.16

 

CMYK 0 / 83 / 36 / 7

HEX #EC2797

RGB 236 39 151

HSL 325.89, 0.84%, 0.54%

LAB 53.51, 77.87, -12.11

 

Description

Color code: HEX #ECDF29 | qconv.com Color code: HEX #ECDF29 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 223 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 223 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 83 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 83% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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